When Frederick W. Davis (1880-1961) designed this most unusual necklace he likely chose this ancient hand carved stone from his Pre-Columbian collection. The wearable length of the necklace is 20 inches. The pendant including cascabeles is 2 3/4" X 2". The small jade mask looks to be from the ancient Mexican city of Teotihuacan. When the artist placed the jade mask in onyx, he may have carved it to replicate the large ear adornments and necklace that priests of Teotihuacan wore...

A truly spectacular sterling tufa cast ring with 14k gold saw tooth bezel set Carico Lake turquoise by Pala Mission-Cherokee jeweler and sculptor Larry Golsh. Many of his jewelry designs, such as this one, have been inspired by those of Hopi silversmith Charles Loloma. The ring is a size 6 and weighs 31 grams. The face of the ring measures 1 5/8" long. Fine original condition with no chips or cracks to the beauriful stone. Signed as shown. A remarkable work of art.

There are some pieces of jewelry that simply defy any effort to photograph them. And this stunning Taxco modernist sterling silver and blue spinel hinged bangle is one of them - a really tough one at that too! I have faced this challenge once before in the past and the “culprit” is available here as well, only that one is by Enrique Ledesma and adorned with color-change sapphires...

Stunning pair of heavy silver bangles inlaid with raw polished Baltic amber, total 184 grams of silver. These have spring loaded hinges so they do not require a clasp. Inner diameters are 18cm. These crafted in a Tibetan design made by Nepalese silversmiths for a more sophisticated market than tourist kitsch. Would sell individually at $400ea.

The art of "metales casados" (mixed or married metals) was practiced by several Taxco workshops yet I think Victoria was its queen. Ana Maria Nunez de Brilanti combined copper, silver and brass not only to design exquisite jewelry but also hollowware of various kinds and decorative objects. In the necklace presented here she seems to be inspired by Egyptian Revival motifs which is not unusual for her - there are at least a couple of other parures she created that tread that same path...

I have had this ring in my personal collection for several years now - always meaning to get it sized so I can enjoy - but I finally deciding to let it go. I have only seen this design once before, with a obsidian cab and a different shank but I really love how it looks with the “feathered serpent” jealously guarding an amethyst...

I love Portuguese silver hinged bangle bracelets - the variety of designs, the beguiling fleshiness of their repoussage and the possibility of stacking them for a Bohemian look fascinates me. Presented here is narrow version of the "harvest fruits and flowers" motif and it looks stunning! The oxidation enhances the rounded bodies of corn, grapes, apples and pears while there is a touch of Art Nouveau elegance in the florals next to the hinge and clasp...

Over the years of my career as a vintage Mexican jewelry dealer I have come to love and appreciate the "mask" pieces created by the Los Ballesteros workshop. I have to admit that this was not a "love-at-first-sight" affair. On the contrary, it took me some time to realize that prolific though they might have been, especially in the post-1980 years which witnessed a drop in creativity as well, the specific workshop excelled in the production of superb jewelry centered by carved stone effigies...

Based on Hector Aguilar's often referred to as the "fertility" parure, this anonymous Mexican Deco sterling silver band ring is a rare find. I love the combination of the two cross motif variations, the deep hand-chased details and the sense of depth enhanced with oxidation...

Valentin Vidaurreta signed pieces are extremely elusive and highly coveted. This bracelet is collector quality. It's a book piece design, shown with obsidian stones on p. 113 of "Mexican Silver", and p. 152 of "William Spratling and the Mexican Silver Renaissance". Vidaurreta was extremely talented. He was an artist, illustrator, horticulturist, amateur architect, and silver designer...

Hallmarks date this Gerardo Lopez pectoral necklace 1950-1955. Executed in 98% almost pure silver, this hand-wrought necklace is a masterpiece. The repoussé silver work is nothing short of spectacular. Measures a closed, wearable length of 17". Centerpiece is just over 6" wide. Please see pic. Weight is 100.4 grams. Signed and hallmarked "Lopez Taxco 980", along with the eagle assay 25. In excellent vintage condition. Collector quality. Gorgeous original patina.

I am thrilled to have stumbled upon this amazing, quintessentially Deco and quite rare Mexican silver and stone ring! Though this piece is not signed for maker, the design is a known Fred Davis creation and as I have recently noted in one of my descriptions, Davis was never as adamant as Spratling was in hallmarking all jewelry coming out of his workshop. So out there, there are many Davis creations that are simply not marked fully and I believe this beauty might easily be one of them...

One of my absolute favorite designs by Gerardo Lopez, this silver and copper "mask" necklace I have sold a few times during my career as a vintage Mexican jewelry dealer and I never tire of it! There is so much to attract the eye here and every time you look at it, you spot something new and exciting. Meticulously cut ornate sterling "frames", oxidized and embellished with overlay, surround the highly sculptural copper "masks"...

Potent design and perfect execution combine in this set of Antonio Pineda cufflinks shaped like bull skulls...

Here is an interesting portrait in silver, of a wind-swept young person clad in a cloak and hood. It’s very detailed and just lovely...

A rare example of Jose Luis Flores's work to come upon, this distinctly modernist necklace made my day when I discovered it. I have in the past sold the matching bracelet to it but this specific form eluded me for the longest of times and I am thrilled to be offering it here. Made up of links constructed using overlay, hand-cutting and chasing as well as oxidation, it brings to mind Teran's biomorphism and the design's execution is flawless. No wonder many of Flores's jewelry are also signed for...

Spratling designed this lovely work of art in the 1940's. The sterling silver basket holds 3 hand carved chalcedony stone flowers in varying shades of color. The brooch measures 2 7/8" across X 2 1/2" high & weighs 47 grams. The pin is in beautiful condition & fully hallmarked for Spratling on the reverse. The design is pictured on spratlingsilver.com and in Phyllis Goddard's book SPRATLING SILVER: A FIELD GUIDE.