This is an interesting example of a monotype, in which art is created on a piece of glass which is then pressed against paper to produce a unique image. The artist is well listed and his paintings sell well at Canadian auctions. At first glance, this work could easily pass for a watercolor; a monotype is something of a hybrid, with characteristics of prints and original art. It measures 17 3/8" by 13 1/2" inside the mat; with an additional 5 1/4" of mat and frame on a side...

***One of two very similar works by the artist in my shop, that should truly be kept together as a pair (see item JB0437)***Oil on canvas 19th century landscape with gnarled old tree, fence and birds, 15 3/4" by 12 3/4" (19 1/2" by 16 1/2" as framed), signed at lower left by well listed artist PIERRE LOUIS JOSEPH DE CONINCK (1828-1910). This French artist's works appear with some regularity at European auctions, the more important examples in the past having brought to over $30,000...

Decorative etching on paper in brownish inks showing ancient houses in a continental European village, 6 3/4" by 8 5/8" (15 1/2" by 16" as framed), signed in pencil in lower margin by the noted English modern art figure FRANK BRANGWYN (1867-1956). Brangwyn was a unique figure in British art, not easily categorized stylistically, but today his contribution to that art is unquestioned. Born in Belgium, he was in London by an early age, where he largely taught himself to draw...

Watercolor on paper, 22 1/4" by 15", unframed, signed at lower right in black ink "N. P. Brigante", the subject a forest glade with trees, boulders and grasses. The painting is by NICHOLAS P. BRIGANTE (1895-1989), a California painter often confused with the Italian painter of Venice scenes, Nicholas Briganti with an "i". Brigante was born in Italy, and was in Los Angeles as a child. According to the Hughes biography, he was a sign painter and studied under Hanson Puthuff...

Watercolor on paper of herons or egrets in a marshy area, measuring 21 1/4" by 29 1/4" (54 cm. by 74 cm.), in a 1" wide modern era frame. The painting is firmly signed in ink at lower right and dated 1905. This is, judging from auction records I see, **one of the largest works by this noted Belgian impressionist artist**. Outer was born in the part of Luxembourg closest to Belgium. He studied art in Louvain and Brussels, and in the atelier of Jean-Francois Portaels...

Oil on canvas painting of a young woman knitting on a grassy slope in a glade, 25" by 18", 32" by 25" framed, signed at lower right in red by a talented, though little-known, apparently Argentine painter who worked in the early years of the twentieth century, A. MORENO DE TORRES. This is a fine work by a very skilled hand. Were it by a better-known artist, the price would be multiples higher...

This is a beautifully executed white pigment on eucalyptus bark painting by ANDREW MUNAKALI (KUNWINJKU), an aboriginal painter from Arnhem Land in northern Australia. The piece measures 12" by 18" (31 cm. by 43 cm.) The Oenpelli label on the reverse says "Depicting: A Possum --- djebbuh. Gunbalanya Council Inc. Code No...

Signed small sketch drawing, double-sided, the color drawing of Buddha, the reverse drawings rather interesting scribbles, 8" by 6 1/4"inside the mat, 14" by 12 1/4" framed, executed in pencil and watercolor, signed by famous artist and author LUDWIG BEMELMANS (1898-1962). The reverse side scribbles are initialed "LB" in several places...

For the Andrew Wyeth collector, a color collotype print "Arthur Cleveland", circa 1965, from a limited edition of only 100, **with INK SIGNED-by-the-artist label** affixed to the backing. The print measures 26" by 18 3/4" and frame is 1 1/2" wide on a side. This was acquired in Connecticut; the seller stated that it had been acquired from a Boston gallery in the 1960's by her parents, who had unfortunately trimmed off the margins to make it fit the frame...

This is a study in pencil by FERNAND LUNGREN (1859-1932) for an oil landscape of arid desert mountains of the American west. It measures 8" by 10 1/2". There's a mat but the work is not framed. This is a subtle work that is best viewed in person; it's very, very hard to photograph...

**One of two very similar works by the artist in my shop, preferably to be kept together- Oil on canvas, 16 1/4" by 12 3/4", in an old master style but of mid to late 19th century date, teaturing a house, tree and dogs and travelers, signed at lower left by noted, auctioned artist PIERRE LOUIS JOSEPH DE CONINCK (1828-1910). This is an almost monochromatic, very understated, subtle painting; perhaps a study for a larger, highly finished work. The artist's works have sold into five figures at So...

