A very fine pair of heavy 18K yellow gold and platinum double-sided cufflinks by David Webb. The round faces are shaped as compressed spheres (imagine an old-fashioned flying saucer) bisected by pairs of parallel raised bars. Each face is centered with a round brilliant blue sapphire bezel-set in platinum. The smaller, back faces are hinged so they can easily be put through a cuff. The gold and platinum have a very elegant brushed texture that contrasts beautifully with the sapphires...

An classic pair of French 18K yellow gold baton cufflinks with a most unusual mechanical snap mechanism. The batons have reeded surfaces with plain inset bands at either end. When one of the plain bands is pushed in, a hidden spring mechanism releases the face from its mate. Snap cufflinks were uncommon in France, and this is the first pair we've seen combining the snap with a mechanical action...

A very fine and rare Bohemian garnet pendant featuring an openwork butterfly pave set with rose-cut garnets and enclosed within a heart-shaped gilt metal frame. Most Bohemian garnet jewelry was made in the more traditional styles popular in England and America, but this pendant--in the more stylized Germanic Jugendstil--is particularly striking. Some of the butterfly's wings are set with large, deeply colored stones, while others are set with smaller, brighter stones to provide contrast...

A heavy pair of 18K yellow gold mesh stirrup-style cufflinks. A round diamond is set into each end of the closing mechanisms. The mesh is distinguished with diamond-shaped punched decoration that adds more texture to the design than is ordinarily seen. The diamonds are of nice quality, graded as I/J color, SI1 clarity. Each cufflink is fully stamped with French 18K gold hallmarks and also bears an unidentified maker's mark.

Origin: France, ca. 1960. Condition: excellent, all original...

A very fine pair of cufflinks, the faces worked as star-cut frosted rock crystal discs set in platinum borders with engine-turned engraving and centering French-cut blue sapphires. The sapphires have fine, medium violetish-blue color and excellent clarity. The 14K yellow gold connectors match the gold findings on the faces and are stamped with Krementz' 14K mark.

Origin: America, ca. 1910. Condition: excellent. Dimensions: 1/2" diameter. Weight: 5.9 grams...

A classic pair of Hermes 18K yellow gold cufflinks in the "Etrier" design. Each hinged end is in the form of a stirrup. The connectors are signed "Hermes", have serial numbers and are fully marked with appropriate French 18K gold marks. Etrier cufflinks in gold are no longer available at Hermes. The same design in sterling silver currently retails for $970. A similar design in gold, but with no moveable parts currently retails for $4750.

Origin: France, ca. 2000. Condition: excellent...

A lovely Art Nouveau 14K yellow gold pendant enhanced with translucent enamels in varying shades of green and a touch of rose. The whiplash curve outlines are studded with seed pearls and the whole suspends a baroque freshwater pearl. The pendant is attached to a fine Etruscan Revival 12K gold chain, the box clasp enhanced with ropetwist and beaded decoration. Both parts tested and guaranteed gold as described.

Origin: pendant, America, ca. 1900; chain, ca. 1870...

A superb 19th century French figural fob seal worked in silver and 18K gold. The gorgeously detailed wolf's head is worked in silver with gold accents such as the collar and the long tongue that hangs from one side of the very toothy jaws...

An exceptionally fine Victorian 18K yellow gold and turquoise locket in the Etruscan Revival taste. The outside of the sphere is encrusted with ornate wirework decoration against a stippled background. Small Persian turquoise cabochons, some set in star-shaped mountings, add a touch of color. The clasp is cleverly hidden to be nearly invisible when the ball is closed. Indistinctly marked; tested and guaranteed 18K.

Origin: England or America, ca. 1880. Condition: excellent, all original. ...

An Art Nouveau 18K yellow gold pin featuring a beautifully enameled morning glory enclosed in a gold whiplash frame. The flower petals and leaves have very fine enameling in translucent shades of rose, cream and green. The enamel has the iridescent finish more often seen in the best quality enameled pieces from Newark workshops. A small pearl peeks out the top of the morning glory. The gold frame is set with rows of rose cut diamonds. Since the morning glory opens and withers in a single da...

An important artist-designed 18K yellow gold and emerald ring by Maison Gennari of Paris. The ring is styled in the Art Nouveau taste, with a voluptuous mermaid surrounded by waves and seaweed. She leans against a pair of cabochon emeralds, whose green color reinforces the watery feeling of the design. The ring is stamped with French 18K marks and is signed by Maison Gennari.

