This is an unsigned oil on paper laid on board work, quite possibly an oil study for a more finished painting, circa 1870's, by the 19th century American painter JUNIUS SLOAN (1827-1900), the subject trees silhouetted against an extensive landscape, two ladies in period dress at center left, several houses in the middle distance, and two tiny cows grazing at right...

Oil on canvas,unframed, 18" by 22", signed at lower right by listed French- Italian modern and contemporary artist NINO GIUFFRIDA (1924-), the subject a pair of harlequins, one dressed in blue, the other in red, in a dreamy landscape with houses, trees, and a small beach on the sea, a point of land and trees on the far horizon...

**One of a number of prints by the artist in my shop** Lithograph on paper, the sheet 24 1/4" by 18 1/2" framed, signed in pencil at lower right and numbered 31/100 at lower left, by important 20th century Spanish artist EMILIO GRAU-SALA (1911-1975). This is an example of the accomplished lithography of this major European artist, the paintings of whom command well into five figures at auctions in Europe and the USA...

Oil on canvas, 12" by 16", (19 1/2" by 23 1/2"), the scene a white stuccoed house among flowering vines and subtropical vegetation on a sunny Mediterranean coastline, as one would expect to find in Italy, the work signed at lower right with a signature appearing to be "C. Rontini" or similar. The work is purely decorative and likely dates to the 1960's or 1970's. There is dry paint in the sky area, with a fine craquelure pattern. Otherwise the painting

Black ink on paper still life including wine bottle, Asian pot in foreground, potted plant and objects on a distant table, 17 1/4" by 11 1/4" (25" by 19" as framed), signed at lower right by well listed artist WAYNE LA COM (1922-). The economy of draftsmanship in this ink drawing reminds of the skilled pen technique of Henri Matisse and his famous nudes. La Com is known for his skilled watercolors in the 20th century California Scene style...

Lithograph on paper, 17" by 23" inside the mat, 24 1/2" by 30 1/2" as framed, signed in pencil at lower right and "Epreuve d'artiste" written in pencil at lower left, by important 20th century Spanish artist EMILIO GRAU-SALA (1911-1975). This is an example of the accomplished lithography of this major European artist, the paintings of whom command well into five figures at auctions in Europe and the USA...

Lithograph of the year 1946, "Ecclesiastes 4", from the artist's mid 1940's series interpreting themes from the Bible's Book of Ecclesiastes, pencil signed at lower right and with "Ed. 40" and Cuno blind stamp in the margin at lower left. The sheet measures 21 5/8" by 16" (31" by 24 1/2" as framed). This is a mid-career work, one of 536 lithographs produced in a prolific career in the fine arts...

Etching, 6 1/2" by 8 3/4" (12 1/2" by 15" in modern frame), pencil signed by the artist at lower right, titled at lower left "Sunset--Gowanus Bay", the subject a ship in dry dock, other shipping visible in the distance beyond the muddy shore. Farrer (1844-1903) was a talented artist who is best known for his watercolors and etchings. The London-born younger brother of Thomas Charles Farrer, he created landscapes, marines, New York City area views, coastals and drawings of animals...

Woodblock on very thin, delicate Japan type paper, 14 1/2" by 10" inside the old mat, signed at lower right margin in Hebrew, numbered there 53/100, (part of the numbering apparently in green ink), the subject a holy or religious Jewish orthodox man with traditional clothing and hair style. I am not able to read the Hebrew and a friend who can was not able to decipher the writing. Regardless of artist name, the print is beautifully conceived and executed...

Photolithograph print, 16 3/4" by 24 1/2" inside the mat, no title but the subject is a mountain landscape with Native American figures and horses, likely northern New Mexico. The print is signed in the plate with the 1972 date and Cowboy Artists of American symbol, and is pencil signed at lower right, by the well-known western American artist MELVIN CHARLES WARREN (1920-1995)...

This large print is an etching on paper in dark brown ink, and a heavily inked example at that, the subject apparently "Turkish Cemetery", according to a pencil notation in the upper left margin. Measuring 19" by 20" inside the mat (28" by 28 1/2" as framed), the work is signed in pencil in margin at lower left with the distinctive signature of the noted English modern art figure FRANK BRANGWYN (1867-1956)...

