Lovely T&V Limoges cracker jar with flowers painted on both sides and gold trim. It is in perfect condition with no chips, cracks or repairs, and measures 8" tall x 6 1/2" diameter at widest part.

This is a famous Coalport Porcelain pattern, known as 'money tree'. The colors are bold, reflecting the attempt by the Coalport factory to compete with Chinese and Japanese porcelain imports and to cater to the English love for Oriental colors and patterns, during the Regency period.

Condition: excellent Height: 9.5 inches

A beautiful and rare bucket shaped cup made by the Bow porcelain factory and decorated in gilt, iron red, green, and blue in the kakiemon "Two Quail" pattern. The arrangement of the pattern is also unusual on this piece, with the birds placed directly opposite the handle.

This piece is in superb condition, with no chips or restoration, and showing bright enamels, with a truly minor in the making glaze split at the top of the handle (shown in extreme magnification in the 6th photo)...

SOLD An elaborately molded high handled sauceboat decorated with blue transfer flowers and blue transfer border on the interior top edge. There is a large amount of kiln ash in the glaze. 5 ¾ inches (14.5 cm) long, 3 ¼ inches (8 cm) tall and 2 ¾ inches (6.5 cm) wide.

Condition; Hairline crack where the handle joins the body and another short one on the left side just behind the first bump traveling back toward the handle. As mentioned earlier there is plenty of ash in the glaze...

A blue and white parian pitcher with raised oak leaves and acorns and a “branch” handle and spout. The oak portions in white against a textured blue painted ground. Marked on the underside with the U.S. Pottery Company ribbon mark with “No. 16.” and the number 12. This mark used in the 1850’s. 8 5/8 inches tall and 6 ¾ inches across handle and spout.

Condition: no chips or repairs, but a crack in the base of the handle.

These 3 hand-painted porcelain dessert platters were produced by the Carl Thieme Saxony Porcelain Company in Dresden, Germany circa 1900. Each plate is reticulated (pierced) at the rim in 4 places, and the plate is delicately, expertly and liberally painted with a variety of colorful florals. Hand-painted gold accents embellish the outer and inner rims, as well as the platter’s center with leaf, dotting, and latticework motifs...

This pair of porcelain candlesticks was produced in France by Tressemann & Vogt Limoges at the turn of the 19th century. They were sold white ware to a studio painter for decoration. They measure 7 5/8 inches high and the diameter of the foot is 4 1/4 inches. The pair is decorated with rose and pink colored roses that tumble around each piece. The ground color is green that shades from light to dark. The tops of the candlesticks are painted with gold.

A feather or shell edge plate beautifully enameled with scattered flowers in typical Rococo style. Late 18th century, made at the Royal Vienna Porcelain factory. Underglaze blue shield mark and painters mark in puce plus an impressed N, probably for Joseph Niedermeyer who was chief modeller 1747-1784. Diameter "9 ¾ / 24.5 cm. Condition: fine.

Authentic antique, Russian (The Grand Duchy of Moscow), a rare version of the Orthodox Byzantine double-sided cast bronze pectoral cross pendant, circa 15th- 16th century AD. The obverse, cast in relief, has the image of Christ crucified on the cross; under the arms are letters of the Greek alphabet, OV and MP, an abbreviation of the Greek Mater Theos (Mother of God)...

A beautiful and very unusual bell shaped Chelsea cup featuring an angular scroll handle with flattened thumb rest and loose sprays of flowers and sprigs, the interior also with a flower spray. The bottom has the red anchor mark and the number 21.

The condition of this charming piece is excellent, with no chips, staining, paint loss, or restoration. There is a short in the making under glaze firing line just above the terminal at the bottom of the handle...

This neo-classically inspired porcelain pitcher is magnificent in its grace and, dare I say, grandeur. It expands as it rises from its gilded circular foot then recedes to give rise to a towering helmet style beaker. The base of the handle is anchored in a shield from which it serpentinely shoots up and then down to attach to the rim. The gilding is sumptuous especially around the hand painted scene of a riparian idyll with 2 people in discourse...

A hand-painted moulded earthenware (religious subject) wall plaque with "majolica" glaze, made in the style of the 15th century Italian sculptor and ceramicist Lucia della Robbia...

A pearlware child’s mug with the stencil inscription in blue on the front, “A Gift from the Pottery,” in a cut corner rectangle with a seaweed surround. The top and bottom of the mug with a single blue band. The ends of the oval handle spread like a leaf. 2 1/8 inches (5.4 cm) tall, 3 ¼ inches (8.3 cm) across the handle.

Condition: no chips, cracks, hairlines or repairs. Tiny rough spot on the lip and a little wear on the base...

A lovely pair of Royal Crown Derby vases in the Old Imari pattern. In excellent condition with very little wear to the gold except on the ears and mouth rim. No chips, no hairlines, no repairs. They measure 6.5" high. Dates 1877-1890.

Enoch Wood historical Staffordshire dark blue transfer plate, Moulin sur la Marne a Charenton, from the French series. Circa 1825. Pearlware with grapevine border and with pottery's impressed WOOD mark and underglaze blue pattern name. Size: 9 1/8" diameter. Condition is very good apart from some light staining to reverse of plate.

A Bow porcelain coffee cup of very rare beaker, or bucket, form. The scene is "The Koto Player", depicting a woman seated under a tree, playing the koto. The other side shows a table with a few fronds in a vase. Labels on the base show the provenance as the Bonham's Billie Paine sale, and Rod Jellicoe, a highly respected English porcelain dealer.

The condition of this piece is excellent, with no flaws, and deep clear colors...

A fine example of a coffee can made by the Seth Pennington Liverpool factory. The pattern, known as the "Scolding Woman" shows two polychrome Chinoiserie figures along with a large tree and rockwork.

The condition is superb, with no flaws and looking factory fresh. The height is 2 1/2" and the diameter is 2 1/4".

A fine example from the Quadrupeds Series, manufactured, primarily for the American market, by John Hall between 1802 and 1832. This particular piece depicts the pronghorn antelope, with a beaver, otter, coyote, and raccoon in the cartouches at the edge of the plate. Marked on the reverse a printed "Hall Quadrupeds".

The plate is 8" in diameter and is in excellent condition, with no chips, cracks, or restoration, and having the desirable deep blue ripple glaze.

En suite with p1108.