Unusually large detailed engraving, 31 1/4" by 20 1/8", laid down on board, of Christ coming down off the Cross, this example engraved by Nicolaus Dorigny (1657-1776), and possibly after Daniel Ricciarelli (1509-1566), in turn after a painting by Raphael. The work is dated 1720 at lower left. There's a lot of text in Latin at bottom, and a close look reveals the names of the two above artists...

Antique drawing in charcoal on paper of four women who appear to be in surf or sand at water's edge, apparently unsigned, probably European and 19th century. The figures are somewhat heroic, as if survivors. Possibly a preparatory study for a painting, this work's authorship is unknown, but obviously the artist was talented and probably even listed and known. The sheet, 8 1/4" by 14", is seemingly glued to an illustration board backing...

A fine contemporary 9" by 12" pastel (19" by 21 1/2" nicely framed) drawing titled "Mission Seating", of a sun-washed stone bench in the historic courtyard of Mission San Juan Capistrano in Southern California, signed at lower right by noted California Art Club artist KAY BONANNO (1935-). The work retains on the backing a label indicating that this work was exhibited in the spring of 1996 at the Carnegie Art Museum in Oxnard, California...

Oil on canvas American painting of a clipper foundering in a storm, 20" by 27" (22 1/2" by 29 1/2" in a nice old gold period frame), unsigned, circa 1870's. The work strongly resembles that of American marine artist CLEMENT DREW (1806-1889) but is unsigned. The painting is in poor condition currently. It appears to have had a reline decades ago, and likely overpainting. Now there is craquelure throughout, flaking paint and other issues...

A finely executed Oil Painting depicting the ARC DE TRIOMPHE in PARIS, FRANCE, by artist J.Linz, signed. Size: 24" x 31" (60 cm x 79 cm). Good condition overall. Price does not include shipping costs by FedEx or DHL. To get a shipping quote they need your address and postal zip code.

Watercolor on paper, unframed, 13 3/4" by 21 3/4", the subject a New England coastal scene with rocks, distant sailboats, and a lighthouse on a headland, the work signed at lower left. This is a typical watercolor painting by the noted artist OTIS S. WEBER (1847-) of New England. Although he is listed, and works sell regularly at auction, not a lot seems to be known about Weber's life and career, but paintings dated as early as 1876 are known. He seems to have worked into the 20th century...

An etching of a Native American brave on horseback, by important California and western American artist EDWARD BOREIN (1872-1945). The print is a restrike, likely made from the original plates at some point after the artist's death. Measurements are 7" by 8 3/4" inside the plate line (the sheet 11" by 15 1/4", and 16" by 18" as framed in worn black painted oak circa 1920 frame). Borein's place in the hierarchy of western American art is secure...

Large watercolor painting of the famous formations at Monument Valley, Arizona, arguably one of the most iconic sights of the American Southwest. The work, signed at lower left simply "George", measures 20" by 27 1/2" inside the mat and 31 3/4" by 40" framed. The artist was obviously quite skilled, but he did not leave us a lot of evidence as to his identity. The painting probably dates to the 1970's or 1980's...

Watercolor on heavy paper, 6 1/4" by 9", (9" by 11" as framed), unsigned, the subject a marble Parthenon-like classical ruined temple at right, several picturesquely dressed figures in the right foreground, and a cypress tree at left framing the scene. I would guess the age as circa mid 19th century. Unfortunately there is no signature nor other hint as to authorship...

A watercolor titled on reverse "The Scow ALMA", Tauranga, New Zealand, signed lower right and again on the backing, by listed England-born, New Zealand artist RICHARD "Dick" BAKER (1928-2004), measuring 6 1/4" by 9 1/2" (14 1/2" by 17" framed). The work was created in 1986. Baker's work is included in Te Papa Tongarewa, the National Museum of New Zealand, in Wellington, and at the National Maritime Museum at Greenwich, England. He also exhibited widely and placed works in private collections...