Watercolor on paper, 10 1/4" by 5 1/4" (15 1/2" by 10 1/2" framed), the subject apparently an ornate inner courtyard of a famous Portuguese palace and present day tourist magnet, the Sintra National Palace near Lisbon. I am guessing on this, having googled various possibilities, but comparing the window style, wonderful tile details and the castellated ledge at top, I think the odds are excellent that this be the Portuguese subject...

Oil on canvas painting of a peaceful landscape in England, 24" by 16", and with newer frame 2" wide, signed at lower right corner by the well known and prolific English late nineteenth century landscape artist ABRAHAM HULK, Junior (1851-1922). The scene is a rural idyll, with a clouding-over sky threatening a storm, feathery trees, a cottage at center, English ancient country church, chickens and cows, a stream entering the scene from the lower left corner...

Large acrylic on canvas contemporary painting, 56" by 48", unframed, titled on reverse "St. Sebastian", also dated 3/81 and signed there, by the well listed, widely-exhibited American artist, RUSS WARREN (1951-). The painting is striking, the figure shot full with arrows in a strange and surreal, magical landscape, mystery and symbolism and allegory surrounding the scene...

Large unframed abstract oil or acrylic on canvas, 51" by 35", unframed, signed at lower right and dated there "74", **TOGETHER WITH A PENCIL SIGNED AND NUMBERED LITHOGRAPH PRINT**, both by the well listed French contemporary painter, author, printmaker and photographer, CLAUDE HILAIRE HASTAIRE (1946-)...

Watercolor on paper of a street in the French Quarter of New Orleans, I think Pirates Alley, 19" by 13" inside the mat and 28 1/2" by 22 1/2" as framed, signed discretely at lower left near the fence by the listed New Orleans artist TOM LANE (1916-1991). Lane was born in Toledo, Ohio but became a familiar figure in the French Quarter, painting in oil and watercolor the familiar and much-loved scenes frequented by tourists...

Black ink, red watercolor and white gouache drawing, unsigned, 22 1/2" by 15", unsigned, the figure playing a mandolin or lute, wearing poofy medieval-style pantaloons, and sporting a Dali-esque moustache...

Oil on canvas landscape with peat diggers, 16" by 20", 26" by 29 3/4" as framed, signed at the lower right in white "Marjoram". This is a fine work by the well listed, often auctioned Irish artist GERALD (Jerry or Gerry) MARJORAM, (1936-). Marjoram was born in Dublin and tutored by Maurice McGonigal and Sean Keating; by 1970 he was painting full time. Since then he has achieved considerably notoriety in Ireland, his works handled by fine galleries in Dublin and Galway; one of his largest oils...

Pastel on paper laid on board, the subject fruits and a porcelain cup on a tabletop, a vase with at top center, 20" by 15 1/2" (27" by 23" as framed), signed at lower right "Olds" (MARION VALE OLDS 1901-1993). The work is a fine example by this talented woman artist, the cramped artistic space and carefully thought-out arrangement of the objects in that space indicative of an artist of great talent who is taking from Cezanne as well as the WPA (I would guess the age as circa 1930's or 1940's). ...

A fine pastel drawing of a small structure that appears to be almost adobe-like, surrounded by trees, signed at lower left and dated there 1970 by American artist WILLIAM BEAL (1914-1995). The work measures 9 3/4" by 14 1/4" (17 1/2" by 21 1/2" in silvery mid century frame). Beal was the son of important American artist Gifford Beal and nephew of Reynolds Beal. Born in New York City, he spent much time in Maine at Port Clyde and on Monhegan Island, becoming friendly with artists Edwin Gunn an...

Oil on canvas painting of flowers in a vase in an interior space, 23 1/2" by 25 3/4", signed at lower right by German artist ROLF REGELE (1899-1987). Regele was a student of Rudolf Stolz, and he studied at the Academy of Fine Arts in Munich. He painted generally landscapes of the Tirol region of Austria and Italy, as well as still life. During the 1930's his paintings were often reproduced full size and on post cards. The artist settled in Bolzano in the Tyrolean Alps, in the border area of ...

Watercolors on paper, each 6 1/4" by 4 1/4" inside the mats (11" by 9" overall, unframed), each signed at bottom center with the distinctive signature of California Scene artist JAKE LEE. These paintings appear to be studies of spring flowers like jonquils and perhaps asters. Jake Lee's works are increasingly sought after by collectors in the wake of his relatively recent passing. These works are clean examples in excellent condition. They should likely receive clean new mats before framing. ...

