A very large, heavy 18K gold Venetian Etruscan fob charm pendant set with oval red coral cabochons and pearls. The gold surface is heavily decorated with applied wirework and rosettes. The coral has intense, even color, and the pearls display good luster with a slightly creamy color that nicely accents the coral. The jump ring is marked “Italy 18K.” This is among the largest and heaviest Venetian Etruscan fob/charm/pendant we’ve had.

• Origin: Italy, ca...

An 18K yellow gold Sputnik charm or pendant by H Stern. The sphere is bezel-set with round amethysts, citrines, aquamarines, garnets, and green tourmalines. The Sputnik design was created in the 1950s to showcase the variety of colored gemstones available from Stern’s Brazilian mines. It later came to be called “Sputnik” for its resemblance to the spiky Soviet satellite launched in 1957...

Circa 1930's - 1940's, this early Mexican necklace is an absolute work of art. Signed and hallmarked "Ingrid's Silver". Ingrid's was a shop which retailed silver and hollowware from various silversmiths, among them Jorge "Chato" Castillo. This necklace pulls out all the stops. It's a fabulous modernist/deco design, composed of alternating cylinders of amethyst and sterling silver. The center silver cylinder measures 1 13/16" x 7/8", with a depth of 5/8". The silver panels graduate in size...

Circa pre-1948, this bracelet was produced by M. Velazquez. Velazquez was known for his superb repoussé silver work, and this piece is a killer example. Composed of five floral panels, each with a coral center, the design is elaborate and speaks to the amazing skill of this artisan. The center panel is 1 5/8" wide, and this bracelet measures a closed, wearable length of 6 7/8". Seamless when closed. Deep, rich patina. Signed and hallmarked M. Velazquez Made in Mexico 925...

Circa mid-century, this bracelet is the work of Felipe Martinez / Piedra Y Plata. Martinez, who had worked with Hubert Harmon in the 1940's, opened his shop "Piedra Y Plata" in 1950. Before opening his shop Martinez had been an expert sculptor. Features six dense green stones and a superb modernist design, Martinez was known for selecting spectacular stones, and this bracelet does not disappoint. Measures a closed, wearable length of 6 3/8", with a width of 11/16"...

An important, rare modernist bracelet by the renowned African American jeweler, Art Smith. Made of woven, riveted and patinated copper.

Measures 5 3/4" around with an opening of 1 1/4" and 1 3/4" wide. Marked with the 'Art Smith' script signature in at least two places. Looks like there is also a third partial strike. Very good condition with some minor surface scratches and areas of tarnish.

A wonderful example of Mid Century Modernist design.

Offered on consignment......... Circa mid-century, this bracelet is the work of Reveriano Castillo, who shop was called "Reveri". Reveriano began as an apprentice with William Spratling at Taller de Las Delicias in 1934, later working for Hector Aguilar at Taller Borda. He opened his own shop in 1952. This bracelet is composed of eight panels, each with a deeply incised modernist design, oxidized recessed, and silver ball in the center. Closure is a tight and secure tongue in box...

Offered on consignment... Circa mid-century, here is a large stunning amethyst ring which I believe is from Mexico. It is unmarked. Tested to be 940 silver, so greater than sterling 925. It is a magnificent ring, reminiscent of the work of Fred Davis and Abraham Paz. The amethyst is a gorgeous old stone with quartz marbling, natural inclusions, and lots of character. The stone is free of any flea bites, cracks, or chips...

Per the Spratling Silver website, these earrings were only produced between 1958-1967. These William Spratling earrings are stunning, with eight shiny discs and tiny beading. Each disc moves independent of the others, creating beautiful movement. Measures 1 1/2" tall, 7/8" wide. Screw backs work perfectly. Signed and hallmarked with the WS Script Circle and eagle assay 30. Weight is 11.2 grams. In excellent vintage condition.

