Vintage, c1947, vermeil sterling silver pin of a running clown bearing a large pearl ball With enamel and rhinestones.

Hat contains blue rhinestones with pink rhinestone trim - Green rhinestone eyes and blue rhinestone slippers Red enamel mouth and nose - some enamel missing off nose Large taupe colored faux pearl measures 7/8" in diameter Secure clasp on back.

Designed by Frederick Pearsall for the Imperial Pearl Co.

Mark: MARSLIEU STERLING PAT PEND

Size: 2 3/4" ...

This Navajo squash blossom is made of heavy sterling and with expert craftsmanship. It is signed as shown by YH. The long bead is 1.5in. long and the disk beads are 5/8th of an inch tall. I purchased this in the 70's and it has been in my collection ever since and hardly worn. The beads are silky smooth sterling and weighs 172.5 grams. The length is a luxurious 30in. long. Strung on strong chain and in perfect condition, just LOOK AT THAT NECKLACE!

An exceptional gilt filigree scarab bracelet marked on the box clasp LORAN SIM. The company was in production during the 50's-60's in Providence, RI. One link is attached to the filigree by a small thread.(It's very hard to discern, though one may want to have a jeweler resolder it.See photo with blue scarab.)Please refer to the carnelian scarab for internal cracks. The real stone scarabs measure 3/4" x 5/8"; the bracelet 7.5" x 1".

Dimension: 3 1/4" x 2 1/4"

Circa: 1940s Condition: Excellent

Dimensions: 2" square

Hallmark: Cadoro with C in oval cartouche

Circa: 1950s

There is rhodium plated metal brooch with black and red enmael. There is some wear to the enamel of the pelican's bill. All the pave rhinestones appear to be bright.

There is a Hallmark that is barely visible Made in USA and a symbol which I cannot photograph which appears to be a star with circle made of dots (Fred Gray).

Circa 1920s

Reference: Warman's Vintage Jewelry Identification and price guide, By Leigh Leshner, Krause Publications 2008 p...

A very good and unusually heavy pair of Victorian yellow gold double-sided cufflinks, the oval faces studded with rose cut diamonds and antique cushion cut blue sapphires in star settings. The gemstones are set in alternating rows for visual interest. The sapphires have vivid medium-dark violetish-blue color with excellent clarity and show no indications of heat treatment. The diamonds are lively with nice color and clarity...

A stunning pair of late Art Nouveau 14K yellow gold floral earrings, the petals enhanced with iridescent enamel and the centers set with clusters of blue sapphires. The quality of the enamel, shading from a medium blue to a pale greenish-yellow is superb. The gold surfaces underneath the enamel are delicately engraved to represent the veining and surface textures of real flower petals...

A very nice pair of double-sided 14K yellow gold cufflinks, the faces featuring discs of mother-of-pearl surrounded by opaque white enameled borders and centered with small pearls set in platinum. The mother-of-pearl is very lustrous with nice overtones of green and rose. The white enamel borders are punctuated with small gold dots to relieve the all-white surfaces. These cufflinks would look especially good on a dark shirt...

A heavy and finely made pair of 18K yellow gold cufflinks in the doorknocker style. The faces are attached with solid curved connectors to flip backs in a Moorish-inspired openwork arabesque pattern. The curved connectors cause the cufflinks to lie very flat against the cuff (despite their weight) for a really elegant appearance. The doorknocker motif has been a recurring element in French jewelry since Cartier introduced it during the Art Deco era...

A classic pair of 18K yellow gold cufflinks in the snaffle bit (“mors de filet”) or flip-up style modeled on a horse bit. The circular faces are simply enhanced with tubular concentric rings. The design is elegant, but casual enough to wear with a sport coat or event jeans. The cufflinks are fully stamped with French 18K gold hallmarks and have an unidentified maker’s mark.

Origin: France, ca. 1980. Condition: excellent, all original. Size: faces, 19/32” diameter...

A handsome, heavy pair of 18K yellow gold and onyx cufflinks, each fashioned as two spheres joined by chain-like connectors. The design is a play on positive/negative space. The larger spheres are constructed in gold decorated with concentric rings and inset at the equator with a recessed band of black onyx. The smaller spheres are the opposite—onyx spheres inset with a slightly protruding band of gold at the equator...

A vintage Cartier “Trinity” pendant worked in 18K yellow, white and rose gold. Unlike the contemporary “Trinity” pendants that are essentially miniaturized versions of Cartier’s “Trinity” or rolling rings, this pendant is fashioned as a large yellow gold disc enhanced with tri-color gold “Trinity” rings. The gold has a soft matte finish. The pendant looks best hanging from a black silk cord, but can also be worn on a silk cord bracelet...

A lovely 15k solid gold bracelet with charm. The turquoise vary in color and the period charm/pendant, a later addition. Both charm and bracelet are marked 15c. The bracelet measures 7" x 1/4", the charm 3/4" x3/4" excluding bale. Weight 17.6grams.

Set with four pieces of green art glass to resemble jade, alternating with Egyptian motifs. The central oval piece is flanked by applied openwork lotus blossoms; the sides exhibit applied elongated elements, possibly symbolizing the eye of Ra. The bracelet is probably American, dating 1920s-30s, and is marked sterling. The glass stones show signs of wear, and one of the smaller stones has a small chip to the side, but all are well secured in their bezel mountings...

Decorated with classic engine-turned engraving, with a blank reserve for initials. This money clip shows few signs of wear and appears to have a lacquered surface to preserve the finish. It bears the mark of B. A. Ballou & Co., of Rhode Island. It measures 1 ¾ inches by ¾ inch. Weight: 11.3 grams

Featuring a simple design of vertical bands bound horizontally, this ring is probably 1920s or 1930s, influenced by arts and crafts design. The band has a raised design of tiny discs. The inside of the band bears the sterling mark as well as the maker’s mark of a stylized W inside an inverted triangle, for J.J. White Manufacturing Co., Providence, RI. The ring is small, a size 4 ½ scant. Weight: 2 grams

This interesting pin is constructed of four flat, interlocking rings and has a nice heft to it. The rollover clasp is original to the piece and in good working order. The back bears the maker's mark of a conjoined HT, an unidentified silversmith who also worked with Estela Popowski, as well as independently. There are four other marks on the back: an eagle 20, a Hecho en Mexico mark and two sterling marks. The pin measures 2 inches long by 1 inch wide. Gross weight: 14.9 grams