Large oil on canvas, 30" by 40" (34" by 44" framed), unsigned, in its vintage original frame, the subject a desert track through sandy scrub, distant purplish mountains filling the background. Though unsigned, the heavily impastoed, impressionistic style and the scene and colors used are unquestionably the work of JAMES MERRIAM (1880-1951). Merriam was born in Canada and was studying in Detroit, before arriving in Southern California. He traveled the Southwest and California, painting the des...

PAIR OF signed ink drawings with pencil underneath, each 7 1/2" by 6 1/2" and 13 1/2" by 11 1/2" as identically framed, the subjects famous clipper ships of the 19th century "Gamecock" and "Cutty Sark", each bearing a signature at lower right that could be interpreted as a "G" inside a square. Found in Maine, and said to have come from a Kennebunkport home, the artist who created the drawings might remain a mystery. I thought perhaps the noted American marine illustrator Gordon Grant (1875-196...

Etching on paper of the New York City elevated train line known popularly as "The L", as in "elevated line", and so titled ("The L - 23rd St. N.Y.") in a separate window in the mat, the primary image area 12 3/4" by 9 1/2", 21 1/2" by 17 1/4" as framed, signed at lower right in pencil, bearing the inscription "For Mr. Paul G. Sprunk from H. Van Notti--1923", and numbered "6" at lower left margin. The scene depicted is familiar urban scenery to any New Yorker or New York visitor. HENRY VAN NOTT...

This one is hard to describe....but I will start somewhere. It is an oil on canvas work, unframed, 24" by 24", with no signature on the front, and only "SARAH W." on the overlap giving any possible indication as to who painted this. A green eye within a triangular window in to a human face stares at the viewer, Magritte-like, as the face of a young black child stares from the lower right corner, as a complex pair of intertwined figures at lower left make for arresting and dream-like imagery. ...

Oil on canvas laid on board painting of small boats on a tree lined lake or river, buildings beyond, 9 1/2" by 11 1/4" in a contemporary simple frame 1 1/2" wide on a side, signed at lower right "C. Brockelmann" and dated there '13. This is a lovely, attractive, clean, pleasing work, ready for the wall despite being a century old, by the Austrian artist CAMILLO (CARL) BROCKELMANN (1883-1963). The artist seems to be rather obscure, even though listed; little biographical information is availabl...

Oil on board painting of four wild horses in a corral under an immense western American sky, 17 1/2" by 21 1/2" framed, signed at lower right by American artist GRACE LORING BASSETT. There is some mention of the artist on the internet, most specifically as an illustrator in 1915 of a "Black Beauty" type book called "Don: His Recollections", a work about a horse, intended for children. There is also an auction history of a painting of a black spaniel, and internet research shows a Grace Loring...

Oil on canvas painting, signed at lower left "Charles T. Harris", late 20th century, the subject a red rock dramatic cliff of the Southwest, framed artistically by a large overhanging branch arching in from the right side. The work is very clean and ready to hang. This came from a local estate. The artist is talented but from what I can tell not listed. Size is 20" by 30" plus 2 1/2" wide on a side wood frame.

Watercolor on heavy paper, 5 1/4" by 10", 10 1/4" by 14 1/2" in early 20th century dark laminated wood frame, signed at lower right in pencil "Della Vernon". DELLA VERNON (1876-1962) was an early California painter, the works of whom are considered scarce, according to the biography in the definitive Hughes Dictionary of California Artists. She was born in Iowa but was known to be in San Diego by 1901, and by 1909 she was in Oakland. The artist exhibited in those early years, and painted into...

By a listed Austrian-born California painter is this large oil on canvas, 34" by 40" (39" by 45" as framed), signed at lower left and dated there "40", the subject the classic, famous, and oft-painted historical Chateau de Chillon of Lord Byron fame, on the shores of Lake Geneva in western Switzerland. The Dents du Midi snow capped peaks rise in the distance, as swans ply the waters and fishermen in a boat at right complete the scene. This is a colorful painting by VICTOR H. NICKOL (1884-1956)...

Etching of a Chicago landmark, the Museum of Science and Industry, signed in the plate at lower left and dated there 1931 by the listed English-born artist who worked in a number of geographical areas of the United States, LEON PESCHERET (1892-1971). States in which the artist worked include Virginia, Tennessee, South Carolina, Wisconsin (where he lived for quite some time), Illinois, and notably, Arizona and the Southwest. This is a fine etching by a talented graphic artist who was especially...

