19th century rock crystal ojime (slide bead for tightening the cord going from netsuke to inro) in modified egg shape. Does not photograph well. All lines inside the material are not cracks, but natural features of the stone, pleasant patina on the surface. Length 1 inch.

19th century glass ojime (slide bead for tightening the cord going from netsuke to inro) in ball shape with pink body and leaf and white cherry flowers. Beautiful surface, very pleasant patina, large central hole. Diameter 5/8 inches.

A small late Ming Dynasty underglaze blue porcelain dish featuring a flower basket design. In excellent original condition with no cracks, no hairlines, and no repairs. Measures 5 7/8 inches diameter, 1 inch high.

Pair of Old (1900's) Japanese Mixed Metal Vase

Each is 4.8 inches (12.2 cm) tall by 2 inches (5.3 cm) wide. Total weight is 777.5 gram

They have rubbing of gold, oxidation, pitting, surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

Baluster vase with Flambé glaze in red, green and black, where the lighter parts are crackeled and the black is close to mirror black. San-Yang Kai-Tai or transmutation glazed, representing the change of seasons, from winter into spring. China, early 20th century, Republic period. The vase was purchased in Brussels in the 90's from an old Chinese couple who brought it to Europe when they left China in their youth. Height "7 ¼ / 18.5 cm...

Crackle glaze baluster vase with decoration of flowers and scrolls in panels in the Imari palette: underglaze blue, iron red and gilt. The vase is heavy, with thick walls and a wide band around the foot. Japanese, Edo c 1720. Height "7 2/3 / 19.5cm. Condition: the mouth rim ground (the vase might have had a metal fitting) and there is a faintly yellow shade to part of the shoulder (no restoration).

A thinly potted eggshell porcelain cup and two saucers. Enameled decoration of scrolls, Phoenix birds and temples in soft pastel shades. Arita, Japan, Edo period. Marked Zoshuntei (= shop), Sanpo Zo (made), for the factory of Hisatomi Yojibei Masatsune (1842 – 1870). Hisatomi was one of the first potters in Japan to be allowed to put his factory name on pieces intended for export from Arita. Height of cup "2 ½ / 6.5 and diameter "4/ 11 cm, diameter of saucers "5 ¾ / 14.5 cm...

This is a Japanese antique indigo dye cotton shibori kimono of asamai of the taisyo era. It has several faint stains. But that is no damage. Size:Length:150cm / 59inch Width:: 128cm / 50.3inch

These 3 hand-painted porcelain dessert platters were produced by the Carl Thieme Saxony Porcelain Company in Dresden, Germany circa 1900. Each plate is reticulated (pierced) at the rim in 4 places, and the plate is delicately, expertly and liberally painted with a variety of colorful florals. Hand-painted gold accents embellish the outer and inner rims, as well as the platter’s center with leaf, dotting, and latticework motifs...

Two very well-painted miniature Tibetan paintings on treated cloth (not paper). One wrathful, one tranquil. The larger of the two measures 3-1/4" X 4", while the smaller of the two, the wrathful one, measures 3-1/8" X 3-1/2". Minor rubbing, as seen in the photos. No retouching or repainting.

In some regions of China, women made separate pairs of heels for their lotus shoes. That way, the heels could be worn with different pairs of lotus shoes, depending on the occasion, or mood. The heels had loops for straps which were used to tie the heels into place on the shoe...

Antique Japanese 6-panel byobu screen painting depicting a noble woman's carriage (gosho-guruma) parked under a blossoming cherry tree (sakura). The tassel cords are untied. The yoke rests on a black lacquered stool. The cart is decorated with irises and peonies with raised rimpa paint. The sudari is shut closed with chrysanthemum pattern curtains billowing out. Painted in mineral colors and raised gofun on gold leaf...

During the Qing Dynasty, the feathers of the kingfisher bird were used to create ornaments for woman to attach to clothing and/or wear in their hair... Through the 1800's These ornaments were made and formed with heavy paper (light weight cardboard...) They had large areas of feathers and the edges of the paper form were bordered with gold paint...and the ornaments were often domed By the early 1900's the bird were becoming rare almost extinct ...so intricate and smaller sections of fea...

