Original etching, drypoint, aquatint, and engraving on copper by Wendell H. Black (American, 1919-1972), printed posthumously by Berkley Chappell (inscribed bottom right in pencil "Berk Chappell imp.") Titled and marked a/p in pencil l.l. Signed "Wendell H. Black '58 by Elaine" l.r. 18" by 24" image alone. In excellent original condition.

Original charcoal-pencil drawing on grey paper by Warren Brandt (American, 1918-2002). Signed l.r. Also inscribed verso: "#11--Warren Brandt--Sisters--Charcoal-Pencil--11 1/2 by 13--$300". Still bears a gallery label from the Louise Himelfarb Gallery in Water Mill, New York. Warren Brandt was born in Greensboro, NC. He lived and worked in New York...

Internationally acclaimed artist Bruce Onobrakpeya (b. 1932 ) produced this expressionistic image of a black fishes during one of his earlier periods of artistic expression in 1963. The serigraph depicts gold fish swimming in a pond or lake expressing, perhaps, the beauties of African natural life. Onobrakpeya has a wide following, including Prince Phillip of the United Kingdom from whom Nigeria, Onobrakpeya's native country, gained independence in 1960...

Original etching, drypoint, and engraving on copper by Wendell H. Black (American, 1919-1972), first edition printed posthumously by Berkley Chappell (Wendell Black never issued an edition in his lifetime). In original unframed condition. Titled and inscribed a/p l.l. Also signed "Wendell Black '56 by Elaine" l.r. 16 1/2 by 23 1/2. Plate 17 in "The Lost Prints of Wendell H. Black" by Henry Sayre.

Original intaglio by Wendell H. Black (American, 1919-1972), first edition printed posthumously by Berkley Chappell (Since Black never issued a complete edition in his lifetime, and only printed a few prints, the edition was completed after his death.) In original unframed condition. Titled "Self-Portrait '50-'55" and marked A/P l.l. Also signed "Wendell H. Black '55 by Elaine." Also inscribed at the bottom right of the sheet "Berk Chappell-imp". 22 by 15 image alone. Provenance available...

Original copper engraving by Wendell H. Black (American, 1919-1972), first edition printed posthumously by Berkley Chappell. In excellent original condition. Titled "Predella" and inscribed a/p l.l. Also signed "Wendell H. Black '54 by Elaine" l.r. Also inscribed bottom right of the sheet "Berk Chappell-imp". Provenance available.

Original intaglio by Wendell H. Black (American, 1919-1972), first edition printed posthumously by Berkley Chappell. In excellent original condition. Titled and marked A/P l.l. Also signed "Wendell H. Black '54 by Elaine" Also inscribed bottom right of the sheet "Berk Chappell-imp" 12 by 23 1/2 image alone. Provenance available.

Original intaglio by Wendell H. Black (American, 1919-1972), first edition posthumously printed by Berkley Chappell. In excellent original condition. 16 by 23 1/2. Titled and marked a/p l.l. Also signed "Wendell H. Black '52 by Elaine" l.r. Also inscribed bottom right of the sheet: "Berk Chappell-imp". Provenance available.

Original deep etching on zinc by Wendell H. Black (American, 1919-1972), first edition posthumously printed by Berkley Chappell. In excellent condition. 11 1/2 by 19 1/4 image alone. Titled and numbered 7/25 in pencil l.l. Signed "Wendell H. Black '61 by Elaine" l.r. Plate 9 in The Lost Prints of Wendell H. Black by Henry Sayre. Provenance available.

Original engraving, deep etching, salt ground, and drypoint on copper by Wendell H. Black (American, 1919-1972), first edition printed posthumously by Berkley Chappell. In excellent condition. 17 1/2 by 23 5/8 image alone. Titled and marked a/p in pencil l.l. Also signed "Wendell Black '56 by Elaine" l.r. Also inscribed bottom right of the sheet "Berk Chappell-IMP". This is plate 18 in "The Lost Prints of Wendell H. Black" by Henry Sayre. Provenance available.

This color aquatint etching by the French Expressionist Georges Rouault measures 12 1/8 x 8 3/8 inches, plate signed, from the "Circus of the Shooting Stars" series, a group of eight color aquatints created in 1930, on Rives BFK laid type paper, initialed and dated in the plate, lower right, edition of 270, cat: Wofsy-212.

This Warren Davis etching measures 7 7/8 x 6 inches, pencil signed, label from Kleemann-Thorman Galleries, New York included, c.1928. This delicately rendered etching is a great example of Davis's images of graceful female nudes, many of which were used for Vanity Fair and Life magazines in the very early 1900s.

