Kokeshi, Naruko-kei, Miyagi Prefecture, by Takahashi Takeo. Birthdate=Taisho 5 (1916) July 26. H. 9.75” x Dia. 2.25” (24.75 x 5.75 cm.) Dentou, or "traditional," kokeshi hail from the northeastern part of Japan known as the Tohoku region. Tohoku is comprised of Aomori, Akita, Yamagata, Iwate, Miyagi, & Fukushima Prefectures...

Beautiful Old Chinese gold over silver enameled Bracelet with natural stones and open works. Very pretty color in excellent condition inner Diameter 2-1/4" (5.5cm) SOLD Signed

A beautiful early 20th C. Chinese old red carnelian, very pretty color in its excellent quality and good condition. Inner D: 6cm.

The painting is about Buddha’s story of Zen meditation. Re-mounted by the previous owner.

Beautifully carved sunflowers steeped in a deep crimson lacquer. C. 1945. Brazier initially used as a hand warmer, it would make a lovely flower vase. H:7 1/2" by 12" in diameter. Ask for shipping quote.

Takahashi Shotei (Hiroaki)
Mt. Fuji from Kurasawa
Size: Approximately 10.25 x 7.25 inches.
Date: pre-1927.
Publisher: Watanabe Shozaburo. No. 184 in 1936 Bears the Shotei seal.
Watanabe catalog. C-12 in Shotei catalog.
Condition: Excellent. Paper at top back margin.

Sample book of "100 hundred ancient sarasa". made of 26 silk fragments with katazome (stencil-resist dye), from No. 101 to No.126. It is made by Shiundo in Seto in Aichi prefecture. In good condition. Early 20th century. W:22cm, H:17.5cm

Kawase Hasui
Dawn Over Lake Shoji
Size: Approximately 8.75 x 7 inches.
Date: 1935. First and only edition.
Publisher: Watanabe Shozaburo for a calendar commissioned by Japan Government Railways. Please see the included original Japanese Government Railways tag.
Reference: Hotei #370.
Medium: Japanese woodblock print.
Condition: Margins trimmed...

A pair of snow shoes made of rice straw which is from Tohoku district in Japan Sea side prefecture such as Yamagata or Akita. In excellent condition. 20th century. L:28cm, W:11cm, H:12cm

Bertha Boynton Lum (1869-1954)
Kites
Date: 1912
Size: 14.375 x 8 inches.
Pencil signed and copyrighted 1913 by the artist.
Edition: "197" noted at lower right.
Reference: Gravalos/Pulin No. 29.
Medium: Japanese woodblock print.
Condition: Wrinkle in lower margin. Paper at a back margin.
"..the wind fills them up till they look like fish" - Bertha Lum: American Printmakers, (Smithsonian)

Hiroshige Ando
Fuchu, Nichomachi (Titled in image)
Size: Approximately 8.625 x 3.625 inches.
Date: Late 19th/Early 20th century.
Publisher: Kobayashi Bunshichi (black seal).
Medium: Japanese woodblock print.
Condition: Light toning

A finely painted famille rose dish depicting a misty landscaping. Mid-20th century. The original mark had been ground and a "Hong Kong" stamp was added. Other than this, the dish is in perfect condition. Diameter: 13".

Antique Chinese carved wood panel with figures in a garden playing a ball game , done in hard wood with black lacquer and natural wood . 14.25" by 4.75"

Utensil to scrape the inside of the bowl, ivory covered handle. L : 15c

This is a child's helmet ("khohl") from Kohistan, an isolated mountainous region of northern Pakistan located on the river Indus. Metal zippers, white beaded fringes, silver pendants and mirrored discs all serve to guard against the djinn, or evil spirits. The helmet has a high peaked crown supported by inserted sticks of wood, and topped with a beaded tassel. The helmet falls into a V-shape over the shoulders and back, measuring 62 cm from the tassel to the shawl base. Circumference: 42 cm...

Spring Field
Artist: Unidentified.
Size: Approximately 5.625 x 3.625 inches 14.2 x 9.2 cm
Date: ca. 1910.
Publisher: Matsumoto (No. 425).
Medium: Japanese woodblock print.
Condition: Excellent. Wave in paper where original publisher's tag is attached to the back.
The Matsumoto catalog states, "Butterflies are flitting to and fro among the flowers."
An early and rarely seen design.

Complete set of five Shan esoteric Buddhist images. These consist of a Buddha, three monks and a chedi. These are covered with traditional gold and back lacquer and the bodies are made from compressed powdered herbs or temple incense ash. They have a quirky abstract quality to them, their facelessness represents that the individual is inconsequential but has the potential for becoming a Buddha, on the bottom are the eight Burmese zodiac symbols based on the days of the week...