Original unframed drawing on old Brownie art board, in ink and marker with hint of pencil underneath in a few spots, each box measuring 2 15/16" by 3 1/2", dated "3-20" and signed at far right "Schulz". Also appearing is "(COPY) NOT FOR REPRODUCTION" and the name "j. f. bufton" on the bench next to the bat. Believing that the work could possibly be an authentic work by Schulz, I have researched the drawing through the Charles Schulz Museum in Santa Rosa, California. The consensus conclusion ...

Watercolor on paper, 12 3/8" by 15 1/2" (16" by 19" as framed), signed in English and Hebrew at lower left, not dated but probably circa 1940's or 1950's, by noted, well Jewish American listed artist ELIAS NEWMAN (1903-1999). Newman was born in Poland but was in the US as a boy. In his late teens he met such artists as the Soyers, Peter Blume, and Chaim Gross at The Educational Alliance Art School in New York City. The Educational Alliance was a settlement house, set up to assist Eastern Euro...

(One of two works by the artist in my shop), a watercolor on paper, 9 3/8" by 13 1/4" (17" by 21" as framed), signed in English at lower left, titled on reverse with what looks like "Lake Wobegone" (and $100 original price) and dated "43", by noted, well listed Jewish American artist ELIAS NEWMAN (1903-1999). Newman was born in Poland but was in the US as a boy. In his late teens he he met such artists as the Soyers, Peter Blume, and Chaim Gross at The Educational Alliance Art School in New Yor...

One of two works by this artist in my shop is this watercolor on paper, measuring 8 1/4" by 13 5/8" inside the mat, 14" by 19" as framed, signed at lower right by the noted American nineteenth century artist GEORGE HERBERT MCCORD (1848-1909). This is a nicely painted work by an artist considered to be among the "second generation" of Hudson River School painters. McCord was from the New York and New Jersey area, but he painted in Europe, and for a time in the western United States. A prolific p...

**(one of two by the photographer in my shop)**By the noted American photographer ROBERT "Bob" WERLING (1946-), this is an original gelatin silver print photograph of reflections in a western American mountain lake, pencil signed at lower right margin by the artist photographer. The scene of the high country in the American West, is perhaps Colorado, or possibly, California, such as Yosemite. Werling was born in San Francisco and very early in life showed artistic promise and drive. He graduated...

Watercolor on paper, 10 1/4" by 14" inside the present mat, and 3 1/2" of frame and mat, signed at lower right "G. MORELL" (or, MORELLY or MORELLI), showing a Southwest Hopi style native American pot against a striped background. This is an original watercolor, and NOT A PRINT! I do not see a listing for this obviously talented artist, but this is a very decorative work that will grace any home or office seeking a Southwest theme. Condition is excellent with fresh colors and no damage.

An unframed woodblock print by the hand of one of the masters of 20th century Japanese printmaking, 12 1/2" by 17 3/4" inside the existing mat (the full sheet 16 5/8" by 21 1/2", as permanently laid down on a board), signed in pencil by the artist at lower right and bearing his red seal. The image is of a major traditional multi-tiered temple, perhaps the famous one at Himeji on Honshu, shown in winter with snow on the nearby pines. Sekino was creating art before age 20. He knew Shiko Munakata,...

A pretty scene of rapids and a wild river running through a wide gorge, trees bordering, signed at lower left with initials that appear to be MKB and dated there 1934. The watercolor on paper work measures 14 1/2" by 11 1/2" (25 1/2" by 21 1/2" in interesting frame, with drawn lines mat). The landscape could be Canadian as well but without more information on the artist it is difficult to determine authorship. Found in the mountain states of the west. Condition is outstanding, considering th...

This is a photolithograph, 21 1/2" by 17" inside the mat window, 28 1/2" by 24 1/4" framed, pencil signed at lower left and with blindstamp there, titled possibly "The Sacred Horse", published by Frost and Reed in England in about the year 1950. The artist, HOVSEP PUSHMAN (1877-1966) is considered a major artist, best known for his still life works incorporating oriental props like ceramic pieces, and his paintings command well into four figures at major New York auctions, with a handful exceedi...

This is an American painting from the first half of the 20th century, the subject gulls in flight. The unsigned oil on canvas measures 24" by 36", plus 2 1/2" of interesting Deco style weathered black painted wood frame on a side. I purchased this in Miami some years back, thinking the work bore considerable resemblance to the Florida-period works of JANE PETERSON (1876-1965), a major American artist who painted in South Florida for some time. Her works of that time are distinctive for this k...

