A very handsome and heavy pair of double-sided 18K gold cufflinks, the oval faces decorated with stripes of engine-turned engraving and translucent royal blue guilloche enamel. The faces are joined by chains. Both the faces and the individual chain links are fully marked for Sheffield, 1905 and have an unidentified maker’s mark.

• Origin: Sheffield, England, 1905
• Condition: excellent, no enamel damage
• Dimensions; faces, 3/4” x 9/16”
• Weight: 11.0 grams

An elegant Art Nouveau bracelet comprising foliate shaped links set with round amethysts alternating with fleur-de-lis shaped links. The amethysts have the deep violet coloring typical of the best quality Siberian material. Tested and guaranteed 14K gold.

• Origin: America, ca 1895
• Condition: excellent
• Dimensions: 7-1/2” long
• Weight: 19.4 grams
• Approximate Total Amethyst Weight: 5.22 carats

This ring is the match to the pair of Patania cuffs listed. The same gorgeous design and execution, it is a size 5 and weighs 20 grams. The face of the ring is 1 1/4" long and 1" wide. Fine condition. Signed as shown. This ring looks stunning all on its own but is a show stopper when worn together with the cuffs.

A glorious emulation of Spratling's "Aztec Sun" design, the early Mexican Deco silver and amethyst cuff at hand combines repoussage and overlay with cleverly applied oxidation that adds more depth and drama to an already stunning bracelet. This is a generously proportioned piece so if you always craved a cuff like it but couldn't find one to fit, don't miss this opportunity...

I know and admire maestro C. Molina's work for its superb craftsmanship and its monumentality but I was still not prepared for this set of stupedying dangle earrings! There is big, there is massive and then, there is the pair of shadowbox stunners I am presenting here tonight...

A smashing duo in the index of mid-20th century Mexican jewelry design, Cecilia and Tono have created some of the most amazing pieces. More often than not their creations are re-interpretations of ancient motifs with a modernist twist and adaptations of old techniques and materials to fit their contemporary vision...

Signed by a listed but still unidentified Taxco maestro, this pair of exuberant sterling silver chandelier earrings is set with some of the most vibrant turquoise teardrops I have seen. Yet it is not just the stones that elevate it above and beyond your everyday earrings. The silver-work is equally gorgeous, the hand-cut and deeply chased frames given "body" with just a tad of repoussage and wisely applied oxidation...

Distinctly Egyptian Revival in its inspiration, the set of Mexican Deco dangle earrings at hand reminds me very much of elements in Margot de Taxco's "Cleopatra" parure; more specifically, the feathers of the "vulture crown" the pharaoh is wearing. More stylized in our case they are here involved in an elaborate knot forming sculptural dangles that hang off the sweetest repousse rosettes...

Classic in its elegance and the delicate filigree work that embellishes it, this vintage silver and sodalite pendant necklace dates in the first decades of the 20th c. and I believe it is an Italian piece. Very similar to work that came out of the Peruzzi and Coppini workshops of Florence, the necklace is anonymous yet exhibits very high levels of craftsmanship and its finishing is impeccable...

Nice and long at 27 1/2", this mid-century Antonio Pineda pendant necklace features a starburst design pendant with turquoise colored stones. The pendant itself measures 2 1/2" tall, just under 2" wide. Both pendant and chain are marked with with Antonio Taxco crown, and the chain can be worn on its own or with another pendant. Please see pics for additional hallmarks. Weight is 50.5 grams. In excellent vintage condition. On Consignment.

This is a beautiful pair of cufflinks from Antonio Pineda with an archer shadowbox design said to be inspired by the cave drawings of Lascaux. In excellent vintage condition. T-backs are tight and snappy. Measures 1 1/4" tall. Weight is 23.2 grams. Signed and hallmarked on each cufflink with the Antonio Taxco crown, Hecho en Mexico, 970, and the eagle assay 17. No issues whatsoever.

This Antonio Pineda "Silver by Toño" hallmark dates 1948-1953. It's a timeless design. elegant and classy, which works with any outfit and is quite flattering. Measures a closed, wearable length of about 6 7/8". Width is 3/4". Closes with a pin on a chain. Weight is 50.1 grams. Signed and hallmarked "Silver by Toño Mexico". In excellent vintage condition. Collector quality. Offered on consignment.

This Antonio Pineda bracelet is a very rare find. The matching necklace is shown on p.179 of Silver Masters of Mexico.

Comprised of twelve panels, each with a heart and a turquoise cabochon. Hand-caved with oxidized recesses, it's a superb piece which looks and feels fabulous. Collector quality.

Closed, wearable length is 6 3/4"...

Bearing the signature of maestro Barrera this carefully made figural brooch depicts a richly clad person, most probably a nobleman or priest, with hands forming a very distinct gesture as if he takes part in a ritual or is performing a dance. Barrera , I suspect, worked in Mexico City, and created some impressive jewelry in the style associated with it...

Possibly the most "surrealist" early Mexican Deco "mask" brooch I have ever had, this piece is the source of so many questions for me. What is it exactly that it depicts with its "portrait" surrounded by an elaborate headdress, the two arms emanating right from its top with no actual body present? And what is the "mask" itself made of? It registers as a stone in my gem-tester but I am not sure if it is onyx or a different type of opaque, black stone...

This very early Los Castillo bracelet was likely designed by Margot. A very rare and monumental piece. Collector quality.

A large teardrop amethyst adorns the center front, and the swirls of silver have tiny beading. Can be worn either with the amethyst facing down from the wrist resting on the hand, or the opposite way higher on the wrist.

Width in front is about 2 1/2"...

A very fine and moving 18K gold and enamel locket in loving memory of Francis Mary, Viscountess Forbes who died on Christmas Day, 1877. She married the Viscount Forbes, 26 years her senior when she was just 21 years old. She was predeceased by her husband, and though she never became a Countess, their son inherited the title Earl of Granard...

A superb pair of 14K yellow gold bean-back cufflinks by Carter, Gough & Co., the faces decorated with a representation of Sandro Botticelli’s “Birth of Venus.” The jeweler took a few liberties with Botticelli’s design by having the goddess walking atop roiling waves rather than standing in a scallop shell, and fully baring her breasts instead of modestly covering them with her own flowing hair. The bean backs are designed with a swirling pattern that mimics the waves of the front faces...