Oil on canvas impressionistic painting of an idealized street with old houses, trees and a few strolling figures, 24" by 36" (unframed), signed at lower left "F. H. McKay" and further identified in old penciled handwriting on the stretcher "Village on the Cove--Vermont" (and original $95.00 price is also written in two places). The artist is FRANCES H. McKAY (circa 1880-possibly 1969---biographical information is scarce online). McKay was apparently a female artist, though some have suggested...

Small contemporary watercolor painting of traditional adobe buildings in New Mexico, a kiva oven in foreground, signed at lower left by Santa Clara Pueblo artist ROSALDA SPECKLED ROCK, wife of Paul Speckled Rock of local pottery making fame. This little work measures 5" by 7" in inexpensive black plastic framing. The artist is mentioned online as associated with a gallery studio offering her husband's pottery pieces, in northern New Mexico. I found this in Connecticut....no doubt, a souvenir ...

Oil on canvas painting of grouse in the snow among pines, 16" by 20", signed at lower right "Berta C. Richards 50", and titled in ink on the reverse "Spring Around the Corner/in Colo Foot Hills/Berta C. Richards/1950". I do not see a listing for the artist but this vintage oil is competently executed by a talented hand. The condition is excellent, since this has been protected actually behind glass, in the veneer-type frame often seen on Currier and Ives prints. I think you might well want to...

This is a work by highly regarded American artist THOMAS WILLOUGHBY NASON (1889-1971), titled in pencil "Rockport" at lower left and signed at lower right "TWNason (M.W.N.)". This would appear to be a posthumous signature by a relative after the artist's death. This example measures 4 1/4" by 6 1/4" inside the mat and 11 1/4" by 13 1/4" framed. The print appears to be in generally good condition with some scattered foxing, especially in the margin area. The burl wood framing is simple and attra...

Gouache on paper, 18 3/4" by 14 3/4" (28" by 24" framed), signed at lower right and dated 1945 by the listed Illinois-born artist ERWIN WILLIAM HOBBY (1892-1977). This is a classic landscape of high mountains in the American west---possibly Colorado, Wyoming, Utah, Idaho or Montana, or the Pacific Northwest. The peak has a volcanic look to it so I might lean towards Oregon or Washington or Northern California even. The artist was born in Joliet, Illinois, and died there. He was a member of t...

Oil on canvas painting of a stand of trees by a small pond or lake in early autumn, 20" by 24" (25" by 29" as framed), signed at lower left by the listed California artist RICHARD VERNON JOHNSON (1905-2001, death date sometimes given as 2007). Johnson was born in Montana and moved with his family to Long Beach, California by 1920. He studied at Chouinard Art Institute and the University of Montana. Johnson taught at various institutions in Orange County. After World War 2 service, the artist...

Crayon drawing of two nude females, 13 1/2" by 9 1/2" inside the mat, 20" by 16" framed, bearing at lower right the stamped atelier signature of the important French artist ACHILLE-EMILE OTHON FRIESZ (1879-1949). On the reverse, a modern label gives the title as "Nude with Veil". Friesz was born in Le Havre to a family of shipbuilders and sea captains. He was educated there and went to Paris after the turn of the century, with his lifelong friend Raoul Dufy (see print by the latter in my shop...

Fine watercolor painting of the famous Chartres cathedral in central France, signed at lower right "G. Lefevre" and titled at lower right"Le Pont du Massacre a Chartres" at lower left. The work is by listed French artist GABRIEL ALBERT MARIE LEFEVRE. Not a lot of biographical information is available, but he painted landscapes and historical buildings in France in the 19th century. This work measures 6" by 8 3/4" inside the fine hand-drawn ornate mat, and 16 1/4" by 17 3/4" as framed. Condit...

When I first saw this abstracted figure drawing I was half expecting to see the "Moore" signature, thinking this a dead ringer for the work of famous English modern artist Henry Moore (1898-1986). Measuring 8" by 6", 13 1/4" by 10 1/4" including the gray mat and silver metal frame, the piece is signed "Saibra" at lower right, or, possibly (less likely), "Sailera". The artist used black ink and pencil, along with some white highlighting, to draw these faceless, mysterious figures that have head...