Francois Gennari was a jeweler who collaborated with sculptors to create one-of-a-kind jewels. The works were displ...

A fine Edwardian platinum and natural saltwater pearl necklace. The strand comprises 72 natural pearls of graduated sizes (3.7 to 5.0 mm) strung between platinum links. The pearls have symmetrical button shape, white body color with cream overtones, and excellent luster. The pearls are well-matched for size and quality throughout the strand. The necklace is finished with replaced 18K white gold clasp.

The necklace is accompanied by a gemological report from the Laboratoire Français de Gem...

A stunning 18K yellow gold festoon necklace featuring dozens of ornately intertwined swags and drops studded with small natural pearls and Mediterranean coral beads. The necklace is finished with an Etruscan style box clasp of the sort associated with Luigi Pallotti e Fratelli, one of the most exclusive jewelers in late 19th century Venice. This particular style of festoon necklace is particularly associated with his work. Pallotti exhibited successfully at the World' Colombian Exposition in ...

A rare modernist sterling silver bracelet by the noted jewelry teacher and designer, Adda Husted-Andersen. Husted-Andersen taught in NYC at the Craft Student's League and her work was exhibited as part of the 1946 landmark exhibition, "Modern Jewelry Design" at the Museum of Modern Art. This bracelet is made from flattened and curved pieces of sterling silver intertwined with three brownish green oval cabochons. Measures about 6" around with an opening of about 1". Fits nicely on the wrist, ...

Twenty beautiful, fine chains make up this wide bracelet dating to approximately 1890. It has an intricately engraved reversible clasp that has a scrolling floral design on one side and a geometric pattern on the other. The chains are delicate but still have a substantial feel and weight to them. Each chain is only fastened at the clasp so the bracelet has full movement. It measures approximately 1 3/8" wide and 6 5/8" long. It is unmarked but has tested as 18k gold. It is in excellent condition...

Lovely Art Deco pools of light necklace circa 1920 or 1930, made from 14 genuine rock crystal orbs, undrilled, held in sterling silver wire, with dainty decorative connecting links, and a hook close. Guaranteed genuine rock crystal; images viewed through the orbs are shown upside down and backwards. The orbs are 13mm in diameter. Nice size -- 18 inches wearable length. The stones are in excellent condition with no chips. Display form is life size. Photos enlarged to show detail.

Beautiful antique Victorian choker length collar necklace made from genuine Whitby jet graduated carved dome shaped oblong beads with a centerpiece in the form of a Maltese cross, with box slide clasp with a jet piece applied to the top. Late 19th century, English. The centerpiece is slightly wider at the bottom and has a textured background surface, and applied faceted jet pieces. The necklace is strung on the original black thread. Guaranteed genuine Whitby jet. There is a hidden hook on the b...

Chic vintage French Art Deco modernist necklace with oblong Bakelite beads capped in chrome plated hemispheres, alternating with matching chrome beads and stacks of the chrome hemispheres, with French screw barrel clasp. Possibly as early as 1930s, although I have owned a 1980s Yves Saint Laurent necklace with the same stacked hemisphere design. The Bakelite beads all test positive with Simichrome, and are translucent, some with marbling. Professionally restrung on silk thread for securi...

Gorgeous large signed Joseff brooch in Victorian Celtic style with brilliant openback unfoiled faceted glass stones in bezel settings. Marked JOSEFF. Circa 1940. Joseff jewelry was designed and made for costuming in top Hollywood movies in the 30s through the 60s, and also sold to consumers in exclusive stores such as Nieman Marcus. A key signature of Joseff jewelry was the matte metal finish which was intended to reduce glare under studio lights during filming, and was used in the r...

Stunning very big 1970s heavy cast goldtone metal tribal or Etruscan style pendant with poured glass beads simulating jade, on a heavy goldtone long chain with spring ring clasp. The pendant has a textured hammered finish. Great size -- pendant is 5 inches long and 3 1/2 inches wide and chain is 30 inches long. Excellent condition. Display form is life size. Photos enlarged to show detail.

Huge statement circa 1970 Renaissance revival necklace in repousse goldtone metal with festooned chains and matching tassels, with a large resin malachite green center stone. Marked NAPIER on the back of the foldover clasp. Great size -- center drops 8 1/2 inches and wearable length is 18 inches. Excellent condition. Display form is life size. Photos enlarged to show detail.

