A 4" long and 2-1/2" high vintage Inuit Eskimo stone carving of a bird. This carving is signed by Josie Pappy E-9-861 (JOSIE PAMIUTU PAPIALUK 1918-1996). This item is in excellent original condition with no cracks, losses, damage or repairs other than a bit of bruising on the beak and a chip on one corner of the base. All items are thoroughly and conservatively graded and all condition issues are noted; all items are secondhand and may have slight signs of gentle use...

An antique etching or engraving with hand coloring the scene including a windmill, distant steeple, small boats on a body of water, and elegantly attired mid-19th century folks, the artist name H. Jessen appearing at lower left margin. There is a Carl Ludwig Jessen of Frisia (or, Friesland---an area of the extreme northern Netherlands and adjacent areas of extreme northwestern Germany). He was born in 1833 and died in 1917. I have not been able to locate an H...

An old "cabin art" oil on soft paper board primitive style painting of Northern California's famed Mt. Shasta, towering over a rugged landscape including waterfall, tall trees, steep gorge, and a charming log house at left with smoke coming from the chimney. The painting measures 24 1/2" by 19 1/2", unframed. The board is warped, the surface uneven, and there is a snaking 8" crack in the board at right and small puncture at lower center. The work is delicate and requires very careful handling...

A colorized print stamped Karl Bohme Munchen in the lower left corner along with a printers mark. Not examined out of the original frame. The frame measures 14-1/2" x 18"; the print , 9"x12".

A small (8 1/2" by 10 3/4" framed) oil on board painting of a white farmhouse with red chimney, red barn and classic windmill at center, circa 1900, signed faintly at lower right "A Sowell" or similar. The hand is primitive, charmingly naive; the scene could be nearly anywhere in the central or eastern United States, most likely the Midwest, Plains or east. A painting which brings on a peaceful feeling in the viewer, as it harkens back to simpler times.

A late 19th century small oil on artist board, unsigned, the subject a quiet glen with small waterfall and pond or creek in a forest. The work measures 14 1/2" by 9 1/2" in likely the original gold frame (now with a missing area at top right corner). A cleaning would work wonders. Old Kansas City framer's label and art board shows a Chicago origin.

A view of the "Kolk" in Rotterdam, Holland, titled "Rotterdam Kolk" at lower left, plate signed with conjoined initials (tiny) and pencil signed "Marius Janssen" at lower right margin, 12 1/4" by 18 1/2" as framed. The Kolk is a familiar part of the center of this historic city, which suffered severe damage in World War II...

Watercolor on quality paper, 7 3/4" by 11", 10 1/4" by 13 3/4" as framed, the subject the famous and iconic symbol of the Santa Fe and Taos region of northern New Mexico, the sanctuary near the town of Chimayo. The art is titled at lower left margin and dated there 2004, and signed "Benke" or similar at lower right. Condition is excellent. A decorative little item if you're looking for something that reminds you of your trip to that scenic and history-filled region of the country.

Oil on canvas painting, unsigned, 24" by 12", in pinkish wood strip framing. The colors of the painting could be described as creamy light pink with some green. The work might have some age as it appears that "12-81" is written on the stretcher, possibly a date; and olden-days "$2.03" price is stamped on inside of the frame. There is a three-dimensional relief in places, where the artist spread the paint. No varnish, dull surface.

This is a very early watercolor, 9 1/2" by 5 3/4" framed, in the style of the early 19th century, titled at bottom "Double Rose", by an anonymous artist lost to time. His or her handiwork has survived likely 150 years or more but has lost a little color from fading, and the paper has browned. These are not faults---rather, they give the drawing age and character...

A nineteenth century gentleman deep in thought, searching for the answer to an obviously vexing problem, is the subject of this etching, created in the late 1870's by artist Leon Richeton (1854-1934) after the original painting by Scottish artist ERSKINE NICOL (1825-1904). The artist was born in Edinburgh and taught in Ireland in the years surrounding the Great Potato Famine of the late 1840's...