Watercolor on paper painting, large size at 24" by 29" (33 3/4" by 39" framed), the subject three native American women riding on horseback through a bouldered landscape, the figures highlighted against a dark mountain background, signed in pencil at right by the popular western American artist and art educator GLEN EDWARDS (1942-). Note the fine detail in the figures and horses; the artist himself says that a "good drawing is the basis for a good painting". Edwards grew up in Idaho. Due to s...

Larger size Australian aboriginal bark painting 38" by 23", the complex image featuring a number of native turtles and lizards, painted in natural earth pigments by the northern Australian aboriginal artist who is sometimes know as "Left Hand George", because he throws a spear with his left hand. He is better known as GEORGE JUNGAWANGA or JUNGAWUNGA or DJUNGGUNWANGA (born circa 1938). The somewhat tattered original label on the reverse is from Mimi Aboriginal Arts and Crafts in Katherine, Nort...

**One of a number of works by the artist in my shop** This is a watercolor drawing....an outside possibility that it is a monotype (drawing made on glass or other surface, then pressed into paper, and therefore a unique work) by the noted 20th century French artist CHARLES LEVIER (1920-2003). Measurements are 18"by 13 3/4" (27" by 21 1/2" as framed). Condition is excellent with colors fresh and bright. Levier of course is a well known figure in twentieth century contemporary art. A prolific ar...

Pastel on paper drawing, 6" by 10" (12 1/2" by 17" in its original fine old gilt American 19th century frame), signed at lower right "Stubbs", the subject a man in a small rowboat rounding a headland reflecting in the waters, other boats beyond. This is a scarce, to judge from the auction records, early drawing by the noted American marine artist WILLIAM PIERCE STUBBS (1842-1909). Stubbs is best known for his renderings in oil of clipper ships, these works appearing at the finest auctions of A...

A rare opportunity to acquire an original drawing by a very highly esteemed twentieth century California artist, the works of whom have exceeded $50,000 at auction. This drawing is signed at lower left by the sought-after ROGER KUNTZ (1926-1975). The subject is clearly "Museum (XXX) Art" and I believe it likely to be a study for the Laguna Art Museum on Pacific Coast Highway in Laguna Beach, California. The work itself measures 15 1/2" by 20 1/2". (It is currently framed as found, in inexpen...

A rare prize for the specialist collector of Ohio art, this is an oil on canvas laid on board, the subject an impressionistic sketch of a patch of woodland in greens and browns, 8 5/8" by 11 1/2" plus narrow simple framing, signed in red at lower right "W. M. Darling". Darling is known today as the "Dean of Toledo Artists", a title earned after a lifetime of distinction in painting. Darling studied at age 14 with Henry Mosler in Cincinnati, and by 19 was in Europe with Mosler, exposed to the r...

Woodcut color print "Jeremiah", 23" by 15 1/2" (33" by 25" framed), signed in pencil at extreme lower right corner and dated there 1957, by the well-known Jewish artist JAKOB STEINHARDT (1887-1968). The work is numbered in lower center margin 1/30. Steinhardt is a significant figure in the Jewish art scene of the 20th century. Born in present-day Poland, he attended art school in Berlin in 1906, studying with Lovis Corinth and Hermann Struck. The years 1908 to 1910 were spent in Paris, where...

Crayon drawing on paper of the picturesque old historic mission San Carlos Borromeo at Carmel, California, (dating to the year 1771), so identified, signed and dated 1938 at lower right, by the noted Tacoma, Washington architect SILAS E. NELSEN (1894-1987). The work, 11 1/2" by 8 1/2" and 15" by 12" framed, shows the facade of the popular mission. Net information shows Nelsen was born in Wisconsin and made his career as an architect of commercial buildings, homes, and churches, in the Tacoma, ...

Oil on canvas painting of water lilies, 20" by 16" (28 1/2" by 24 1/2" framed), signed at lower and signed again on the reverse, titled there "Pink Lilies & Reflections"/July 88, by the late Canadian impressionist artist RON SIMPKINS (1942-2008). This is a lushly painted work in the tradition of Monet, who the artist greatly admired, according to a tribute website posted on the net by a loving daughter. Simpkins was the son of Canadian artist Henry J. Simpkins, and continued his impression...

Oil on canvas painting of a fetching young woman, 30" by 24", unframed, signed at upper right corner "George E. Harris" and dated there 1929. The artist is American painter GEORGE EDGERLY HARRIS (1898-1938). Harris was born in Delaware and appears to have most of his auto accident-shortened life in the northeastern states. He was the son of Charles X. Harris of the Noank, Connecticut art colony, and a pupil of his father and of Charles Courtney Curran. The young Harris studied at the Art Stu...

