Edwardian Regency sterling silver trinket box. Made by Mauser Mfg. Co. in New York, ca 1910. Heart-shaped. Sides straight with chased garland. Cover hinged and raised with vacant center bordered by flowering branch. Gilt-washed interior. Fully marked including maker’s stamp and no. 3666. Very good condition.

Dimensions: H 1 7/8 x W 4 1/8 x D 4 3/8 in. Weight: 4.7 troy ounces. #BY419

A Country Primitive Tin 12-Candle Wax Mold; Rows of Six Candles X Two Candles. Dimensions; 10.5" high x 8" wide x 4" deep. Condition appropriate to age and use. Mid/late 19th century.

A pair of English sterling William IV sugar tongs, fully hallmarked for London 1834. These 5-3/4" tongs were made by Wm. Ely, they weigh 50.8 grams,and they are in excellent original condition with no dents, bends, corrosion, losses, damage or repairs. All items are thoroughly and conservatively graded and all condition issues are noted; all items are secondhand and may have slight signs of gentle use. Tracked packet air shipping to the U.S...

A group of four hand painted German porcelain cups and saucers by Helena Wolfsohn c1870s-80s. Each has fine floral decoration with garlands and gold trim and highlights, both inside and out. Each has a blue ground and all have the blue Wolfsohn backstamp (crowned D over Hand painted Dresden Saxony). One has "Handgemalt" instead of handpainted, and all have the gold rose overstamp. The cups stand 2" high and the saucers are 5-7/8" across, and each saucer also is stamped with a retailer stamp...

This 3 piece porcelain tea set was produced in Austria by Royal Rudolstadt in the 1890s. The pot measures 5 ½ inches high and 4 ¼ inches from the spout to the handle. The cream pitcher is 4 inches high and 3 inches from the spout to the handle. The sugar bowl with lid is 3 ½ inches high and has a diameter of 3 ¼ inches. The 3 pieces all have little feet. They are entirely hand painted and hand gilded. The scenes with cherubs are all artist signed...

This is a handsome English silverplate on copper oval gallery serving tray having rope banded rim and base with pierced sides and handles, maker unknown but marked Silver On Copper, measures 18 in L x 12 in. w; good condition, wear to silver and copper visible in places on the interior of the tray, surface scratches.

A beautiful Rosaline and ivory glass compote and creamer made by either Steuben or Stevens & Williams. The compote is 7 inches wide and 4 inches high. The creamer is 5 inches wide (to handle-tip) and 2 1/2 inches high. Both are in fine condition without chips, cracks or repairs. Broad polished pontil on creamer.

A vibrant and charming American folk art tinsel painting showing a variety of fruit and foliage in a white compote set upon a slab of marble. Wonderful condition, with a sight size of 12 inches by 15 1/4 inches, and a beautiful, non-period frame of 16 3/4 inches by 20 inches.

An extremely rare and striking Derby chocolate cup and saucer of very unusual form. The bell-shaped cup has an undulating rim and a flat ear-shaped pierced handle. It is painted in famille verte enamels with leaves and flowers positioned in compartments bordered in an iron red. The saucer is decorated in a similar fashion.

As rare as the cup is, according to several sources the saucer is much more so, and has rarely been offered at auction...

This amethyst ring is a striking example of gold-work decoration that became popular in the second decade of the 19th century. A type of filigree work known as "cannetile" and named for the gold embroideries of the Napoleonic years, cannetile work made the most of a small amount of gold and required highly skilled goldsmiths. The amethyst stone is particularly eye-catching. The combination of the cannetile work next to the amethyst makes this an extraordinary ring. The ring is a US size 6.

Eye catching 15K gold and amethyst ring surrounded by pave set chrysoberyls from Portuguese mines in Brazil. Fabulous jewelry was made from the various gemstones exported from these mines until the French invasion of Portugal in 1809. The ring is size 8 1/4 and can be sized to fit.

George V sterling silver box. Made by Sampson Mordan in London in 1914. Rectangular with straight sides and curved corners. Cover hinged with tapering tab and gently curved top. Cedar-lined and partitioned interior. Leather-lined underside. Fully marked. Very good condition.

Dimensions: H 3 5/8 x W 9 x D 5 1/2 in. Heavy gross weight: 41.8 troy ounces. #BZ316

This covered porcelain dish or box was produced in France by Tressemann & Vogt Limoges around 1900. The dish has a diameter of 7 inches and is 1 1/2 inches high without the handle. The lid has a ribbon shaped handle. The porcelain was sold white ware and decorated by a studio artist in the United States. It has large, vibrantly colored roses that spill across the lid. The ground color blends from peach to green. There is gold trim on the rim at the bottom...

Rare gilt sterling silver replica of the anointing spoon used for the coronation of English monarchs. The original spoon, dating from the 12th Century, is the oldest continuously used piece in the entire English royal regalia. The spoon is used to apply holy anointing oil onto the sovereign during his or her coronation. This replica commemorates the coronation of Queen Victoria’s son Edward VII...

George V sterling silver sugar caster. Made by Harrison Bros & Howson in London in 1911. Baluster with applied shell-mounted garland on domed foot with chased imbricated leaf-and-flower border. Cover threaded and domed with vasiform finial and ornamental piercing. Fully marked. Excellent condition.

Dimensions: H 8 1/4 x D 3 1/4 in. Weight: 11 troy ounces. #BW523

A Pair of Open Salts in Sterling Silver By Gorham, with a pair of Salt Spoons by Lunt (Rogers, Lunt & Boylan mark). The date mark for Gorham is 1919 and the dimensions are 2.5" x 1.5" x 1" high.

Set of three 1800's reverse painted hunting scenes. Framed in beautiful old burl frames with silvered filets. Each measures 13.5" x 11". Reverse painted under glass with painted scene on paper underneath that for added dimension. Exceptional set. For additional photos or questions, please feel free to ask.

A superb and early spread base mug example of the Worcester "Walk in the Garden" pattern. Although Branyan, in his book "Worcester Blue and White Porcelain 1751 - 1790" indicates the date range for this pattern to be 1755 to 1765, the lovely pale grayish-blue color of the decoration and the presence of a scratch cross mark on the base would place manufacture of this mug (or tankard) several years earlier, making this a truly exceptional piece...