A very attractive pair of Art Deco cufflinks featuring sugarloaf cabochons of moss agate (“dendritic agate”) in simple 14K gold collet settings. The agates have a very nice pattern of wispy green inclusions against a creamy translucent background. The connectors are marked “14K” and have an unidentified maker’s mark.

• Origin: America, ca. 1925
• Dimensions: faces, 9/16” x 9/16”
• Condition: excellent, all original
• Weight: 11.0 grams

A fine pair of 14K gold cufflinks set with high-domed amethyst cabochons by David-Andersen. The amethysts have deep, rich coloring and excellent clarity. David-Andersen is widely known for its enameled silver jewelry, but also made a very limited number of pieces in gold. Each cufflink is stamped “D-A 585”.

• Origin: Norway, ca...

A stunning pair of Art Nouveau 14K gold cufflinks by Carrington, the faces designed as dolphins stylized as sea monsters. The creatures are beautifully designed with detailed scales, fins and gaping mouths. The eyes are set with G/VS1 old mine cut diamonds. The faces are joined by oval connectors sufficiently long to fit through a thick cuff. The backs are stamped with Carrington’s 14K hallmark.

• Origin: America, ca...

A wonderful vintage 14K gold acrostic charm using the first letters of each of the gemstones ( Diamond/Emerald/Amethyst/Ruby/Emerald/Sapphire/Topaz) to spell out the secret message “Dearest”. Acrostic jewelry first appeared in the 18th century and remained popular, though somewhat uncommon, throughout the Victorian era. The gold is enhanced with bright-cut engraving a pattern like that seen on sundials...

A very pretty vintage 18K gold fob charm in the Venetian Etruscan style. The sides of the charm are set with a row of oval cut citrines bordered at the top and bottom with rows of pink tourmaline, moonstone, citrine and amethyst cabochons. Exposed areas of the gold surface are enhanced with ornate twisted rope and rosette decoration. Tested and guaranteed 18K.

• Origin: Italy, ca...

Signed Margot de Taxco Swanns is a coveted design. Even more difficult to find with all the repousse balls in perfect condition. All the balls are channel set making this item even harder to construct. The center reflects the age being open backed repousse. The center drop is 2 in. and the measurement across is 4 in. across. There is a curve at the top of the drop and a 17 in. wearable is estimated. The weight is 80 grams of perfection, just LOOK AT THAT NECKLACE!

A third design period sterling silver and tortoise cuff bracelet by William Spratling.

This cuff measures 5 1/4" around with an opening of 1 1/4". Measures 1 5/8" at the widest. Marked with the script WS and 925, Spratling Taxco Mexico in a circle mark, and Eagle #30. The tortoise is in fine condition with very minor scratches. The end rivet is out a little more than the rest. The finish near the seams is a bit irregular. Has some tarnish and some very small nicks along the edge...

A very rarely seen necklace from his first design period, shown on both the Spratling Silver website and as a published book-piece in the Morrill/Berk book "Mexican Silver", here is William Spratling's "Long Amethyst Caviar Necklace". It's a very versatile piece - wear it long in a single strand, double it up, or wear it as a belt. This is an absolutely spectacular necklace. Wear it with the amethyst at the bottom, or on the side...

Circa 1930's-1940's, this is a spectacular hand-wrought pectoral necklace. Hallmarked simply "Sterling 925", I do believe it to be Mexican in origin. The style and manner are very much in keeping with the work of Geraldo Lopez, Los Castillo, and Alfredo Villasana. This stunning necklace lays perfectly upon the neck. The center portion measures 6" wide, 4" tall. Closed, wearable length is 16". Closure is a "J" hook. Weight is 86.9 grams. In excellent vintage condition...

Circa mid-century, this bracelet from Antonio Pineda is a published book-piece design, shown with obsidian cones in Silver Seduction : The Art of Mexican Modernist Antonio Pineda.

It's a heavy solid piece, weighing a staggering 153.1 grams. Executed in 97% silver purity, this is a very seldom seen bracelet which is nothing short of amazing. Looks fabulous on the wrist...

Circa mid-century, this necklace was produced by Ana María Nuñez de Brilanti, whose shop was known as Victoria.

Brilanti was known for her unique designs in mixed and married metal, and for her commitment to quality.

This is a gorgeous necklace. The pendant can be removed and worn alone as a pin. It's a large piece with a multi-dimensional celtic design in sterling silver, copper, and brass...

Fabulous sterling tufa cast bolo by Mission/Hopi Preston Monongye ( 1927-87 ). The central piece features a mythical being holding a staff and carrying what appears to be an abstract bundle that is comprised of ebony, turquoise and bone...

Hallmarks date this very rare Antonio Pineda necklace 1948-1953. I've not seen this design before.

Composed of twenty panels with a rimmed hubcap design, the links alternate with rounds and indented on the sides so that they fit into each other. Each panel measures 1 3/16" tall, 13/16" wide. Closes with a ribbed J hook and eye.

Signed and hallmarked "Silver by Tono", with the design # YY 223. I believe the silver to be of a higher purity than 925, likely 970 or 980. ...

An elegant Edwardian 14K gold chain comprising bar links engraved in a delicate foliage pattern. The chain is completed with a hidden box clasp. This chain could be worn alone or suspending a single pendant or locket. It would also look fantastic suspending charms between the bar links. Marked 14K.

• Origin: America, ca 1915
• Dimensions: 16 1/2" long
• Condition: excellent
• Weight: 10.8 grams

An elegant pair of long 18K gold earrings enhanced with floral shaded enamel plaques. The gold surfaces are intricately engraved to add a bit of sparkle. The earrings have nice movement when being worn. Each is stamped with French 18K marks.

• Origin: France, ca 1840
• Dimensions: 2-9/16" long from top of earwire
• Condition: excellent, no enamel damage, replaced earwires
• Weight: 8.3 grams

An elegant square locket worked in 14K yellow gold. The locket is simply decorated with an engraved laurel leaf border. The cover is set with four rubies surrounding a demantoid garnet. The bail is placed at a corner, so the locket hangs in a diamond shape. The interior retains the original frame insert. Tested and guaranteed 14K.

• Origin: America, ca 1910
• Condition: very good, a few pinpoint dings to back cover, never monogrammed
• Dimensions: 1” corner to corner
• ...

With hallmarks dating 1953-1962, this pin was produced by Hector Aguilar.

This is an outstanding piece, and one which I have never seen before. This gorgeous bird has at it's center a large round bezel-set onyx cabochon. Open-back repoussé silver tail feathers, win, and head extend from the center.

Measures 3 3/16" long, 1 5/8" wide.

Weight is 19.6 grams.

Signed and hallmarked .940 HA Taxco along with the eagle assay 9.

In excellent vintage...

Circa 1940-1945, this stunning and iconic belt from Hector Aguilar is known as the "Georgia O'Keefe" belt. A photo of O'Keefe wearing this belt is shown on page 108 of "Silver Masters of Mexico". Page 107 , bookplate III-24, shows this belt as "Large X's with One Button Belt".

There are different versions of this belt. This one is the largest, with a width of a full 2" for the leather, 2 3/8" at the buckle. Four "X's" measure 3 1/2" wide, 2 1/4" tall. Length is 32" for the suede/leath...