Impressionist oil on canvas painting of ships in a harbor, titled on stretcher "San Francisco Bay in 1840", signed at lower right "M. McDOWD" (MARGARET EPENETER McDOWD 1894-1990). The work, 24" by 30", unframed, is masterfully painted. with excellent handling of light and color, all somewhat intentionally hazy and muted. The steam engine at left seems to cast some doubt on the "1840" date portrayed; a later date, even to about 1920, would be accurate, given the type of ships and the appearance...

This is an unusually bright, saturated-color example of the MARC CHAGALL (1887-1985) lithograph "Romeo and Juliet", printed by Mourlot. This is a well known image by Chagall, created in 1964 for the ceiling of the Opera Garnier in Paris. Charles Sorlier in association with the famous lithography house Mourlot adapted this image from Chagall's sketches for the project and printed this. Measurements are 24 3/4" by 38 3/4". The total edition was 5,000 examples. Examples sell regularly at auction in...

Offered together here as a pair, are two watercolors in vertical format, 6 3/4" by 3 5/8" inside the mat, (11 5/8" by 8" as framed), each signed at lower right by the noted Italian watercolorist artist UMBERTO ONGANIA. Ongania's works are almost instantly recognizable by virtue of their detail, handling of light, and technical excellence. He was a consistent artist, and worked exclusively or nearly exclusively in watercolor, providing portable souvenirs for 19th century travelers making the Gr...

Oil on canvas painting of a Parisian street as it would have looked during the "Belle Epoque" era around the turn of the century, 12" by 16" and 3" wide frame, unsigned. This impressionistic work is an original hand painted work, not a print or reproduction of any type. There is a signature that appears to read "Liotta" at lower right, rather hard to see. This is a decorative piece that should enhance any traditional interior setting. Condition of the painting is excellent, and I note very s...

PAIR of oils on canvas board of historic old structures in landscapes, each 9" by 12" (14 1/4" by 17 1/2" in similar but not identical white wood frames), one signed in red at lower left by listed Philadelphia artist HARRY JAMES OSHIVER (1888-1974). Oshiver was a pupil of Daniel Garber , Henry McCarter, and Hugh Breckenridge. Born in Moscow, Russia, he studied at the Spring Gardens Institute and at the Pennsylvania Academy. Today he is known for his landscapes, nudes, still life, and prints. ...

This is a modernist work (the medium appears to be tempera on board), measuring 10" by 17" (14" by 20 1/2" framed). It is signed at lower left by noted artist AMBROSE PATTERSON (1877-1967) and titled on the reverse, rather mysteriously, "The Alert". This is a late painting by the artist, who had a very different style earlier in his long painting career. Subject matter is open to viewer interpretation. The surface certainly seems to be complex and quite heavily worked. Patterson was born...

Original nineteenth century example of a desirable ("New Best 50") small folio Currier and Ives print, "Midnight Race on the Mississippi". This example measures 10 3/8" by 14 3/8" inside the narrow old frame. It has been subjected to a lot of the mistreatment to which old Curriers are subject: toning, discoloration, and wear in the margins; also, a tear into the image at top right center, another tear from bottom edge through the word "THE"; and most significantly, a long ragged 8" horizontal...

**ONE OF SEVERAL WORKS BY THIS ARTIST IN MY SHOP**Oil on canvas laid on board painting of colorful, flowering shrubs and bushes alongside the Pacific shore, 8 3/8" by 11" (11 3/4" by 14 3/4" in very attractive vintage pie crust style frame), signed at lower right center by the well listed California painter WILLIAM CONSTABLE ADAM (1846-1931). This is a typical work of an artist who is today best known for his depictions of the landscapes, gardens, and houses of the Monterey Peninsula area. Born ...

Watercolor on paper, 6" by 15 1/4" (11" by 20" as framed), unsigned, the subject drawn completely in shades of brown, circa turn of the century or early 20th century, Included in the scene are a number of sail boats of various sizes, and there are a few coastal shacks and houses in the scene, as well as a few tiny figures. Most likely this is a work by an amateur from the east coast, perhaps Massachusetts or the like. The present mat is not professionally cut. I would recommend removing it a...