This pair of low grade silver Chinese Bracelets are Miao Ethnic Minority. Low grade silver was used extensively throughout China during the 19th and early 20th century. To a Westerner the backs look like the bracelets are adjustable, this is a decorative element only and they are not adjustable. The fronts are deeply etched with animals. At the widest point in the front the bracelets measure 1.25 inches. They are oval in shape and very comfortable to wear...I prefer to sale them as a pair but ...

From the same estate, a gorgeous pair of green poured glass necklaces with graduated beads simulating Indian moghul emeralds, with early box clasps. 1930s, French. The glass beads are made by Gripoix. Shorter necklace is 15 3/4 inches long and longer necklace is 18 1/2 inches long. Drop for the two is about 2 inches. Excellent condition. Display form is life size. Photos enlarged to show detail.

Very beautiful antique English Victorian or Edwardian dainty choker length necklace with natural undyed salmon coral beads and a 9 karat gold mounted matching pendant with a carved coral rose surmounting a coral teardrop. The pendant slides along the strand. Marked 9C on the gold mounting of the pendant. The clasp is new 14 karat gold, and the necklace has been professionally restrung, as the spring ring of the clasp was missing (the original gold jump ring was there, but the entire clasp has be...

This theatre, comedy tragedy pin measures 1 1/2" x 1 5/8" (at highest and widest). It features the classic Comedy and Tragedy Masks. It is signed Renoir in script. It is c. 1960's. It is in excellent condition.

An attractive 14K yellow gold ring with a double row of channel-set calibre-cut blue sapphires arranged in a swag design. The ribbed gold surfaces further add to the ring's sense of movement. The sapphires are well-matched and have good, saturated color. The interior of the shank is marked "14K."

Origin: America. Dimensions: 7/16" wide at crown, tapering to 3/32" at the back of the shank. Finger Size: 5. Weight: 3.5 grams. Approximate Total Gemstone Weight: .75 ct.

A heavy 18K yellow gold Venetian Etruscan fob charm in a crown form, set with five oval brilliant cut amethysts and four pearls. The amethysts have nice intense coloring and good clarity. The gold surfaces are ornately decorated with ropetwists and rosettes. Marked 18K.

Origin: Italy, ca. 1960. Condition: excellent. Dimensions: 3/4" x 1-1/16" x 1-3/16" (excluding jump ring). Weight: 11.9 grams. Approximate Total Gemstone Weight: 11.83 cts.

A wonderful pair of late Victorian or early Edwardian sterling silver bean-back cufflinks, the oval faces cast with a delightful image of a beagle. The dog appears to be sitting in a basket with his paws hanging over the top edge. The detail is very nice. Tested and guaranteed sterling silver.

Origin: America, ca. 1900. Condition: excellent, sharp detail. Dimensions: 3/4" x 1/2". Weight: 14.8 grams.

An elegant pair of Art Nouveau floral double-sided floral cufflinks worked in 20K yellow gold. The faces are very finely hand-chased with an ornate pattern of daisies. The high gold content gives the cufflinks are very bright yellow color and heavy weight. The connecting chains are marked with an illegible maker's mark and a continental European mark for 20K.

Origin: Europe, ca. 1890. Condition: excellent, sharp detail. Dimensions: 13/16" x 11/32". Weight: 7.8 grams.

A classic Pforzheim school silver Jugendstil brooch decorated with plique-a-jour enamels, moldavite and seed pearls. The translucent enamels have the velvety texture and very subtle coloring typical of many Pforzheim jewels of the period. The reverse is marked "Depose 900" and has the maker's mark for Karl Hermann (Hermann & Speck), one of the leading German Art Nouveau jewelers.

Origin: Germany, ca. 1900. Condition: very good, some light crazing to enamel, but no unstable or missing pieces...

Outstanding very big vintage Santo Domingo necklace with a double strand of turquoise free form beads and spiny oyster heishe beads, and two large jaclas with turquoise heishe beads and cream stone beads. With the original stringing done in the traditional manner, on heavy string with some ends visible. Collectors may wish to preserve this but it could certainly be restrung. Wearable length is 26 inches. The jaclas drop 5 inches. 286 grams. Excellent condition. Display form is life size. Photos ...

