A substantial set from Taxco's "middle period" this stunning necklace and earrings demi combines chunky cylinders of azur-malachite with shadow-box sterling box links. The result is quite impressive as the primarily green hues of the stone (the malachite is predominant here) are tempered by the variegated brown of the inclusions, all colors finally reflected in the glowing silver. I love a good chain necklace and this example combines good length with a presence that will never go unattended...

I don’t often use the expression “Holy Grail” but Tane’s “Tarascan” necklace is one of those few pieces in the world of vintage Mexican silver jewelry that deserves it. Especially if it bears pre-1980 hallmarks - which is the case here. Habitually referred to as “the Tiffany’s of Mexico”, Tane has been producing holloware and jewelry in silver and gold since 1942 and is known throughout the world for the quality of craftsmanship, impeccable design and perfect finishing...

This pretty ring consists of a flower made of six pearl “petals” (one of which is a replacement), centered by a tiny rose cut diamond. There is a compartment underneath, perhaps for storing a lock of hair, but no glass. The ring tests as a very strong 14kt, so it is probably 15kt (and therefore English). Cobalt blue enamel decorates the shoulders, which we’ve had touched up – this ring was obviously very well loved, and it’s still beautiful! Size 6. Early Victorian or late Georgian...

This elegant stickpin features a stylized flower design, based on a Japanese family crest. It is marked “k20” on the back, and tests as a very strong 20kt, so it might be finer. The flower head measures 1/2 x 7/8”, and the whole pin is 2-1/2” long. It weighs 2.4g. The pin is a little bent, not surprisingly given the high gold content (please see photos), and course that can’t be seen when it’s worn, and could easily be straightened. Otherwise in excellent condition, and circa 1900...

This pair of 18Kt white gold natural sapphire and natural diamond cluster earrings project elegance and style. The masterfully created earrings are centered by two oval sapphires with the approximate total weight of 0.90Ct, and the sapphires are surrounded by 20 full cut diamonds with the approximately total weight of 0.40Ct. The oval clusters measure 10 X 6 millimeters. The earrings have posts with secure ear knots.

Ideal for Mother's Day (yes, there is still time to bring it home) this antique Victorian brooch is perfect to show your love and affection year round as well - whether to somebody else or yourself is up to you to decide! Wrought in the aesthetic style its decorative elements develop on different plains thus adding architectural interest and a dramatic depth of field...

An exquisite mid-century modern 18K gold and diamond necklace by André Vassort for the Parisian jeweler O. J. Perrin. The necklace comprises 47 butterfly-shaped graduated links, each separately hinged so they lie perfectly flat around the neck. The links are worked in the heavily textured style favored by Vassort. The center 21 links are each studded with a diamond so delicately set that it appears to float over its link. The diamonds are graded as E color and VVS1 clarity...

A stunning pair of lage Georgian or early Victorian transitional earrings worked in 18K gold and silver. The earrings, each in form of a convolvulus (morning glory) blossom feature a variety of antique cut diamonds, mostly cushion and mine cuts. The smallest stones are rose cuts. The diamonds are of excellent quality, mostly eye clean and with superb, warm sparkle as the earrings dangle freely...

An elegant Edwardian heart-shaped locket worked in 18K yellow gold. The front cover is enhanced with a small rose cut diamond and three small no-heat rubies set in a stylized floral pattern with engraved stems. The decoration is reminiscent of Imperial Russian jewels of the era, but the locket bears French gold hallmarks and is marked “Déposé” indicating that the design had a copyright of sorts. The edges of both the front a back covers are finished with banded reeding décor...

An interesting late Retro 14K yellow gold bracelet worked as a series of sextupled cable links that are slightly flattened so they splay out sideways to create a wide bracelet with a sort of optical illusion effect. The clasp is decorated so the bracelet appears seamless when being worn. The open link design makes this a perfect bracelet to wear on its own or with chunky, heavy charms. The interior of the clasp is marked “14K.”

• Origin: America, ca...

An elegant Victorian 18K gold pendant featuring an onyx plaque centered with a seed pearl. The gold setting is ornately worked in a rope twist motif and with bright-cut engraving. Three tiny seed pearls complete the design. The pendant is stamped with French 18K gold marks.