This is a study in pencil by FERNAND LUNGREN (1859-1932) for an oil landscape of arid desert mountains of the American west. It measures 8" by 10 1/2". There's a mat but the work is not framed. This is a subtle work that is best viewed in person; it's very, very hard to photograph. The artist has made notations like "shaddow" (spelled like that), "all golden in warm sun", and "warm rosy gray".........showing the creative process...

Large vintage watercolor and gouache painting of colorful flowers in a vase guarded on either side by startling white peacocks, 19" by 34 1/2" (26" by 41 1/2" framed), signed at lower left center with initials "VEJ". The work has some age but is not antique. Condition is excellent. A very decorative piece for your interior.

An unusual, elegant "embossed relief" print on heavy grayish-tan earth-tone hand-made paper that appears almost like tooled leather, or parchment, featuring in the design organic forms such as leaves, signed at lower right in Chinese characters and in Roman letters by the artist, HA BICK CHUEN (1925-2009) (also known as XIA BIQUAN). The work, dated 1975 adjacent to the signature, is numbered at lower left 26/50. It measures 28" by 23 3/4" (31 1/4" by 26 1/2" in hardrock maple box style frame w...

Adolphe M.T. Beaufrere 1876-1960 This is an original drypoint etching by French artist Adolphe Beaufrere (1876-1960) The title of this etching is "Cottages by the Stream", it was created and printed circa 1930. It is editioned as 19/60. The image measures 8 1/2X8 3/4 inches. Hand signed in pencil in the lower margin.

Watercolor on quality watercolor heavy paper, 14 3/4" by 20" (18 3/4" by 24" as framed), the scenes a tropical street with historic old wood houses, likely Key West, Florida, and another street scene with a lone figure, signed in pencil at lower right something like "Meish...." or "Weish....."; I cannot decipher the name. The aritist probably created this in the 1960's or 1970's, and he or she was skilled with watercolor. The brush strokes are brisk but expertly placed. Condition is excellent...

In the style of famous American abstractionist Sam Francis (1923-1994) is this abstract oil (acrylic?) on canvas "splatter" or "drip" painting, unframed, 25" by 23 1/2", unsigned. The work appears to have some age, to perhaps the 1970's. Note the width of the stretcher (almost two inches). The painting is very clean and would make a smashing decorative work for the most modern of interiors. The pattern of splatters and lines/drips is seemingly effortless and random, making for a fine work of...

A 20th century painting of a luminous, dramatic coastal sunset, the final light of the day reflecting on the rolling, beautifully depicted waves and aqua water, an interesting tree at right on the promontory adding balance and interest. The painting, unframed, 24" by 36", is not signed on the front but on the reverse is "Casati". I have researched the name and see a listed artist Carlo Casati (1889-1965) who might be a fit, as there are paintings online of similar subject by obviously the same...

This is a watercolor by a trained hand, 7 1/2" by 14 3/4", laid on a white board, (minimally framed, no glass), the subject a coastal landscape of rocks and headlands, signed at lower right with what appears to be the signature of noted Alaska and California artist THEODORE J. RICHARDSON (1855-1914). There are also some pieces of old paper affixed to the back of the board, with the notations "I saw this watercolor in previous undamaged condition with signature Thoe. Richardson---signed in lower...

A softly drawn work featuring the head of a putto, between wings, on a trimmed sheet of paper, somewhat irregularly shaped, measuring 6 1/2" by 11 3/4" (12" by 17" in modern-day gold frame). There is no signature. Frame has slight chip loss at upper left corner. A true antique drawing with considerable age; how old, it is not easy to say with certainty. There are light folds and creases. Paper is affixed at edges and corners to modern board. Allow for reflections in a few images.

An elegantly understated print featuring a bare foreground tree in a strangely empty landscape with just one small structure at the edge of a large clearing or field, signed in pencil at lower right corner and numbered 230/260 at lower left, by the noted American contemporary artist ROBERT KIPNISS (1931-). Kipniss is known for his graphic art and for his paintings, which have gone into five figures at auction. He was born in Brooklyn and was taking art classes at the Art Students League as early...

