A colorful print "Share Chanukah with the Children of Israel", pencil signed at lower right margin and numbered 46/150 at lower left, by the eastern Europe-born, Jewish-American artist CHAIM GROSS (1904-1991). The work measures 22" square (23 1/4" square in metal frame with detail-dulling non-glare style glass). Gross was well known for his "direct carving" sculpture in wood and stone, and began experimenting with printmaking as far back as 1929...

A collage work in mixed media, by the Los Angeles-area artist IRWIN BROWN (1928-2020), the subject a religious Jew in traditional clothing, holding a Jewish newspaper with prominent Hebrew characters. The work is an impressive mix of techniques----the base image is actually a dot print; but over that, the artist has used acrylic paint, gauze, ink, and heavy gloss varnish to create an original and unique work. Measurements as framed 15" by 15"...

A contemporary, unsigned oil on canvasboard work, 9" by 12" (12 1/2" by 15 1/2" in simple black frame), the subject small boats at a dock, one likely a fishing boat. The work was likely painted rather rapidly by an artist of talent. It is clean and ready for the wall.

ONE OF A NUMBER BY THE ARTIST IN MY SHOP**This is a small etching (the sheet 5 1/2" by 8", respectably matted but not framed), by the noted California artist HARRIET GENE ROUDEBUSH (1908-1998), titled at lower left margin "Ferry Boat" and pencil signed at lower right by the artist. The artist depicts the old ferry in front of the Oakland Bay Bridge. Before the construction of the bridge in the mid 1930's, ferry boats took passengers and vehicles across the bay from Oakland...

Old, vintage print, somewhat resembling a chromolithograph when viewed with a magnifier, 26" by 20 1/4" as framed, the subject lush red roses and fresh green leaves. I thought that this might have been an original work but determined that it is actually a print, though a very good one. If you are decorating in Shabby Chic style, or just like roses and still life works, you might add this to your collection...

A primitive, circa 1880's oil on gray board landscape painting in the Hudson River style, with trees, water, and tiny figures completing the view. Measurements are 18 3/4" by 24 1/2", unframed. There is no signature. The board is slightly warped from old moisture exposure, which caused paint instability/flaking/losses at top couple of inches, as shown, and cracking at lower right. There are also a few light abrasions as shown.

Oil on canvas painting of the famous Rialto Bridge in Venice, Italy, signed at lower right with a signature that looks like Gianni XXXX, and dated there 2000, the piece measuring 17" by 23" in green framing. The work is nicely painted, the water reflections handled well. Condition is excellent. This should bring back fond memories of a trip to the world-renowned antique historic city.

Likely painted for the southern tourist trade between about 1920 and 1950 or so, is this oil on a slice of palmetto wood, roughly oval shape, approximate dimensions 10" by 13", the slab 1" thick, signed at bottom left in the image "A. Donhauser". This locale could be anywhere from Texas through Georgia, given the Spanish Moss on the tree. The palmetto slab is unusual and adds interest. An unusual item. There is a small loss on the tree trunk.

Miniature sized etching (2 1/2" by 3 1/4", and 7 1/2" by 8" framed), titled in margin at lower left in pencil "Cape Cod Shoreline", and pencil signed at lower right by Massachusetts listed artist MARGARET ELDER PHILBRICK (1914-1999). This is a mid-century work, I would guess, by a woman artist who was known for still life and landscape works, primarily in the etching medium. She was a member of the Society of American Etchers, and the Brooklyn Society of Etchers...

A pencil drawing of an elegant interior scene with chairs and credenza, center mural and flanking high panels, 15" by 11 1/2" framed in black metal and matted, signed with initials "JRM" at lower left and dated there 1943. On the reverse a previous owner wrote "JOHN RICHARD MOORE 1925-2009 University High Arts Co Founder Panavision Co.". This early work would date to the artist's teens...

Pencil signed, numbered limited edition print, 18" by 21 1/2" inside the mat, (25" by 28 3/4" as framed), titled "Pareja con Kiva" ("Couple with Kiva") by noted Arizona-based artist AMADO MAURILLO PENA. Pena is known for his Southwestern genre themes, dealing with the Native American and the land upon which he lives. See the web for much more information. This print is numbered at lower left 22/65, and is signed at lower right (a blindstamp appears there as well)...

Photograph titled in the negative at lower left "Douglas and Juneau Alaska view from Mt. Jumbo", signed again in the negative at bottom center by "E. Andrews photo". The photo measures 11 1/4" by 18 5/8" inside the mat and 19 1/2" by 26" framed. According to information taken from the internet, the photographer, ED ANDREWS, was born in Norway in 1872, arriving in Douglas, Alaska in 1897 as a young man during the Klondike gold rush years. He worked as a clerk in the Treadwell Store...

