A handsome pair of Art Deco 14K yellow gold double-sided cufflinks, the faces featuring citrines cut en cabochon. The color is a deep amber instead of the more usual brownish-yellow. The cufflinks are tested and guaranteed 14K gold and are signed by George O. Street & Sons.

Origin: America, ca. 1925. Condition: excellent. Dimensions: 1/2" diameter. Weight: 10.7 grams. Approximate Total Gemstone Weight: 22.72 carats.

A beautiful pair of Art Nouveau 18K yellow gold cufflinks designed by Louis Armand Rault. The design features a maiden with large flowers in her hair. The edges of the faces are irregularly cut to conform to the outlines of the design. The faces are connected with chains to backs decorated in a strapwork motif. Louis Rault worked primarily for Boucheron and was widely considered the finest gold and silver chaser of his time...

A fascinating pair of 14K yellow gold cufflinks set with emeralds. This is only the second pair we've seen with this particular type of mechanism. The "wheat-style" chain is inserted through the cuff and then wrapped around the emerald-set head. It works much like the more traditional stirrup-style, but with more flexibility. Each head is set with a pair of rectangular emeralds. As is typical of the Retro period when trade was restricted by World War II, the emeralds are synthetic...

An extremely rare 18K yellow gold bracelet in the Sputnik design by H Stern. The domes are bezel-set with round amethysts, aquamarines, citrines, green tourmalines, pink tourmalines and garnets. The design was created in the 1950s to showcase the range of colored gemstones available from Stern's mines in Brazil. It later came to be called "Sputnik" because of its resemblance to the spiky Soviet satellite launched in 1957...

A very fine pair of Edwardian 14K yellow gold and platinum cufflinks, the double faces set with mother-of-pearl plaques centered with cabochon emeralds. The faces faces are bordered with platinum rims engraved in a reeded design. The emeralds are very nice quality, with vivid pure green color and good clarity that contrasts nicely with the iridescence of the mother-of-pearl. The use of emeralds in cufflinks is relatively uncommon...

A very rare 18K yellow gold ring set with a black pearl designed by Jean Dinh Van for Pierre Cardin. The design has an overall trapezoidal shape. The shank is doubled at the back and then comes together into a single head at the front, where it grasps a single black pearl. The 6mm pearl has nice lustre and even, natural coloring. The back of the shank is fully stamped with the French goldsmith's mark and "18K"...

A very nice pair of 14K yellow gold bean-back cufflinks by L. E. Garrigus & Co. The oval faces center buff-cut amethysts surrounded by gold borders ornately engraved in a foliate pattern. The smooth upper domes of the amethysts contrast nicely with the faceted pavilions that add a little shimmer. The connectors are stamped with Garrigus' 14K hallmark.

Origin: America, ca. 1890. Condition: excellent. Dimensions: 11/16 x 9/16 inch. Weight: 6.8 grams...

An attractive pair of Art Deco enameled sterling silver cufflinks in a very desirable colorway of white and lavender. The translucent enamels are highlighted underneath with guilloche engraving. The connectors are marked "Sterling" and also have an unknown American maker's mark.

Origin: America, ca. 1925. Condition: excellent, no enamel damage. Dimensions: 1/2 x 1/2 inch. Weight: 6.4 grams.

A very rare pair of 14K yellow gold cufflinks, the faces designed as fearsome lion-like gargoyles. Each snarling mouth grasps an old mine cut diamond, and the eyes are set with small emerald cabochons. The fur is pierced and detailed in a way that suggests the stone fretwork of Gothic cathedrals. The faces are joined by arch connectors to bean backs. The connectors are stamped with the mark for Schira Bros. of Cincinnati, Ohio. Tested and guaranteed 14K.

Origin: America, ca. 1890...

A beautiful pair of Art Deco 14K yellow gold and natural green chalcedony cufflinks by Krementz. The cut-cornered rectangular faces are set with plaques of vivid green chalcedony surrounded by borders decorated in an angular raised diamond pattern. Cufflinks set with green gemstones are difficult to find, and this is a particularly attractive pair. The connectors are stamped 14K and have the Krementz hallmark.