• Origin: France, ca. 1870
• Condition: excellent
• Dimensions: 1-7/32” x 5/8”
• Weight: 3.0 grams

A nice Edwardian silver watch chain with striped niello decoration on each of the ornate links. The chain is finished at one end with a dog clip and at the other with a large niello bolt.

• Origin: Switzerland, ca 1900
• Condition: excellent, niello intact
• Length: 10”
• Weight: 23.8 grams

A nice Edwardian silver watch chain with striped niello decoration on alternate links between smaller gilt links. The chain is finished with a niello swivel dog clip at one end and a large bolt with repousse and gilt decoration on the other. The chain is stamped with Swiss 800 silver marks used 1882-1934.

• Origin: Switzerland, ca 1900
• Condition: excellent, niello intact
• Length: 11-1/4”
• Weight: 16.0 grams

On sale from $279 is this two sided 7/8” wide and 13/16” high 14Kt yellow gold puffed heart pendent with #1 Mom and leaf decorations on both sides.

An elegant Edwardian bracelet worked in fancy curly-cued gold links, each with a slash of platinum-set rose cut diamonds for a little added sparkle. A collet-set ruby appears between each of the links. The rubies have nice color and are unheated...

A heavy French 18K gold and diamond pendant depicting a mythological griffin. The creature has the body of a lion and the head and wings of an eagle. His open jaws clasp an old mine cut diamond. The diamond has bright (G-ish) color and is VVS2 clarity. The griffin is depicted against a background of swirling foliage. The back is engraved to match the texture of the front. The griffin has two loops on the backs of the wingtips so it can be worn as a pendant. It originally also had a removable pin...

A really inventive Victorian 14K gold book chain necklace, each link in the form of a heart. The links are further enhanced with heart appliques engraved in a floral pattern. The necklace is completed with a large reeded bolt clasp that could easily hold multiple pendants or charms. Tested and guaranteed 14K.

• Origin: America, ca. 1880
• Condition: excellent
Dimensions: 18-3/4” long
• Weight: 32.1 grams

This pretty lavalier or pendant is enameled on both sides - unusual for Arts & Crafts pieces. The front has a central panel in a beautiful peacock blue, and 2 outer panels in the shape of stylized hearts, in a darker blue. The back is sky-blue (a little worn at a few of the high points). There is a freshwater pearl drop. It weighs 2.1g and measures 1-5/8” from the top of the bail to the bottom of the pearl. It comes on a sterling chain (stamped “STERLING”) which is probably modern. In good...

Uni David Andersen modernist sterling silver ring

Designed by Marianne Berg

Mid 20th century

Current size 8 but adjustable

Weight - 12 grams

Face stands 1 3/4" tall

Adjustable shank

Marked Uni 925s, M.B. Handmade, David-Andersen Norway

Excellent condition

A vintage sterling ring with inlay of lapis, turquoise and coral by Zuni silversmith Roger Tsabetsaye. It is a size 8 1/4 and in fine original condition with no chips or cracks to the stones. The face of the ring is 3/4" long and 1/2" wide. It weighs 13 grams. Suitable for a man or woman, a very nice design with great precision to the placement of the vibrant color stones.

A gorgeous , heavy, articulated sterling link bracelet from the Taxco workshop Los Ballesteros. Weighing a very substantial 146 grams, it is 7" around in the inside when clasped and is 1" wide. It is in fine original condition with a secure push in clasp and is signed as shown. A show stopper on the wrist.

Based on Salvador Teran's sought-after "dancers" design, the bracelet I am presenting here was crafted in the period the renowned Mexican modernist was active by one of his contemporary Taxco maestros. Absolute minimalism, strong graphics and a sense of unencumbered, fluid motion characterize the figural overlay which dominates the shadow-box construction of the three central links. Just as in Salvador's original there are curve-topped disks and stars scattered in the frames, elements which make...

