This impressive Mexican silver link bracelet, probably made for the tourist trade, has a distinctive and quite unusual design. It is composed of gilded silver and green glass cabochons to imitate jade. The four linked panels are large openwork rosettes, applied to embossed floral frames. The links are well soldered; one is slightly separated but still secure. The glass cabochons show no wear...

Formed as hollow cast discs, embossed and chased with elaborate floral designs, and bezel-set with carnelian beads – one of which shows a partial hole to one side. The earrings are secured with working clip backs; the maker’s impressed mark looks like Zuoco or Zocco. The earrings measure 1 ¼ inches in diameter.

Wide copper band is decorated with an applied brass monkey figure inspired by a Precolumbian motif (see the last photo). It is inset with small pieces of abalone. On one side is a discolored area, of about ½ inch square, left from an old label. As the discoloration is on the side, it is not obvious when the cuff is worn. The bracelet measures 2 ½ inches at its widest part and 2 ½ inches across the opening. It has a 7 ½-inch internal circumference.

This quirky and charming bird pin is the work of a talented Peruvian jeweler named Goizueta, of whom very little is known. The pin is set with two pieces of greenish-blue stone known as azurite or chrysocolla. There is some roughness to the edges of the round piece, but it is securely mounted. The pin has a secure rollover clasp and bears the name of T. Goizueta, as well as marks for sterling and Peru. It is quite substantial and measures 1 ¼ inches by 1 ¾ inches.

The pendant is composed of a forged oval frame surrounding an applied lost-wax cast piece of organic design. It is suspended from a sturdy leather cord that exhibits some wear and stiffness. The necklace is secured by a spring-ring clasp marked sterling. The pendant is unmarked, but tests as sterling silver; its surface is tarnished and could use a light cloth polishing...

Dramatically decorated with an embossed and oxidized Celtic design. The inside of the cuff exhibits hammering; it is quite sturdy and has retained its shape. The bracelet shows hardly any signs of wear. It is marked 925 sterling inside the band. It measures 1 ¼ inches wide and the opening measures anbout 1 inch across. It has a 7-inch internal circumference. Weight: 61 grams

The pendant is composed of two hand-wrought flat pieces of sterling silver formed into an oval with three applied silver beads on one side. An irregular-shaped piece of polished moss agate, mounted in a sterling bezel, dangles in the center. The entire pendant is suspended from a substantial sterling chain of forged wire. One of the forged links near the hook clasp bears a crown with a W above; another link is marked with an overstruck W. Two of the links indicate sterling...

A 14k pearls on branch brooch circa 1950. This top quality 14k (unmarked but tested and guaranteed) yellow gold branch or flower head pin is laden with lovely cultured pearls. It measures 2-1/2 x 1-3/8" and it weighs 11.3 grams. The well-matched pearls all have a fine silvery white lustre and they measure from 3.5 to 7 mm. This brooch has a safety catch and it is unsigned; it is in excellent condition with no chips, cracks, dents, bends, corrosion, losses, damage or repairs...

An 18k yellow gold wedding ring circa 1950s. This vintage size 8 wedding band has a rounded upper shape and is 18K solid gold. This classic design ring weighs approximately 4.6 grams and it is 1/8" (or 3.4mm) wide and 1/16" (1.74mm) thick. It is marked HARWOOD and 18K. Harwood was one of the jewellery designs by W & H Jewelry Company,Inc. (Providence, Rhode Island, known 1940s-1965)...

A hand engraved Georgian 9k yellow gold and RGP engraved watch key. This 1-7/8 x 3/4" winding key features a rolled gold plate rotating swivel loop and a rotating knob on the RGP winding shaft. Both have underlying metal for rigidity and resistance to wear (gold is very soft), but the body of the key tests as 9 carat gold (the key is unmarked). It weighs 9.0 grams, and it is in excellent condition with no monograms, dents, bends, corrosion, losses, damage or repairs...

A Scottish sterling silver Celtic penannular cloak pin fully hallmarked for Glasgow 1960. This 1-1/2" pin has a 1-15/16" moving spike for fastening a cloak, and it has the maker`s mark for Robert Allison with a 1960 year stamp. It weighs 13.6 grams, and it is in excellent condition with no monograms, dents, bends, corrosion, losses, damage or repairs...

A Utika sterling silver and marcasites brooch circa 1930. This quality Art Deco vintage pin may be German in origin (not yet confirmed), with filigree work in the style of Theodor Fahrner. This 2" x 1-3/8" piece has excellent detail and it resembles a neckerchief or cravat held with a ring with marquisites. It is stamped SILVER GERMANY UTIKA and it weighs 8.4 grams. This item is in excellent condition with no dents, bends, corrosion, losses, damage or repairs...

This Corocraft golden race horse heads duette is gold plate base metal with rhinestones.

Dimensions: 2 1/2" x 1 3/8"

Condition: Fabulous

This Denicola Libra sign brooch (September 23 -October 22 ) is gold plated base metal, rhinestones, enameling. Marked: DeNicola C Reference: Mark dates this to after 1955 - 1960s Condition: Excellent Dimensions: 2" x 1 13/16"

Dimensions: 2 1/4" x 1 3/8" Condition: Excellent

This Coro gold tone swan brooch has white & black enamel neck and tail accents. Green and yellow enameling for grass and flowers. Red and clear rhinestones.

Dimensions: 1 7/8" x 1 1/2"

Condition: Excellent. Hallmark: Coro Pat pend.

The scrolling foliage climbs 3.25 in. tall on this hand made beauty. It is also large enough to fit up the arm in comfort. It measures 2.25 at the small end and 2.75in...

This Viking ship brooch is gold plated sterling with rhinestones.

Hallmark: Sterling, Pat Pend.

Dimensions: 1 3/4" x 2" tall

Condition: Excellent

Designer: John Caianiello, Circa 1945-1946

Monogram: My sugar is so refined from Dick

Reference: American Costume Jewelry- Art and Industry, Brunialti & Brunialti, 2008 v. 2 p167