Rare vintage Thierry Mugler Couture runway festoon necklace. Large cascading rhinestones with even larger pear shaped, unfoiled drops. 15 1/2" (39.5 cm) long from the toggle to the square holder. The center drop is 6 '' (15.6 cm) long. All the stones are brilliant and the necklace is in pristine vintage condition. A truly amazing piece!

Fabulous 1960s or 1970s big glass beaded necklace with jewel tone art glass beads, most likely French. Also from the same estate, coordinating pierced earrings with black and white glass cabochons which are very similar to the black and white embedded in some of the beads on the necklace. There is a silvertone bead at the back that looks like a French style screw barrel clasp, but it appears to be a faux decorative clasp. It is not needed as the necklace is long enough to go over the head easily...

Three glowing opals punctuate each this pair of Art Nouveau 14K gold dress clips. Triangular in shape, the clips are entirely hand-pierced and chased in a swirling foliate pattern. The leaves extend beyond the triangular borders to create a slightly assymetrical shape. The opals are much more attractive in person than in the photos, and have fine play of green, blue, orange and red color, evenly spread over the gemstones...

French Art Nouveau 18K gold and sapphire cufflinks, the triangular faces pierced in a decoration of stylized flowers and set at the centers with cabochon blue sapphires. The gold surface has a very handsome matte finish that allows the sapphires to shine...

An elegant Art Nouveau silver brooch depicting a maiden smelling a rose. She is surrounded in a bower of climbing roses and enclosed in a frame of whiplash curves typical of French Art Nouveau. The clasp is marked for silver and bears the maker's mark of Fernand Boursot, who opened shop in Paris in 1894...

A wonderful 18K yellow gold brooch depicting Diana (Artemis in the Greek pantheon), goddess of the hunt, animals (wild and domestic), and childbirth. She was also the protector of girls until marriage. Here she is shown with her The goddess is shown wearing her moon-studded tiara and with her bow and arrow attribute. This design was created by the nobleman Prosper, Comte d'Epinay de Briort, one of France's leading sculptors in the Art Nouveau style...

A very large, heavy 18K gold Venetian Etruscan fob charm pendant set with oval brilliant cut amethysts and pearls. The gold surface is heavily decorated with applied wire-work and rosettes. The amethysts have vivid, even coloring. The pearls display good luster with a slightly rose overtone that nicely complements the amethysts. The jump ring is marked "Italy 18K." This is easily the largest and heaviest Venetian Etruscan piece we've had.

• Italy, ca...

Napier silver plate over brass, c1955, three strand bracelet with center overlapping talon ends holding coral ceramic balls. It is 8 1/4" (20.9 cm) long and the three wheat chain strands together are 1 3/8" (3.8 cm) wide, not including the ceramic balls. They are each 3/4" (2.2 cm) in diameter. The bracelet was designed by Eugene Bertilli and is signed Napier on the clasp. It is in beautiful vintage condition with no plate loss that I could spot.

You can nearly hear this glowering lion roaring. Decorated in spectacular translucent enamels, the lion’s eyes are studded with old European cut diamonds and the mouth grasps an old mine cut diamond. The diamonds are graded as H/VS1. The brooch is deeply three-dimensional, with a lot of detailing in the mane. The back of the pin retains the original pinstem and a watch hook. The hook would have been used to suspend a pocket watch but could now be used to suspect a gemstone drop...

Centered with an intensely violet amethyst, this Victorian pendant will add a pop of rich color to any wardrobe. The gold setting in a fleur-de-lis pattern is adorned with natural seed pearls that contrast beautifully with the intense color and brilliance of the large amethyst. This piece was originally a brooch, but now has new life as a wearable pendant. Tested and guaranteed 14K.

• America, ca...

A classic sporting bracelet featuring three reverse-carved Essex crystals depicting a fox and a pair of horses. The gold mountings are formed from snaffle bits, horseshoes, riding crops, saddle belts and stirrups. The Essex crystals are expertly carved and painted with fine depth. The reverse is stamped with 14K marks and the maker’s mark for Carter, Gough & Co.

• America, ca...

French gold and sapphire stirrup cufflinks never go out of style. The strirrup (étrier) design was popularized by Cartier in the Art Deco era and continues to one of the most stylish elements in a gentleman’s jewelry wardrobe. The sides are worked in the classic curb link chain style and the hinged closures are capped with bright blue sapphire sugarloaf cabochons...

A noble poodle stands encircled in a ring of gold in this Art Deco period French 18K gold charm or pendant. The dog’s stylized design echoes the ribbed and twisted rope motifs along the edges. The pendant retains the original matching jump ring. Stamped with French 18K gold marks.

• Origin: France, ca. 1935.
• Condition: excellent.
• Dimensions: 13/16” wide; 1 1/8” height (including jump ring).
• Weight: 4.8 grams.