An elegant Victorian bangle bracelet, the front set with a triple row of 76 natural seed pearls that splay open toward the center which is set with a floret of old mine cut diamonds. The pearls have cream body color and fine luster and are perfectly matched. The diamonds are F/G color and VVS2 clarity. The center diamond is .34 ct and the others are .06 ct each. The clasp is well-concealed and it is stamped “15 Ct” and also has French import marks.

• Origin: England, ca. 1900
• Co...

A nice pair of mid-Victorian earrings worked in chocolate brown lava set with pearls in 14K yellow gold. The earrings are designed as two acorns flanking an elongated amphora form surmounted by a lady’s head. The girandole arrangement (three elements suspended from a single element at the top) is relatively rare among lava earrings. Archaeological Revival lava jewelry from Pompeii was a very prized souvenir of a wealthy visitor’s Grand Tour through Italy due to the ongoing excavations there ...

This lovely garland or festoon necklace is from the Edwardian end of the Art Nouveau movement. It is pictured in Vivienne Becker’s excellent book “Art Nouveau Jewelry” on page 185. She describes it as having “festoons of gold chain in the Edwardian manner, set with peridots, and decorated with shaded satin enamel, c. 1900.” It is unmarked, but tests as 14k gold. It is centered by an oval peridot, has an accent diamond and several small pearls, also a dropper ending with another oval pe...

A lovely early Art Nouveau 18K gold sliding locket by the acclaimed medallist Jean-Baptiste Emile Dropsy. The front cover shows a bare-shouldered woman wearing a diamond necklace and hair ornament feeding a diamond seed to a bird in mid-flight, all surrounded by a bough of chestnut leaves. The diamond accents (“habillé”) add a bit of sparkle to the design. The bird appears to be a dove, representative of “love” in Victorian symbology, while the chestnut leaves represent the sentiment �...

A classic mid-century silver pendant or charm representing the Zodiac sign Libra (“la Balance”). A detailed scale appears over a stippled background and is accompanied by the classic iconographical symbol for balance. The pendant is stamped with French second-standard (800/1000 pure) silver hallmarks in use before 1962 and an unidentified maker’s mark.

• Origin: France, ca 1955
• Condition: excellent
• Dimensions: 13/16” diameter excluding bail and jump ring
• Weig...

A classic modernist silver pendant or charm representing the Zodiac sign Aquarius (“le Verseau”). A long-haired maiden pours water from a large ewer. The design is worked with a semi-matte finish and is enclosed in a highly-polished frame. The pendant retains its original jump ring. The pendant is stamped with French second-standard (800/1000 pure) silver hallmarks in use before 1962 and an unidentified maker’s mark (A cross P).

• Origin: France, ca 1955
• Condition: excellent

An Art Deco pendant or charm displaying four playing cards each with the pip for an ace worked in black or red enamel. Four aces is an unbeatable hand in poker unless an opponent has a flush. The bottom edge of the charm is engraved “Réussité” (“Success”). The charm and the original jump ring are stamped with French 18K guarantee marks.

• Origin: France, ca. 1930
• Condition: excellent, no enamel damage
• Dimensions: 1/2" x 11/16” excluding jump ring
• Weight: ...

A stunning mid-century 18K yellow gold strap (or buckle or jarretière) bracelet enhanced with diamonds set in platinum by the Parisian jeweler Sabban & Azoulay. The strap is worked in an ornately constructed open weave design called “maille polonaise” or “Polish mesh” and is finished in a contrasting braided pattern. The strap ends with a row of graduated diamonds mounted in a v-shaped platinum setting finished with foxtail fringe. The clasp features two swirled gold clips, each with a ...

A heavy French 18K gold and diamond pendant depicting a mythological griffin. The creature has the body of a lion and the head and wings of an eagle. His open jaws clasp an old mine cut diamond. The diamond is graded as G color, SI1 clarity. Griffins in brooches are often shown in a crouching position, but in this example, the creature is standing upright in a more assertive pose. The piece can be worn as a brooch or as a pendant suspended from the loops at the wing tips. The pendant is stamped ...

An attractive 18K gold and green chalcedony band. The carved chalcedony band is enclosed by gold on each side and is adorned with a gold crossband at the front. The ring is stamped with French 18K gold hallmarks.