This early South Coast textile incorporates a two-headed serpent motif, together with a human (or divine) being with arms raised high (sometimes referred to as "the oculate being," because of the prominent, bulging eyes.). Classic south coast imagery, most probably Nazca (Nasca). I included a photograph of a much later related image, dating to perhaps as much as one thousand years later, to show the continuity of the imagery...

Greek Revival sterling silver footed bowl. Made by Grosjean & Woodward for Tiffany & Co. at 550 Broadway in New York. Bowl wide and shallow with flat fretwork rim. Ornament applied to exterior: Medallions inset with male youth heads surrounded by leaf-and-berry branches. Bowl underside center has petal lobing to which are mounted two side handles with stylized leaf-caps on split volute scroll terminals...

Length: 3.5 cm (1.4 in)
Width: 2.9 cm (1.2 in)
Height: 1.8 cm (0.7 in)

Early Chinese toggle of a recumbent foo dog; natural material; good patina with wear; age lines on the base; good condition

Length: 3.5 cm (1.4 in)
Width: 2.9 cm (1.2 in)
Height: 1.8 cm (0.7 in)

Early Chinese toggle of a recumbent foo dog; natural material; good patina and age wear; good condition

19th century long wooden netsuke of nyoi - a Buddhist scepter carved as a length of a reishi fungus with three fungus heads. Did not photograph well. Nyoi, or Ruyi scepter is a traditional symbol of scholarship and transmission of knowledge, and reishi fungus represents the fabled Fungus of Immortality. Carved out of dense beautiful brown rosewood, elegant design in Japanese taste, great depiction of fungus texture, wonderful patina and excellent sheen to the surface from being handled...

A 19th Century Japanese six panel screen of Nara preparing for the Matsuri Wakakusa Yamigaki festival. This elegant bird's eye view of the city of Nara in the Edo period depicts a scree of village life in preparation for the traditional rice festival. Dancing and drinking are on display and the excitement fills the air with anticipation. The Nara temple is the major sponsor of the activities...

Early 18th C Edo period Japanese byobu painted screen of scholars in retreat. It is composed of 2 panels. The screen has a predominate gold leaf ground on gofun paper. Paint composition is a mineral rimpa paint. The subject matter is a belief of mythology made real. Shu-ton (a scholar's attendant) found a longevity turtle that is believed to be 1000 years old. This turtle is also known to be a messenger to the gods. The expression on the master's face reflects wonderment. He is able to find an ...

Japanese 17th century Momoyama Period six panel Byobu painted screen of the Tale of Genji. This remarkable screen is in great form painted with rimpa polychrome mineral paint on gold gilt gofun paper. The composition is complex and it allows the viewers to have a bird's eye view of the scene and events amidst swirling clouds. The exaggerated foliage and scale of the courtly figures are dynamically composed with tranquility and balance.

The Tale of Genji is a masterpiece of Japanese lite...

A mid-century 18th C Japanese Tosa school six panel byobu painted screen. Rimpa paint of gofun paper with gold leafed clouds dividing each of the scenes. The screen begins by exposing us to the art of seduction by listening to poetry. The proper approach to a desired lady was through poems written on scented paper of the finest quality by an elegantly dressed go-between of appropriate social ranking. Gifts are exchanged & elegant conversation is followed with the female dressed within layers of ...

This is a pale celadon and russet jade plaque, dating to the Qing dynasty. The piece is entirely worked by hand, with no indication of modern/machine carving (or re-carving). It measures 2-1/2 inches in length and has been perforated lengthwise to permit it to be strung with a cord and worn. The reverse side has been carved with a series of symbols. Please see the photos, as they are part of the description. Custom stand included.

A medium sized Japanese Oribe dish with a rich, brilliant green glaze and plum blossom brush painting. The crackle in the glaze adds to the design and the edging is painted. The bottom is unglazed and has 4 indented strips. Invented in Japan in 1605, Oribe ware introduced vivid pattern and color to a ceramics tradition that had previously favored somber, monochrome designs.

