Long signed Cadoro necklace in goldtone metal with a pendant drop in the form of a Maltese cross with engraving, in the Byzantine style popularized by Chanel. Also with yellow Bakelite beads, engraved metal beads, and very large poured glass beads. Marked CADORO on an attached metal tag. Late 1960s or early 1970s. Spring ring clasp. The rings connecting the pendant and the clasp are silvertone. 23 1/2 inches wearable length and 5/8 inch wide at sides...

Fabulous collectible signed Hattie Carnegie pendant necklace with pendant that converts to a pin, in Chinoiserie style with a resin dragon simulating angel skin coral, with a rhinestone eye. Marked HATTIE CARNEGIE. 1960s. Spring ring clasp. Goldtone metal with textured finish. Greek key motif. The color of the dragon is slightly variegated to simulate the coloring of angel skin coral. Color is warmer than the photos may show...

Amazing modernist Lanvin layered necklace with cream plastic elements on goldtone snake chain. Marked LANVIN PARIS on an attached hang tag. Circa 1965. With the recent resurgence of the house of Lanvin, vintage 1960s and 1970s Lanvin jewelry is hotter than ever. The large center pendant is backed in goldtone metal and slides on the chain. Fabulous and super wearable for day or night.

Wearable length is 21 inches. The center drop falls an additional 6 1/4 inches...

Huge statement size vintage unsigned necklace by the cult favorite maker Cadoro. A heavy cast goldtone metal Maltese cross pendant with drops is suspended from strands of large dimensional goldtone beads, some of which are French, and large seamless Lucite beads paired in alternating shades of green. Ornate thick rope twisted hook clasp. Circa 1965. I have seen signed Cadoro necklaces with the exact maltese cross element, and with the (very unusual) large round notched pattern beads...

Lovely vintage signed Schreiner necklace in dark goldtone metal with pale blue opaque milk glass stones and brilliant sparkling darker blue stones with flashes of pink. Circa 1970. Marked SCHREINER. 17 1/2 inches wearable length and 1 inch wide. Excellent condition. Display form is life size. Photos enlarged to show detail.

Gorgeous big statement signed Cadoro 1970s chandelier clip earrings in Etruscan or Byzantine style with textured slightly antiqued goldtone surface. Marked CADORO. Great size -- 3 1/4 inches long and 1 7/8 inches wide. Excellent condition. Photos enlarged to show detail.

Fabulous big drop necklace in goldtone metal with pale pink seamless Lucite beads and cabochons simulating angelskin coral, with bamboo form mountings, and filigree beads. 1970s, marked LES BERNARD. Screw barrel clasp. The pink beads and the pink cabochons are slightly different colors.26 inches wearable length and 3/4 inch wide at sides. Drop is 4 3/4 inches long and 1 5/8 inches wide. Excellent condition. Photos enlarged to show detail. Necklace form is life size.

Super modern wear everywhere signed pendant necklace in polished green and matte black Lucite, with goldtone metal and a goldtone snake chain. Marked LANVIN PARIS. The pendant/top element slide along the snake chain. Spring ring clasp. Late 1960s or early 1970s. With the recent resurgence of the house of Lanvin, vintage 1960s and 1970s Lanvin jewelry is hotter than ever. 19 inches wearable length. The pendant is 3 1/2 inches long and 2 3/8 inches wide. Excellent condition...

Stunning and very weighty and substantial bib necklace with huge colorless stones in heavy thick cast goldtone openback metal settings with ornate decoration and crown form prongs. The small drops are set with dog tooth prongs. With goldtone metal extender chain. The construction and stones suggest this is a French piece. Circa 1950 or 1960. 16 1/2 inches wearable length and drops 2 1/8 inches in the center. The largest stone is 5/8 inch wide...

Jay Feinberg (now doing business as Jay Strongwater) dark goldtone signed necklace with a complex and unusual construction. Multiple strands of twisted mesh are attached with rings on one side to a centerpiece of two cast metal leaves, and multiple strands of ornate metal beads are attached on the other side of the centerpiece with a pin close, allowing it to be adjusted along the strands of beads for different looks. Marked JAY FEINBERG on the hook clasp. Late 1970s. Great size -- 1...

Lovely necklace of woven multi colored silk in red, blue, and green, with two very large knotted silk beads which slide along the strand. Also with a knotted button and loop close, and a long tassel in the center. Circa 1970 or 1980. Possibly an unsigned Yves Saint Laurent. From the same estate as the YSL black silk tasseled necklace I am listing. Wearable length is 22 inches. 1 inch wide at the silk beads. The tassels are 5 1/2 inches long. Excellent condition. Photos enlarged to sho...

Spectacular Schreiner brooch in silvertone metal with layers of fabulous large and small glass stones. 1960s, unsigned but with characteristic Schreiner construction, dogtooth settings, and inverted (points up) stones. I've added the long hand knotted glass beaded necklace so the brooch can also be worn as an enhancer. The stones include huge translucent marbled pale green with blue marbling emerald cut stones, opaque aqua round and marquise stones, olive green round inverted stones,...

An outstanding pair of 18K yellow gold cufflinks, the oval faces set with black harlequin opals (probably doublets) of exceptional quality in simple millegrain borders. The simplicity of the setting allows the opals to display their superb play-of-color. Virtually every color of the spectrum is visible in the opals, but with a preponderance of red, orange, green and violet. The backs are marked "18Ct Britannic", a high-end English maker of gold and platinum cufflinks and watch bands in the 19...

A handsome pair of reversible heavy 18K yellow gold flip-up cufflinks. One side of each end is finished smooth, while the reverse side is engraved in a zigzag pattern. The flip-up style was popularized by Cartier in the 1930s and continued to be popular in France through the mid-century. Each cufflink is fully hallmarked with the “tete d’aigle” stamp for 18K gold and with an unidentified maker’s mark.

Origin: France, ca. 1940. Condition: excellent. Size: 1/2” x 1/2”. Weight: ...

What can be said about this set except Spectacular! If worn against black, the glittering rhinestones seem to float, unattached. If worn against a colored fabric , the japanned (blackened) metal sets off the rhinestones in a stunning and dramatic fashion. The necklace is 17 1/2" end to end, the longest fringe is 4 3/4", shortest 1 1/4". The Dangle clip earrings are 2 1/4" long. Kenneth Lane oval plaque on earrings.

A nice pair of 14K yellow gold cufflinks, the faces set with 12x14mm oval cabochons of green jadeite. The gold settings are hand-pierced in a foliate pattern. The jade is semi-translucent with moderate color mottling and a fine grain. The toggle connectors are marked “14K”.

Ca. 1950. Size: 7/8” x 11/16”. Weight: 9.9 grams.

A very heavy pair of 18K yellow gold stirrup cufflinks retailed by famed New York jeweler Olga Tritt. Stirrup or “étrillé” cufflinks were popularized by Cartier in the 1940s and have appeared in many variations since. This pair is unusual because of the width of the gold mesh and their relative weightiness. The closing mechanism is a bit more decorative than most, even though it can’t be seen when the cufflinks are in place. The mechanism is marked with a French jeweler’s mark indi...

Stunning matched pair of spring hinged cuffs in celluloid or other plastic, with heavy thick applied silvertone cast metal elements with oblong curved green Lucite stones, and tiny pave colorless rhinestones. Circa 1950. From the estate of a New York socialite who had a huge quantity of Chanel and other French jewelry, as well as American designer jewelry. They are weighty and substantial. The decorative elements are mounted on the bracelets with pins inserted into drilled holes.The...