• Origin: France, ca 1970
• Condition: very good, minor wear to the back side of the gold band
• Finger Size: 6-1/4
• Width: 3/16”
• Weight: 2.1 grams

A stunning early Victorian snake necklace in 18K gold. The body is worked in a graduated series of scaled links terminating in an ornate emerald- and garnet-set head suspending an emerald-set foliate drop. The construction of the snake’s body is very flexible and feels silky like a true snake. The ornate head with repoussé and chased decoration is more fanciful and resembles a Chinese dragon. The eyes are set with bright garnet cabochons and the head features a row of collet-set emerald cut ...

A very nice and heavy vintage Italian crown-shaped charm or pendant worked in 18K yellow gold and set with citrines and pearls. The gold surfaces are enhanced with rope twist and beaded appliques and wire brushing. The citrines have particularly rich color trending away from yellow and more toward the deep amber shade of cognac. The pearls have nice luster. The bail is stamped with Italian 18K gold hallmarks and French 18K gold import marks.

• Origin: Italy, ca 1955
• Condition: excel...

A pretty Georgian heart pendant worked in 18K yellow gold and featuring a double-cut citrine heart. The gold surfaces are decorated in a repousse floral motif. The citrine is cut with lapidary facets on both sides it looks the same from the back or front. The stone has very pleasant pale yellow coloring. The jump ring is original to the pendant. Tested and guaranteed 18K gold.

• Origin: England, ca 1820
• Condition: excellent, very light wear on some of the citrine’s facet junctions...

A fine and ornate Victorian quadruple foxtail watch chain worked in 18K gold with rubies and bloodstone. Two slides, each with engraved floral decoration and set with cushion cut rubies, enhance the chain. The two slides are drawn close together so the chain plaits itself in the middle. One end of the chain terminates in a dog clip clasp. The other end terminated in a watch key and a fob seal decorated to match the slides. The fob seal is also set with rubies along the sides and ends in a bloods...

For anniversary jewelry, there’s nothing more romantic than this rare 18K yellow gold, diamond and ruby love token (“medaille d’amour”) ring with a rebus spelling out “Plus qu’hier, moins que demain” (“more than yesterday, less than tomorrow,”) a line from a love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano de Bergerac”) in 1889. The word “plus” is symbolized by a plus sign set with a single diamond and the word “moins” is symbo...

An elegant pair of 18K yellow gold Art Nouveau cufflinks set with rose and single cut diamonds. The cufflinks have a classic design of whiplash curves typical of Art Nouveau jewelry. They are worked in both slightly matte bloomed and polished textures for added interest. The torpedo backs are connected by wired bridges. The cufflinks are stamped with French import marks, apparently those used for temporary admission into the country so they could be displayed at one of the international design s...

A rare Art Nouveau brooch worked in 18K gold depicting Eros, the Greek god of love and harmony. “Amor” is the Latin version of his name, and English-speakers usually refer to him as “Cupid.” He is shown here with a quiver of arrows used to inflame love in the hearts of his targets. The quiver’s strap is set with small rose cut diamonds for an added bit of sparkle. The name “Amor” is included in the design to the left of Amor’s head. The brooch is signed “F Vernon” for Frédé...

A handsome pair of French stirrup-form 18K gold cufflinks formed as interlocking ropetwist links. The cufflinks open at the pointed end and are very easy to put on and remove. Each is stamped with French 18K gold marks and with an unidentified master goldsmith’s mark (“RC” with a bird).

• Origin: France, ca 1965
• Condition: excellent
• Dimensions: 15/16” x 27/32”
• Weight: 13.3 grams(/li>

A heavy French 18K gold and diamond pendant depicting a mythological griffin. The creature has the body of a lion and the head and wings of an eagle. His open jaws clasp an old European cut diamond set in a milgrain platinum collet. The diamond is graded as I color, VS2 clarity. The griffin is surrounded by a circle of woody foliage. The back is engraved to match the texture of the front. The piece can be worn as a brooch or as a pendant suspended from the loops at the wing tips. The bottom has ...

