Lithograph on paper, 8 3/4" by 12 3/8" inside the mat, 13 3/4" by 17 3/4" as framed, by American artist STOW WENGENROTH (1905-1978), pencil signed at lower right by the artist...

Oil on canvas, 27" by 39" (32 1/2" by 44 1/2" as framed), the scene a deep blue lake with small boats and a dock, puffy clouds filling the sky on a peaceful summer day. It is an expansive scene, large enough to invite the viewer to feel he is a part of it. I suppose the work is Swedish or Danish. The artist chose to sign with just the conjoined initials "HM" at lower left, where it is also dated 1948...

A color lithograph print of the year 1937, signed in the plate, 13 1/2" by 10 1/2" (20 1/4" by 17 1/2" in wood frame, no mat), by the noted Spanish modern artist FRANCISCO BORES LOPEZ (1898-1972). The artist, more commonly known as Francisco Bores, was born in Madrid. He went to Paris and associated with the Surrealist movement, and became a friend of important artist Juan Gris...

Etching, circa 1930, "Saleswomen", 5" by 6 1/8" inside the mat (12" by 14 3/4" as framed), pencil signed at lower right "Hayes Miller" and bearing "40 - prints" at lower right, by the important American artist and teacher, KENNETH HAYES MILLER (1876-1952). Hayes Miller was a familiar figure on the New York art circuit for decades. Although he was an accomplished painter and printmaker, he is perhaps best remembered today for the influence he wielded as a teacher...

Wood engraving on paper, 16" by 21 3/8", 20" by 27 1/2" framed, titled at bottom "THE WAR FOR THE UNION 1862---A CAVALRY CHARGE.", by the famed American artist WINSLOW HOMER (1836-1910). Examination of the reverse side of the sheet reveals that the image was published on July 5, 1862...

A beautiful circa 1920 impressionist painting of tall pines or cedars in a sun-dappled forest landscape which includes two groups of small figures at center left. The unframed work measures 30" by 24" and is apparently unsigned. Judging from the canvas and stretcher, this is likely the work of a listed American artist. It has been suggested that it was cut down at some point, as the painting extends over the tacking edge...

This is a medium folio size (lithograph 12 5/8" by 15 1/2" inside the mat, the sheet " by ", and as framed 20" by 22 1/2") by famous American printmakers Currier and Ives. Judging from internet offerings of the image by major print dealers around the nation, the print is a popular one, although it is not among the so-called "Best 50". Note the horses, the ducks and pigeons, the turnips, and the hogs at left. All in all, this is a peaceful scene of another America in another century...

An impressively large (26" by 39", and 40" by 53" in a fine high quality gilded oak style frame of the period) watercolor landscape of a fascinating primeval, mystical forest interior, signed at lower right by English Victorian period artist JOSHUA RENSHAW, who was active in the 1880's and 1890's, though little biographical information is available...

Oil on canvas titled on stretcher "Golden Silence", 28" by 21" (33" by 25" in original vintage frame), signed at lower right and again on the stretcher by California plein air artist EUGENE PIERRE FRANQUINET (1875-1940). This is a fine example of the work of this Belgian-born painter who immigrated to the United States in 1907, and who was in Southern California as early as 1911...

In the style of an artist like Stark Davis is this 15 1/2" by 19 1/2" gouache painting, gold paint used for the background to the parrot and vegetation, possibly oleander, the work signed at lower left "O. Schroeter". This is a work dating to about the late 1930's to about 1950, by listed artist OTTO FELIX SCHROETER (born circa 1880 in Germany, died circa 1965 in California)...

One of three works in my shop by the same artist, F. KENWOOD GILES of Bermuda, is this watercolor on paper painting, 14" by 19 1/2" inside the mat, 20 1/2" by 26 1/2" as framed, the subject a pink-walled, white-roofed island home on a lovely piece of property, flowering oleander shrubs and a few pines or cedars completing the happy scene. The paintings are not dated, but I believe that they would have been created in the 1950's...

Oil on canvas, 36" by 24" (45" by 33" as framed in wood), the subject a wicker chair draped with lacy cloth, a painting in the background and tea pot at right, signed with what appears as "Egeun" at lower right and dated 82. A Greek-speaker emailed me to inform me that the signed name is, in Greek, "Eleni" (Greek for "Helen"). This is a bright, contemporary painting in really excellent, fine wall-ready condition.

By the noted California artist FRANK MOSS HAMILTON (1930-1999) is this gouache on paper painting, 11 1/4" by 15 1/2" inside the frame, 19" by 23 1/2" framed, signed at lower right by the artist and titled there "December Snow". Hamilton was a highly talented master of realistic painting, sometimes in oil but perhaps more impressively in gouache or tempera or casein type media...

Icon-style painting in gouache on board, late 20th century, executed in the style of ancient religious icons, the painting 10 1/2" by 8" inside the mat, 19 3/4" by 17 1/4" in its pleasing, quality light oak frame. The painting is titled "Saint Neofytos", which literally means, according to a Greek-speaker with whom I consulted (for a lack of a better term), the "NEWLY INITIATED ONE"...