A pair of ducks takes flight from the lakeside marsh in this 18K yellow gold and diamond locket by renowned Swiss jewelers Huguenin Frères. The quality of the design and workmanship are astounding. The old European cut diamond (I/VS2) is set in platinum collet to enhance the color. Huguenin Frères was one of the leading makers of fine pocketwatch cases, and in 1899 expanded their range to include sporting decorations and other jewelry. It’s likely that a locket of this type was made for a ma...

For anniversary jewelry, there's nothing more romantic than this rare 18K yellow gold, diamond and ruby love token (“medaille d’amour”) ring with a rebus spelling out “Plus qu’hier, moins que demain” (“More than yesterday, less than tomorrow”), a line from a love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889. The word “plus” is symbolized by a plus sign set with a single-cut diamond, and the word “moins” is s...

A complete 9-piece dress set by Krementz, worked in 14K yellow and white gold with mother-of-pearl and seed pearls. Each face features a disc of mother-of-pearl with lustrous iridescence centering a small pearl and surrounded by an engraved border of white gold. The backs of the faces and the mechanical parts are worked in yellow gold. The set includes a pair of double-sided cufflinks, three shirt studs and four vest buttons. Today, many men would opt to wear the larger vest buttons as shirt...

A Victorian 14K yellow gold and coral pendant necklace in the Etruscan Revival taste. The central plaque is enhanced with a pair of natural color coral beads and suspends torpedo drops and a chain swag. The plaque was originally a brooch, but it has been given new life as an elegant necklace! Tested and guaranteed 14K.

• Origin: America, circa 1860,
• Condition: Excellent.
• Dimensions: overall length, 17"; pendant, 1" x 1.5".
• Weight: 5.2 grams.

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out “Plus qu’hier, moins que demain” (“More than yesterday less than tomorrow”), a line from a love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889. The word “plus” is symbolized by a plus sign set with rose cut diamond and the word “moins” is symbolized by a minus sign set with rectangular synthetic rubies.

A beautiful Art Nouveau 14K yellow gold locket, the front cover decorated with a maiden and songbirds. The woman has long, flowing hair in the typical Art Nouveau style, and wears a band of flowers at the top of her head. Groups of songbirds cluster on branches along the outer edges. The background is finely worked in a textured pattern. The interior retains both of its original frames. The back has a period three-letter monogram "GSB". Tested and guaranteed 14K.

• Origin: America, ca. 1900...

Heavily hand carved, this vintage sterling silver necklace was designed & signed c. 1940's by Taxco, Mexico artist William Spratling. Weighing 140 grams the necklace has a wearable length of 18 inches. The center panel is 1 3/8" high. Professionally restrung on sterling silver fox wire chain the necklace is in beautiful condition. Pictured on p. 167 of the museum catalog WILLIAM SPRATLING AND THE MEXICAN SILVER RENAISSANCE by Penny Morrill. Also pictured on Phyllis Goddard's spratlingsilver.com....

A nice patina silver belt and gilt gold buckle worn by Peranakan straits Chinese during their wedding ceremony

An outstanding Egyptian Revival 20K gold pendant necklace in the form of a uraeus, representing the Eye of Ra, set with a coral and turquoise cabochons and coral beads. The wings are highlighted with ropetwist and milgrained details. A pair of cobras flank the coral cabochon. The Eye of Ra personified the goddess Wadjet, who watched over childbirth and served as the protector of children. This piece was originally a brooch, but with the addition of an 14K gold chain, is now an elegant, colorful ...

A small 18K yellow gold Sputnik ring by H Stern. The dome is bezel-set with round amethysts, citrines, aquamarines, peridots, green tourmalines, pink tourmalines and garnets. The Sputnik design was created in the 1950's to highlight the range of colored gemstones available from Stern's Brazilian mines. It later came to be called "Sputnik" for its resemblance to the spiky Soviet satellite launched in 1957. Each piece has a unique appearance depending on the specific colors of the stones and their...

A very fine 14K gold stickpin in the form of a horse's head by Sloan & Co. They eye is set with a small ruby cabochon. The horse is entirely three-dimensional, worked with as much detail on the back as the front. The stick pin can easily be converted to a pendant or ring. The base of the neck is stamped with Sloan's 14K gold mark.

• Origin: America, ca. 1900.
• Dimensions: head, 7/8" 5/8"; overall length, 2 15/16".
• Weight: 3.1 grams.
• Condition: excellent.

A sterling silver hand wrought brooch by the mid century modernist studio jeweler, Ruth Berridge, (1921-2004). Looks like rows of randomly placed flattened pebbles. Curved for a multidimensional effect. Measures about 2 3/8" across and 1 1/2" high. Hand signed © Ruth Berridge, Handmade Sterling on the back. Rollover clasp holds securely. Fine condition with minor surface scratches and a little tarnish. This piece is from her estate. Classic Ruth Berridge design.