Samuel Colman (1832-1920, sometimes misspelled as "Coleman") is today regarded as an important American artist of the nineteenth century, some of his works selling into the six figures at major auction. A traveler, he strayed far from his New England roots, taking in exotic locales in the Mediterranean, continental Europe, Mexico, and, notably, the American West. After training under Asher B. Durand and Carolus-Duran, he exhibited at the National Academy of Design in New York as early as 1850,...

Old impressionist oil on canvas laid on wood board painting of a typical Dutch scene with windmills, boats, and a waterway, 9" by 11 1/4" (13 1/2" by 15 3/4" in 20th century frame). There does appear to be a signature at lower left but despite my best efforts I am unable to determine that name. On the reverse in pencil is written (Pound or Florins? sign) and 5.50, and below that, at the very edge of the panel, appears to be very possibly a name, however it is cut off by the lower edge of the p...

Oil on canvas, 18 1/2" by 15" (23 1/2" by 20" as framed), the subject a vase of flowers painted in a highly impressionistic manner. The painting is signed in a manner consistent with the notoriously difficult to decipher signature of the artist HENRI d'ANTY (1910-1998) at lower right. The age would appear to be circa late 1950's or early 1960'a. Interestingly, there is a vintage sticker on the frame reverse from the "Maison Franco" framing and art supplies business, which has been serving arti...

Attractive 1940's watercolor painting of coastal surf and rocks, 11 1/2" by 15 1/2" (18" by 22" in attractive gold carved frame), signed at lower left by listed California artist CARL RUBEN WALLINE (1884-1976). Affixed to the backing is a very old Spectrum Club/Long Beach label and the title "Breakers", and the date June 8, 194(X). The watercolor is very light and impressionistic; there could be even sun fading, or this effect could be the way the artist painted it; difficult to determine. T...

Gouache on paper drawing of a Baltimore Oriole and a blue jay, 12 1/2" by 16" (23 3/4" by 28" framed), signed at lower right by the noted Disney illustrator AUGUST CURLEY LENOX (1908-1986). This is a really nicely executed work, in the style of an illustrator like Lynn Bogue Hunt or William Schaldach or Rex Brasher. Colors are vivid and the realism is such that the viewer can almost "hear" these birds. I suppose it could have been executed as a book or magazine illustration. Lenox was born i...

Elegant, smart, modern composition of geometric forms, painted on canvas in a limited range of subdued colors, signed at lower right with initials "jmc". The painting dates to the 1970's or 1980's, most likely. Measuring 24 1/2" by 18 3/4" in narrow black wood framing, its heritage can be traced directly to the Suprematist movement launched in 1915 by Russian artist Kasimir Malevich. The radical abstract movement emphasized geometric forms in space including lines, squares and circles, painte...

For those who STILL profess their love for NY despite its flaws and problems and challenges, this is an impressionist oil, painted on the rough side of the Masonite panel, 27" by 38 1/2" as framed, the subject Central Park in winter. The scene is of one of the East-West cross-park motor routes. Classic yellow taxis enliven the scene, as does a lone spectator figure at lower right. A richly worked composition by an artistic hand. The name at lower right appears to be "D MAHAR" and the date po...

Pastel on soft old board, the subject a light green and white sensitive spring landscape, measuring 14 1/4" by 19 1/8" (19 1/2" by 24 1/2" as framed), not signed on the front that I can see but on the reverse in old hand is written "Blossom Time/F J Girardin/The Old Watering Place/To Leighton DeMen". This is a satisfying impressionistic work by a Kentucky-born artist who early in life painted in downstate Indiana, where he was a fixture in the early 20th century art colony, and who later in li...

An antique soft pencil drawing of a young woman, unsigned and unattributed, 9 3/4" by 7 1/2", likely dating to the very early 19th century at latest, and more likely, well into the 18th century. The drawing would probably be of French origin. The paper has been affixed long ago to a thin card. Condition is excellent. The number "17" in old hand appears at lower right corner. Simple strip frame is of inlaid wood and is attractive.