A classic pair of Art Deco sterling silver cufflinks by Gaetan de Percin, the jeweler responsible for most of the Hermes jewelry designs in the 1930s and 40s. This style, in the form of equestrian stirrups or "etrier" is a classic design created around 1940. Aside from Hermes, De Percin made variations of this design for prestigious houses such as Cartier, Van Cleef & Arpels, Tiffany, Chanel, Dior and Boucheron. The cufflinks are marked with French silver hallmarks and with the master's mark ...

A very handsome, heavy 18K yellow gold ring set with a rectangular cushion cut synthetic ruby. The angularity of the setting is particularly attractive. The use of synthetic rubies in the era immediately after World War II is very typical, and this ring would have been expensive. Such stones are often an unattractive, bright orangey-red color. This ruby has a deeper red color modified with a little purple for a very rich look. The stone is well cut, with very good brilliance. The interior...

A very fine and heavy Venetian Etruscan 18K yellow gold fob charm in a modified teardrop form. The bottom of the charm is set with a large turquoise oval cabochon (12x9.5mm) surmounted by rows of square aquamarines, smaller turquoise round cabochons and round brilliant cut garnets. The gold surfaces are heavily decorated with ornate wirework. This is one of the highest-quality Venetian Etruscan charms we've seen. The jump ring is marked for 18K.

Origin: Italy, ca. 1960. Condition: excelle...

An elegant pair of French Art Nouveau 18K yellow gold earrings designed in a openwork pattern of irises. The flowers and foliage are highlighted with delicate engraving. The gold surfaces are enhanced with the soft matte texture typical of French jewels of the period. The wires appear to be replacements and are stamped with French 18K marks.

Origin: France, ca. 1890. Condition: excellent. Dimensions: 3/4" 3/4". Weight: 4.7 grams.

A very rare pair of Art Nouveau silver cufflinks, the round faces decorated with fine renderings of a bicycle racer in the medallion style. Some of the leading French sculptors of the day created such medallions for various sporting events and government functions. The faces are signed, but illegibly so. The backs are fully hallmarked for silver.

Origin: France, ca. 1900. Condition: excellent. Dimensions: 21/32" diameter. Weight: 9.4 grams.

Absolutely exquisite 970 silver, onyx and moonstone necklace and matching screw back earrings by Taxco Master silversmith Antonio Pineda. Magnificent design and construction, this is a rare necklace measuring 16"end to end and 1"wide. It has 21 crescent shaped onyx stones and 21 round moonstones, a very striking contrast. The clasp is a silver crescent. The matching earrings measure 1 1/4" long. The necklace is in fine original condition with no chips or cracks to the stones. One of the earrings...

A fine pair of Boucheron cufflinks worked in 18K yellow gold, the oval faces centered with richly-colored citrines. The gold surfaces are worked in a wavy ridged pattern, and the citrines are ingenuously fantasy-cut in the same style. The quality of workmanship is evidenced in the manner in which the carving of the citrines matches exactly to the ridges of the gold settings where the two meet. THe backs are hinged. The connectors are fully marked with Boucheron's retailer and marker's mark, ...

A handsome pair of Art Deco multistone cufflinks, the emerald cut green tourmaline, amethyst, yellow citrine and orange citrine simply set in yellow gold bezels. The stones have rich, even coloring, excellent brilliance and very good clarity. The faces and removable connectors are stamped with an unidentified maker's mark "MV in a hexagon" and "585" for 14K.

Origin: Continental Europe, ca. 1930. Condition: excellent, all original. Dimensions: 17/32" x 7/16". Weight: 10.2 grams. Approxima...

A handsome pair of 14K white gold cufflinks, each face formed from a plaque of lapis surrounded by smaller lapis batons. The canted corners are set with round brilliant-cut diamonds, as are the centers of the faces. The diamonds are graded as H/I color and SI1 clarity. The lapis is finely colored with only a minimal amount of the mica inclusions. The toggle backs are marked “585” for 14K.

Origin: probably Europe, ca. 1980. Condition: excellent. Dimensions: 21/32” x 1/2". Weight: 1...

A beautifully-designed Victorian ball locket enhanced with rose-cut diamonds. The two strap-like decorative elements on either side of the locket lift away, allowing the sphere to be unfolded into a locket accommodating six photos. The sphere is bisected by a band of rose-cut diamonds enhanced with engraving on either side. The original bail is set with rose-cut diamonds. As is typical of French jewels of the period, the diamonds are set in silver over the gold. Ball lockets with multiple pa...

