The elegant style of croc cufflinks will add class to any sleeve. This vintage pair are gold plate rectangular shaped toggle backs with crocodile centers, circa 1940, unmarked. Size: 9/16" x 13/16"; Condition is very good with minor wear to gold. Camera magnification shows wear to side which in actuality is on back, not really visible to naked eye.

Picasso-style sterling face ring by BILL TENDLER, c.1950's. Features are applied shiny silver on oval oxydized face with shiny silver outline. Features and outline stand out over lower face. Measures 7/8" long by 11/16" wide and is size 6. Band measures 1/4" wide. Excellent condition.......$12 for insured USA shipping. NYS residents pay sales tax.

This medical theme vintage cufflinks are ideal for anyone in a medically related field, featuring a gold plate caduceus, the Greek mythological symbol of healing adapted in modern times as a symbol of the physician. The caduceus is centered in a mother of pearl square with a gold plate border, unmarked, Circa 1940's. Size: 5/8" ; Condition is excellent.

From his first design period, with hallmarks dating 1944-1946, this cuff from William Spratling is massive and spectacular. Collector quality.

This is a book-piece design shown in "William Spratling and the Mexican Silver Renaissance" by Penny C. Morrill, where it's noted that the "Nahui Ollin", or "Four Movement" cuff bracelet replicates the glyph at the center of the carved stone Aztec Calenda...

A very handsome pair of 18K yellow gold cufflinks, the faces formed from faceted rhodolite garnets of unusually large size centering old European cut diamonds. The purplish-red hue of the garnets contrasts beautifully with the gold mounting and the white diamonds (G, VS2). The backs are finished with toggles. The connectors are stamped with French marks for 18K gold and with the goldsmith's mark (entered in 1913) for the Parisian jeweler Leon Favrin.

Origin: France, ca. 1940...

A rare pair of World War II era 14K yellow gold double-sided figural cufflinks, the faces in the form of airplane propellers. The front faces have three blades, while the back faces have two. Cufflinks with an airplane theme would have been considered a patriotic statement in gentleman’s jewelry at the time. The connectors are marked “14K” and have the hallmark for Richardson Manufacturing Company, a Newark jeweler.

Origin: America, ca. 1940. Condition: excellent...

A very fine five-piece 14K yellow gold and sapphire dress set by Van Cleef & Arpels. Each piece is fashioned as a reeded baton circled by a collar of channel-set blue sapphires. The sapphires are of superb slightly violetish-blue color, with medium tone and vivid saturation. One baton on each cufflink is hinged for ease in putting them through the cuff. Each shirt stud is signed "VCA NY", and is stamped with the serial number and "14K". The cufflinks are marked only "14K"...

This very fine pair of Modernist sterling silver pyramid rope form cufflinks could have come from the fashion pages of any current menswear magazine, circa 1945, toggle backs, marked on the back STERLING; Measurements: 5/8 in long x 1/4 in. wide; Excellent condition; may need cleaning.

A handsome pair of double-sided button-style cufflinks, the round faces formed from discs of mother-of-pearl surrounded by borders of opaque royal blue enamel. Each face is centered with yellow gold “stitches”. The mother-of-pearl has nice iridescence. The faces are joined by removable connectors. Marked “585” for 14K.

Origin: Europe, ca. 1940. Condition: excellent, no enamel damage. Size: 9/16” diameter. Weight: 7.0 grams.

Attention all watch affeciandos! This vintage set of gold plated cufflinks is wonderful intricately designed exact replica of the traditional mechanical Elgin and Swiss watch movement. One cufflink is a 15 jewel Swiss watch movement, marked on the face HALLMARK SWISS, 15 JWLS 3 ADJ, E BLANKPAIN FILS, AR FS, the back marked 700 A. The other cufflink is an Elgin, marked Elgin U.S.A., 20664491, S F, the back stamped with the same number. Both stamped PAT PENDING. Measurements: 3/4 in diameter...

This early-mid 1940's William Spratling necklace is a magnificent showpiece. The tassel centerpiece features flawlessly inlaid azur-malachite with mesmerizing shades of blue and green. From Spratling's first design period. Measures a closed, wearable length of 20.5", with a hefty weight of 90.8 grams. The center pendant measures 3.5" wide, 2.5" tall. Signed and hallmarked with the WS Print Circle and Sterling. Fold over clasp...

Circa 1940's, here is a superb pin produced by Chato Castillo. Chato Castillo apprenticed with Matilde Poulat. In the Davis/Pack book "Mexican Jewelry", it's noted that Chato's pieces are all one of a kind. He left William Spratling's Taller de Las Delicias in 1939 to help his brothers start Los Castillo. Many of his early designs were also used as prototypes for pieces later produced by Los Castillo. Measuring 5" tall, 2 1/8" wide, this pin is a sight to behold...

Vintage long necklace of graduated Gripoix poured glass beads in green and purple, wired with dark goldtone metal, with ornate filigree caps, and cylindrical stamped dark goldtone metal beads, with a screw barrel clasp, circa 1940. Marked MADE IN FRANCE. 37 1/4 inches wearable length. The largest center bead is just under 3/4 inch wide or 17mm. Excellent condition. Display form is life size. Photos enlarged to show detail.

Maestro C. Molina is one of those “enigmatic” figures of Mexico’s 20th c. Silver Renaissance. Even in Bille Hougart’s seminal work on hallmarks and makers there is minimal information about him - namely, two or three examples of the way his jewelry is hallmarked and the photos are really difficult to read...

The "less-is-more" philosophy of modernism and the classic, for Mexico's 20th c...

Four figural links featuring classic Italian monuments and city symbols adorn this long, Renaissance Revival silver chain. This is the style associated with the Peruzzi and Coppini Bros workshops of Florence and based on the quality of the castings, I would suggest that it was made by either one of them. The figural links are complemented by floral ones while perfect sodalite beads add their strong color to the necklace. Long enough to be doubled-up as a choker, it can easily be enjoyed at its f...

My second M Velazquez silver brooch for the day, this Mexican Deco repousse "portrait" I have never had (nor, I believe, seen) before. As opposed to the first figural pin, here the "sitter" is shown in profile, his likeness set in a raised frame against a stippled background. Velazquez's repoussage can be very dramatic and in the piece at hand it is also enhanced by deep chasing and oxidation which brings out the sculpturality of the face and the impressive headdress. The brooch measures 2 1/8"...

A smashing duo in the index of mid-20th century Mexican jewelry design, Cecilia and Tono have created some of the most amazing pieces. More often than not their creations are re-interpretations of ancient motifs with a modernist twist and adaptations of old techniques and materials to fit their contemporary vision. In the long chain necklace presented here hefty sterling links lend their mod geometry to silver spheres and rich azur-malachite beads that have been cut in emulation of ancient bi-co...