A mid-Victorian chromolithographic print c1860-80 in a period gilt frame depicting two kissing children with a doll. This unsigned 7-1/4 x 5-1/2" print is mounted on a lined mat and encased on a period 11 x 9" gilt wood frame with original glass; it is in excellent original condition with no rips, tears, foxing, staining, fading, losses, damage or repairs other than a small water stain to the mat on the lower right corner and some minor scrapes to the gilding on the frame...

A “modern” print collage design depicting fragments of ancient temple roof tiles; a stylized Shinto shrine compound all overlaying a background scene of samurai warriors, issued ca. 1930s

Excellent impression and color including bronze powder printing—clouds and warrior highlights, very slight creasing to upper corners, not backed.

Overall size: 11 3/8 x 14 in.

Oil on canvas, 8" by 10" and 1" wide frame, the subject a classic plein air landscape of the low desert. It is signed "Geraldine" at lower right, and on reverse is the inscription "To Dad Happy Anniversary from Mom". The painter was talented but no doubt still an amateur. This is a pleasant decorative painting that is ready to hang on the wall.

Watercolor on paper landscape, 10 1/2" by 7" inside the early-style gold mat, 18 1/2" by 14 1/2" as framed, signed in blue at lower right "J.A. HANCOX". No listings were found for this artist, but the work appears certainly to be of English origin. There is fairly heavy foxing especially at top in the sky, and a small bar of lighter paper there. It appears that the artist signed in lower right corner and then tried to rub it out there before re-signing it two inches higher up.

The watercolor is unsigned, 6" by 8 1/2", 10" by 13" as simply framed, the scene tall forest trees and distant mountains; there is either a stream or pathway in the foreground. I'd think it has some age, but probably not before about 1970. The artist was talented, and this will decorate a small wall nicely.

Old American landscape with trees framing a lake, 8" by 10", 12" by 13 3/4" in the gold frame, signed at lower right with name "H. Wolosky". The oil on board work probably dates to the 1920's or 1930's. I do not see an obvious artist name that I could link to this piece. A Cooper Union (New York City) old circular label remains affixed to the back of the board. Condition is vintage good, no problems.

Oil on cotton canvas, unframed, 12" by 15 7/8", the scene female figures in a marketplace with their baskets of foodstuffs, signed at lower right center "Getro". This work likely dates to the 1980's or later and is representative of the colorful folk art works produced for tourists by the many talented artists in the country. Condition is good and with a standard 12 by 16 frame added, this would be ready for the wall...

Watercolor on heavy watercolor paper, 10 1/2" by 14 1/4" inside the mat, 19" by 22" as framed, not signed, the subject a coconut palm at left, with a schooner-type sailboat in the distance beyond a narrow spit of land, a white gull overhead. The work probably dates to the 1950's or early 1960's...

Small oil on canvas laid on board painting of a street scene in Paris, the work somewhat resembling the familiar paintings of A. de Vity. It measures 15" by 11" framed and is not signed. Paintings of Paris streets are ever-popular. A ballpoint pen date on the reverse backing paper (3/24/72) gives some insight into when this painting was created. See other Parisian views in my shop.

This is a color aquatint, 9 7/8 by 12 7/8" as framed, the subject a monumental Paris building in the autumn twilight, (the Pantheon, I believe?), numbered at lower left 248 of 500 and signed at lower right in pencil by the noted French 20th century impressionist painter CHARLES BLONDIN (1913-1991). Blondin was active in Paris in the post war years, painting and creating editions of prints which he numbered and hand signed. This example has not been examined outside the frame...

Watercolor of white flowers, 7 3/8" by 7 3/8" (14 1/4" by 14 1/4" in gold metal framing), signed at lower right by Northern California contemporary artist Joyce Herman. Her business card is affixed to the reverse side. The painting is nicely done and in excellent condition.

A colorful oil on canvas of two women and a donkey or horse in a tropical village setting of Haiti, probably executed circa 1960's or 1970's. The little work, 10" by 8", unframed, is signed at bottom center "Mme Brunise", for "Madame Brunise". The "Madame" is interesting as I have not seen that before on a Haitian work...

Ideal addition to kitchen or pantry area, a well-painted little still life of green and yellow zucchini squash, and an onion, 7 1/2" by 11 1/4" inside the linen mat, 11" by 15" framed, signed on the back of the canvas "Duffy '95". The framer's label is from Chicago so our artist may have been from Illinois. This is a decorative work and the skill of the artist is obvious. There is light wear to the frame. I had to open up the backing to find the signature and date.

