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Estate Jewelry (9278)
One Good Eye Silver
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I thought long and hard before I decided to offer this stunning, very rare vintage Mexican ring by Taxco maestro Alfredo Villasana. When I first acquired it, my intention was to add it to my personal collection. I am a rings enthusiast and the specific design I have never ever seen before in all my years of buying and selling vintage Taxco jewelry. Yet how many rings could one possibly keep for themselves?
It has been a while since I last presented an Alfredo Villasana...
One Good Eye Silver
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Profusely studded with the Etruscan style’s tell-tale florets this long Mexican lariat necklace was made in Cuernavaca, one of the country’s main silver-smithing centers. A rather rare jewel of the Deco period, it consists of a long strand of short barrel beads strung on flexible silver wire. Classically elegant yet with body and strong presence, the necklace has developed a deep patina over the years...
$385.00
Circa pre-1948, this is a superb deco design from noted Mexican silversmith ACE. I have had this exact design with onyx stones produced by Felipe Martinez with the eagle assay. This necklace, with gorgeous red stones, is an earlier piece.
Measures a closed, wearable length of 16". The centerpiece is 2 1/2" tall.
Weight is 74.3 grams.
Signed and hallmarked "ACE 925 Hecho en Mexico Guadalajara.
In excellent vintage condition...
One Good Eye Silver
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Over the years of my career as a vintage Mexican jewelry dealer I have come to love and appreciate the "mask" pieces created by the Los Ballesteros workshop. I have to admit that this was not a "love-at-first-sight" affair. On the contrary, it took me some time to realize that prolific though they might have been, especially in the post-1980 years which witnessed a drop in creativity as well, the specific workshop excelled in the production of superb jewelry centered by carved stone effigies...
This mid-century masterpiece is the work of Felipe Martinez, whose shop was called Piedra Y Plata.
The hand-carved and polished amethyst face is a gorgeous shade of purple and the repoussé silver work is magnificent. Earrings are obsidian...
The hand-carved and polished amethyst face is a gorgeous shade of purple and the repoussé silver work is magnificent. Earrings are obsidian...
This mid-century Margot de Taxco brooch is likely one of a kind. The Victorian era high relief Greek goddess is hand-carved and exquisitely detailed. It's either hardstone or black lava, and Margot designed the silver setting expressly to fit the cameo, using a Greek motif with black enamel. Measures 2 3/8" x 2 3/16", with a weight of 35.8 grams. The Greek goddess is Eirene, and she is known as the goddess of peace and the season of spring...
One Good Eye Silver
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A smashing duo in the index of mid-20th century Mexican jewelry design, Cecilia and Tono have created some of the most amazing pieces. More often than not their creations are re-interpretations of ancient motifs with a modernist twist and adaptations of old techniques and materials to fit their contemporary vision...
One Good Eye Silver
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Bearing the signature of maestro Barrera this carefully made figural brooch depicts a richly clad person, most probably a nobleman or priest, with hands forming a very distinct gesture as if he takes part in a ritual or is performing a dance. Barrera , I suspect, worked in Mexico City, and created some impressive jewelry in the style associated with it...
One Good Eye Silver
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Maestro C. Molina is one of those “enigmatic” figures of Mexico’s 20th c. Silver Renaissance. Even in Bille Hougart’s seminal work on hallmarks and makers there is minimal information about him - namely, two or three examples of the way his jewelry is hallmarked and the photos are really difficult to read...
Circa 1940's, here is a superb pin produced by Chato Castillo.
Chato Castillo apprenticed with Matilde Poulat. In the Davis/Pack book "Mexican Jewelry", it's noted that Chato's pieces are all one of a kind. He left William Spratling's Taller de Las Delicias in 1939 to help his brothers start Los Castillo. Many of his early designs were also used as prototypes for pieces later produced by Los Castillo.
Measuring 5" tall, 2 1/8" wide, this pin is a sight to behold...
A fine 18K yellow gold Sputnik charm or pendant by H Stern. The sphere is bezel-set with 21 round citrines, amethysts, pink and green tourmalines, aquamarines, and garnets. This design was created in the 1950’s to highlight the range of colored gemstones available from Stern’s Brazilian mines. It came to be called “Sputnik” because of its resemblance to the spiky Soviet satellite launched in 1957...
Auerbach and Maffia
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Borgila modernist sterling silver necklace
Sweden
1956
14" long x 1 1/4" wide
Weight - 65 grams
Marked Borgila, Swededn, sterling, F9 [1956] plus other local markings
Excellent vintage condition
A lovely mid-century 18K yellow gold pendant featuring a deeply-colored elongated piece of coral in an ornately scrolled and beaded setting in the Venetian Etruscan style...
A very nice 18K yellow gold ring in the Sputnik style by H Stern. The sphere is bezel-set with round citrines, amethyst, green tourmalines and aquamarines. This design was created in the 1950s to highlight the range of colored gemstones available from the mines of the jeweler’s native Brazil. It later came to be known as “Sputnik” for its resemblance to the spike Soviet satellite launched in 1957. Each ring has a unique appearance stemming from the specific combination of gemstones use...
All Items : Estate Jewelry : Cufflinks and Accessories : Gold : Pre 1960
item #828648
(stock #gam-90)
Gideon Antiques
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Attention all train lovers: wear your passion on your sleeve. This is a highly detailed pair of 12K gold plated train-form cufflinks representing the famous American Locomotive Co passenger train, ALCO stamped on engine, PAT PENDING marked on toggle back, American, Circa 1950. Size: 1" x 5/8". Condition is excellent.
A very heavy pair of 18K yellow gold stirrup (étrier) cufflinks retailed by famed New York jeweler Olga Tritt. Stirrup (étrier) cufflinks were popularized by Cartier in the 1940s and have appeared in many variations since. This pair is unusual because of the gold mesh sides and the unusual decorative shape of the crossbar. The cufflinks are marked with indistinct French master goldsmith’s marks. We have had an identical pair once before, in their original fitted Olga Tritt box. As a Fre...
Offered on consignment.......
Hallmarks date this William Spratling bracelet 1951-1956.
From his third design period, this cuff features half discs which alternate with azur-malachite and silver, with a band of three striated lines across the center. Shown on the Spratling Silver website as well as in the book "Spratling Silver: A Field Guide, Spratling described this bracelet as "slip-on heavy forged azurite half discs."
Inside edge to edge measures 5", with an ...
Hallmarks date this William Spratling bracelet 1951-1956.
From his third design period, this cuff features half discs which alternate with azur-malachite and silver, with a band of three striated lines across the center. Shown on the Spratling Silver website as well as in the book "Spratling Silver: A Field Guide, Spratling described this bracelet as "slip-on heavy forged azurite half discs."
Inside edge to edge measures 5", with an ...
A striking cuff bracelet by Winifred Mason Chenet, who was an African American woman hand crafting jewelry in Greenwich Village. She reportedly worked with and trained Art Smith, a well respected African American modernist jeweler. This bracelet is made of copper with brass overlays and connections of copper rivets and wire. Measures 5 1/2" around with an opening of 1 3/8" and 1 3/4" wide. Signed with her stylized 'chenet'. Wonderfully hand made work.