An attractive pair of Retro 14K yellow gold dangle earrings fashioned as circles of gold balls centering round brilliant cut amethysts. The amethysts have rich deep coloring and excellent clarity. The earrings were originally screwbacks and have been converted to wires. The new look is much more wearable and provides tons of sparkly movement!

• Origin: America, ca. 1935.
• Dimensions: 3/4" wide; 1 3/8" long from top of wires.
• Weight: 5.9 grams.
• Approximate Total Gemstone ...

A gorgeous Art Deco platinum mounting sprinkled with diamonds and featuring a pair of round brilliant cut aquamarines. The crown of the ring rises well up off the finger, creating a sort of umbrella effect that nestles the aquamarines. The diamonds larger diamonds in the setting are old European cuts and the smaller ones are single cuts. All are in the H/I color range with VS clarity. The mounting is finished with expert milgraining and ornate piercing.

• Origin: America, ca. 1920.

An elegant 18k yellow gold ring featuring an oval brilliant cut aquamarine accented at compass points with folds of gold nestling small round brilliant diamonds. The aquamarine has medium light pure blue color and eye-clean clarity. The cut is very good with excellent brilliance. The interior of the shank is stamped “18K.”

• America, circa 1960.
• Dimensions: crown, 3/4 x 11/16” (20 x 17 mm).
• Weight: 6.2 grams.
• Finger Size: 7 1/4.
• Approximate Total Gem...

A rare and outstanding six-piece dress set in 14K yellow gold set with cat’s eye chrysoberyls by Larter for A. Sulka & Co. The gemstones are very dramatic and exhibit superior chatoyancy—the cat’s eye effect displayed when the stones are moved in light. Cat’s eye comes in a variety of colors, but the choice of this dark greenish-grayish black with the white eye is perfect for dress wear. The set comprises a pair of double-faced cufflinks and four shirt studs. Each piece is marked wit...

This hand crafted silver box was designed & signed c. 1940's by renowned artist Hubert Harmon during his short time in Taxco, Mexico. Weighing 265 grams or 9.4 oz. the piece measures 5" long X 3" wide X 1/2" deep. The hand carved amethyst stones & silver are in beautiful condition. Harmon's sense of humor & whimsy are evident in this design where he uses his trade mark "bare feet with wings" along with the face & body of an angel & a carved amethyst star in the sky above. An informative section ...

With articulated detail & dimension this exceptional 980 sterling silver piece was designed & signed circa 1930's by American & Taxco, Mexico artist William Spratling (1900-67). Weighing 110 grams of near pure silver the necklace has a wearable length of 17 inches. The serpent pendant is 3 1/4" long X 2 1/8" across X 1" high. In mint condition with a beautiful patina that only comes with age. Hallmarked 980 WS TAXCO. This necklace design was included in the museum exhibit WILLIAM SPRATLING AND ...

A vintage modernist pendant necklace by noted mid century jeweler, Winifred Mason Chenet from her highly collectible Voodoo line. Pendant measures 3" long and 1 1/8" at the widest. Possibly pewter. Intricate chain is made up of silver colored squiggled links connected with brass rings and silver colored curved in links. Measures 32" long. No clasp, meant to go over the head. There is a little tarnish. Signed chenet on the back of the pendant. Interesting rare example.

Intricately constructed of sterling silver & stone this piece was designed c. 1940's by American & Taxco, Mexico artist William Spratling. Measuring 2 1/2" X 2 1/2" the pin weighs 40 grams. This design was included in the museum exhibit William Spratling and the Mexican Silver Renaissance & is pictured on p.97 of the museum catalog by curator Penny Morrill. Also pictured on p.48 of Mexican Silver by Penny Morrill & Carole Berk. Rarely seen on the market this museum piece is included in the perma...

An amazing silver repousse necklace with a central moth pendant and turquoise oval cabochon by Matilde Eugenia Poulat. Signed MATL in block letters and 0.900 for the silver content. Measures 17 1/2" long and 2 1/2" at the widest. Spring clasp holds securely. Beautifully intricate work. This is the earliest mark for her Taller, (1934-40). Wonderful condition!

An elegant Art Nouveau cross pendant worked in a foliate design of 18K yellow gold overlaid with a sunburst of milgrained platinum set with rose cut diamonds and centering a larger old mine cut diamond. The gold surfaces are enhanced with chasing to enhance the naturalistic look of the swirling leaves. The center diamond, .20 carat, is I/VS2. The remaining diamonds cannot be accurately measured for size, but face up at about .40 carat. Tested and guaranteed 18K and platinum.

• Circa 190...

A wonderfully detailed 14K yellow gold brooch depicting a spaniel. The shape of the dog’s head and the amount of fur suggests that the pin represents a Springer or English Cocker spaniel. The pin has substantial weight. The clasp is marked “14K.”

• Origin: America, circa 1935.
• Dimensions: 1 3/32” x 3/4”.
• Weight: 6.9 grams.
• Condition: excellent; sharp detail.