Etching on paper, 16 1/4" by 14 1/4", with narrow metal framing, pencil signed at lower right by artist, who, if I read correctly the Russian on the reverse, is one VLADIMIR KOSTROMIN. An old original label on reverse has a 1978 date, so I would imagine the print dates to the late 1970's. The ink is a greenish black. Moisture has compromised the margins and mold stained and rippled them; reframing would help exclude that...

Old watercolor on paper painting, a study of trees by a lake, the artist likely American, circa 1920's, 13 1/4" by 8 1/2" inside the old mat, possibly signed at extreme lower right corner but it is indecipherable. There are old framer's instructions on the reverse side. The work was found framed and the frame is possibly available to the purchaser at no extra charge, but it is worn and tired. A fresh framing job will do wonders for this fine old watercolor painting.

Small decorative oil on canvas of a scene in Thailand with small boats, a figure paddling one of them, two ducks, and a house on a shore, 6" by 9" (9 1/2" by 12 1/4"), signed at lower right "Sak" or "Yak". Probably tourist art, this is nicely framed and the mat is clean, making for a decorative and inexpensive Asian accent for the home.

A late 20th century intricate painting of the Indo-Persian, Mughal School, sometimes referred to as Indian Persian, measuring 10" by 6" including margins (12" by 8" in the ornately patterned style of frame that often accompanies such works). The painting is in excellent condition, though old water intrusion at upper and lower left has left dampstains. A mat with curving, oval shape would hide this. Frame is delaminating at left edge and extreme top left corner shows some loss. Frame has supp...

"William Hogarth" Frontispiece and Tail Piece to the Artist's Catalogue The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. She...

"William Hogarth" Portrait of John Wilkes The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 inc...

Print of the ruins of the Mayan city of Uxmal in Yucatan, Mexico.
The general views were designed by Jean Arnould Leveil (1806-1866) and engraved by Jean Baptiste Marie Bury and Joseph Durond.
The print was edited as first of twelve depictions of the ruins of Uxmal in the appendix of volume 4 in: Jules Gailhabaud. Monuments anciens et modernes: Collection formant une histoire de l'architecture des différents peuples à toutes les époques. Paris 1853.
For the same print, c...

A small late 20th century watercolor titled on reverse label "Brazeau River", signed lower right with initials "MH". The work measures 5" by 3 1/4" inside the mat and 9" by 7" as framed. The Brazeau River is 130 miles in length and runs in a generally easterly direction from the high Canadian Rockies of Alberta, through the foothills and towards the plains where it merges with the North Saskatchewan River. The river was named after Joseph Brazeau, a Missouri-born fur trader working for the Hu...

Small oil on canvas laid on board painting of a desert, mid to late 20th century, 4 1/2" by 6 1/2" (11 1/2" by 10" framed), signed at lower right by California desert painter KENNETH WALFORD. This is a rather typical example of the work of this artist. I have handled a number of Walford's works. Most feature desert landscapes. Biographical information on the artist seems to be scarce at this time. The painting is lightly soiled, linen liner is stained at upper right.

"William Hogarth" "The Weighing House" "Two Frontispieces to Tristram Shandy" The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years ...

Watercolor painting of yellow roses on their prickly stems, 11" by 7 3/4" (16 1/2" by 12 3/4" framed), unsigned, circa late 19th century or early 20th. There is an old framer's label on the reverse backing from Boston. Condition is good, mat should be replaced, as well as old-style acidic old sawn wood backing boards. The mat edges did leave browning to mark their presence but that would be hidden completely by a new mat.

By Los Angeles artist AKOP TASHCHYAN (1949-), this is a 2009 line drawing, 12" by 13" (16 1/4" by 20 1/4" framed), titled by the artist "NUDES". Signed at upper left and again signed by the artist on the reverse board. Tashchyan was born in Yerevan, the capital of Armenia. and came to the United States in the late 1980's. Always talented as a child, his father did not encourage his artistic pursuits. Tashchyan was not able to stifle his creative impulses, however, and the world is the better...