A Victorian 14K yellow gold and coral pendant necklace in the Etruscan Revival taste. The central plaque is enhanced with a pair of natural color coral beads and suspends torpedo drops and a chain swag. The plaque was originally a brooch, but it has been given new life as an elegant necklace! Tested and guaranteed 14K.

• Origin: America, circa 1860,
• Condition: Excellent.
• Dimensions: overall length, 17"; pendant, 1" x 1.5".
• Weight: 5.2 grams.

A complete 9-piece dress set by Krementz, worked in 14K yellow and white gold with mother-of-pearl and seed pearls. Each face features a disc of mother-of-pearl with lustrous iridescence centering a small pearl and surrounded by an engraved border of white gold. The backs of the faces and the mechanical parts are worked in yellow gold. The set includes a pair of double-sided cufflinks, three shirt studs and four vest buttons...

For anniversary jewelry, there's nothing more romantic than this rare 18K yellow gold, diamond and ruby love token (“medaille d’amour”) ring with a rebus spelling out “Plus qu’hier, moins que demain” (“More than yesterday, less than tomorrow”), a line from a love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889...

A pair of ducks takes flight from the lakeside marsh in this 18K yellow gold and diamond locket by renowned Swiss jewelers Huguenin Frères. The quality of the design and workmanship are astounding. The old European cut diamond (I/VS2) is set in platinum collet to enhance the color. Huguenin Frères was one of the leading makers of fine pocketwatch cases, and in 1899 expanded their range to include sporting decorations and other jewelry...

A noble poodle stands encircled in a ring of gold in this Art Deco period French 18K gold charm or pendant. The dog’s stylized design echoes the ribbed and twisted rope motifs along the edges. The pendant retains the original matching jump ring. Stamped with French 18K gold marks.

• Origin: France, ca. 1935.
• Condition: excellent.
• Dimensions: 13/16” wide; 1 1/8” height (including jump ring).
• Weight: 4.8 grams.

French gold and sapphire stirrup cufflinks never go out of style. The strirrup (étrier) design was popularized by Cartier in the Art Deco era and continues to one of the most stylish elements in a gentleman’s jewelry wardrobe. The sides are worked in the classic curb link chain style and the hinged closures are capped with bright blue sapphire sugarloaf cabochons...

A classic sporting bracelet featuring three reverse-carved Essex crystals depicting a fox and a pair of horses. The gold mountings are formed from snaffle bits, horseshoes, riding crops, saddle belts and stirrups. The Essex crystals are expertly carved and painted with fine depth. The reverse is stamped with 14K marks and the maker’s mark for Carter, Gough & Co.

• America, ca...

Centered with an intensely violet amethyst, this Victorian pendant will add a pop of rich color to any wardrobe. The gold setting in a fleur-de-lis pattern is adorned with natural seed pearls that contrast beautifully with the intense color and brilliance of the large amethyst. This piece was originally a brooch, but now has new life as a wearable pendant. Tested and guaranteed 14K.

• America, ca...

You can nearly hear this glowering lion roaring. Decorated in spectacular translucent enamels, the lion’s eyes are studded with old European cut diamonds and the mouth grasps an old mine cut diamond. The diamonds are graded as H/VS1. The brooch is deeply three-dimensional, with a lot of detailing in the mane. The back of the pin retains the original pinstem and a watch hook. The hook would have been used to suspend a pocket watch but could now be used to suspect a gemstone drop...

Napier silver plate over brass, c1955, three strand bracelet with center overlapping talon ends holding coral ceramic balls. It is 8 1/4" (20.9 cm) long and the three wheat chain strands together are 1 3/8" (3.8 cm) wide, not including the ceramic balls. They are each 3/4" (2.2 cm) in diameter. The bracelet was designed by Eugene Bertilli and is signed Napier on the clasp. It is in beautiful vintage condition with no plate loss that I could spot.

A very large, heavy 18K gold Venetian Etruscan fob charm pendant set with oval brilliant cut amethysts and pearls. The gold surface is heavily decorated with applied wire-work and rosettes. The amethysts have vivid, even coloring. The pearls display good luster with a slightly rose overtone that nicely complements the amethysts. The jump ring is marked "Italy 18K." This is easily the largest and heaviest Venetian Etruscan piece we've had.

• Italy, ca...

A wonderful 18K yellow gold brooch depicting Diana (Artemis in the Greek pantheon), goddess of the hunt, animals (wild and domestic), and childbirth. She was also the protector of girls until marriage. Here she is shown with her The goddess is shown wearing her moon-studded tiara and with her bow and arrow attribute. This design was created by the nobleman Prosper, Comte d'Epinay de Briort, one of France's leading sculptors in the Art Nouveau style...

