Old oil on gray art board landscape painting, 6" by 9" (10 3/4" by 14" in modern day framing), signed at lower right in red in a tight old hand "O. Farsky" with the "Antwerpen" nearby. At first glance this looks like an American Hudson River style oil, with fine detail, a split rail fence, and the structures in the center left area, which look more American than European. Farsky was from Bohemia, receiving art schooling in Prague during the late 1870's...

A good, small-size 19th century Mexican retablo depicting San Jeronimo. After a spiritual revelation, the saint lived as a hermit, often flagellating himself with a scourge and beating himself with rocks. He is shown here his traditional attributes of penitence--the bloody scourge, a skull, and rocks. He is often shown with fresh self-inflicted wounds, in this case a spray of blood droplets from his chest...

After a drawing by the noted French artist JEAN-FRANCIS AUBURTIN (1866-1930), this is an engraving in sanguine colored ink by the noted Swiss artist GEORGES AUBERT (1886-1961). Both artists have signed their names in pencil, Auburtin at the left and Aubert at the right. The work measures approximately 14" on a side within the mat opening (not examined out of frame), and 20" by 18 1/2" as framed...

Oil on canvas painting of vegetation and a structure in center, subdued elegant grays predominating, in a surprisingly modern style for the year in which it was painted, 1924. The artist signed at lower right, near the date, "Sanita" or a close variant. The area around the signature being very dry and "blanched", I moistened the area in order to make it easier to photograph the signature and date. Very surprisingly I have been unable to attach the work to a listed artist...

Eugenia Grant's floral works in pastel are amazing achievements, often leading people to think they are prints. This is a glorious original work, 22" by 27", framed behind glass (28" by 33" framed), and signed at lower right. The realistic depiction of flowers, Asian porcelain vessels, patterned textile backdrop, and reflection in table top, is very impressive indeed. I have seen a number of works by this highly underrated artist, and they always feature this impressive attention to detail...

Original Maxfield Parrish print, circa 1920s titled Daybreak. This is one of his most famous prints, and also one of the largest. It measures 18" x 30" and is in its original frame.

A fine circa 1930's watercolor painting of a sunny lane in Bermuda, a tall lone palm dominating the whitewashed walls and distinctive tiered roofs of Bermuda. Carson was a frequent winter visitor to the island after about 1932, and his contribution to Bermuda art history has been recognized in the Masterworks Bermuda collection. From time to time, oils and watercolors come to the market, but they are scarce...

This c.1925 etching by William Meyerowitz measures 7 7/8 x 9 7/8 inches, plate and pencil signed, framed. Meyerowitz studied at the National Academy of Design in NY and is best known for his development of producing etchings in color. His work is at the Metropolitan Museum of Art; Carnegie Institute; National Academy of Design; Harvard University and the Library of Congress.

Fine etching, of desirable subject matter, titled at lower left margin "Marble Game", signed at lower right margin and numbered there 15/40 by the noted American artist WILLIAM WOLFSON (1894-1966). This is a wonderful image of boys playing their very basic game in the middle of a gritty urban street, by an artist who is generally grouped with the Ashcan School of social realism of the early part of the 20th century...

Oil on canvas, 18" by 22" (23 1/2" by 27 1/2" as framed), the subject the famous Paris opera house and the Cafe de la Paix at left, executed in the naive style of painters like Emile Blondel, Leon-Alphonse Quizet, and so forth, apparently unsigned, though the word "Lancel" on an awning could possibly be the artist's name. The painting dates to the post war period, likely the 1950's or early 1960's at latest, considering the style of the autos in the scene...

"William Hogarth" O The Roast Beef of England: The Gate of Calais The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old...

Oil on canvasboard, 16" by 20" (19" by 23" in its simple wood frame), the subject Motif #1 in iconic Rockport, Massachusetts harbor at the tip of artists' paradise Cape Ann, circa 1950's or 1960's, signed at lower right by the artist. This is rather typical subject matter for Garabedian, who worked on the north shore, in Maine, and even away from the coastal areas, always painting in an impressionistic hand...

Oil on panel painting, 25 1/2" by 23 1/2" framed, the subject rather difficult to describe, but bridging abstract and realism with some surreal thrown in for good measure, by difficult to categorize American contemporary artist JERRY MCLAUGHLIN (born circa 1925), now a resident of Santa Cruz, California. McLaughlin's meandering career was described in detail in a Metro Santa Cruz article of 1998, and a New York Times article of 2001...

Stanley Anderson 1884-1966 British This is an original drypoint etching by British artist Stanley Anderson. The title is: Quai Duperre, La Rochelle, This etching was created and printed in 1928 in an edition of 85. The image measures 8 1/4X13 1/4 inches. Printed on an old laid type paper. Hand signed in pencil lower border. This image appears in the R.A.A. catalog as image number 183.

Stephen Parrish, American, 1846-1938, "Near Dinard, Brittany, 1888," Etching, image size 5 1/4 x 8 1/2 inches, 1888, plate signed l.l. "Stephen Parrish", cat: Schneider-136.

Robert Sargent Austin 1895-1973 English This is a finely detailed line engraving by British artist Robert Sargen Austin. The title is: "The Pack Bridge, Aylestone, Leicestershire". The image measures 4 13/16X4 7/16 inches. It was created and printed in 1926 and appears in the Dodgson catalog as image number 65. It was printed in an edition of 60.

This is an example of the large chromolithograph of the Grand Canyon, made after the famous painting by Thomas Moran, for the Santa Fe Railroad. The work measures 23 2/3" by 35" and the pleasing wood frame is 2 3/8" on a side. This example of this well-known print is offered in as-is condition, with most notably an approximately 1" across hole at lower left, and a number of areas of missing paper, showing in the images as white areas...

Abbo Ostrowsky, Rus./Am.,1889-1975 " Groundnut Hill " 1926 etching plate 4.7/8" by 6" exact same image in the Smithsonian American Art Museum # 1978.98.186