Felipe Martinez opened his shop, "Piedra Y Plata" in 1950. A former sculptor who had worked with Hubert Harmon in the 1940's, Martinez was known for his work with beautiful stones which melded seamlessly into his silver designs. This bracelet is an exquisite example of what he was known best for. It's a thick and substantial piece, with six silver panels - each having three sections of azurite stone inlay...

$385.00 Circa pre-1948, this is a superb deco design from noted Mexican silversmith ACE. I have had this exact design with onyx stones produced by Felipe Martinez with the eagle assay. This necklace, with gorgeous red stones, is an earlier piece. Measures a closed, wearable length of 16". The centerpiece is 2 1/2" tall. Weight is 74.3 grams. Signed and hallmarked "ACE 925 Hecho en Mexico Guadalajara. In excellent vintage condition...

This tour-de-force bracelet from Antonio Pineda pulls out all the stops. It's a book-piece design, shown on p. 209 of "William Spratling and the Mexican Silver Renaissance".

Composed of thirteen amethyst cylindrical bars and silver cones, it's an amazing bracelet with a very luxurious feel. The amethysts are gorgeous stones with natural inclusions and quartz marbling, well matched in color. Closure is a tight and secure wide tongue in box.

Weighs a very substantial 141.8 gr...

This is a gorgeous necklace from Margot de Taxco, her design # 5240. An early piece, featuring winged panels with brass domes and tiny beading. Absolutely fabulous condition, with no dents, dings, or dimples to any of the domes. Measures a closed, wearable length of about 15 1/2". 3/4" tall. Weight is 79.5 grams. Signed and hallmarked "Margot de Taxco 5240 Sterling Made in Mexico", with the eagle assay 16. Collector quality.

Circa mid-century, here is one of Margot's early and most beloved designs. Hand-wrought with world class repoussé silver work, it's crazy killer gorgeous. Will not fail to be noticed. Measures a closed, wearable length of 6 3/4", with a width of 1 7/16". Weight is 79.6 grams. Closure is a tight and secure tongue in box, with original safety chain. In excellent vintage condition.

Offered on consignment.....

Circa pre-1960, this hand-wrought jeweled necklace was produced by Matilde Poulat .

It's a substantial stunning necklace, measuring just over 16" closed wearable length, with a width of 1 1/2". Composed of thirteen panels which are studded with pyramidal amethysts and turquoise stones, this necklace is a true statement piece.

Signed and hallmarked Matl Mexico 925 Patente 10569 M Reg 142093, along with the eagle assay 129.

We...

1930's - early 1940's, this Fred Davis bracelet is a book-piece design shown in "Mexican Silver". A huge rectangular bezel-set amethyst cabochon is front and center, with six opposing angled silver panels on each side. Closes with a tight and secure tongue in box clasp. Signed and hallmarked with a conjoined FD and Silver Mexico. Weight is 60.2 grams. Amethyst measures 1 1/16" x 13/16", and a depth of 7/16". Closed, wearable length is about 6 1/4", so suitable for a smaller wrist. In exc...

Hallmarks date this very rare Antonio Pineda necklace 1948-1953.

The hand carved obsidian face mask has a gold sheen which is glowing and gorgeous, and exquisitely detailed, with dangling coral earrings. Stone measures 1 1/2" x 1 1/2", with a depth of 3/4". Carved tubular beads alternate with round silver beads, strung on a sterling silver chain, and the closure is a hook and eye.

Closed, wearable length is 18 1/2".

Weight is 72.3 grams.

Signed and...

Possibly one of Hector Aguilar's most recognizable designs, his timeless "lyre" necklace and bracelet are both sensual & strong. The necklace is 16" long X 3/4" wide & weighs 144 grams. The bracelet is 47 grams, 6 3/4" long X 5/8" wide. Both are in excellent condition with a beautifully aged patina. This design is pictured on p. 30 of SILVER MASTERS OF MEXICO by Penny Morrill.