A heavy and finely made pair of 18K yellow gold cufflinks in the doorknocker style. The faces are attached with solid curved connectors to flip backs in a Moorish-inspired openwork arabesque pattern. The curved connectors cause the cufflinks to lie very flat against the cuff (despite their weight) for a really elegant appearance. The doorknocker motif has been a recurring element in French jewelry since Cartier introduced it during the Art Deco era...
A classic pair of 18K yellow gold cufflinks in the snaffle bit (“mors de filet”) or flip-up style modeled on a horse bit. The circular faces are simply enhanced with tubular concentric rings. The design is elegant, but casual enough to wear with a sport coat or event jeans. The cufflinks are fully stamped with French 18K gold hallmarks and have an unidentified maker’s mark.
Origin: France, ca. 1980. Condition: excellent, all original. Size: faces, 19/32” diameter...
A handsome, heavy pair of 18K yellow gold and onyx cufflinks, each fashioned as two spheres joined by chain-like connectors. The design is a play on positive/negative space. The larger spheres are constructed in gold decorated with concentric rings and inset at the equator with a recessed band of black onyx. The smaller spheres are the opposite—onyx spheres inset with a slightly protruding band of gold at the equator...
A vintage Cartier “Trinity” pendant worked in 18K yellow, white and rose gold. Unlike the contemporary “Trinity” pendants that are essentially miniaturized versions of Cartier’s “Trinity” or rolling rings, this pendant is fashioned as a large yellow gold disc enhanced with tri-color gold “Trinity” rings. The gold has a soft matte finish. The pendant looks best hanging from a black silk cord, but can also be worn on a silk cord bracelet...
A lovely 15k solid gold bracelet with charm. The turquoise vary in color and the period charm/pendant, a later addition. Both charm and bracelet are marked 15c. The bracelet measures 7" x 1/4", the charm 3/4" x3/4" excluding bale. Weight 17.6grams.
Set with four pieces of green art glass to resemble jade, alternating with Egyptian motifs. The central oval piece is flanked by applied openwork lotus blossoms; the sides exhibit applied elongated elements, possibly symbolizing the eye of Ra. The bracelet is probably American, dating 1920s-30s, and is marked sterling. The glass stones show signs of wear, and one of the smaller stones has a small chip to the side, but all are well secured in their bezel mountings...
Decorated with classic engine-turned engraving, with a blank reserve for initials. This money clip shows few signs of wear and appears to have a lacquered surface to preserve the finish. It bears the mark of B. A. Ballou & Co., of Rhode Island. It measures 1 ¾ inches by ¾ inch. Weight: 11.3 grams
Featuring a simple design of vertical bands bound horizontally, this ring is probably 1920s or 1930s, influenced by arts and crafts design. The band has a raised design of tiny discs. The inside of the band bears the sterling mark as well as the maker’s mark of a stylized W inside an inverted triangle, for J.J. White Manufacturing Co., Providence, RI. The ring is small, a size 4 ½ scant. Weight: 2 grams
This interesting pin is constructed of four flat, interlocking rings and has a nice heft to it. The rollover clasp is original to the piece and in good working order. The back bears the maker's mark of a conjoined HT, an unidentified silversmith who also worked with Estela Popowski, as well as independently. There are four other marks on the back: an eagle 20, a Hecho en Mexico mark and two sterling marks. The pin measures 2 inches long by 1 inch wide. Gross weight: 14.9 grams
The ring exhibits a hammered surface and soft patina from age. It has a wide band that is seamlessly attached to the dome top. The ring is marked serling and tests definitely as such. It is sized at a 7 full; the dome rises about ½ inch. Weight: 13 grams
Each earring is composed of two trapezoidal pieces linked by a squared U-shaped wire. The screw backs are original and in good working order. The backs indicate sterling and bear the mark of modernist designer Paul Lobel. The earrings show very few signs of wear. They measure 1 ¾ inches long by 1/2 inch at the widest part. Weight: 7.6 grams total
A streamlined, classic design of an oval amber mounted in a bezel setting. The cuff links appear hardly worn; the amber exhibits no scratches or other signs of wear. The anchor buttons are undecorated silver; the hinge is in good working order and the bridge bars are secure. They are marked 835 for silver content, with a maker’s mark of a stylized fish, probably for the German firm of Fischlandschmuck. The amber buttons measure ¾ inch by 5/16 inch.
This gold tone Ciner fish brooch ids 2" x 3 1/4". The eye & band around the top of fish are garnet colored rhinestone the rest are clear. Condition is excellent.
this Hattie Carnegie fish pin is 2 1/8" x 1 3/8". It is unsigned but attributed to Hattie Carnegie (probably a JKL design when he worked for Hattie Carnegie.
Description: sterling vermeil with rhinestones and lucite jelly belly
Hallmarked: Sterling, Des Pat. No 129165 and Trifari
Dimensions: 2 7.8" x 1 15/16"
Reference: 20th Century Costume Jewelry by Cathy Gordon, p 119
Reference: American Costume Jewelry by Bruinialti pp. 145.146.
Decorated with an applied twisted rope design. Very sturdy, with impressive heft and a classic look. The cuff measures 1 inch wide, with an inner circumference of 7 inches, an inner diameter of 2 1/2 inches, and an opening of 1 1/16 inch at the terminals. Weight: 78.1 grams
This dramatic disk pin features a hammered surface decorated with applied wire in a stylized floral design. A framed dome graces the center and four applied beads enhance the edges of the wire work design. It has a secure trombone clasp and brass pin stem, both original to the piece. The piece is unmarked but tests definitively for silver, likely .800 or .830 and appears European in design. The pin measures 2 1/8 inches in diameter. Gross weight: 20.8 grams
Here is a classic pair of 10kt gold, two-sided cuff links with a black enamel rim from the 1920s to late 1930s. The enamel is totally intact; the gold shows a warm, aged patina. The bridge bars and rings are quite secure. The bars bear a mark of 10 with a K in between the digits, indicating the maker as Kohn & Company of Newark, NJ. Each button measures ½ inch in diameter. Weight: 5.9 grams total