Vintage charming pastel on old paper, 12" by 8", the scene a quiet city street or lane with 19th century buildings, signed at lower right by the artist, E. R. VAN DEMAN, and dated 1901. Rather little information on the artist appears on the net, but a member of the board of the Delaware County Historical Society in Ohio contacted me to say that the organization has seven of her pastels in their collection, the subjects local places circa 1900. The artist was from a prominent Delaware, Ohio fa...

Watercolor on paper, 4" by 10 3/4" (8 1/4" by 15" as framed), signed at lower left with what appears as "Stribens" or "Stirbens"......I do not see a listing for such a name. I could be misreading it. In any event this is a decorative old vintage watercolor landscape by a talented artist, still in its original frame. There's no glass currently, but the work has survived the passage of time in excellent fresh condition, with only a tiny handful of foxing spots. On the reverse of the frame is a...

Oil on canvas Italian scene of the famous Bay of Naples with smoking Vesuvius volcano, unsigned, circa 1880 to 1900, measuring 18" by 28" (23 1/2" by 33 1/2" as framed). This is a charming scene, painted many times since the 17th century, of fishing boats in the bay, the backdrop being an ornate tower at left, distant houses on hillsides, and at right the curling smoke plume of simmering Mount Vesuvius. The painting is somewhat primitive, not painted by a listed artist, most likely, but he o...

Watercolor on paper painting, 15 1/4" by 19 1/4" (30" by 34" in its quality vintage framing), the subject reef fish of tropic seas, swimming in the deep. The artist, ELIOT O'HARA (1890-1969) signed his name in bold capitals at lower right and dated the work there 1951. O'Hara was born in Massachusetts near Boston, the son of the founder of the Waltham Dial (Watch) Company. Early on O'Hara broke with the traditional life track that could have been his, heading into a life in the arts. A world...

Lithograph on paper by American artist STOW WENGENROTH (1905-1978), with blind stamp at lower left, pencil signed at lower right by the artist, bearing "Ed. 65" at lower left, and titled below near the bottom edge of the sheet "SEA GULLS". This is a typical work of Wengenroth, who is today best known for his fine lithography work consisting mostly of scenes of the Northeast coast from Long Island to Maine, and a few images of New York City which are especially sought after. The artist studied ...

This is a drawing of traditional subject matter in a contemporary style, evidently by a youngster who lived at the Taos Pueblo in northern New Mexico. Measuring 7 3/8" by 11 1/2" inside the present mat (12 5/8" by 17 1/2" as framed), the image is of a bison with a stylized sun at upper left, and scattered stylized trees, with a multi story adobe at lower right serving as the Pueblo itself. On the reverse is written "Age 13/Taos Day School/New,Mexico 87511/Taos Pueblo/U.S.A.". Medium seems to ...

Watercolor on paper, 12 1/2" by 18 1/4" inside the present mat, 19 1/2" by 26" as framed, signed "TOWNLEY" at lower right corner and dated there "Oct. 68". I do not see a listing that would match up with this name but the artist was obviously a talented individual. This appears to be a mountain landscape in one of the western states. The trees and the animals are beautifully executed, and there is a superb little ink drawing of a fox near the signature. Condition is excellent, though it appe...

"Soho" Oil on Canvas, 24"x18", 31"x25" framed Born in Shanghai China, Christopher has been painting since he is 6 years old. He went on to formal studies and graduated with a B.F.A from East China University, and went on to earn an M.F.A at Rhode Island College. This extraordinary artist is one of very few artists who are honored as both a Master signature artist with Oil Painters of America as well as a Copley Master at the The Copley Society of Art Boston, MA. He is also an artist member of t...

Pastel on paper, 10 1/2" by 23 1/2" and 2" inch wide very attractive and complementary oak Arts and Crafts appearance wood frame, unsigned, the subject bananas, peaches, and a basket, circa 1920. This is a typical example of the early 20th century American pastel school. Reaching back to artists who created pastels late in the 19th century, pastel artists like William Joseph Chandler, Glatthaar, and others created works for homes that would exhibit more quality than mere reproductions. Excell...

Oil on canvas laid on old board of a country landscape with an apple tree at left and a split rail fence surrounding a clearing, 14" by 21 3/4" (18" by 26 1/4" as framed), apparently unsigned, but dated 1885 in the lower right corner. I feel the painting could be by a listed artist but the painting is not talking. The predominating greens and browns and the old gold frame make for a Hudson River style painting. The painting is soiled commensurate with its advanced age; a cleaning would be ver...