A very handsome Retro bracelet worked in rose and yellow gold links enhanced with engraving in a snakeskin texture. The color contrast is very attractive, and the links are made in such a way that the bracelet drapes very nicely on the wrist. The box clasp is stamped with Italian gold marks of the period and the goldsmith’s registry number 1 TO for Antica Ditta Marchisio (now Mattioli Gioielli). Founded in 1860, the house is the oldest jeweler in Torino, Italy, and was a maker for several luxu...

For anniversary or wedding jewelry, there’s nothing more romantic than Alphonse Augis’ love token jewelry. Usually, they are round medallions, but this exceptionally rare piece is in the form of a love letter using a rebus to spell out “Plus qu’hier, moins que demain” (“More than yesterday, less than tomorrow,” a line from a love poem written by Rosemonde Gérard to her husband Edmond Rostand, author of “Cyrano de Bergerac” in 1889. The word “plus” is symbolized by a plus s...

A very good Georgian watch fob seal worked in 15K yellow gold with ornate floral repousse floral decoration. The section connecting the fob frame to the bail is chased in a foliate pattern that matches the floral theme. One side of the flip part is set with a banded agate while the other side features an exquisitely chased and engraved gold plaque depicting a flower basket beneath a clear rock crystal cover. The gold plaque is likely very close to pure gold which would have made it easier to wor...

Spratling designed this stunning sterling silver piece during a period of time when he worked to develop a plan modeled on what he had done in Taxco, to help create an economic base for native Alaskans writes Penny Morrill in her book WILLIAM SPRATLING AND THE MEXICAN SILVER RENASSIANCE p.239. Inlaid with azur-malachite the pendant measures 4" X 3". The necklace is 18" long. Signed SPRATLING DE MEXICO & Eagle 13, hallmarks used by Spratling from 1949-51. All in beautiful condition. Pictured in M...

This interesting pin is in the shape of a lyre (a precursor of the harp – Orpheus played the lyre). The coppery rose gold is engraved, with black enamel highlights, and dedicated to “GAO From G.V.” It measures 1-1/16” x 13/16” and weighs 3.6g, with the original old pin stem assembly. Unmarked, the brooch tests as 14k, and the pin stem tests as at least 10k. It is in excellent condition. The photos are part of the description; please examine them carefully. NOTE: rose gold can be hard t...

Mary Ann Sherr modernist sterling silver earrings

2 1/2" x 1 1/4"

Weight - 10 grams

Post back

Signed on verso

"Like mother like daughter" (and why not? father and son as well) is what came to mind when I saw this sweet Mexican silver and turquoise "baby" cuff bracelet. Beautifully stamped with ornamentation in the Native American / Southwestern style and centered by a rich blue turquoise stone with warm dark brown matrix the cuff is, of course, also ideal for those of us out there with very small wrists. Over the years of my love-affair with vintage Mexican jewelry, I have come upon "baby size" cuffs bu...

Vintage Topazio Portuguese sterling silver hinged bangle bracelet in a classic for the genre "harvest calendar" design in which different months of the year are illustrated by either a flower, fruit or other staple that characterizes them. I love these bracelets for their representation of the cyclical nature of time and their allusion to earlier decades when the availability of food depended on one's location and the specific season. In the example at hand the figural decoration is distinct and...

A lovely late Victorian 18K gold locket, the front and back covers worked in a stippled texture with engine-turned engraving along the borders. The front is further enhanced with a spray of vivid blue forget-me-nots and green foliage. In Victorian flower language, forget-me-nots symbolized true love or the desire to be remembered—either one a very fitting sentiment for a locket. The back cover has a monogram reserve that was never engraved. The interior retains the original frames and glass on...

Rope designs were used exclusively in Spratling's 1st design period, 1931-46. This amethyst & 980 sterling pendant measures 2" X 1 3/4" X 1 3/8". The box is suspended by a heavy sterling Spratling chain measuring 24" long. Both box and chain are in beautiful condition. The circular clasp is tight and secure. Fully hallmarked WS 980 TAXCO. The amethyst box necklace is pictured in MEXICAN SILVER by Penny Morrill & Carole Berk and in SPRATLING SILVER: A FIELD GUIDE by Phyllis Goddard.