Dramatic linocut print, the sheet 13" by 20", unframed, numbered at lower left 6/12 and pencil signed at lower right and dated there 1971, the "HB" blind stamp adjacent, by the important and still highly underrated Swiss-California modernist HANS GUSTAV BURKHARDT (1904-1994). The subject is somewhat uncertain; perhaps a look at a catalogue raisonne of the artist's graphic works would provide the title, but skulls and other references to death seem to predominate, and the ink is black. At lower l...

An elegantly understated print featuring spindly trees in a strangely empty landscape with one small structure, signed in pencil at lower right corner and numbered 146/260 at lower left, by the noted American contemporary artist ROBERT KIPNISS (1931-). Kipniss is known for his graphic art and for his paintings, which have gone into five figures at auction. He was born in Brooklyn and was taking art classes at the Art Students League as early as 1947. In the late forties he studied at Wittenberg ...

A circa 1920 oil on canvas of apples and sprigs of blossoms on a tabletop, 18" by 27 1/2" (26" by 36" in original frame), signed at right center "A. Landsberger" (or, many variations thereof could be possible). The signature, in red in old Germanic hand, is on top of an apparently older, incised signature that is quite different (and, very difficult to make out). The work is very nicely executed by a trained hand, and is in excellent antique condition, with no tears or flaking. The frame has a...

Description: This Indian miniature plaque measures 4 1/2"L x 3 1/4"W in very good condition with no chips or cracks or any sign of restoration. Shipping is FREE and within the U.S ONLY!

Oil on canvas, 16" by 20", unframed, the subject a cut watermelon, peaches, grapes, a pear and strawberries, signed at lower right "Mabel Lemos" and dated there 1948. This appears to me to be a work by the noted long-time citizen of Santa Cruz, MABEL LEMOS, the wife of painter William Lemos and mother of artist Sydney Lemos. I say apparently because the painting is signed with what looks like Mabel "Lemus" and it is clearly dated 1948, yet the Hughes biography and online information shows her ...

Fine watercolor painting of the famous Chartres cathedral in central France, signed at lower right "G. Lefevre" and titled at lower right"Le Pont du Massacre a Chartres" at lower left. The work is by listed French artist GABRIEL ALBERT MARIE LEFEVRE. Not a lot of biographical information is available, but he painted landscapes and historical buildings in France in the 19th century. This work measures 6" by 8 3/4" inside the fine hand-drawn ornate mat, and 16 1/4" by 17 3/4" as framed. Condit...

An interesting contemporary abstract painting on canvas, 25 1/4" by 25 1/4" as framed, signed illegibly at lower right corner, featuring blackish and reddish rectangles arranged in a manner suggesting the works of famed twentieth century American artist Mark Rothko. This stylish work will easily complement your modern or mid century interior. Condition is excellent. Probably dates to the 1980's or 1990's. Nice texturing and skilled blending techniques (edge blurring) is evident. The white, ...

A modernistic oil thin canvas, laid on plywood, signed at lower left in Hebrew script. The subject is a still life including cup and saucer, what appears to be a pitcher, and other table top items arranged in an intentionally shallow space. The work measures 18 1/2" by 22" and is unframed. The wood panel has warped with time, causing the work to be concave. A restorer could likely remove from the wood and place it on another canvas but of course that would come at a cost. I have had Hebrew ...

Vintage Cyrus Seymour painting of a box of candy . Painted on heavy art board and has a thin plastic cover over the art, good condition possibly was for a candy company's ad work. Signed "Descartes " no date but c 1960s . Size 17.5" by 17.5"

Pencil on paper drawing, 6 1/4" by 15", unframed, signed at lower right and dated there 1991, by the noted contemporary sculptor, ceramicist, designer and painter PETER SHIRE (1947-). This complex modern drawing is imaginative, three dimensional, and whimsical, and could only have been created by a true artist. Shire was becoming known on the art scene with his now famous teapot sculptures in the early 1980's, attracting the attention of Memphis figure Ettore Sottsass. He was invited to Italy, t...

A Fine Mountain Landscape Painting, probably from the 1930's or earlier. Measures about 24" by 16", in its frame of about 26 1/2" by 18 1/2". Signed lower right by the artist, it looks like "Chas Lowe". Great look.

