Brown chalk drawing of a mother and child, 11 1/2" by 7" (14 1/2" by 10" framed) signed at lower right by artist MAXIM BUGZESTER (1910-1978). The artist was born in Stanislov, Poland (present day Ukraine) to Ruthenian-Jewish parents. He grew up in Vienna and began an art education there. Bugzester became a student of the important German expressionist artist Karl Schmidt-Rottluff (1884-1976)...

Circa 1940's or 1950's oil on canvas, 25" by 30", (33" by 38" as framed), the subject a vase with pink and white flowers, some blue cornflowers at lower left in front of an open oriental fan, the entire scene suffused with a pinkish, mid-century light. The painting is signed at lower right by the Who Was Who in American Art-listed JOSEPH LANE (1900-), an artist and muralist who trained at the Art Institute of Chicago...

Watercolor on paper, 10 1/4" by 14" inside the present mat, and 3 1/2" of frame and mat, signed at lower right "G. MORELL" (or, MORELLY or MORELLI), showing a Southwest Hopi style native American pot against a striped background. This is an original watercolor, and NOT A PRINT! I do not see a listing for this obviously talented artist, but this is a very decorative work that will grace any home or office seeking a Southwest theme. Condition is excellent with fresh colors and no damage.

A good-sized watercolor (30 1/2" by 22 1/2", and 37 1/2" by 29 1/2" in present framing without glass), the subject New Mexico adobes in a late autumn landscape, the trees in flaming yellows, backed by surrounding mountains. In the foreground is a small body of water providing a deep blue color to set off the yellow. The work is signed at lower left "J. Van Sant". I have been unable to locate a known artist by this name...

Oil on canvas unframed painting of two chairs and a glass-topped table on a peaceful terrace overlooking an extensive landscape, likely California, 16" by 20", unsigned. The artist is anonymous but his/her work is quite skilled and pleasing. The impressionistic handling of this scene makes for a most decorative and appealing painting. The regular size should make framing easy and inexpensive.

An attractive contemporary abstract painting, unsigned, 20" by 24", unframed, painted in acrylics by an anonymous artist. The airy and light palette----an artful combination of white, gray-silvery metallic, yellowish-orange peach/tropical melon (and that too slightly metallic in places) colors are quite elegant and contemporary in feeling. The geometry of the design reminds a bit of artists like Richard Diebenkorn...

Original ink and watercolor drawing of historic houses in New Orleans, signed at right by artist Jean Johnson and dated there 1968, and titled at left "Cottage, Hoggle Place" or similar. The work is detailed and very nicely handled. I cannot locate information on the talented artist. Measurements are 10 1/2" by 14 1/2" (16 1/4" by 19 1/2" framed). The photos were taken through the old detail-dulling non-glare glass (which I suggest be discarded)...

Richard Faralla american artist 1916-1996 1992 black ink Petaluma CA 1990 Many original works by this artist are in the SF Museum of Modern art. Matted sight 7.5" by 10" frame 15.75" by 13.25"

Oil on board painting of a Mediterranean-looking coastline, 6 1/2" by 10 1/4" (11 3/4" by 16" framed), unsigned, the luminous sunshine handled with considerable skill. This needs only a signature to propel it to stardom; it's really a shame that the artist did not affix his or her name. I suppose this could be Southern California but the buildings don't match up with any coastal locale that comes to mind. I believe the work could date to the 1920's or 1930's...

An oil on canvasboard painting of the California desert, painted in unusually pastel-y color palette, signed at lower left by artist Alzira Maria. The piece, 22" by 28" (28" by 34" framed) features an almost Cubist handling in the distant mountains, reminding of artists such as Andrew Dasburg. The painting is clean and wall-ready. Frame is attractive distressed wood style, and liner and gold fillet are in good condition.

Large fine English antique mid 19th century print of mounted riders in traditional red coats, and their trained hounds, in an extensive landscape, the title "John Josselyn Esq. and the Suffolk Hounds", engraved by Charles Mottram (1807-1876) after the painting by Edward Robert Smythe (1810-1899). The print, mounted long ago to a board, was published circa 1865 by Henry Graves & Co. of Pall Mall...

A vintage oil on canvasboard painting of distant green gentle mountain ranges, a cluster of structures (a farm) and surrounding trees in the foreground, unsigned but written apparently by the Claremont, New Hampshire framer on the backing paper appears "Mark V. Miller/For Mother/1949/Lyme Rd., NH/Looking over into VT". Also, written in pencil on the canvasboard is "Mrs. Leon Miller/8B/pick up colors"...

An unstretched oil on canvas of a rocky forested coast, presumably in Finland, signed at lower right and dated there 1936 by listed Finnish artist TOIVE JYRINKI (1895-1988). The canvas measures 13 1/4" by 18 3/4". There does not appear to be a lot of information on the talented artist. The scene is reminiscent of much 19th century American art such as paintings of the rocky coast of Maine. Condition is vintage good, needs to be mounted and framed.

Unusual watercolor of what appears to be a wagon on the plains, piled high with rocks perhaps, and, even, the skull of a buffalo, signed at lower right "P. PARSONS '96". The watercolor is on paper and measures 8 1/2" by 18 3/4" (15 1/4" by 25 1/4" as framed). The work is in excellent condition with no foxing visible. I do not see an obvious listing for the artist. Found in San Diego area. Recently, on the east coast, I saw a watercolor coastal scene signed in the same manner.

During the 1970s, Haku Maki liked occasionally to do haniwa, depictions of terracotta figures that were funerary objects used during the 3rd to 6th centuries in Japan. This one—71-2—is a face rather than a complete figure. Created in 1971, the print is 50 of an edition of 151. It measures 5.75in x 8.5in. The print is in very good condition, with faint tape residue on the two top corners of the back, with no impact on the face.

A mid 20th century lithograph by Mourlot after the original 1891 famous lithograph poster produced by HENRI de TOULOUSE-LAUTREC (1864-1901) "La Goulue", which served as early advertising for the-then new Moulin Rouge nightclub in Montmartre. The original very large poster, Lautrec's first attempt at lithography, was plastered all over Paris. Only 3,000 copies were printed and the surviving examples are very rare and valuable today (one achieved $500,000 at auction)...

This is a photolithograph, 21 1/2" by 17" inside the mat window, 28 1/2" by 24 1/4" framed, pencil signed at lower left and with blindstamp there, titled possibly "The Sacred Horse", published by Frost and Reed in England in about the year 1950...

A very interesting portrait miniature of a gentleman. Done in watercolor on organic material, it shows a half length naive depiction of a man posed with his hand in his waistcoat. The overall "feel" of this work is that it was done in the en grisaille style, in spite of the color in the man's lips, his vest, and cummerbund.

Condition of the painting and simple metal frame is excellent (light areas at the edges are due to reflections off the chamfered glass), with a size of 2 1/4" by 1 3/4".