Origin: America, ca. 1920. Condition: excellent. Dimensions: 5/8 x 1/2 inch. W...

A set of three classic 14K yellow gold and mother of pearl shirt studs by Larter. The mother of pearl has particularly nice iridescent coloring. The simple design allows them to be worn with a variety of cufflinks, as well. Each stud is marked 14K and has the Larter hallmark.

Origin: America, ca. 1910. Condition: excellent. Dimensions: 1/2" diameter. Weight: 5.7 grams.

A handsome pair of Arts and Crafts (Aesthetic) period cufflinks in 14K yellow gold. The oval faces have irregularly pierced faces set with buff-cut amethysts. The amethysts have nice medium coloring. Their smooth upper surfaces match the simple overall style, while the faceted pavilions provide a little shimmer. Tested and guaranteed 14K gold.

Origin: America, ca. 1890. Condition: excellent. Dimensions: 11/16 x 13/16 inches. Weight: 13.2 grams. Approximate Total Amethyst Weight: 11.68 ...

A rare pair of sterling silver bean-back cufflinks, the faces with very detailed images of a Native American in profile. The Indian's long hair is woven with feathers and the edges of the cufflinks are decorated with stalks of corn. These latter details are very much in the Art Nouveau taste. The backs of the cufflinks are marked "Sterling." Both Unger and Kerr made an Indian design with a full-face image. These cufflinks are of equal quality, but we do not know the maker.

Origin: America...

A rare pair of 18K yellow gold earclips in the Sputnik style by H Stern. The domes are bezel-set with round amethysts, citrines, aquamarines, green and pink tourmalines, and garnets. This design was created in the 1950s to highlight the range of colored gemstones available from the mines of Stern's native Brazil. It later came to be called "Sputnik" for its resemblance to the spiky Soviet satellite launched in 1957. Each piece has a unique appearance that relies on the particularly selection and...

A handsome and heavy pair of 18K yellow gold double-sided cufflinks, the faces set with lapis plaques. The exposed gold borders give the cufflinks a modernist feel. The stones have nice, deep coloring with small flecks of pyrite. The faces are joined with removable connectors. Both the connectors and the backs of the faces are marked with Continental 18K gold hallmarks.

Origin: Europe, ca. 1970. Condition: very good. Dimensions: 5/8 x 1/2 in. Weight: 14.7 grams.

A very attractive pair of Art Nouveau 14K yellow gold bean-back cufflinks, the oval faces decorated with a swirling motif centering pairs of beautifully-colored opals. The opals have very good play-of-color with a preponderance of green and blue with a hint of orange-red. The backs of the faces are stamped with an unidentified maker's mark.

Origin: America, ca. 1900. Condition: very good, no dings to gold; one opal has a small chip that is only visible under very close inspection in raking ...

An interesting and attractive pair of 18K yellow gold cufflinks, the faces fashioned as reeded batons. The batons have a concealed spring-loaded mechanism that attaches to swivel hinges on the pair of struts that hold the batons in place. We've never before seen this particular mechanism. The cufflinks are stamped with French 18K marks and also with the mark of the Parisian jeweler Gaétan de Percin. De Percin opened his studio in 1938 and executed designs for Hermès, Dior, Chanel, Tiffany ...

This ring displays "Adam and Eve" in incised oxidation. It is from Mexico. It is a size 9.75. The "top," "face" measures 3/4" x 7/8". It is marked with the eagle / assay mark with 1 in the middle. It is also marked (some marks deeper than the others), 925, then ??, then, MEXICO. It is in excellent condition. FREE US STANDARD S/H

A really beautiful pair of double-sided Edwardian 14K white gold cufflinks, the round faces ornately pierced in design reminiscent of the rose windows in Gothic cathedrals. One face of each pair is centered with a pale blue sapphire that contrasts nicely with the surrounding white metal. The cufflinks take on a wide range of appearance depending on the color of shirt fabric showing through the piercing. The connectors are hallmarked by Taylor & Co.

