Circa 1950's, this bold, edgy cuff from Bernice Goodspeed is a book-piece design shown on p. 132 of the Morrill/Berk book "Mexican Silver".

It's a hand-wrought piece with an intricate deeply carved design and an oxidized background. This is a fabulous bracelet, and one which is rarely seen.

It's a large cuff, measuring 5 3/4" inside edge-to-edge, with an opening/gap of an additional 1 1/2". Width is 2 9/16"...

A wonderful Victorian 14K gold comet pin worked in the Etruscan Revival style. The pin is decorated with ornate granulated rosettes and ropetwist motifs surrounding a single square Persian turquoise cabochon set at the comet's nucleus. The gold surfaces are bloomed for a soft sheen. Tested and guaranteed 14K.The pin was likely produced to commemorate the appearance of Halley's Comet in 1835.

• Origin: America, ca...

A glamorous pair of drop earrings in a formal Georgian style set with rose cut diamonds and richly colored pear-shaped rhodolite garnets. The gems are set in silver-topped 12K gold to heighten the color of the diamonds, in the manner of period Georgian jewels. The main body of the earring is hinged and swings freeely from the surmounts. The earrings are completed with a diamond-set fringe at the bottom edge...

A very rare pair of 14K yellow gold, diamond and lapis lazuli cufflinks designed by Erté in the "La Dentelle-State I" pattern. The faces of the cufflinks are shaped as stylized birds, with lapis cabochons for eyes. The exposed gold surfaces are engraved and cast in an intricate pattern of geometric bars and swirls to suggest feathers...

A classic pair of double-sided 14K yellow gold cufflinks, the round faces enhanced with engine-turned engraving and opaque black champleve enamel borders. The borders are further accented with a gold strapwork motif. The connectors are marked with unidentified American hallmarks, “HB” and “14K”.

• Origin: America, ca. 1920.
• Condition: excellent, no enamel damage.
• Dimensions: 19/32” diameter.
• Weight: 9.2 grams.

This pre-1948 bracelet from Fred Davis is collector quality and a larger than life showpiece.

Composed of five huge oval amethyst cabochons framed within silver, the panels have a geometric design inspired by pre-Columbian clay stamps which Davis collected.

This bracelet is a book-piece design, shown in "Dreaming In Silver" by Penny C. Morrill, p. 69.

The amethysts measure 1 1/2" x 3/4"...

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a rose cut diamond and the word “moins” by a minus sign set with rectangular cut synthetic rubies...

Correctly signed and rare this Matl designed by Matilde Poulat is a find for the discerning eye. The drop is 4 inches across and 3in. tall including the dangles. The center comes together with a single amethyst cabochon and has many warmed, teal turquoise stones and a row of coral. The clasp shows off a cluster of turquoise cabochons. The length is 18.5 inches and the patina is very dark naturally. This has no damage to the silver and no areas with missing stones...

A lovely 18K yellow and white gold, ruby and enamel love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign in white gold and the word “moins” by a minus sign set with rectangular cut synthetic rubies...

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a rose cut diamond and the word “moins” by a minus sign set with rectangular cut synthetic rubies...

An elegant French 18K yellow gold 22" chain enhanced with randomly-spaced small semi-baroque pearls set at irregular lengths and finished with a bulldog swivel clip perfect for hanging interchangeable charms or pendants (as shown for illustration purposes). The pendant is being sold separately. It is item number 1405532 in our catalog. Stamped with French 18K marks.

• Origin: France, ca. 1900.
• Length: 22".
• Weight: 12.7 grams.

A lovely 18K yellow and white gold, ruby and enamel love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign in white gold and the word “moins” by a minus sign set with rectangular cut synthetic rubies...

Matl Matilde Poulat opened her shop in 1931.(Pack Davis) She with her nephew Salas produced folk art jewels that are sought after today. This signed example is studded with turquoise and clear, faceted amethyst squares. The silver work shows itself as an excellent example that is 7 in. long and 1.75in. tall. The weight is heavy at 63 grams as a bracelet with open air filigree. Collectors will not be disappointing with this bracelet.

Gorgeous on angles at a V and known to be a Valentin Vidaurreta design signed and produced by William Spratling. Inner diameter 2.25in. 2.5in...