Dimensions: 9.5" diameter

Date: circa 18th C

Opaline or overlay peach-coloured and white satin glass perfume bottle, France around 1890. Floral decoration in enamels and raised gilt with applied clear glass swirls. Bottle and stopper marked 35. Height "8 1/3 / 21 cm. Condition: fine.

An urn-shaped perfume bottle, French around 1890. Blue opaline glass with satinized surface, floral decoration in enamels and raised gilt. Bottle and stopper marked 41. Height "9/ 23 cm. Condition: fine.

19th century netsuke carved as a group of four seals - two of simple square section, one in a shape of a natural lotus bud stem (its stem serving as himotoshi), and one with shishi and ball finial. Elegant design in Japanese taste, bottoms are carved with raised and sunken characters in seal script and stained to resemble real seals - one of them could be a signature of the carver. Possibly made for a silk merchant - the seals resemble actual chops used for stamping silks. Great compact netsuke ...

A gilt bronze figure of Heruka with fierce rolling tongue expression, holding a chopper and skull cup. The deity stands in a warrior's pose with right knee up and pivoting. The flowing drapery suggests movement and dance rituals. The figure is mounted on a bronze base.

Heruka is the name of a category of wrathful deities in Vajrayana Buddhism. These enlightened beings adopt a fierce countenance to benefit sentient beings. In East Asia, they are called Wisdom Kings. Herukas repres...

A fine transfer printed dark blue and white Staffordshire plate in the "Birds and Fruit" pattern. Attributed to John Hall & Sons, Burslem, England.

The central scene features two birds amidst a panoply of fruit, including pears, strawberries, blackberries, grapes, etc. The cavetto and wide rim has a border of flowers and foliage.

The color of this platter is a deep, clear blue, with no blurriness, and with the desired ripple glaze. Condition is excellent, with no cracks, restoration, ...

Chinese yixing zisha teapot. Good conditions. 11 cm wide, 6,5 cm high.

Ko-sometsuke porcelain was produced specifically for the Japanese market during the final decades of the Ming dynasty (1368-1644). A small Japanese porcelain plate glazed with 3 images of a person on an island, a row boat and mountain.

Dimensions: diameter 6" X 1.5"

Date: 17th C

Late 18th to early 19th century Kyoto school netsuke of a dog wearing a collar with its head turned back while resting the front of its body on a ball. Strong piece, superb carving to the last detail, fantastic hairwork, beautiful flow to its tail and bumpy spine, large eyes inlaid with dark horn. Wonderful wear and patina consistent with age, great classic netsuke. Height 1 13/16 inches.

19th century netsuke carved as Amida Buddha sitting with his hands in jo-in mudra - hand gesture signifying concentration. Amida (Amitabha) - "The Buddha of Immeasurable Light and Life” - is the principal buddha in Pure Land Buddhism. Excellent carving of his facial expression of quiet meditation, beautiful rhythm to the flow of the folds of his robe, remnants of gold lacquer on his hair. Wonderful staining and patina, very pleasant to hold. Height 1 9/16 inches.

A rare and highly interesting early Indonesian bronze figure of a Peacock or Cock on a double Lotus throne, Central Java, 9th. century AD.

A very elaborate figure, ornamental in the form of a stylized peacock or cock, with and impressive tail. unusual and very rare example of early Indonesian Buddhist bronze sculptural art.

Refference: See a similar style bronze bird in 'Devine bronze' - Ancient Indonesian bronzes from 600-1600 AD (Paulene Lunnsinggh Scheurleer and Marijk...

Eastern Javanese, Majapahit Dynasty, 14th.-15th Century AD.

Red clay figure of corpulent form, incised with decorative details of the tail, scales and head of a magnificient rendering of a fat fish. Exudes a lively, robust personality. The long tradition of trade between China and Java culminated with the establishment of a trading colony in 1297. The Chinese were subsequently responsible for the first regular use of coins in Java which became widespread in the 15th century. During t...

Eggshell thin cup and saucer of lobed and fluted shape, ivory matt glaze to the exterior, twig handle and raised gilt leaf decoration. French, unsigned, around 1890, the design with a touch of Japonisme. Height of cup "2/ 5.3 cm, diameter of saucer "4 / 10.2 cm. Condition: fine.