Watercolor on heavy paper painting of horses among a stand of flaming yellow cottonwood trees in late autumn, 13 1/2" by 19 1/4" (25" by 31" as nicely framed in quality wood distressed style frame), signed in pencil at lower right by American artist PAMELA MASON (1916-2000). The scene was likely painted in the vicinity of Boulder, Colorado in the 1960's, according to the son of the artist, who created a beautiful and comprehensive legacy website featuring her work. Mason was born in Harrisburg,...

Watercolor on paper of two spaniels, the hunter nearby in a wooded landscape, " by ", unframed, signed at lower left with monogram that resembles the monogram of noted American artist JAMES DAVID SMILLIE (1833-1909). This is obviously an American work, not European, but I cannot confirm that it's by the noted American artist James David Smillie. I researched the monogram and see the clear resemblance to that of Smillie. Regardless of authorship, this is a fine late 19th century drawing and sh...

This is a work by highly regarded American artist THOMAS WILLOUGHBY NASON (1889-1971). Nason was a Boston-born artist who by the late 1920's had taught himself the fine art of creating prints in the wood engraving process. This process was popular for illustrating books in the 19th century but by the twentieth it had fallen from favor. He revived the medium and truly excelled at it. By the early 1930's he had been exhibited at Boston's prestigious landmark Goodspeeds book store. His reputat...

A fine pastel drawing of a small structure that appears to be almost adobe-like, surrounded by trees, signed at lower left and dated there 1970 by American artist WILLIAM BEAL (1914-1995). The work measures 9 3/4" by 14 1/4" (17 1/2" by 21 1/2" in silvery mid century frame). Beal was the son of important American artist Gifford Beal and nephew of Reynolds Beal. Born in New York City, he spent much time in Maine at Port Clyde and on Monhegan Island, becoming friendly with artists Edwin Gunn an...

A quality work, the medium watercolor on a very thin linen type canvas, framed behind glass, 14 1/4" by 18 1/2" (22" by 26" framed), signed at lower right and bearing there a monogram cypher in an oriental art style, by San Diego artist and collector ELSIE STEWART KIMBERLY (1882-1966). There is little information on this talented woman artist, who was evidently most known around the San Diego area. A 1966 newspaper notes her gift of over 100 works of Asian art to the Fine Arts Society of San D...

This is a fine, limited edition wood engraving by the highly regarded American artist THOMAS WILLOUGHBY NASON (1889-1971). The print is signed in pencil at lower right and dated there 1956, when the artist was 67 years old. At lower left in pencil is "Ed. 100". Nason was a Boston-born artist who by the late 1920's had taught himself the fine art of creating prints in the wood engraving process. This process was popular for illustrating books in the 19th century but by the twentieth it had falle...

By the Liege, Belgium-born artist ARMAND HENRION (1875-1958), a fine color etching in oval shape, of two clowns in full makeup, pencil signed and numbered 19/500. The artist is known today for his wonderfully expressive depictions of the clown, as well as mime reactions. Most of the works are actually self portraits. The depictions in these portraits reveals an affinity for humanity rarely captured in portraiture. He worked generally in oil but also created a number of prints similar to thi...

Oil on canvas landscape painting of a traditional home at the edge of a pond in mid summer, 20 1/2" by 17 1/4" (24 1/2" by 21" framed in older gold interesting frame), signed at lower right corner J. D. Prenne or possibly J.De Prenne. I do not see a listing for that name as spelled but will continue to search. The painting is very nicely executed and pleasing to the eye; it's a very relaxing and calming view. Gathering clouds lend an ominous touch, so perhaps a summer storm is about to break;...

An elegantly understated print of flowers appearing to be carnations, and dahlias, the imagery generally appearing as monochromatic and grayish, with some light green and yellow color, signed in pencil at lower right corner and numbered 139/150 at lower left, by the noted American contemporary artist ROBERT KIPNISS (1931-). Kipniss is known for his graphic art and for his paintings, which have gone into five figures at auction. He was born in Brooklyn and was taking art classes at the Art Stu...

