1830-40 velvet reticule theorem purse In nice condition with some age darkening. It is all hand sewn, lined with fine homespun linen. No rips or tears but there is loss of most of the ribbon trim around the outside edges. It is 8 1/2" top to bottom and 8" across at the widest point.

Rare 19th century Irish cut crystal footed master salt with a fluted body and a handsome roll over collar. The bottom of the foot has micro abrasions. It is not signed Waterford, but early Waterford was not marked. In excellent antique condition, it measures 3.25" high, bowl 3" diameter. A must have for the collector. Circa 1840-50

18th century hand chased Georgian silver toddy ladle embossed with festoons, birds, flowers and a shield bearing the beautifully engraved initials "EC". These ladles were used to serve toddy from a serving rummer or punch bowl and ideal for warming brandy. The twisted whalebone handle affords a better grip and has a silver end cap. In excellent condition,just needs a little polishing, it measures 13 inches long; bowl measures 2.5" diameter, 1.25" deep. Circa 1770

An elegant Thomas Ellis sterling silver and whalebone toddy ladle with an elongated bowl with a rope twist edging. The twisted baleen handle affords a better grip and retains its original end cap. In very good antique condition, it is hallmarked in the bowl and dates circa 1780. Measures 13.25 inches long; bowl measures 2.75" x 2.5", 1" deep.

This porcelain plate was produced in England by Coalport in the 1890s. It measures 8 ¾ inches in diameter. The plate is made of fine, white bone china. The rim has a rococo style. It is elaborately hand enameled with raised paste gilding. There are urns overflowing with fruits and flowers. There are instruments and lit touches, flower swags and arabesques in unbelievable quantity. The design nearly covers the entire plate...

This porcelain tea cup and saucer was produced in England by Brown, Westhead & Moore around 1875. It is not marked but we found the shape in “A Compendium of British Cups” by Berthoud. The saucer measures 5 ¼ inches and the cup is 2 ¾ inches high. The set has wonderful celeste blue enamel coloring. There are bands of tiny hand painted flowers accenting the rims. Gilded accents and gold trim on rims and handles add to the design. CONDITION: Excellent

This porcelain demitasse cup and saucer was produced in Germany by Nymphenburg in the 1890s. The saucer has a diameter of 4 ½ inches and is 1 inch deep. The cup is 2 ¼ inches high. The porcelain is fine, white, hard paste. There is a hand painted scene on the front of the cup with colorful exotic birds. The saucer has little insects scattered about. There is lacy gold trim around the rims of each piece. CONDITION: Excellent, first quality

This porcelain tea cup and saucer was produced in France by a Paris decorator around 1870 or earlier. The saucer has a diameter of 5 ½ inches and the cup is 1 ¾ inches high. The ground color of this set is deep cobalt blue. The cup has a reserve on the front with a Watteau scene of lovers in a garden. There are two scenes of landscapes on the saucer. Ornate gilded cartouches frame these scenes. It is very similar to work done at the Sevres factory and even the handle is the same style...

This porcelain plate was produced in Germany by the Royal Berlin Porcelain Manufactory, or KPM, in 1919. The date ciphers indicate this year. The plate is 8 ¾ inches in diameter. The porcelain is delicate and translucent with a reticulated border. The decoration is beautifully hand painted with the “soft paste paint” style. There is a fragile dragonfly hovering near the realistically painted flowers...

This perfume stand or caddy was produced in France in the 1870s. The mark on the Longwy insert is partially covered but may be from 1815 to 1835. The metal stand is 8 ¾ inches high and the diameter is inches. The metal is dore gilded. There are three hand cut crystal bottles with stoppers. A Longwy ceramic dish or tray was used as an insert for the stand. It gives the stand a Persian look...

This porcelain plate was produced in England by Royal Crown Derby in 1890. The date cipher indicates this year. The plate was made especially for the New York retailer, Wilhelm & Graef. The plate measures 9 inches in diameter. It is made of fine bone china. The ground color is pale yellow. Four center panels and two bands of ruby red enamel form the decoration. The entire surface of the plate has incredible raised gilding...

This porcelain figure or bust was produced in France by Vion & Baury in the 1870s. This piece is signed with impressed letters EB, Paris and a signature S. Kinsburger. The bisque figure is 7 ½ inches high and 4 ½ inches wide. The bust depicts a charming young maiden with a love letter tucked into her clothing. She is dressed in a frilly cap with polka dots. Her embroidered bodice is intricately hand painted and a row of gilded buttons accent it...

Turn-of-the-century American Craftsman sterling silver porringer. Bellied bowl on inset foot ring. Finely faceted hand hammering with "disco ball" shimmer. Plain open tree handle. Fully marked including retailer’s stamp for A. Stowell & Co., who were active in Boston from ca 1865 to 1904. Very good condition.

Dimensions: H 2 1/4 x W 7 1/2 x D 5 1/4 in. Weight: 8 troy ounces. #BT004

Pencil on paper with added color in crayon, 13" by 19 1/2", (unframed, but a damaged frame in which it was found is available with it). The scene, of a circa 1870 house with barn, outbuildings and neat haystacks, and a man on a horse drawn carriage, is titled at bottom "RES. OF HON. CHRISTIAN PARKER. SKETCHED BY. ED. A. SCHRANTZ." I thought this perhaps a New England or Mid Atlantic scene, or perhaps even Ohio, Illinois or Wisconsin, but thanks to the internet, this old survivor, which otherw...

Nathaniel Mills Castle Top sterling silver card case with high relief view of Trinity Church, Wall Street, New York City. Birmingham mint marks, with date letter for 1848-1849. A 'castle top' silver card case by the famous silversmith Nathaniel Mills, depicting a rare view of an American scene, Trinity Church, Wall St., in New York City. Mills was known for his 'high-relief' portrayals of churches, abbeys, and castles, which he applied to vinaigrettes, snuff boxes and card cases. This example is...

A tasteful Edwardian rectangular serving tray, solid oak with brass enforced rounded corners, authentic warm patina. In excellent condition, it measures 15.5 inches long by 9.75" wide. Dates circa 1900.

This is a stoneware crock, 11 1/2" high and approximately 10 1/2" diameter, natural non-gray color, the "2" cut into the wet clay before it was fired. There are several edge chips, but there is some white paint on one side of the rim that is NOT chips, and it comes off with the fingernail. Note the glaze. I am a fine arts dealer and stoneware is not my area of expertise, so, I hope I am identifying this properly. I am aware that there are a lot of modern reproductions, but I do not believe t...

This is antique ecclesiastical sheet music in Latin, from earlier centuries, commonly known as an "antiphonal". These are normally seen as hand painted manuscripts on vellum (animal skin). The present example (19 3/4" by 14") is a rather typical example, with red bars, brown/sepia lettering and notes and a few capital letters in colors (in this case, one blue, one red). Condition is good considering the advanced age of the sheet, with overall wrinkling/rippling, and oxidation of the ink in a nu...