A beautiful Art Nouveau pendant necklace featuring a drop centering an oval opal surrounded by a wreath of translucent green-enameled laurel leaves. Further enameling accents the bottom and top of the drop. The pendant also incorporates pearls that are echoed at intervals along the chain. The natural pearls along the chain alternate in shades of vivid, pale pink and bluish-white. The opal has fine play of color, mostly in the blue and green parts of the spectrum with some flashes of orange a...

A very pretty pair of Victorian 14K yellow gold earrings set with pearls and seed pearls. The main bodies hang freely from the surmounts, and the bottom edges suspend free-hanging pearls, providing a lot of movement when being worn. The delicate scroll work makes a nice counterpoint to the simplicity of the pearls. Tested and guaranteed 14K.

Origin: America, ca. 1870. Condition: excellent, all original. Dimensions: 5/8” x 1-3/4” long (from top of wire). Weight: 6.8 grams.

A very heavy 18K yellow gold bracelet worked in the form of interlaced knots, the center of each set with an old mine cut diamond. The diamonds are set in silver in the traditional manner of the 19th century. The stones have good J/K color and SI1 clarity. At 8-1/4" long the bracelet is very generously sized. The box clasp is marked "Waler 18K".

Origin: America, ca. 1890. Condition: excellent. Weight: 41.0 grams. Approximate Total Diamond Weight: 1.0 ct.

An interesting pair of American sterling silver Art Deco cufflinks, each face featuring a stylized leaf. The design has a deeply three-dimensional sculptural quality. The design appears to be in the Skonvirke style--the Scandinavian expression of Art Nouveau, but the cufflinks are definitely American. The back of each face is signed "NAE" or "MAE" and the toggles are marked "Sterling".

Origin: America, ca. 1930. Condition: excellent, sharp detail. Dimensions: 13/16" diameter. Weight: 12....

Great statement vintage 1970s Etruscan style necklace with faux ivory resin beads and heavy cast goldtone mountings, with a large pendant with lion heads and bead drops. Not signed but the style and quality of Les Bernard and KJL jewelry. Spring ring clasp. 24 1/2 inches wearable length and the center drops 4 1/2 inches. Excellent condition with two beads with small manufacturing flaws, toward the clasp of the necklace, pictured but not noticeable at a short distance. Display form is...

An 18K yellow gold buckle ring enhanced with enamel in Gucci's trademark Kelly green. The simplicity of the design is classic Gucci. The interior of the shank is signed "Gucci 18" Italy".

Origin: Italy, ca. 1970. Dimensions: shank, 3/16" wide. Finger Size: 6-1/2. Weight: 3.4 grams.

A fine Victorian 14K gold fob locket, the front cover worked in a deeply three dimensional design of a rose gold owl perched on a green gold branch. The eyes are set with garnet cabochons. The back cover has an engraved shield design that was never monogrammed. The hinged bail is engraved in a complimentary design. The interior of the locket retains its original frame and glass insert.

Origin: America, ca. 1870. Condition: excellent, sharp detail. Dimensions: 7/8" x 1-3/8" (not including...

A delicate 14K yellow gold bracelet by Krementz fashioned as a chain of pansy blossoms. Each pansy is centered with a small baroque pearl. Alternating links are in a foliate style and are set with round brilliant cut amethysts. Pansies held special meaning in the Victorian period as flowers of remembrance. The use of purple and white gems mimics the flower’s most classic coloring. The cleverly concealed clasp is marked with Krementz’ hallmark and “14K.”

Origin: America, ca. 1900. ...

An exquisite English Art Nouveau 15K yellow gold pendant,centering a 5.02 carat pear shaped brilliant cut aquamarine with round brilliant pink tourmalines at either side, and suspending a free-hanging oval pink tourmaline. The gold surfaces are set with tiny seed pearls. The use of pastel gemstones is especially elegant and feminine and would have complemented the pale dress fabrics of the Edwardian era. The back of the pendant is engraved "JKM/JKC 1908/1909." It was likely a present to cele...