By the Liege, Belgium-born artist ARMAND HENRION (1875-1958), a fine color etching in oval shape, of two clowns in full makeup, pencil signed and numbered 19/500. The artist is known today for his wonderfully expressive depictions of the clown, as well as mime reactions. Most of the works are actually self portraits. The depictions in these portraits reveals an affinity for humanity rarely captured in portraiture. He worked generally in oil but also created a number of prints similar to thi...

“Central Park” Oil on canvas 30“ x 24“ Xue Jian Xin was Born in NanJing, China on October 17, 1954. Xue had years of fine arts training at the highest level. He became Chairman of the SuZhou Oil Painting Research Association and Lecturer in the Fine Arts Department of SuZhou College. In 1988, he came to the United States as a student at Bard College, New York, where he received his M.F.A. in 1991. He began displaying his art at a famed SoHo New York Gallery in 1996 where he was an imme...

This is an unusually fresh vintage watercolor, 10 3/4" by 20 1/2" (18" by 28" as framed), dating to the late 19th or early 20th century, by the noted American artist DAVID JOHN GUE (1836-1917). The colors are bright and there is no foxing nor moisture damage. ALL PHOTOS ARE TAKEN THROUGH NON GLARE GLASS so actual painting is sharper and more attractive than it appears through the blurry glass. The subject matter is likely an east coast beach. Gue was born in New York and found himself in the...

Oil on canvas painting of an extensive mountain landscape, 16" by 20", unsigned, unframed. This is a decorative work that needs a cleaning and a frame. Note how the extreme upper right edge, which had evidently been hidden under a frame, shows the true colors of the work. A regular size, framing this should not be expensive, and it's possible that a careful cleaning to remove the soiling might not have to be done by a professional.

Original woodblock print in black and light red, 11 5/8" by 8 1/2" (18 1/2" by 15 5/8" as framed), inscribed at lower left in pencil "artist proof" and "Serisawa", and stamped just below that with the circular red seal of the artist, and "To Wally" written at right. This is an example of the graphic work of the American-Japanese artist SUEO SERISAWA (1910-2004). Serisawa is considered to be one of the principal figures in California modernism. Born in Yokohama, Japan, the son of an artist, he...

Oil on canvas, somewhat spontaneous and sketchy image of a formally dressed couple at a social event, circa "fin de siecle", 14" by 10 3/4" (20" by 17" as framed), signed at lower right with the distinctive signature of French early to mid century artist YVES DIEY (1892-1984). Diey is well known in France particularly, where his pastels and oil paintings of nude, or semi-clothed attractive women, sometimes in exotic settings, make frequent appearances at public auction. Diey was part of the mo...

This is a decorative, peaceful scene of late autumn by a pond or small lake, signed at lower left "Sydney Cooper". Even though the spelling differs ("Sidney"), this could be by or after the well-known English 19th century artist THOMAS SIDNEY COOPER (1803-1902), who was known for his landscapes with farm animals. The painting is unframed and measures 22" by 15 1/2". Condition is good, with even light overall oxidation (browning) of the fairly heavy paper, and some very light water stains at t...

**PAIR** of watercolors on paper of African American musicians in the famous New Orleans French Quarter jazz spot known as Preservation Hall. Each painting is on a sheet of heavy watercolor paper measuring 15" by 11" (21 1/2" by 16 1/2" as framed), both signed but I am unable to decipher the signature----looks something like "Tortelli" but that is a wild guess. These are possibly paintings for the tourist trade but there is a monumentality to the work that goes beyond tourist art. I would wel...

Hudson River School style watercolor on paper, 13 1/2" by 19" inside the mat, 24" by 30" as framed, signed at lower right "Byron Albee". This is a subtle, delicate, beautifully executed watercolor of trees and a line of stones next to a pond. Because it IS so subtle, it does not photograph impressively; but in person it is appealing. The work has survived the years in excellent condition with only a bit of well balanced overall browning of the paper. The painting is not dated and I do not se...

Watercolor on paper, measuring approximately 12" by 16 1/2" (19" by 23" as framed), the subject El Capitan peak, also called Agathla by the Navajo people, a sharp, distinct isolated mountain south of Monument Valley, Arizona, over 1500 feet (457 meters) high. The drawing is titled "El Capitan" at lower left and signed with what appears to be "Turla" at lower right; I don't see a listing for that artist name. Nevertheless the work is nicely done and should appeal to the collector of art of the ...