An elegant Art Nouveau silver brooch depicting a maiden smelling a rose. She is surrounded in a bower of climbing roses and enclosed in a frame of whiplash curves typical of French Art Nouveau. The clasp is marked for silver and bears the maker's mark of Fernand Boursot, who opened shop in Paris in 1894...

French Art Nouveau 18K gold and sapphire cufflinks, the triangular faces pierced in a decoration of stylized flowers and set at the centers with cabochon blue sapphires...

Three glowing opals punctuate each this pair of Art Nouveau 14K gold dress clips. Triangular in shape, the clips are entirely hand-pierced and chased in a swirling foliate pattern. The leaves extend beyond the triangular borders to create a slightly assymetrical shape. The opals are much more attractive in person than in the photos, and have fine play of green, blue, orange and red color, evenly spread over the gemstones. Clips of this sort would have originally been worn on either side of a nec...

Fabulous 1960s or 1970s big glass beaded necklace with jewel tone art glass beads, most likely French. Also from the same estate, coordinating pierced earrings with black and white glass cabochons which are very similar to the black and white embedded in some of the beads on the necklace. There is a silvertone bead at the back that looks like a French style screw barrel clasp, but it appears to be a faux decorative clasp. It is not needed as the necklace is long enough to go over the head easily...

Rare vintage Thierry Mugler Couture runway festoon necklace. Large cascading rhinestones with even larger pear shaped, unfoiled drops. 15 1/2" (39.5 cm) long from the toggle to the square holder. The center drop is 6 '' (15.6 cm) long. All the stones are brilliant and the necklace is in pristine vintage condition. A truly amazing piece!

Very early Kenneth Jay Lane hinged cuff with the earliest K.J.L. mark. Covered with pave white rhinestones and green, red and ruby cabochons, as well as emerald color square cut accents. A hair under 1" (2.3 cm) wide, the interior diameter is 2 3/8" (6.4 cm) x 2 1/8" (5.3 cm). The snap closure is tight and the cuff is in original vintage condition. This is the Moghul style at its best.

Three rich deeply-colored pear-shaped sapphires for the petals of the trefoil in this elegant pendant necklace. The flower is centered with a rose cut diamond. The sapphires are excellent quality with a velvety violetish-blue appearance. The trefoil’s stem curls around on itself to for the Art Nouveau styled border of the pendant. The 18K pendant was originally a brooch but has been given new life as a pendant necklace with the addition of a 14K gold cable chain.

• Origin: France, ca 1900...

This spectacular necklace is the work of Matilde Poulat, produced before 1960.

A true statement piece which drapes perfectly upon the neck, measuring about 17" closed wearable length, with a width just over 1 1/2". Composed of thirteen panels studded with pyramidal amethysts and turquoise stones, all original, with a tight and secure tongue in box closure.

Signed and hallmarked Matl Mexico 925 Patente 10569 M Reg 142093, along with the eagle assay 129.

Weight is ...

Circa mid-century, this parure is an extremely rare design from Margot van Voorhies Carr / Margot de Taxco.

The original design drawing is shown in the Penny C. Morrill book "Margot Van Voorhies: The Art of Mexican Enamelwork".

The necklace consists of three tiers alternating with two round button links, and a thick chain on each side with a ball tassel on one and a hook on the other. This is original to the necklace. You can see this same chain and ball closure on the M...

Pre-eagle, circa 1930's-early 1940's, this necklace is a gorgeous statement piece.

It's entirely hand-wrought, with a center medallion measuring 4" wide. It's studded with tiny silver beading, and the oxidized background provides great depth and dimension.

Closed, wearable length is 15 3/4"". Centerpiece is 4" x 2".

Weight is 66.7 grams.

Hallmarked "Sterling Taxco Mexico", with a design # 15.

In excellent vintage condition, with a beautiful ...

This is an exceptionally rare piece produced by Antonio Pineda, with his early "Silver by Tono" hallmark which dates 1948-1953. The design speaks to the influence of Valentin Viadurreta, for whom Antonio Pineda apprenticed in Mexico City.

Entirely hand-wrought, with open-back repoussé, this cuff is a collector's dream. In excellent vintage condition, with no issues whatsoever. This can be gently adjusted for a larger or smaller fit, but should be done by a professional jeweler.

The Clouds is one of the most sought after Spratling designs. It is shown full page in the book WILLIAM SPRATLING AND THE MEXICAN SILVER RENAISSANCE by Penney Morrill. With a silver quality of 980 and weighing 132 grams it displays a rich presence. An inner diameter of 4inches which is approximately 16.5 + inches allows the necklace to fit most. The links are built on a curve and are 1in. tall. The stones are a lovely well matched and warm teal colored turquoise. There is no damage to the silver...

With hallmarks dating 1940-1944, this necklace is an iconic piece from William Spratling's 1st design period.