A wonderful Victorian 14K gold fancy watch chain featuring large links that we’d now call “Gucci links” in rose gold, alternating with smaller connector links in a slightly more yellow shade. Each of the large links is pierced with a star motif and the edges are enhanced with a fluted and ribbed pattern. The smaller links are chased in a floral pattern. The chain is finished with a ring and t-bar closure. The chain has a very substantial, “chunky” appearance, but is of moderate weight ...

This mid-century bracelet was produced by Antonio Pineda. It's a superb piece with a sleek modernist design, a mirror-like finish, and ten gorgeous oval amethyst cabochons. It's a bracelet which works equally well with dressy or casual wear. The amethyst gemstones are bezel-set at the center of thick square silver panels in such a way as to appear to float. Executed in 970 silver, almost pure silver, the push button clasp is topped with an amethyst, giving a completely seamless appearance whe...

A striking pair of double-sided cufflinks worked in 18K yellow gold. Each hexagonal face is decorated with a blue and white champlevé enamel pattern that highlights its “quilted” texture. Each face is centered with a triangular sapphire cabochon bezel-set in platinum. The sapphires have bright color that beautifully accents the enamel. The faces are connected by chains. Each cufflink is marked “18Ct” and has another unidentified mark. They are well-traveled, also bearing old London imp...

A very finely-made Victorian memorial ring worked in 18K yellow gold and plaited hair. The ring is designed as belt, ornately decorated with open navette- and trefoil-shaped reserves, each showing the loved one’s hair. The gold surfaces are nicely engraved, and the whole is finished off with an ornate buckle centered with a escutcheon engraved with the initials “MW”. In Victorian symbology, the belt represented not only eternal love, but also strength and protection. A ring such as this, t...

A dainty Victorian pendant or bracelet charm designed as a spray of flowers against a woven background. The flowers are worked in rose and green gold, while the background is in yellow gold. A pendant of this size could easily be worn on a charm bracelet but would look even lovelier on a simple gold chain. Tested and guaranteed 12K gold.

• Origin: England, ca. 1850.
• Dimensions: 11/16” corner-to-corner.
• Weight: 2.1 grams.
• Condition: excellent; all original.

A nice 18K gold Venetian Etruscan fob charm set with oval brilliant cut citrines. The stones have intense orangey-yellow color and the gold surfaces are heavily decorated with applied wire-work and rosettes. Marked “750” for 18K gold.

• Origin: Italy, ca. 1955.
• Dimensions: 13/16” x 1-1/4” (excluding bail).
• Weight: 10.9 grams.
• Approximate Gemstone Weight: 9.76 carats.
• Condition: excellent; no dings; all original.

An unusually large 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a rose cut diamond and the word “moins” by a minus sign set with rectangular cut synthetic rubies. In 1907, the Ly...

Circa 1948-1955, Hector Aguilar's Armadillo necklace is a work of art. It's a spectacular showpiece, with eleven overlapping discs which graduate in size and hang from a black velvet ribbon. The design was created by Valentin Vidaurreta. Measures 17" end to end, with a closed, wearable length of 16 1/2". The closure is a tight and perfect tongue in box. Weighs 88.1 grams. Signed and hallmarked with a conjoined HA, .940 Taxco, and the eagle assay 9. This mark is shown on p. 12 , pl...

An elegant pair of Victorian 18K yellow gold tassel earrings, the tops enhanced with bands of black taille d'epargne enamel and small natural pearls. The foxtail chains terminate in small balls. The earrings have a lot of movement when being worn. Each is stamped with French 18K gold marks and with an illegible master goldsmith's mark.

• Origin: France, ca. 1860.
• Condition: excellent; new 18K wires.
• Dimensions: 1-5/8" long from tops of wires.
• Weight: 9.3 grams.

A lovely 18K yellow and white gold and ruby heart-shaped love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign in white gold and the word “moins” by a minus sign set with rectangular cut synthetic rubies. The remainder of the text...

Two gorgeous vintage 1970s necklaces with genuine Mediterranean red coral graduated beads in soft barrel shapes. One is hand knotted in a continuous strand and one has a screw barrel clasp. Together they weigh 93 grams. The beads are polished, with many naturally occurring openings and some areas of dark brown and cream, again naturally occurring. The coral is guaranteed genuine, natural, and undyed. I am also listing a similar larger coral necklace from the same estate. The continuous strand ne...