Original etching on paper watermarked "France" (probably Arches paper), 9 3/4" by 7 7/8" (image only), and the sheet with at least 1 1/8" margins (up to nearly 2" at right), pencil signed at lower right by the noted American printmaker LUIGI LUCIONI (1900-1988). This is no doubt a Vermont landscape scene, as Lucioni's prints largely deal with the classic mountain scenery of that state. This example is in good condition if you are seeking a pleasing print to frame, but it is not in pristine con...

Oil on canvas laid on board, 7" by 11" and 1 1/2" wide beautiful original pie crust frame in good condition, unsigned, but without a doubt the distinctive work of noted and prolific Northern California painter RICHARD DETREVILLE (one of several works by the artist in my shop). Detreville was born in South Carolina in 1864, and by the early years of the new century, he was in Stockton publishing a magazine. Shortly thereafter he was in San Francisco, represented by a gallery. The artist painte...

This is a restrike of the large folio, popular and well-known lithograph "Winter in the Country---The Old Grist Mill" by Currier and Ives. Measurements inside the mat are 18" by 26 1/4", and the piece as framed is 26 1/2" by 33 1/2". The original 19th century lithograph is in the "Best 50" list, and it inspired many paintings after its publication. This image was originally painted by important artist George Henry Durrie, who was known for his charming classic scenes of mid 19th century New ...

Oil on canvas, unframed, 30" by 40", the subject large boulders and rocks surrounding a small pool of water, executed in a photo-realist style in muted colors, signed at lower left with the artist's name, copyright symbol, and date 1985, and titled "Slow Water" and signed again on the reverse. This is a relatively early work by the noted Twentynine Palms, California contemporary artist and muralist CHUCK CAPLINGER. Caplinger's website details his rise in art circles from NASA illustrator, comm...

Pastel on paper, unframed, 14 1/2" by 12 1/4", signed at lower right with the initials "DP". This is a drawing of the distinctive 10,000+ ft. mountain of the Cascades Range in Washington state, Mt. Baker. The artist was obviously skilled in the use of pastel, but I am not able to say who the artist might have been. I thought it could possibly be Dewitt Parshall, California artist, but don't know if he worked in the Northwest. So, this work, oddly, found in central Massachusetts, is offered ...

Charcoal on paper, 7 7/8" by 11 3/8" (14 1/4" by 17 7/8" as framed), not signed above the mat (not opened up), but bearing a 1968 label on the reverse from ACA American Master Gallery of La Cienega Blvd. in Los Angeles, providing the name of the artist, with the words below stating "From the estate by K Moskowitz". This is a rather typical subject for the artist, EUGENE HIGGINS (1874-1958), who is today grouped with the Ash Can school of American art of the first half of the twentieth century. ...

Oil on canvas painting, the subject a ranchette of the Southwest, likely Arizona or New Mexico, 16" by 20" (24" by 28" framed), signed at lower right corner in the paint by the noted, well-listed American impressionist plein air painter (and National Academician) PAUL STRISIK (1918-1998). The artist was born in Brooklyn and received art training at the Art Students League with Frank Vincent DuMond in the late 1940's. By 1955 he had settled in Rockport, Massachusetts, becoming a fixture in the ...

Oil on canvas luminous landscape of a peaceful Highlands lake ("loch") in late afternoon, 20" by 30" (27" by 37" as framed), signed at lower right by prolific Scottish and English artist FRANK E. JAMIESON (1834-1899). Jamieson painted a lot of paintings, and they are widely dispersed, and though not all are masterpieces, they are very satisfying and easy to live with, and a lot less expensive than those of masters like Alfred DeBreanski. Although there is not much known about either, I recall ...

Watercolor on paper, 10 1/8" by 13 1/4" (15" by 18 1/4" as framed), signed at lower left with the distinctive signature of California Scene artist JAKE LEE. This is an image of a white fountain framed by a balustrade and mature trees. Jake Lee's works are increasingly sought after by collectors in the wake of his relatively recent passing. This is a clean example in excellent condition. See the net for more images of his paintings, which include California landscapes, as well as overseas ex...

