For a few years around WWII and possibly up to 1950, Marcel Boucher had a special line of silver jewelry made in Mexico under the name "Parisina". I don't think we know which workshop produced those pieces or whether they were made by a number of different silversmiths. I can, however, say that Parisina jewelry ranges from the very light-weight to the chunkier, more substantial examples and that the same variety is also reflected in their designs...

Signed by Mary Gage, the eccentric yet talented silversmith (among other vocations!) of the late American Arts and Crafts movement, this wide sterling silver band ring is entirely hand-wrought and features her signature "lily pads" motif. It seems that Gage crafted this ring in 14k yellow gold as well which probably explains why, if you look really closely to the clusters of tiny beading separating the lily pads, you will spot two or three that are made of gold...

A pretty late Victorian 10K gold locket, the front decorated with a colorful champleve and painted enamel image of a thistle blossom. In Victorian flower language, the thistle represented the sentiment "meddling is unwelcome." One can imagine a rebellious young woman using it to hide the image of a suitor of whom her parents don't quite approve! And of course, the thistle is the emblem of Scotland. The cover opens by pressing on the bail, a mechanism we've never seen before...

Circa mid-century, this necklace was produced by Tane Orfebres of Mexico City. Tane, founded in the 1950's, is referred to as the "Tiffany's of Mexico". This is one of their earlier pieces.

It's an exceptional and rare necklace, with a huge center pendulum drop which swing freely. There are four sections to the collar, which hooks together at the rear. This is a true statement piece, and one which will not fail to be instantly noticed.

Closed inside circumference is 15"...

A pretty Art Nouveau 10K yellow gold locket by Elias Rees & Son, depicting a young woman surrounded by a bower of flowers. The back cover bears a period monogram, nicely worked in ornate Art Nouveau script. The interior retains the original frames and glass covers on both sides and is hallmarked by Rees.

Origin: America, ca. 1915. Condition: excellent; nice detail. Dimensions: 1" diameter (excluding bail and jump ring). Weight: 5.8 gr.

A vintage 14K white gold navette-shaped cocktail ring, set with round brilliant cut diamonds and round blue sapphires. The diamonds are I/J color and I1 clarity. The sapphires are graded as medium-dark blue color and eye-clean clarity. The inside of the shank is stamped 14K.

Origin: America, ca. 1970. Condition: excellent. Dimensions: crown, 3/4" x 1/2". Finger Size: 7. Weight: 5.6 gr. Approximate Total Gemstone Weight: diamond, 1.5 cts; sapphire, 1.0 ct.

Breathtakingly beautiful this vintage sterling silver cuff bracelet, Navajo or Southwestern based on the style, is one of those pieces that become heirlooms. Exceptionally well crafted, it is centered by a huge oval lace agate, the color of the stone showing at times powdery blue, at times light grey. Set in a fine saw-tooth bezel, the agate is surrounded by beading and beautiful, richly layered foliate and floral overlay...

An elegant pair of drop earrings featuring a cushion cut ruby surrounded by rosecut diamonds and seed pearls. The diamonds are set in platinum. The whole is finished with a pierced gallery. The rubies have nice color that contrasts beautifully with the pearls and glittery diamonds. The earrings were created from a French Victorian bar pin with the addition of new 18K wires...

A fine late Victorian 14K yellow gold animal pin in the form of an owl sitting on a branch. The details of the feathers and tree bark are beautifully rendered. The eyes are set with two small garnet cabochons. The back retains the original pinstem and clasp. The back is stamped "14K" and also has an unidentified maker's mark. This piece could be worn as a pin or suspended from a chain as a pendant.

Origin: America, ca. 1900. Condition: excellent; all original; sharp detail...

Circa mid-century, this belt buckle is collector quality. It's a huge and heavy piece produced by Antonio Pineda, using his "Lascaux" design. Referred to as Lascaux because it is thought that he was inspired from the ancient cave drawings of Lascaux, France. Pineda had a series of pieces with this design, including pendant necklaces, bracelets, earrings, and pin. I've not had this particular buckle before, but it is spectacular. Executed in almost pure 97% silver...

Signed by a listed “middle period” Taxco maestro primarily known for his repousse work, this 1950s carved azur-malachite and sterling “mask” pendant necklace is as stunning as it is unexpected. Dark blues, deep greens and earthy browns add depth and gravity to the stone, making the ancient figure’s features as stern in sleep as they must have been in that life lived centuries ago...

This early Mexican bracelet, 1930's - early 1940's, is a spectacular hand-wrought work of art from noted silversmith P. Ochoa.

P. Ochoa work is very seldom seen, and closely mirrors that of Matilde Poulat/Matl and M. Velazquez...

Brushed gold metal c1965 Trifari "Jewels of India" moghul collection drop earrings. Oval faux flawed emerald cabochons are surrounded by sapphire & ruby color teardrop stones. The earrings are 2" (5 cm) long x 1" (2.25 cm) at the widest. In perfect vintage condition. Please Note: All items must have the original inventory tags in place and be untouched in order to be returned

An attractive pair of mid-century 14K yellow gold cufflinks, the rectangular faces bezel-set with oval cabochons of black star sapphire. The stones have very good asterism with bright, fully-formed stars and strong movement across the stones. The color is more attractive silvery-brown than some black star sapphires. The faces have engraved decoration at the corners. The toggle backs are marked 14K.

Origin: America, ca. 1955. Condition: excellent. Dimensions: 25/32" x 9/32". Weight: 8.3 ...

Circa pre-1948, this is a spectacular hand-wrought bracelet. It's an exquisitely crafted piece with superb repoussé silver work. Very substantial and dimensional. The amethyst cabochons are well-matched in color. Closure is a pin on a chain . Measures a closed, wearable length of 6 3/4", with a width just shy of 1 1/2". Hallmarked simply "Mexico Silver". Weight is 86.1 grams. In excellent vintage condition.

This mid-century necklace is an absolutely stunning piece, with deeply incised swirling links, silver domes, and tiny silver beading. Exquisitely hand-crafted and collector quality. Looks fabulous on and lays perfectly upon the neck. No maker's mark, but the design itself, along with #54, indicate that this is likely the work of Reveriano Castillo. Measures 15 1/2" closed, wearable length. Width at the center is 1 1/4". Weight is 70.8 grams. Closes with a tight and secure tongue in b...

Circa 1950's, this bold, edgy cuff from Bernice Goodspeed is a book-piece design shown on p. 132 of the Morrill/Berk book "Mexican Silver".

It's a hand-wrought piece with an intricate deeply carved design and an oxidized background. This is a fabulous bracelet, and one which is rarely seen.

It's a large cuff, measuring 5 3/4" inside edge-to-edge, with an opening/gap of an additional 1 1/2". Width is 2 9/16". Can be adjusted to fit just about any size wrist, but this shou...

A classic late 1960s 14K gold and diamond cocktail ring in a "snowflake" design. The seventeen diamonds are set in white gold to highlight their color. The diamonds are graded as J/I1. The openness of the setting gives the ring a delicate appearance. The yellow gold shank is stamped "14K".

Origin: America, ca. 1968. Condition: excellent. Dimensions: crown, 5/8" diameter. Finger Size: 9. Weight: 5.7 gr. Approximate Total Diamond Weight: .50 ct.