This is a fine ink and wash drawing, 9 3/4" by 13 3/4" (16 5/8" by 20 1/2" framed), titled at lower left "CAPRI" and signed there by the artist, GONSALVO CARELLI (1818-1910). The artist's name is sometimes spelled "Consalvo" or "Consalve" or "Gonsalve"...

Oil on canvas colorful and skillfully painted abstract landscape of the glorious Southwest, 27 1/2" by 36" as framed, signed at lower right "Helen Peeke", and bearing the title "Indian Country" and the original price "150.00" on the stretcher. I have not been able to locate information on the artist but obviously she was a skilled painter who was able to capture the feeling of the Southwest in abstracted form. Condition is excellent and this is wall-ready.

Oil on canvas painting, 24" by 36" (30" by 42" framed), late 20th century, the subject a family of elephants at an African waterhole, signed at lower right by listed artist DON ERDMAN (sometimes spelled as ERDMANN). The work is similar to works by better known artists such as David Shepherd or Bob Kuhn which bring thousands of dollars. Erdman is listed in Davenport's, but I am hard pressed to find more information on him. The work stands for itself, the male bull elephant at center very impre...

For the Orientalist art collector, this is a fine little drawing in pencil and watercolor, 5 1/2" by 8 1/4", (10 1/2" by 14" in its vintage frame), the subject an apparently Middle Eastern scene of classical temples set into a hillside. It has been suggested that this could be the famous Petra, Jordan site of classical antiquity. The work, glued to a sheet with "Ackermann & Co." blindstamped into the right corner, is unsigned. (Ackermann was a supplier of artist supplies during the 19th centu...

Found in Maine, is this oil on canvas painting, 24" by 20 1/2" in its silver metal frame, signed at extreme lower right "Judith Nelson Harper" and titled on the reverse "Red, White and Blue". It is a striking work, though I see minimal information on the artist---I believe just one minor bit of information shows up on a net search. Regardless, this will please anyone looking to brighten up a modern interior with original art from the 1970's. The condition is somewhat less than optimal...........

Oil on masonite panel, 13 " by 22 " (16" by 25" in black frame with gold inner), the subject a female mallard duck among brown grasses suggestive of autumn. The artist signed his name at lower left. S. SCOTT ZUCKERMAN (1951-) was born in Connecticut and lives there still, living a life close to nature and therefore an excellent observer of it. He is widely known for his paintings of wildlife, including fish, birds, and large mammals like moose. Zuckerman attended Pratt Institute in Brooklyn....

Watercolor on paper of a large ship at the dock, 13 1/2" by 17 1/4" (21" by 26" framed), signed in the image at lower left and also on the mat at lower right "Herbert Manasse", and titled "ENSENADA 'L.'C.I." on the mat at lower left. The artist is HERBERT MANASSE (1891-1965), who according to the AskArt listing was an artistically talented attorney. He was obviously quite familiar with the medium. Note the wet-on-wet technique in the sky. The colors of the painting are extremely rich and not...

Oil on board painting (24" by 18", frame 1 1/4" on a side), the subject a dirt road in a flaming autumn forest landscape, birch trees on either side, the sun dappled shadows violet, signed at lower right by the talented artist GEORGE FOREST PAYNE. Payne does not seem to have a biography but his paintings of autumn landscapes and coastal dunes, in the Northeast, have appeared at auction. This piece was found in Maine. Most certainly he was very familiar with Impressionist technique. This is an...

Drawing in gouache on very delicate, thin, brownish, fibrous paper, 9" by 6" inside the mat (15 3/4" by 12 1/2" as simply framed in wood), the scene a grand classical archway in a southern Spanish city like Granada or Sevilla, a prominent figure of a lady in the foreground and a number of much smaller figures beyond the arch and at right. The work is signed at lower left with what appears to be "C. R. DeWitt"--SPAIN". I've looked online and surprisingly cannot find an artist by this name. He ...

This is a contemporary work, signed at lower right "Christopher Clarke" and dated there "83". Measuring 11 5/8" by 16 5/8" inside the mat and 19" by 25" as framed, the work reminds of accomplished watercolor painters like Frank Weston Benson, Ogden Pleissner, Chet Reneson, and others who skillfully rendered duck hunters and their prey. Oddly I don't see a listing for this artist but he was clearly very talented. Note the wet-on-wet technique in the sky area. The work is in excellent, fresh c...

PAIR of oils on canvas, each 12 1/2" by 16", framed to 18 3/4" by 22" (although the frames are not quite identical), each signed by the listed French artist of Brittany, PIERRE TESTU. The scenes are quite charming, with atmospheric handling of the moist and foggy coastal air. Testu's biography is not established, it seems, but there are extant works dated as early as 1896 from what I can see, and he evidently specialized in such genre scenes of mussel, oyster, and other shellfish gatherers on ...