A circa 1940 lithograph, signed in the plate, and bearing pencil signature of the printer in margin under the mat, by the noted California Scene artist PHIL PARADISE (1905-1997). This seems to be a scarce work, as I see only two other examples after an online search. Those two were pencil signed by the artist and numbered out of an edition of 100. So we can assume that this was a limited edition. Perhaps this particular example was a proof, accounting for its being signed by the printer, "P,...

Oil on canvas laid on board landscape of a river in a mountainous scene including a few picturesque structures, signed with initials "LJGC" at lower left, and dated there 1904. There is a high likelihood that the artist who created this attractive painting was from mountainous Wales in the British Isles, as I have seen another painting online, identically signed, dated 1914, the scene depicted in that example given as the River Wye in Wales. The work measures 14" by 16 1/2" and 18 1/2" by 21"...

A vintage portrait painting of a red-haired, middle-aged lady in circa late 1930's to 1940 style hat, 13" by 10", (22 1/2" by 19" framed), signed at lower right by listed Southern California artist BERTHA TOWNSEND COLER (1865-1948). The painting, oil on canvas laid on Masonite, exudes a very spontaneous, free, sketchy feeling that is quite appealing, demonstrating the skill of the artist. An original label still affixed to the reverse provides the title, "The Green Hat", original $45 price and...

"William Hogarth" Scholars at a Lecture and The Company of Undertakers The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old...

An elegantly understated print featuring somewhat Hopperesque houses framed by trees, the imagery generally appearing as monochromatic and grayish, with some light green and pinkish color, signed in pencil at lower right corner and numbered 76/90 at lower left, by the noted American contemporary artist ROBERT KIPNISS (1931-). Kipniss is known for his graphic art and for his paintings, which have gone into five figures at auction. He was born in Brooklyn and was taking art classes at the Art Stud...

"William Hogarth" The Bench and Five Orders of Perriwigs The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: appr...

Oil on canvas painting of yellow roses and fruit in a blue vase, 18" by 24" (27" by 33" in original frame), signed at lower left and signed again and titled "Yellow Roses & Fruit" on reverse, along with the artist's then-address at 330 South Coast Blvd. (now called South Coast Highway) in Laguna Beach, California. This is an excellent example of Kerr's work, likely dating to the 1960's when he had a gallery in Laguna before moving to Mendocino County in Northern California. Kerr was born i...

"William Hogarth" Taste in High Life The Works of William Hogarth" as published by Baldwin, Cradock and Joy in 1822 with the original plates restored by James Heath, engraver to His Majesty. The Heath edition was the last to print directly from Hogarth's original engraved plates. All William Hogarth prints appearing after this date are copies of these original graphic works of art. Heath edition 1822 An original copperplate engraving — over 195 years old. Sheet size: approx. 19.5 x 25 inches ...

Oil on board painting of a farmstead in spring, 17 1/4" by 25", 21" by 28 1/2" framed, signed at lower left by the noted Swedish artist CARL MANSSON (1892-1976). Mansson was a prolific painter of country and farm scenes in southern Sweden. There does not seem to be a lot of biographical information available, but he left behind a body of work focusing on rural scenes of his native land. This example is quite typical of the country paintings, and it displays his evident affection for the land....

Recently acquired from a Southern California German-American family liquidating a household, are twenty-one watercolor paintings by "Uncle Max" (Markus "Max" Hansen, 1898-), featuring mostly Old World landscapes and street scenes, with a few interiors in the mix. Some are framed in wood, some unframed, some have glass, some do not, some are signed, some are not. The artist was talented but is unknown outside of the family. Born in 1898, he lived in Eppertshausen between Frankfurt and Darmstad...

Watercolor on paper, 13 1/2" by 19 1/2" inside the mat (20 1/2" by 26 1/2" as framed), signed at lower left "Roy E. Swanson" and titled in pencil on the backing board "Green Valley Church", along with the original $340.00 price. This watercolor is by a skilled hand, though I cannot seem to find a listing for the artist. There is a listing for a RAY Swanson (Cowboy Artists of America) is listed, but this is not that artist. Regardless, the work is excellent, reminding one of the California Sc...