Australian "bark" painting, the painting itself (not including the panel to which it is mounted) measuring 25 1/2" by 11 1/2", bearing reverse label showing this to be a work of the well-known artist and respected tribal elder ENGLAND BANGALA (1925-2001). The handwritten label shows his age as 42, so this would have been created in 1967 or thereabouts. The label gives Bangala's tribe and tells the story of what we see: "The families have been hunting & caught a bream & 2 snakes . So...

Oil on wood panel still life painting of wilting yellow roses in a bluish-green vase on a brown vaguely defined table top, signed at lower right by artist M. Verberckmoes and dated there 1902. There does not appear to be a listing for this particular artist but the name is Belgian in origin. The work, 12" by 16 1/2" (19" by 24" in frame) could use a light cleaning, as there is surface dirt throughout, and there are some surface abrasions that show as white areas in the photos. In addition the...

Pencil drawing on paper by the important Russian-American artist DAVID BURLIUK (1882-1967), purchased out of a Berkshires estate in Massachusetts. The drawing measures 14 1/2" by 8 3/4" (21" by 14" framed), the lady in soft pencil and the ear study at right in blue colored pencil. It's signed and dated at lower right 27 April 1946, and is evidently after a work (perhaps an etching) by the famous German artist of the 16th century, Albrecht Durer, as Burliuk wrote "(Durer)" between the signatur...

Watercolor on paper, 8 1/2" by 17 1/2" inside the mat (13 1/2" by 22 1/2" in its very nice circa 1920 vintage frame), signed at lower right and inscribed there "Munich" by the well listed American artist CHARLES PAUL GRUPPE (1860-1940). The subject is a creek or small lake or pond at sunset. Born in Ontario, Canada, Gruppe was in Europe by age 20, where he explored France, Germany and Holland. I imagine that this work would date to that early 1880's period when he would have been in Germany....

Measuring 16 1/4" by 21 1/4" (23 1/2" by 28 1/2" in its attractive and clean modern gold frame with liner), this is a beautiful impressionistic painting in oil by the noted orientalist French painter LOUIS MICHEL BERNARD (1885-1962). The subject could be a sunwashed port in the mountainous south of France, or, possibly, in Algeria or elsewhere in coastal North Africa, where Bernard spent much time. The artist was a student of Cauvy at the Ecole des Beaux Arts in Algiers. He exhibited at the Sa...

The work is executed in charcoal with a little white gouache, on paper, the unframed sheet 12" by 10", signed at lower right in the artist's typical manner. Gladys Emerson Cook (1899-1976) was known for her sensitive and accurate depictions of dogs, cats and other animals. She was a painter, illustrator, and graphic artist. Today a number of museums include her works. She exhibited at the National Academy of Design and other major venues. This sheet is moderately browned from age, has a "ro...

This is a rather large oil on canvas work, 30" by 39" (43" by 34" as framed), signed at lower right "DeShazo", the subject a landscape with houses, church, and lonely leaning telephone pole. The work is not titled and the artist is not apparently listed. I originally thought this might be an early or atypical work by the noted painter William DeShazo, but the wife of the artist has stated that this is absolutely not by his hand, so, I am offering it as a decorative work, The painting probabl...

Oil on canvas, 16" by 20", unframed, the subject a cut watermelon, peaches, grapes, a pear and strawberries, signed at lower right "Mabel Lemos" and dated there 1948. This appears to me to be a work by the noted long-time citizen of Santa Cruz, MABEL LEMOS, the wife of painter William Lemos and mother of artist Sydney Lemos. I say apparently because the painting is signed with what looks like Mabel "Lemus" and it is clearly dated 1948, yet the Hughes biography and online information shows her ...

Oil on canvas, 13" by 16" (17" by 20" as framed), the subject a glass compote filled with purple plums, the base surrounded by clusters of white and red currants, signed at lower left with a signature that appears to be "Bielard", "Bichard", or "Beclard" or possibly "Bulard". I don't see a listing for any such name but the artist was talented. I'd guess the age as circa 1920 to 1930's or so, judging from the technique, materials etc. The painting is in good condition, with just a pinpoint los...

Oil on canvasboard, 18" by 24", the subject dramatic, fluted, snowy mountain ridges pictured perhaps in late fall, as autumnal colors dominate the creekside grasses in the foreground, the painting signed at lower left "A. Nebeker" and dated there 1966. The location might be but I feel it could be most likely somewhere like Utah or Colorado in the intermountain West, or possibly the eastern slope of the Sierra in California. The only possible hint is an Oakland, California art supply stamp on t...