Original serigraph by the well known and highly popular 20th century Russian-French artist ERTE (1892-1990), titled at bottom "Taurus", from the Zodiac Suite of the year 1982, numbered at lower left in pencil 32/350, and pencil signed at lower right by the artist. Size inside the mat/liner is 24 3/4" by 19 1/4" (34 1/4" by 29" in the black Art Deco style glossy framing (***UPDATE--possibly offered unframed currently; inquire***). This is from the edition of 350, plus Roman Numeral edition of 9...

Everyone seems to love Paris, a city which has inspired and continues to inspire much art. This pair of watercolors, one of the elegant and timeless Place Vendome, the other the famed "Le Dome" cafe of Montparnasse, are signed by artist "Hrobel". Each measures 16" by 24" (26" by 33 1/4" as framed). The pair is ready for the wall, with clean blue mats and tasteful cream frames. The colors are not faded and there is no foxing nor water staining. Surprisingly I do not see an obvious listing fo...

A charcoal or soft pencil drawing of an unidentified young girl, executed circa 1950's, signed at lower right by the important New Hope School impressionist, JOHN FOLINSBEE (1892-1972). The work, 12" by 10" inside the mat, (19" by 17 1/2" in old frame with Trenton, NJ framer label on backing) is in excellent condition save for browning at edges from mat contact. Folinsbee was born in Buffalo, New York, where he studied for a short time. He took lessons from painter Jonas Lie, then, later, at ...

Original watercolor on paper painting of the famous and iconic Brulatour Courtyard in New Orleans, Louisiana, signed at lower right "F. W. Steck", measuring 13 5/8" by 19 1/4" inside the mat, and 21" by 27" as framed. On the reverse framing paper is written in black marker "Foyer"/Florence W. Steck/(215)789-0966". Online research has revealed the artist to be a talented woman who was born in 1919 and passed away in 1994. She, along with her husband Jack, was a pioneer in broadcasting in the g...

Antique watercolor painting of five rabbits in a grassy scene, feasting on several peaches, some reduced to just pits. The charming work measures 5 1/4" by 6 7/8" (and the old gold turn of the century frame is 11 1/4" by 13 1/4"). Frame is in above average condition for a frame of its type and period, with just one gold-painted area at left edge where there had been some loss of the design.

By the important Australian aboriginal artist MICK KUBARKKU, 1922-2008 (often misspelled in various ways as "Gubargu", "Gobargu", etc.) is this circa late 1960's/early 1970's natural earth pigment on eucalyptus bark painting of a barramundi fish in typical stylized form, measuring 11" by 20". On the reverse is an original old typed label which says: "Artist--Gubargu; Tribe: Gunwinggu from the Upper Liverpool River. In the Dreamtime era, the ancestor NAGORKU travelled along the coast of Arnhem...

Oil on canvas painting of a dirt track in an autumn forest, 16" by 24" (25 1/2" by 33 1/4" as framed), signed at lower right by the noted Indiana impressionist, EDWARD SITZMAN (1874-1949). This is a peaceful scene of late autumn. The artist is known for his watercolor and oil paintings of such landscapes, usually lacking figures. Watercolors are more commonly seen, the oils relatively scarce. This example needs to be cleaned and varnished as the surface is dry and blanched, but with that cle...

Watercolor on paper of Royal Street (Rue Royale), a principal street in the French Quarter of New Orleans,14 1/2" by 10 1/2" inside the mat and 22 1/4 by 18 1/4" as framed, signed somewhat obscurely at lower right (and harder to see by virtue of the non-glare glass) by the listed New Orleans artist TOM LANE (1916-1991). On the mat below is "Rue Royale" and "New Orleans '77". Lane was born in Toledo, Ohio but became a familiar figure in the French Quarter, painting in oil and watercolor the fami...

Large oil on heavy oak panel painting of an ornate cathedral interior, featuring the large organ, 35" by 29" (47" by 41" framed), titled on the reverse, dated there August 1916, and signed by the noted Czech painter FRANTISEK JELINEK (1890-1977). Jelinek's works have sold at auction in Europe, largely in the Czech Republic, where he is known as a painter of landscapes, nudes, and genre. It took me a while to figure out the name of the artist and the subject, and even the language (I thought th...

Oil on board painting of a farmstead in spring, 17 1/4" by 25", 21" by 28 1/2" framed, signed at lower left by the noted Swedish artist CARL MANSSON (1892-1976). Mansson was a prolific painter of country and farm scenes in southern Sweden. There does not seem to be a lot of biographical information available, but he left behind a body of work focusing on rural scenes of his native land. This example is quite typical of the country paintings, and it displays his evident affection for the land....

Watercolor on paper, 5 1/8" by 6 1/4" (13 1/2" by 14 7/8" framed), unsigned, but with a charming old dedication on the reverse side in sepia ink, "Mount Hood/From Vancouver/Eternal Snow/For Mother". This would refer to Vancouver, Washington, across the Columbia River from the mountain. Still adhering to the reverse is printed tape from an old business going by the name Arthur Wayman, of Salem, New York. And this was found in interior Maine. So, the drawing has most definitely strayed far to ...