A large and very fine English Victorian opalescent pink and vaseline glass epergne with 3 scalloped flutes with applied rigaree rising from a scallop edged round tray. In excellent antique condition it measures 20.5 inches high, 10" diameter of tray. Circa 1885. More photos available.

A fine and relatively early example of the popular Prunus Root pattern done by Worcester between 1752 and 1770.Hand painted in blue and white, with a workman's mark on the bottom.

The bowl is in excellent condition, with no cracks, restoration, or paint loss. 4 3/4" in diameter, and 2" in height.

Delightful Victorian deep blue Vauxhall glass bug will be wonderful to wear for dress up or casual events. Vauxhall mirrored glass jewelry was made at the Vauxhall Glassworks in the outskirts of London, as a way of using their extra shards of mirror glass. It was sold to courting couples at the Vauxhall Pleasure Gardens, and became immensely popular for its intense colors and the exceptional quality of the glass...

A beautifully rendered watercolor and pencil portrait of a woman done by Jane Anthony Davis, more commonly known as J.A. Davis. The sitter, as was usual with Davis' portraits, is dressed in black, with color being reserved for decorative objects, such as books, flowers, or jewelry, as in this case. What is highly unusual is that Davis signed very few of her works, and on this piece, on the cardboard insert behind the painting, is written "Caroline Mathilda Brown Wife of Nicholas Brown"...

This marked Dr. Wall period Worcester soft paste porcelain platter has beautiful, crisp "blue scale". It would make a fine addition to an important collection.

Condition: excellent Height: 8 inches

Fine Chelsea Red Anchor period dish moulded with vines and grapes and decorated with floral sprays. Unmarked base with three spur marks. C1755. L.9 3/4", (24.7cm). Condition; a little wear to moulded grapes and leaf. A 0.3 cm frit and a 0.9cm fine hairline crack to rim (see image)

Dated September 4th 1832, this lovely needlepoint saying titled "On Virtue" is surrounded with intricately embroidered flowers. In a bird's eye maple frame it measures 19.75" x 16.5", sight size 15" x 11.5". In very good antique condition, the background has darkened some with age (the first 2 photos showing the frame is most color correct.) Please note that the textile is not lighter on the bottom, it is a reflection as well as other light colored reflections coming from the glass.

Art Nouveau glass claret jug with engraved silver overlay. Made by Alvin Corp. in Providence, ca 1900. Cylindrical with small lip spout and spread base; c-scroll handle in silver collar. On underside cut-to-clear star. Overlay in form of entwined and scrolling fruiting grapevine with pendant bunches and leaves. Asymmetrical scrolled cartouche engraved with interlaced script monogram. Silver fully marked including maker’s stamp and no. R326...

English Georgian sterling silver salver, 1727. Square with molded rim and curvilinear corners. Engraved armorial in well center. Rests on 4 corner hoof supports. Substantial with nice heft from the year the first Hanoverian king George I died and was succeeded by his son George II. A really nice piece of native craftsmanship from the early years of the German ascension. Worn marks including London assay stamp. Very good condition.

Dimensions: H 1 3/4 x W 13 x D 13 in...

Beautiful White and Yellow Gold Circle Drop Earrings C. 1900. We love these charming 15K diamond and yellow and white gold earrings. Old mine cut diamonds wrapped inside a gold cylinder dance inside a concentric gold circle and shimmer in the light. Two smaller mine cuts encased in a gold cylinder are at the top. Mille-graining, which is a minuscule bead that finishes an edge on gold or silver in jewelry, can be seen along bordering the gold cylinders, a nice detail...

A handsome Pairpoint Crystal Inkwell with Sterling Silver top, comprising a round sterling silver beaded lid mounted atop a hand blown round crystal symmetrical bubble pattern base, American, circa 1893. Silver mount marked STERLING and Makers Mark of Goodnow & Jenks, Boston. Size: 3" H x 2 1/2" dia. approx.; Condition is excellent.

English Georgian sterling silver salver, 1726. Square with lobed corners and same corner supports. Beautiful early Georgian. Fully marked including London assay stamp; maker’s mark worn. Good condition with nice period wear.

Dimensions: H 1 x W 5 3/4 x D 5 3/4 in. Weight: 6.4 troy ounces. #BT656

The design of this sitting mat from the oasis of Khotan in East Turkestan is closely related to a larger rug published by Schürmann, which shows the same motif in a design of two compartments. – Many rewoven sections in the pile, restored ends, new overcasting along the sides. Origin: Central Asia, East Turkestan Dimensions: 92 x 87 cm

This porcelain demitasse cup and saucer was produced in Germany by Hutschenreuther in 1914. The saucer has a diameter of 4 1/4 inches. The cup is 1 7/8 inches tall with a diameter of 2 1/4 inches. The set has bands of deep, ruby red. Gilded medallions contain bunches of forget-me nots. Lacy gilding overlays the ruby red ground. The rims, handle and interior of the cup are heavily gilded. It has a brilliant, classic style. Condition: Excellent, without defects of any kind.

An American Redware Turk's Head Pudding Mold; late 19th century. Dimensions; 8.5" diameter x 3.25" high. Condition appropriate to age and use.

A beautiful and uncommon Derby basket-molded stand, or undertray, with a scalloped rim and a basket-weave border, The center is painted with fruit in shades of yellow, iron-red, puce, green, and brown. Surrounding the center, and on the border, are insects painted in a variety of colors. The underside of the stand has 5 patch marks.

Frequently, when referring to Derby, the literature, or catalogs, have references to "the moth painter," or the "principal fruit painter," or the like...

Art Nouveau-style copper holder formed as a nymph emerging from a tree trunk, ht. 7 in. Good condition.

Unique and bold Raku influenced Kyogenhakama chawan by Nyoitera Haryo of the Nyoisanzin temple kiln and possibly dating to the late Edo or Meiji period. This Raku influenced chawan exhibits a generous form flanked by a series of circular impression over which a Raku glaze that has transmuted to a wide range of colors...