ONE OF A NUMBER BY THE ARTIST IN MY SHOP**This is a small etching (the sheet 6 1/4" by 8 1/8", respectably matted but not framed), by the noted California artist HARRIET GENE ROUDEBUSH (1908-1998), titled at lower left margin "View From the Fairmount" and pencil signed at lower right by the artist. The artist depicts a bird's eye view looking east towards the Bay Bridge and Ferry Building, from the top of Nob Hill, on which sits the opulent Fairmount Hotel...

Impressionistic oil on board painting of an early 20th century American house, probably in the Midwest as this was framed in Missouri, 11 1/2" by 15 1/2" (14" by 18" framed). The scene is one of tranquility and prosperity. The house would have probably dated to about 1920, but the painting is contemporary. The signature appears as possibly "Ursula Lee". This is ready for the wall.

Impressionist small contemporary painting of a knoll in sunlight and shadow, 8" by 10", unframed, unsigned. This is a quickly executed work, almost a sketch in oil, by an anonymous but skilled artist. It is in excellent condition. The regular size would facilitate buying a suitable frame at a modest price.

A rare print by surrealist print maker Ozaku Seishi, professor emeritus from Tama Art University. He is best known for small edition prints, usually up to 30 copies, limitless experimentation with printing techniques and surrealist, often graphic imagery resembling distorted reality ¬neither quite explicit nor quite horror, but rendering a fairly dark version of dreams. This aquatint is from a 1974 portfolio titled “World of Children” (子どもの世界), which consisted of 30 aquatints...

A vintage early 20th century photography of a dirt road bordered by thick vegetation, with hand coloring applied to the trees and elsewhere, signed and blind stamped at lower right by the noted pioneering Oregon coastal photographer, FRANK WOODFIELD (1879-1955). The piece measures 9" by 11" in its circa 1920's frame. A little internet research reveals that this is by an Astoria, Oregon-born entrepreneur who was introduced to photography in 1910 by one Elmer Alan Coe...

Contemporary little drawing of what I believe is Pirates Alley in New Orleans' Vieux Carre, 5 1/4" by 3 1/2" inside the mats, 10" by 8 1/4" as framed (no glass, but perfect condition). The signature at bottom appears to be "FERRELL" in capital letters. This is likely a piece produced for the tourist trade, or it's by a talented visitor who wanted to capture this famous scene on paper.

**ONE OF TWO EXAMPLES IN MY SHOP; THE OTHER IN BETTER CONDITION AND FRAMED** Lithograph on paper laid on thin board, 31 1/2" by 20 5/8", printed for the summer 1977 Galerie Claude Bernard exhibition of recent paintings by the important Ecole de Paris (School of Paris) abstractionist and colorist MAURICE ESTEVE (1904-2001). The poster, produced by the famous French house of lithography Mourlot (seen at bottom) was likely produced in an edition of under 2000 examples...

A small pencil sketch on irregularly shaped scratch paper, roughly 4 1/4" by 4" (5 1/2" square in its simple wood frame from which it was removed for photography). The subject is an empty vase casting a shadow while resting on a narrow tabletop. Of possibly great interest to any researcher of the artist's life and career, the work is clearly a sketch, perhaps for a finished painting or pastel. On the reverse side, and to a lesser extent at lower right on the front, are columns of numbers and ...

Highly detailed gouache on silk painting, 7 1/2" by 16 1/4" (11 1/2" by 20 1/2" as framed), unsigned, featuring approximately 75 to 80 figures participating in some kind of ceremonial procession. The work, circa 1960's or 1970's, is framed with bamboo style frame. There is a water stain at lower left in the mat area, which is actually composed of a thin wood veneer. There is also some foxing in the field at left portion, a scattered small stain here and there, and thin hairline vertical creas...

An interesting, folky, oil on canvas painting of a house with stone chimney set in a lush open valley, apparently set in Salinas Valley in California, signed by artist Sharon Moree Giambrocco Ebina, who wrote a long story on the back of the canvas. In that story she explains how the painting is inspired by the movie made from the John Steinbeck book "East of Eden". She also touches on the Japanese inspiration she feels, her signature incorporating the Japanese character for "valley". The work...

For the collector of Californiana, a scarce early 20th century hand-tinted photograph of the arches at old Mission San Juan Capistrano in Orange County, California, signed in the margin in pencil at lower right and titled at lower left margin "San Juan Capistrano" by noted, listed photographer JOHN M. GARRISON (1881-1964). The classic view of the arcaded breezeway at the beloved mission, still a tourist attraction today, is as California as can be. Garrison was born in Minnesota and was in Cal...

Unsigned acrylic/oil portrait of a woman worker acquired from a Hong Kong auction. I am assuming this was painted while China and Russia were still friends so would date this pre 1960. Good example of Socialist Realism (girl meets tractor) kitsch, W: 35cm/13.8in and H: 45.cm/17.8in.

Small oil on canvas laid on board painting of a man in traditional outfit with distinctive hat. The mid 20th century work is signed illegibly at lower left corner. This would appear to be from Ecuador, or if not there, another Andean nation such as Peru or Bolivia. Measurements are 4" by 3 1/2" (7 1/2" by 7 1/4" as framed, with blue velvet liner). An interesting addition to a small wall or nook.

