Small and beautiful silver basket bowl made in Germany c 1890. Empire style boat shape, the reticulated and engraved decoration in Rococo style with flowers and rocaille ornaments. Marks for Martin Meyer in Mainz, a leading German silversmith (1888 - ), producer of cutlery as well as Jugendstil jewelry. German control mark: crescent and crown plus 800 for the silver content. On the border a French importation mark, in use from 1864 to 1893: a small insect, a weevil...

George IV sterling silver bowl. Made by Elder & Co. in Edinburgh in 1831. Round with tapering sides and raised round foot. Scalloped frames with chased leaf and flower border on stippled ground, surmounted by open fruiting grapevine border; cast flower and leaf rim. Elegant Scottish Regency Classicism. Fully marked. Very good condition with nice patina.

Dimensions: H 3 x D 10 3/4 in. Weight: 18.6 troy ounces. #BX610

Turn-of-the-century Silberiris glass vase by Loetz with engraved silver overlay. Ovoid with flared rim in silver collar. Overlay in form of open and stylized leaf band and c-scroll neck border. Glass iridescent in orange, pink, and green. Very good condition.

Dimensions: H 5 1/4 x D 3 1/2 in. #BX858

Large Dutch silver cow creamer, 1910. A sweet beast with stocky body on slender legs and delicate hoofs. Head quizzically turned to side with flexed ears, sharp horns, red cabochon glass eyes, and gaping mouth spout. Flicked back tail handle and hinged back cover. Appears to be unmarked. Very good condition.

Dimensions: H 7 1/4 x L 10 3/8 x W 3 3/8 in. Weight: 19.5 troy ounces. #BX771

Victorian Neoclassical sterling silver epergne. Made by Charles Stuart Harris in London in 1895. Central oval frame with pendant leaf garland threaded through fixed rings and supporting oval medallions with amphorae applied to stippled ground. Frame rests on 4 leaf-capped and scrolled supports terminating in pierced leaf feet. Shaft is reeded and has applied leaf garland with paterae mounts, and supports large boat-form basket...

English Modern sterling silver cigar box, 1919. Rectangular with plain straight sides. Cover hinged with tapering tab; top gently curved with engine-turned wave ornament bordered by fretwork, and centrally mounted gold ring inset with word “CIGARS”. Interior cedar lined and partitioned. Underside leather lined.

Fully marked including Birmingham assay stamp and mark for WC Griffiths, a silversmith and retailer. Very good condition.

Dimensions: H 5 3/8 x W 10 1/8 x D 5 3/4 in...

Edwardian Neoclassical glass tray with sterling silver gallery. Made by R. Wallace & Sons Mfg. Co. in Wallingford, Conn., ca 1910. Glass is clear with cut star. Gallery is straight with pierced ornament, reeded rim, and cutout tubular handles. Fully marked including maker’s stamp and no. C1529. Very good condition.

Dimensions: H 2 3/4 x W 13 1/8 x D 12 1/4 in. #BT638

Six footed little cups, tasses à glace / sorbet or ice cream cups in the model used by Sèvres from c 1750 up till around 1800. Because of their sparse decoration the cups go well with more richly decorated porcelain. Slight variation in the gilt and molding of the handles, and in height: four of the cups "2 ½ / 6.3 cm and two 6.5 cm. All probably from around 1780. Marks: LL interlaced - four in over-glaze blue, one in red under crown and with LF and one in gold with HP...

Capodimonte porcelain hinged box in high-relief with hand-painted frolicking cherubs and satyrs with a dark grey horse and on the lid are cherubs playing with a goat. Condition: the front panel has a firing flaw and is indented. On the base is a marked verso with a blue letter N over a crown. It was made in Naples Italy. Age: Late 19th Century Size: 4 ¾” ht. x 5 5/8” w. x 4” d. (12.06 x 14.6 x10.16 cm)

An oval and domed porcelain plaque with enamelled flowers in a gilt and Bleu Céleste framework. The ”heavenly blue” colour was a speciality for Sevres in the 18th century and revived in the 19th during the reign of Napoléon III. The gilt flower wreath is tooled, to show the texture of the little flower petals, and the large flower motif is excellently painted. The plaque was made in the late 19th century and probably intended for an ormolu wall sconce...

Faience écritoire / inkwell or desk set, France, c 1800. Unusually bold decoration of flowers in black and blue. The inserts apparently of the period, but not belonging. Width "7 ¼ / 18.5 cm, height "2/ 5 cm. Condition: wear consisting with age.

A superb and early spread base mug example of the Worcester "Walk in the Garden" pattern. Although Branyan, in his book "Worcester Blue and White Porcelain 1751 - 1790" indicates the date range for this pattern to be 1755 to 1765, the lovely pale grayish-blue color of the decoration and the presence of a scratch cross mark on the base would place manufacture of this mug (or tankard) several years earlier, making this a truly exceptional piece...

Charming coffee cans, decorated with various birds in bright and lively colours, the style typical of the last years of the Amstel factory, 1809-1814. There are three cans. The saucers are from the period, but not belonging - the original saucers probably had corresponding birds in the center. Height "2 ¼ / 6.2 cm, diameter of saucers "5 ¼ / 13 cm. Condition: some wear to the gilt of the upper rim to two of the cups.

Small Christ in cast bronze, traces of gilding. French medieval 13th century. The bronze has a beautiful old patina, there is very little gilding left. He wears a loincloth and an Egyptian headdress. A stylized flower appears to be drawn on his belly. It was mounted on a gilded wooden frame probably in the 18th century. Height of Christ alone 95mm. Good condition, no repairs, normal wear for the period, beautifull original patina.

Crucifix in wood and pewter. The cross is made up of 2 planks of softwood, fir or larch? The Christ and the other elements are in cast pewter (or lead?). A similar but smaller crucifix is kept at the Victoria & Albert museum which advertises it as an 18th century Spanish work. 375 x 185 mm Good condition, some lacks as can be seen on photos. Very rare item.

Monstrance (reliquary)in cast bronze and chiseled copper. Gilding quick-silver. Base weighted by lead. Disassembles into 2 parts. It has not been cleaned for a very long time, so the gilding appears orange under a layer of oxidation, smoke and dirt. The gilding is perfectly preserved. It is in excellent condition, no part missing. The roof is held to the uprights by 2 rivets, one has been replaced. The glass was replaced late. Height: 545mm...

Lost wax cast bronze Christ. Probably original wooden cross. The fine quality sculpture is certainly the work of a good artist. It would be interesting and profitable to find out who it is. I don't know much about European art but the sculptor who thought of this bead of skin above the nail hole of the feet was not a simple craftsman...

A fine and early English saucer showing a Chinese man with a bird. Done in blue and white, lot 303 of the Bonham's sale of the famous and important Watney collection showed this same pattern and identified it as being William Reid porcelain.

The saucer is in excellent condition and is 4 7/8" in diameter.

NOTE: William Reid & Co. were porcelain makers in Liverpool between 1756-61. Their factory was situated on Brownlow Hill where a bone-ash porcelain was produced.