A stand out modernist sterling silver Neck Ring designed by Minas Spiridis, (1938-2020), for Cartier. He was the first non Danish jewelry designer for Georg Jensen.

Marked on the back MINAS in a Greek style font, Sterling and Cartier. Also marked Cartier at the end of one arm.

Measures 11" around with an opening of 3". Meant to sit on the collar bone. Measures 1/2" wide in the center. Can probably be adjusted slightly. Better for a slender neck. Weighs 53 gr.

In very nice...

Circa mid-century, here is a Margot de Taxco zodiac pendant bracelet with Taurus the Bull. It's her design #s 5310 and 5233, and it's collector quality. It's a heavy, chunky, absolutely beautiful bracelet and one which shows up beautifully on the wrist. Closed wearable length is 6 5/8". Taurus charm/pendant measures 1 13/16 to the top of the bale, 1 9/16" wide. Weight is 97 grams. Signed and hallmarked "Margot de Taxco 5310 Sterling Made in Mexico", with the eagle assay 16 on t...

Choice of a sterling silver floral neck ring or a modernist sterling and 14K gold brooch by Ed Levin.

The neck ring measures about 14" around with an opening of 2". Measures 3/8" across. Embossed with a repeating stylized flower design. Signed with a partial script © Ed Levin, Sterling. In fine condition. Could probably be somewhat adjusted due to the open nature of the design.

The brooch measures about 2 1/2" across and 1" at the widest. Has an interesting textured finish. Nice ...

This brooch or pin is in the shape of a bow, made from blue and turquoise plique a jour (translucent) enamel with twisted wire work running through it. (The colors in the photographs may be deceptive, depending on your computer monitor). The enamel over the wire spirals is turquoise, and the rest is a medium blue. “Plique a jour” translates roughly as “light of day.” Measuring 1-1/4” x 7/8", it weighs 3.1g. On the back it is marked with “800” for silver content, and an illegible (m...

This striking lavalier is centered by a light purple amethyst (traditionally good for maintaining clarity of mind), framed by rose gold panels which are a mix of Art Nouveau and Arts and Crafts in style. It has a pearl dangle with good luster, which is interestingly off-round. Measuring 1-5/8” including the pearl but not the jump ring, by 7/8”. The amethyst measures 3/8” x ¼”. It is marked “9ct” but tests as 10k (this is not unusual). It weighs 2.1g and is in excellent antique condi...

A fabulous example of Taxco modernism by Los Ballesteros, this vintage Mexican silver and amethyst bracelet is as beautiful to look at as it is comfortable to wear. A couple of days ago I presented another creation by the same workshop and I will suggest that the two pieces are representative of their line of medium-width modernist link bracelets. In the last few years, I have come to realize that the Los Ballesteros maestros succeeded in pushing their ranking higher and higher up in my hierarch...

This lovely necklace features 13 madeira citrines, 3 clusters of 3 each, and 4 set singly. (Citrine is the birthstone for November, said to bring optimism and joy into life – just what we all need!) The central cluster has a pearl dangle. The rich rose gold is marked 9ct on the clasp, but it tests as a weak 10kt (not unusual). Wearable length is 18-3/4”. It is in excellent condition. The clasp is a little fussy, but could easily be replaced or repaired; we don’t want to do it ourselves, si...

Vintage 1980s Talleres de Los Ballesteros Mexican modernist bracelet wrought in Antonio Pineda’s favorite .970 alloy which is richer in silver content than the standard sterling, this is a heavy, architectural piece adorned with clear, faceted, gem-quality amethysts. The stones are open on the back to maximize the effect created by the light as it passes through them and the all-silver links are substantial and very sculptural. I don’t offer post-1980 Mexican jewelry very often unless the qu...

This sterling silver and copper bolo was designed by Antonio Pineda c. 1950's. The bear claw measures 3" X 2 3/4". Each of the arrowhead tips are 3/4" L. The piece weighs 78 grams. The overall length of the adjustable bolo cord measures 33" from arrow tip to arrow tip. Fully hallmarked. All in fine condition.