Lovely vintage 1930s or 1940s genuine butterscotch egg yolk honey amber necklace with graduated oval beads and silvertone spring ring clasp. All the beads are about half opaque and half translucent. Professionally restrung on silk cord. The clasp has an early collar opening, without the thumb tab. It weighs 24.5 grams. Guaranteed genuine amber. Wearable length is 19 1/2 inches. The largest center bead is 18mm by 7mm. The smallest end beads are 10mm by 7mm. Excellent condition with some miniscule...

A classic pair of Art Deco 10K yellow gold cufflinks, the oval faces simply decorated with engraved parallel lines behind a diamond-shaped reserve for a monogram (never used). The connectors have an unidentified maker’s mark and are stamped “10K”.

Origin: America, ca. 1930. Condition: excellent, no monogram. Dimensions: 11/16” x 15/32”. Weight: 3.5 grams.

A nice pair of Victorian 18K yellow gold earrings, open circles enclosing ball drops star-set with emerald-cut tourmalines. The circles are finished with a pierced and beaded border along the inside edges and a delicate ropetwist motif along the outside. One tourmaline is pale green and the other is bi-colored—mostly green but with some pinkish-red areas. The earrings have a lot of movement when being worn. Tested and guaranteed 18K.

Ca. 1870. Condition: very good, minor dings consisten...

An unusual and very fine Victorian 14K yellow gold hinged bangle bracelet. The front is decorated with cutwork in a wheat pattern enhanced with ropetwist borders in the Etruscan Revival style. The cutwork panel is worked in yellow gold while the bracelet’s outer borders are in a slightly rosier shade. The back panel is plain. Tested and guaranteed 14K.

Origin: America, ca. 1880. Condition: all ropetwist intact; no damage to front panel; typical small dings on back panel. Dimensions: 7...

CROSS 500.00 NECKLACE 250.00 We have a Los Castillo, huge 3in. long cross weighing 37 grams. The silver is thick and layered to achieve more dimension. The condition is excellent with no damage. There is a spot in my pictures that looks like a scratch but it is not and not in all pictures. While hunting for a necklace to display the Castillo cross on I came across this one. How could it be any more perfect? It came filled with all the 8 small crosses and the weight is a hefty 91 grams. It is al...

A handsome pair of 14K yellow gold cufflinks, the round faces with engine-turned engraving in a swag pattern around cornflower-blue sapphires. The gold has a very nice dark, rich patina. The connectors are marked by Wordley, Allsopp & Bliss and are stamped for 14K.

Origin: America, ca. 1910. Condition: excellent. Dimensions: 5/8” diameter. Weight: 12.3 grams. Approximate Total Gemstone Weight: .34 ct.

An attractive pair of 18K yellow gold baton-style cufflinks, the faces set with round brilliant-cut G/H color diamonds and channel-set square rubies. The gold surfaces have a semi-matte finish that accents the brilliance of the gemstones very nicely. Solid bridges connect the faces to hinged backs. The bridges are marked “750” and also have serial numbers, but no maker’s mark.

Ca. 1980. Condition: excellent. Dimensions: 11/16” x 3/8”. Weight: 16.2 grams. Approximate Total Gems...

An unusual combination of classic Victorian insect jewelry and the patriotic color combination popular around the time of the Centennial celebrations of 1876. The insect’s folded wings are set with pairs of rubies,sapphires and diamonds. The thorax is represented with a single bezel-set diamond and the eyes are small rubies. Neither the rubies nor sapphires have evidence of heat treatment. Tested and guaranteed 14K.

Origin: America, ca. 1876. Condition: excellent. Dimensions: head, 11...

A handsome and heavy 14K yellow gold ring in a flattened chain link design similar to the classic Gucci “Cuban Link” design. The ring is substantial enough to be worn by a man, but the openness of the design and the split shank makes it equally attractive for a woman. The interior is stamped 14K.

Origin: America, ca. 1965. Condition: excellent. Dimensions: crown, 7/16” x 3/4". Finger Size: 8-3/4. Weight: 9.4 grams.

A very handsome 10K yellow gold man’s ring, the setting featuring an Art Nouveau take on Gothic arches. A bezel set oval brilliant-cut amethyst crowns the ring. Stones set in this style of ring can often appear too dark, but this amethyst has a pleasant moderate color that reads violet even from a distance. The interior of the shank is stamped with the maker’s mark for Larter and 10K.

Origin: America, ca. 1900. Condition: excellent, sharp detail. Dimensions: 5/8” wide at crown, tape...