Etching titled lower left margin "The Chain Gate", signed at lower right margin "John LaFarge". The work, 4 1/4" by 5 3/4" inside the mat opening (8" by 10" simply framed) does NOT appear to be by the famous American artist John LaFarge (1835-1910), though a previous owner wrote on the backing information suggesting that it is by that known artist. It might be difficult to ascertain the identity of the John LaFarge who signed this; John La Farge's youngest son, John La Farge Jr. (1880-1963) wa...

Color woodblock on paper, 13 1/4" by 9 1/4" (21" by 17" as framed), pencil signed by the artist at lower right, numbered 143/200 at lower left and titled there "Prayer". Amen's works are most commonly prints, as he was considered a master print maker in woodblock, etching, lithography and silk screen, but he also executed oils and acrylics, in the course of a long career. The subject is a young boy of about bar mitzvah age, holding a prayer book---a rather typical subject for Amen, who general...

Pencil signed by the artist at lower center and numbered 274/450 at lower left, is this contemporary black and white print, 8 3/4" by 10 1/2" inside the mat, 17" by 19" framed, the poetic and whimsical subject a young woman gently cradling in her arms a black cat, while seated on steps in a vaguely defined setting, perhaps a back garden. BARBARA A. WOOD, the artist, is from Ohio but also has spent considerable time in California, and, I believe, Georgia. Her colorful, highly popular, much repro...

A typical example of the work of Dutch 18th century printmaker JACOBUS HOUBRAKEN (1698-1780), titled "Abraham van der Hulst/Vice-Admiraal van Holland en West-Vriesland". The small engraving measures 6 1/2" by 4 3/8" inside the mat opening and 9 1/2" by 7 1/2" framed. Houbraken was born in Dordrecht. He learned the art of engraving from his artist father Arnold Houbraken. In the course of his lifetime he executed over 400 such portrait engravings, many of the likenesses being today the only k...

Watercolor on paper painting of a large sailboat off a lighthouse at the coast, some industrial looking electrical towers completing the scene, 9 3/4" by 13 1/2" inside the mat, 16 1/2" by 21" framed, signed "DNadson" or similar at lower right. This is well painted by a skilled but unidentified artist. Found in Los Angeles. Condition is excellent.

Artistic, soft-focus photograph of two sailing vessels, titled in pencil at left margin "Gray Dawn", and signed at lower right margin by the noted Nova Scotia, Canada photographer WALLACE R. MacASKILL (1887-1956). This well-known image, in the Pictorialist tradition in which MacAskill was taught, dates to the year 1921. It is in soft-focus, an impressionist technique which values atmosphere over realistic accuracy. Note three white spots at upper left. MacAskill is considered Nova Scotia's be...

A pair of old prints in color---I believe, some sort of lithography process similar to chromolithography in feeling, one featuring the Notre Dame cathedral in Paris, the other the Second Empire "Pont au Change" bridge connecting the Ile de la Cite to the Rive Droite. The current bridge was rebuilt between 1856 and 1860 and therefore bears the letter N, the imperial insignia of Napoleon III. It is composed of three 31 meter long arches and is 30 meters wide. The frames are not attractive and a...

ONE OF A NUMBER BY THE ARTIST IN MY SHOP**This is a small etching (the sheet 5 1/2" by 7 1/2", respectably matted but not framed), by the noted California artist HARRIET GENE ROUDEBUSH (1908-1998), titled at lower left margin "Sausalito" and pencil signed at lower right by the artist. The artist has poetically shown the view from the far southern end of Sausalito, which encompasses the Oakland Bay Bridge in the distance, Telegraph Hill with Coit Tower in center, and the rest of San Francisco in ...

A rare print by surrealist print maker Ozaku Seishi, professor emeritus from Tama Art University. He is best known for small edition prints, usually up to 30 copies, limitless experimentation with printing techniques and surrealist, often graphic imagery resembling distorted reality ¬neither quite explicit nor quite horror, but rendering a fairly dark version of dreams. This aquatint is from a 1974 portfolio titled “World of Children” (子どもの世界), which consisted of 30 aquatints. ...

A **PAIR** of etchings, 21" by 17" as identically framed, one a still life of flowers in a vase in an interior, the other of a mother holding her child, only the floral work pencil signed, rather illegibly, at lower right (signature beginning with the "Sz...." common in Hungarian), and titled in Hungarian at lower left (as a Hungarian-speaker tells me) "Still Life" or "Flower Still Life". On the reverse backing of one is written in English "from Budapest--July 1966". Both are generally clean t...

A rare print by surrealist print maker Ozaku Seishi, professor emeritus from Tama Art University. He is best known for small edition prints, usually up to 30 copies, limitless experimentation with printing techniques and surrealist, often graphic imagery resembling distorted reality ¬neither quite explicit nor quite horror, but rendering a fairly dark version of dreams. This aquatint is from a 1974 portfolio titled “World of Children” (子どもの世界), which consisted of 30 aquatints. ...