It's very rare to see this design complete with the original five strand tubular silver necklace, and it is collector quality. The large amethyst cabochon measures 1 1/4" in diameter, and is a gorgeous stone with natural inclusions and quartz marbling. The five strand chain connects at the sides with the signature turtle back Spratling clasp.

This is a spectacular...

Reminiscent of Frank Lloyd Wright Art Deco designs this silver & stone necklace was created & signed c. 1949-52 by American & Taxco, Mexico artist William Spratling. Weighing 100 grams, the necklace has a wearable length of 18 1/2 inches. The central element is 2 1/2" X 1 1/2". Signed on the clasp SPRATLING DE MEXICO STERLING. Both stones & silver are in beautiful condition. Clasp is tight & secure. This design is pictured on p. 242 of WILLIAM SPRATLING & THE MEXICAN SILVER RENAISSANCE by Penny ...

Circa 1930's - 1940's, this bracelet is a stunner. Hallmarked simply "Silver Made in Mexico", it's a book-piece design seldom seen, originally created by Frederick Davis and shown in the Morrill/Berk book "Mexican Silver". No maker's mark on this one.

Four large amethyst cabochons with quartz marbling and natural inclusions sit between oval silver tubes with silver balls at each end. Closure is a tight and secure tongue in box.

Weight is 78 grams.

Closed, wea...

This brooch by Matilde Poulat features a large amethyst front and center, with turquoise cabochons and coral branches in a butterfly design with dangles.

Measures 2" tall x 1 1/2" wide. Pin closes with a rolling "C" clasp.

Weight is 11.8 grams.

Signed and hallmarked "Matl Mexico 925", with the eagle assay 129. Dates to pre-1960.

Circa mid-century, here is a very seldom seen book-piece design from Antonio Pineda.

Shown on page 148 of Gobi Stromberg's "Silver Seduction : The Art of Mexican Modernist Antonio Pineda", this is a magnificent bracelet with a stunning modernist design. Composed of eight thick sleek rectangular links which have bezel-set carnelian gemstones, each with a silver disc rising from the center. It's a very unusual piece, and a real attention grabber. It also has a completely seamless appear...

A nice and perfect Peranakan silver belt with Phoenix and flora pattern , repousse work

Beautifully fluid, this hand crafted design was called the "Collar Gola" by Taxco, Mexico artist William Spratling circa 1948-52. Weighing 70 grams the necklace has a wearable length of 19 inches. The center element is 4" across at the top & 1 1/2" high at the center. Spratling used a subtle vermeil wash adding to the 3 dimensional effect of the design. All in beautiful condition with excellent patina. Fully hallmarked with the rare eagle # 1 & WS. Featured on p. 245 of WILLIAM SPRATLING AND THE...

Hallmarks date 1940-1944 on the superb William Spratling bracelet from his first design period. Tested to be 980, or 98% pure silver.

This is a heavy, gorgeous, luxurious bracelet which looks and feels amazing on the wrist. It's an extra large size, measuring a closed, wearable length of 7 1/2" and a width of 7/8".

Weight is 116.6 grams.

Signed and hallmarked with the WS Print Circle "WS Spratling Made in Mexico", and "Spratling Silver".

In ex...

This is a very rare and spectacular necklace from Hector Aguilar, hand-wrought and executed in 940 silver.

It's a stunning piece which won't fail to be noticed and looks magnificent on the neck.

It's composed of two separate pieces, one measures 1 3/4" and the other at 14", combining to 15 3/4". It's wide at just over 1 1/4". Fits more like choker because of the width, but a jeweler could easily make an extension to wear longer.

Weight is a very substantial 154.1...

An early design by Margot van Voorhies Carr, this necklace features a design of hammered niello hearts framed with thick raised silver edges. The centerpiece measures 3" wide and 2 1/2" on the diagonal. The side hearts alternate with silver beads, and each side finishes with rectangular silver tubes. Closure is a tight and secure tongue in box.

Measures 15" closed, wearable length.

Signed and hallmarked "Margot de Taxco Sterling Made in Mexico", with the eagle assay 16...

This Antonio Pineda wave bracelet is a spectacular masterpiece.

It's a book piece design, shown in "Silver Masters of Mexico", among others. Composed of twelve silver "waves", each of which is formed from a single sheet of heavy gauge silver.

Weighing in at a massive 202 grams, this is the ultimate showpiece that commands instant attention, compliments, and envy. It's also the largest version of this design, with a closed, wearable length of 7 3/8" and a width of 1 3/8". ...

A fine green-toned cat's eye chrysoberyl cabochon surrounded by delicate scalloped border set with seed pearls centers this Victorian stickpin conversion ring. The stone displays excellent chatoyancy, with a clear milky white streak down the center of the stone that seems to "wink" as it is rocked from side to side. The surrounding pearls pick up the creamy color of the eye. The setting is 18K gold attached to a 14K shank.

• Origin: France, ca 1890.
• Condition: converted to a ring; n...