Original drypoint engraving on copper by Wendell H. Black (American, 1919-1972), first edition printed posthumously by Berkley Chappell. In original unframed condition. Titled and numbered 7/25 in pencil l.l. Also signed "Wendell Black '51 by Elaine" l.r. 12 1/2 by 23 1/2 image alone. Plate 2 in "The Lost Prints of Wendell H. Black" by Henry Sayre.

Original light etch on copper by Wendell H. Black (American, 1919-1972). First edition printed posthumously by Berkley Chappell. In original unframed condition. 17 1/2 by 23 3/4 image alone. Titled and numbered 7/25 l.l. Signed "Wendell Black '50 by Elaine l.r. Plate 20 in "The Lost Prints of Wendell H. Black" by Henry Sayre

Original etching by Wendell H. Black (American, 1919-1972). First edition printed posthumously by Berkley Chappell. In original unframed condition. Titled and numbered 7/25 in pencil l.l. Also signed "Wendell Black '56 by Elaine" l.r. Plate 14 in "The Lost Works of Wendell H. Black" by Henry Sayre.

Original deep etching on copper by Wendell H. Black (American, 1919-1972). First edition printed posthumously by Berkley Chappell. In original unframed condition. 17 by 23 3/8 image alone. Titled and numbered 7/25 in pencil l.l. Also signed "Wendell Black '52 by Elaine" l.r. Plate 15 in "The Lost Works of Wendell H. Black" by Henry Sayre.

Original deep etching on copper by Wendell H. Black (American, 1919-1972). First edition posthumously printed by Berkley Chappell. 18 1/2 by 27 image alone. In excellent original condition. Titled and inscribed a/p in pencil l.l. Also signed "Wendell Black '51 by Elaine" l.r. Also inscribed "Berk Chappell Imp" bottom right of the sheet. A wonderful allegorical portrait of Elaine Black. Plate 21 in "The Lost Works of Wendell H. Black" by Henry Sayre.

Harry Bertoia monotype on rice paper

Tall sculptural forms in varied textures and hues

c 1950's

Paper size - 19 1/2" x 22 3/4"

Set in black frame - size 25" x 30"

Very good original condition

A strongly painted portrait miniature of a gentleman, rendered in watercolor on organic wafer. The sitter is a good-looking chap with blue eyes and fulsome sideburns, attired in a black jacket and cravat, a white collar and ruffled shirt, and a gold chain. He is identified by engraving on the reverse of the case as J.A. Reed...

Original etching by Stephen Parrish, "Low Tide Bay of Fundy", 1881, 3rd state of 3. Image size is 12 X 19 inches, hand signed in pencil lower right border. Catalog: SP64. Printed with sepia toned ink on wove type paper. Sheet size is 14 1/4 X 21 inches.

This 1862 oil on canvas by the British artist Alfred Vickers measures 11 3/4 x 15 3/4 inches, signed and dated l.l., housed in original frame, partial European label on back. Born in London, Vickers was a self-taught landscape painter, who exhibited at the British Institute and the Royal Academy.

This 1927 etching by the American artist Roland Clark measures 7 7/8 x 9 3/4 inches, pencil signed and titled. Roland Clark studied at The Art Students League with J. Carroll Beckwith in New York. An avid outdoorsman he combined his love of the outdoors into his many paintings and etchings. Selected to do the 1938 Federal Duck Stamp Design, he also wrote and illustrated books about his hunting experiences.

Original intaglio by Wendell H. Black (American, 1919-1972). First edition, and a rare example of a work actually printed and signed by the artist (This first edition was later completed posthumously by Berkley Chappell.) Titled "S/P '50-'55" lower left, numbered 4/25 center, and signed W. Black '55 lower right. In a period mid-century frame. 22 by 15 image alone, 33 by 24 in the frame. Provenance available.

From our European Collection, a stunning 19th century oil on canvas vista of Interlaken Switzerland, by Danish landscape master August Fischer ((1854-1921). Signed and dated by the artist 1886, lower left.

Size and Condition: Framed dimensions are approximately 44 inches wide by 32 inches tall. Unframed dimensions are approximately 38.5 inches wide by 25.5 inches tall...

Large extremely rare oversize woodcut by Wendell H. Black (American, 1919-1972). This is a rare proof printed and signed by the artist himself. It is illustrated in "The Lost Prints of Wendell H. Black" by Henry Sayre, Figure 9. Laid down, presumably by the artist, to safeguard its integrity. This work measures 46" by 22". It is titled in pencil by the artist's hand lower left, and is signed and dated lower right...