Origin: America, ca. 1915. Condition: exc...

A very fine 14K yellow gold mesh watch fob suspending a nicely detailed 14K Egyptian Revival Sphinx seal. Mesh fobs are most frequently gold-filled, but this example is solid 14K. The fittings at either end are beautifully engraved in a foliate pattern. The Sphinx seal depicts the regal creature in its traditional pose with wings swept back against the leonine flanks. Tested and guaranteed 14K.

Origin: America, ca. 1870. Condition: excellent, sharp detail, no engraving on seal. Dimesions...

A lovely small Victorian 14K yellow gold locket, the cover decorated with the unusual subject of a squirrel. The little fellow is depicted sitting upright munching on an acorn. The front cover is finished with a ropetwist border. The interior retains its original frame and glass insert. Tested and guaranteed 14K gold.

Origin: America, ca. 1890. Condition: excellent, sharp detail to the front; the back has a few very minor dings visible in raking light. Dimensions: 13/16" x 3/4" excluding...

A delightful late Victorian 14K yellow gold wishbone pin with a delicately enameled four-leaf clover in the middle. The shamrock's petals are arranged around a small pearl and are finely enhanced with shaded green enamel. The clasp is stamped with Krementz' hallmark.

Origin: America, ca. 1900. Condition: excellent, no enamel damage. Dimensions: 1-3/8" x 13/16". Weight: 4.2 grams.

A nice pair of Edwardian double-sided cufflinks worked in platinum over 14K gold. The hexagonal faces are decorated with ornate engine-turned engraving and are set with French-cut blue sapphires with a strongly violet tint to the blue. The backs of the faces are marked "Plat on 14K" and the connectors bear a maker's mark.

Origin: America, ca. 1900. Condition: excellent. Dimensions: 1/2" diameter. Weight: 5.9 grams. Approximate Total Sapphire Weight: .21 cts.

A handsome and unusual pair of Art Deco silver cufflinks, the round faces decorated with mother-of-pearl disc centered with carnelian cabochons. The discs are engraved with concentric rings. The mother-of-pearl is a very nice contrast to the luminous orange-reddish carnelian. The backs of the faces are marked "830" for the silver content and the removable connectors are marked "Germany".

Origin: Germany, ca. 1920. Condition: excellent. Dimensions: 1/2" diameter. Weight: 4.8 gr. Approxim...

Rare early vintage Joseff of Hollywood heavy double chain Byzantine or Etruscan revival ornate necklace in dark antiqued goldtone metal with hook clasp. 1940s. Marked JOSEFF HOLLYWOOD. Joseff jewelry was designed and made for costuming in top Hollywood movies in the 30s through the 60s, and also sold to consumers in exclusive stores such as Nieman Marcus. A key signature of Joseff jewelry was the matte metal finish which was intended to reduce glare under studio lights during filming, and was us...

Chic early vintage Kenneth Jay Lane Chinoiserie style necklace in antiqued cast goldtone metal with a very detailed dimensional Chinese dragon with matching metal drops and green Peking glass drops simulating jade. The pendant slides along a matching chain with spring ring clasp. Late 1960s or early 1970s. Marked KENNETH LANE. Wearable length is 24 inches and the pendant drops 4 3/8 inches. Excellent condition. Display form is life size. Photos enlarged to show detail.

Glam huge statement early Kenneth Jay Lane nomadic style necklace in textured goldtone metal with a long drop with marbled red and white Lucite elements simulating red coral, with a matching goldtone drop at the end. Goldtone chain and hook clasp with extender. Late 1960s or early 1970s, marked KENNETH LANE. Great size -- wearable length is 20 inches and the extender adds another 3 inches. The center drops 7 inches. Excellent condition with a few very small spots of loss on the finish of the met...