A delightful Georgian harlequin ring featuring a marquise cut citrine surrounded by a border of alternating green and red stones—emeralds, rubies and paste. The mixing of natural and paste stones was not uncommon for the period. The citrine is foiled to impart a reddish-orange body color from certain angles. The stones are set in a closed-back setting. The shank is simply enhanced with a fleur-de-lis on each side where it joins the crown. Tested and guaranteed 18K gold, and bearing a later Fre...

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a rose cut diamond and the word “moins” by a minus sign set with rectangular cut synthetic rubies. In 1907, the Lyonnais jew...

A lovely 18K yellow and white gold, ruby and enamel love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign in white gold and the word “moins” by a minus sign set with rectangular cut synthetic rubies. The remainder of the text is h...

A large heart-shaped 18K yellow and white gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out “plus qu’hier, moins que demain” (“more than yesterday, less than tomorrow”), a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand, author of “Cyrano,” in 1889. The word “plus” is represented by a plus sign, while “moins” is represented by a minus sign set with small synthetic rubies. Alphonse Augis began designin...

A large 18K gold, ruby & diamond love pendant (“medaille d’amour”) with a rebus spelling out “plus qu’hier, moins que demain” (“more than yesterday, less than tomorrow”), a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand author of “Cyrano,” in 1889. The word plus is represented by a plus sign set with a small rose cut diamond, while “moins” is represented by a minus sign set with small synthetic rubies. The medal is surrounded by a lacy ...

Circa 1948-1953, this early Antonio Pineda necklace is a supremely rare piece. I have never seen another quite like it. Hallmarked Silver by Tono, this is collector quality, and in superb original condition, including the stringing - which is a ribbed silver wire with silver crimping at the ends where it joins a hook and eye closure on each side. The center links measure 2" tall. Sixteen repousse middle panels which oppose each other in the center, graduating in size. Twelve gorgeous amethy...

Circa mid-century, this necklace was produced by Tane Orfebres of Mexico City. Tane, founded in the 1950's, is referred to as the "Tiffany's of Mexico". This is one of their earlier pieces.

It's an exceptional and rare necklace, with a huge center pendulum drop which swing freely. There are four sections to the collar, which hooks together at the rear. This is a true statement piece, and one which will not fail to be instantly noticed.

Closed inside circumference is 15". Th...

Fred Davis was often daring with his designs using size for the jewels presence. This one is 2 1/8th inches tall and a depth of .25 inches. The length is 9 inches but has a wearable of 6.5 inches. The stones are without damage and set into their rows like peas in a pod. There are no dents to the saucer shaped beads. There is a natural patina and you will see some patina scattered about and on the ends of the handmade beads. Exceedingly rare and built for attention at 212 grams of thick silver. O...

Fabulous vintage 1960s French necklace and matching clip earrings in wired poured glass with rhinestones and faux pearls, in pink and green, in 18th century style with a girandole drop. The earrings are marked DEPOSE. The glass beads are opaque and translucent. The rhinestones are openbacked. The earrings have French open clips. The metal on the necklace is dark silvertone as well as on the earrings, except for the earring post backs, which are dark goldtone. With characteristically French ornat...

Stunning antique Austro Hungarian silver girandole drop earrings in 935 silver with glass paste stones, in an 18th century style. Circa 1910. 935 silver is a bit higher in silver content than sterling, and the designation was used in Austria, Germany, and Switzerland. The design and construction are characteristic of Austro Hungarian jewelry. Marked 935. With screwbacks. The stones are held in tiny prong settings. The backs of the earrings are as finely and ornately finished as the fronts. The l...

Fabulous stunning antique 19th century gunmetal or so-called Berlin iron long collet set crystal sautoir necklace. Mid to late 19th century, probably French. These necklaces were also originally used as muff chains, hanging the fur muff around the wearer's neck, where it would fall at about waist length. The watch style clasp and ring could also be used to hang items such as a lorgnette or a lady's watch. This piece is long enough to wear three times around the neck or wear as a longer sautoir. ...