From our European Collection, a very fine original painting entitled "The Duet," by 19th century watercolor master George Goodwin (G.G.) Kilburne (1839-1924). We've seen a fair amount of Kilburne watercolors, as he was a pretty prolific artist of his day, but we think this is one of his better pieces. To paint as realistically as he does in just watercolor, as opposed to oil paint, is really a special talent all of its own. Signed lower right...

A very attractive Original Oil Painting in the Manner of Henri Joseph HARPIGNIES (1818-1916) of a French Provincial Village Scene depicting a Woman with Child. Oil on Canvass, signed lower left; Frame surround also retains Name lettering. Overall condition good, light craquelure, couple inconsequential small spots of restoration (lower center in trees), areas of frame retouched. 19/20th Century. Size: 15.5" H. x 11.5" W., framed 23" x 18" W. Provenance: Private Estate in Chevy Chase, MD., USA

A wonderful original Oil Painting by renowned Italian Painter MERIO AMEGLIO (1897-1970), depicting the Flower Market at the Place de la Madeleine, PARIS. This artist spent most of his life in Paris and is famous for his stunning impressionist paintings, of similar style as Cortes etc. This oil painting on a wooden panel, evokes the Paris atmosphere and is signed on the bottom left by the artist. Good condition. Size: 11.75" x 9.75", framed 15" x 13"...

A strong oil on wood portrait of a gentleman sporting a long ponytail, and wearing a large black hat, a ruffled white shirt, a brownish-gray jacket. Cleverly executed to look like the painting is oval and in a mat, in actuality the entire surface is painted and is not a mat.

The condition of this work is excellent, with no issues or restoration. The frame, which is modern, nicely complements this work sight size is 6 1/2" by 4 1/2", with the framed size being 8 3/4" by 7".

A Franck L. Paris France oil on panel painting dated 1969. An excellent example of 1960s French Modernism, this painting is by the renowned painter Franck.L. and is an early work by this respected artist who is still producing. Born in 1944, he started exhibiting in 1966 and his works have been shown at the Musee d’Art Moderne in Paris. This work is an untitled still life and it was purchased for a London, Ontario home in 1969. It comes with a contemporary linen-bordered 25 x 19" gilt wood fra...

A very fine miniature of a young lady, done in watercolor on organic wafer. Signed lower right "Becker Px". The sitter is a wearing a gown with elaborate bows along the neckline and sleeves, and a pink sash. The glassless gilded wood frame is original to the painting.

There is a good amount of information on the back, some of which is missing or hard to make out. However, what can be determined is that this is a portrait of Julie von Haller, who was a member of the court of the Homburg Landg...

From our European Collection, a very fine historical oil painting on canvas by Robert Alexander Hillingford (1828-1904) entitled "Charles X of Sweden after the Battle of Pultova." Signed lower right "R. Hillingford". Inscribed on the back on an old fragmented paper label as follows: "Charles X ** Sweden/after the B****e of Pultova/"Twas after dread Pultovas day"/"When fortune left the Royal Swede"/"The wounded Charles was forced to flee"/--------- Surrounded by the faithful few"/--------Let non...

Exceptional large industrial cityscape by Harry Shoulberg (American, 1903-1995). Signed in red l.r. In excellent original condition (original frame has minor scuffs). 22 by 28 painting alone, 32 by 38 in frame. Shoulberg is an important American Expressionist artist and printmaker who participated in the WPA program and was a pioneer in the use of silkscreen (serigraphy). Well listed. Represented in the collections of important institutions, including the Metropolitan Museum of Art, the Ba...

A large and beautifully painted portrait miniature by Aimee Thibault. Done in watercolor on organic wafer, the work shows a distinguished older gentleman of serious mien, set against a dark background, in a black tie and jacket with a white shirt and collar. The size of the miniature is due to Thibault having worked in France for a large part of her life, where such portraits were often done on a much grander scale than miniatures in the U.S. The portrait is signed Aimee Thibault along the righ...

Richard Hoptner modernist abstract sculpture in wood

15 1/2" tall

Base - 8" x 5 1/2"

Signed and dated 1965

Excellent condition

Hoptner - 1921 - 2002, Philadelphia, PA

Education - University of Pennsylvania, Cranbrook Academy of Art, Michigan

Exhibitions - Philadelphia Museum of Art, Detroit Institute of Art, Woodmere Art Gallery, Sui Generis Gallery, NYC, St. Joseph's University, Phila.

This research note looks at rarely seen Maki prints including early ones like Work Mu 2, done in 1961, and Symbol 2 from 1957.