Stunning vintage 1940s unsigned Miriam Haskell memory wire bracelet by early Haskell designer Frank Hess. Guaranteed Haskell Hess design, pictured on page 157 of "Miriam Haskell Jewelry" by Cathy Gordon and Sheila Pamfiloff. With slightly marbled opaque glass beads simulating salmon coral, strung on memory wire, with a center element with goldtone metal leaves set with tiny rhinestones. The center element is wired onto a clear plastic circle, per early Haskell construction documented in the book...

Stunning early signed 1950s Miriam Haskell four strand necklace with opaque black glass beads in multi shapes, mounted in signature Haskell dark "Russian gold" dark goldtone metal caps, with hook clasp and wired extender chain. Marked MIRIAM HASKELL. Wearable length is 17 inches on inside strand and the center drops about 1 1/4 inches. Excellent condition. A few beads have miniscule flea bites from wear, not visible except under a loupe. Display form is life size. Photos enlarged to show detail....

Antique Victorian, late 19th century, 9 karat gold bracelet with hollow links with repousse hammered decoration on the fronts of alternating groups of links, with matching heart shaped detachable clasp, and attached safety chain. The backs of the links are plain and the bracelet is a reversible "night and day" piece. The heart, and one end link of the bracelet are marked 9.C., which is the English designation for 9 karat gold. 7 1/2 inches wearable length and 1/4 inch wide. The heart clasp is 1 ...

Classic vintage circa 1950 bracelet with carved agate scarabs mounted in 14KT yellow gold. Marked 14K. With scarabs in carnelian, rock crystal, tiger eye, banded onyx, unakite, and bloodstone. 7 1/4 inches wearable length and 1/2 inch wide. Excellent condition. Display form is life size. Photos enlarged to show detail.

Stunning 1930s Art Deco riviere necklace in silvertone metal with large brilliant bezel set openback faceted glass crystal stones. Marked GERMANY. The stones are held by prongs at the front. The backs of the bezels are decorated with a finely detailed flower form motif. The stones have pointed backs. Spring ring clasp. Wearable length is 16 1/2 inches and the stones and settings are 7/16 inch or 12mm. Excellent condition. Some tiny flea bites on some stones; most are only visible with a loupe. D...

Stunning early vintage butterscotch egg yolk amber necklace with 42 matched large round beads hand knotted with matching amber silk thread, and with goldtone spring ring clasp. It weighs 58 grams. 1930s, all original. The beads are variegated in color and range from opaque to semi translucent, with great markings. 24 inches wearable length and the beads range from 12mm to 13mm or 1/2 inch wide. Excellent vintage condition with some slight crazing on some beads and some naturally occurring openin...

Gorgeous vintage translucent cherry amber Bakelite necklace with large 15mm beads on a continuous strand. 1930s. Tests positive for Bakelite with Simichrome. 140 grams. Tiny inclusions here and there but mostly translucent. Glowing dark red color. Wearable length is 30 inches. Beads are 15mm or 9/16 inch wide. Excellent condition. Display form is life size. Photos enlarged to show detail.

A very rare 14K yellow gold and enamel pin in the form of an oyster shell complete with a small pearl. The enamel is beautifully worked in shades of greenish- and silvery-grey. The shell is depicted as slightly opened with pearl resting along the opened edge. The back of the pin is stamped with the 14K gold hallmark of Alberts & Son, Inc., one of the Newark jewelers.

Origin: America, ca. 1915. Condition: excellent, no enamel damage, all original. Dimensions: 1-1/8 x 7/8 inches. Weight: 6...

A very good pair of late Victorian 14K yellow gold bean-back cufflinks, the oval faces decorated with profiles of Greek or Roman gods. The faces are beautifully detailed against a stippled background and are finished with deliberately eroded edges to suggest antiquity. The designs are in the style of George Shiebler's "Curio Medallion" or "Homeric" patterns and are easily the equal of Shiebler's craftsmanship. The faces are finished in high-karat gold that lends them a brighter, yellower appe...