Very nice vintage South Jersey glass paperweight featuring a frit design of an ivy-covered blue cross against an opaque white ground. The foreground has a wave-like frit design. The opaque ground is most unusual in a South Jersey weight. The crown rises quite high into a pronounced cowlick more typical of New England weights. The bottom has a pontil mark and slight basal concavity, and there is an incised line around the periphery at the top edge of the opaque ground.

Origin: America, ca...

A 19th Century Staffordshire Earthenware Jug depicting Admiral Nelson. There is a similar example in the collection of the National Maritime Museum, Greenwich, London. Condition - excellent - no damages and no restoration. 28.6cm (11.25inches) high.

Pair of English Neoclassical sterling silver 3-light candelabra. Made by Tiffany & Co. in New York, ca 1930. Each: Two leaf-wrapped arms, each terminating in single socket, wrapped around a central socket. Arms set in single socket mounted to tapering shaft on raised foot. Each socket tapering with detachable bobeche and wax pan. Central socket has cover with acorn finial. Faceted and reeded. Applied acanthus leaves on sockets and foot. Leaf-and-dart borders. Converts to candlestick...

A Whiskey sterling silver bottle label or ticket hallmarked for Birmingham 1899. This antique Whisky label hangs on a loop chain, and it weighs 8.5 grams. This item is in excellent antique condition with no dents, bends, corrosion, losses, damage or repairs. All items are thoroughly and conservatively graded and all condition issues are noted; all items are vintage or antique and may have slight signs of gentle use. Expedited tracked and insured parcel shipping to the U.S...

English Georgian Neoclassical sterling silver basket, ca 1790. Ovoid body on same foot with reeded c-scroll swing handle. Engraved wavy-shaped frame (vacant) and ornamental borders. Linear and circular piercing and beading. Partially worn marks include London assay stamp. Very good condition.

Dimensions: H (with handle) 11 1/2 x W 14 1/4 x D 10 1/2 in. Weight: 27.5 troy ounces. #JM

Vibrant yellow with black freehand decoration. All original with very, very minor touchups to black. Signed Charles(?) H. Blanders, Putnam, NY?. 10 7/8" by 5" by 4 1/2". Excellent condition.

This porcelain vase was produced in France by Sevres Manufacture Nationale in 1915. It has the double markings, under glaze and over glaze in first quality. The vase is 12 3/4 inches tall. It is 5 1/2 inches in diameter at the widest point. The vase has a graceful form, with pedestal base and wide opening at the top. It is colored cobalt blue, accented with gilded stars. There is gold trim on the opening and foot. It has a high gloss glaze with a mirror finish...

A fine example of an English porcelain coffee can, made by the Richard Chaffers & Co. manufactory in Liverpool. As to be expected, and as it should be, the soapstone based body resembles that of Worcester.

This particular piece is decorated with a variation of the "Scarlet Japan" pattern, and shows bright colors and careful painting. The condition is excellent, with no chips, cracks, restoration, or other problems. The height is 2 1/4" and the diameter is 2 1/8".

French Art Deco vase made by CAB (Ceramique d'Art de Bordeaux) for Ovington, New York, circa 1920. Incised "CAB", "323"?, and "Made in France" in a square, also inscribed "Ovington New York" and "France". 7 1/2" high and 7" across. In excellent condition. One of a number of similar pieces currently available. Please inquire.

A large antique 18th-century Spanish Colonial armorial basin - bowl with the Spanish coat of arms made of solid 900-grade silver.

This is a large, solid silver circular basin that has been embossed from a single piece of silver. It has fluted, petal-shaped walls and a fully hand-forged scalloped rim. The basin's center is exquisitely repoussé and finely chased, showcasing a raised Spanish coat-of-arms within bands adorned with foliage...

This porcelain plate was produced in England by Wedgwood around 1850. It has the name “Wedgwood” impressed in block letters. It measures 8 ½ inches in diameter. It is made of fine bone china that has the design molded in high relief. The design has stylized fruits and berries hand painted in metallic colors and colorful enamel. The fruits are superimposed over the basket weave background...

An XXL Ming Dynasty pottery figure of a male attendant!

A superb quality and very large pottery figure, dating to the Ming Dynasty, 1368-1644 AD.

He is placed on a rectangular podium and wears a fine robe in matching blue and turquoise glazes.

The unglazed areas have pigmented colors in red, black and white...

A Sterling Silver Double Lip Punch Ladle by Whiting (bought by Gorham) in the Louis XV Pattern (introduced in 1891), with a Gold Wash Bowl. Dimensions; 10.5" weight 4.5 ounces; bowl 3.75" x 3". Excellent condition.

Striking early Edwardian 18K gold ring of a man in a turban set with diamonds. The ring dates to 1900 . The ring has a French hallmark in the shape of a pineapple and a makers mark "JD". It is a size 8 and measures 3/4" at its widest.

A wonderful set of 10 sterling silver egg spoons in Tiffany’s rare 1872 “Vine” pattern in the “Wild Rose” variant. “Vine” was made in several variations, all of which depicted flowers and fruit that grown on vines. The elongated rounded bowls nicely complement the wavy handles decorated with sinuous wild rose vines. The backs are fully marked with Tiffany marks used 1875-91.

Origin: America, ca. 1880. Condition: excellent, very sharp detail, no monograms. Size: 4-1/16” lon...

This slithering 18K gold snake ring with diamond eyes is a delight to wear. The snake motif, in this case, a snake eating it tail, an ouroboros, was first popularized in Victorian jewelry as a symbol of eternal life and eternal love. Queen Victoria's engagement ring was a snake. Our snake ring can be worn with the snake head looking down or up, whatever you prefer. The ring is hallmarked London, 1904. The ring is a US size 6 1/2.

Antique 18K and diamond-studded lover's knot ring with nice clear hallmarks for Chester, 1909. The knot motif is a Victorian symbol of love. It continued in popularity through WWI. Our knot ring has three old mine cut diamonds embedded securely within incised stars which are further placed in gold squares. The figural knot can be seen on the underside of the ring and is every bit as beautiful as the front. This ring is a size 6 3/4.

A Royal Doulton Chiné stoneware jug or pitcher with pewter lid, c 1890, partly gilt and enamelled in turquoise, blue and white. The Chiné pattern, where a textile – lace - was pressed into the clay to create the desired effect, was invented by Slater, director of Doulton from 1887 to 1936. Marks: Royal Doulton, Slater’s Patent and RH for designer Rosina Harris. Height 8"/20 cm. Condition: restoration to tip of spout.