Watercolor on paper painting of a traditional Bermuda home, luxuriant tropical vegetation partially obscuring it, 9 3/4" by 14" (19" by 24 1/2" as framed), signed at lower left in pencil by artist Charles G. Long. There is no date but I would imagine this pre-dates 1940. The handwriting suggests that the artist was English or Bermudian. The colors are unusually fresh and rich; obviously this has escaped exposure to ultraviolet light...

Two antique prints circa 17th century, matted together, one featuring profiles of a man's head (6 1/2" by 9 1/2"), the other a study of a bare foot and a foot in a sandal (6 1/2" by 4 1/2"), the head profiles, originally drawn by Annibale Carracci (1560-1609) for his "Livre de Portraiture", subsequently transferred into engravings, likely by Jan Van Haelbeck (fl. 1600-1630) and published in Paris in 1667 by Francois de Poilly. Carracci's name is at lower left, and de Poilly at lower right...

Interesting and unusual print by a so far unidentified artist, 10 1/4" by 8" inside the mat, 15" by 12 1/2" simply framed, the subject a white-haired fiddler seated in a chair. The Mark Twain-appearing man vaguely resembles figures you've seen in prints by Thomas Hart Benton, and the print REALLY resembles a work by artist Eric Bransby (born 1916), recently recognized with an exhibition at a well-known Denver gallery...

Katsuhara Shinya (Tatsuhara Inuki) (1951-2015)
A woman with mirror in art deco style
Size: 16.25 x 7.25 inches.
Medium: Japanese woodblock print.
Date ca.: Late 20th century, pre-1995.
Edition: 72/200 numbered in pencil on back.
Signed "Shinya" in the image and sealed.
Enlargement 2 shows the upper part of the print in which the black background features a checkerboard pattern that only becomes visible in side light.
Condition: Excellent.

A painting on light blue illustration board, sizable at 24" by 36" including its thin strip frame, signed at lower right by artist B. G. Dorsey. The subject is a white classic New England home with green shutters, pictured in early autumn, the trees turning colors. A lone figure seems to knit at the side of the house, a rowboat is tied up at the convenient dock, and a sailing craft and the ocean beyond appear at left. The idealized scene is classic Americana...

This is a well-executed late 20th century watercolor painting of two teddy bears floating in a complex three dimensional space, with children's alphabet blocks, a teapot, and cups and saucers sharing that space. The work is signed actually twice, in gold paint, at lower right "Mieko". Measurements are 10 1/2" by 14 1/2" (16 3/4" by 21" in simple light wood frame). The drawing is colorful and whimsical and would enhance any child's room...

Large fine English antique mid 19th century print of mounted riders in traditional red coats, and their trained hounds, in an extensive landscape, the title "John Josselyn Esq. and the Suffolk Hounds", engraved by Charles Mottram (1807-1876) after the painting by Edward Robert Smythe (1810-1899). The print, mounted long ago to a board, was published circa 1865 by Henry Graves & Co. of Pall Mall...

THREE Asian (Chinese, I think, but possibly Korean) watercolor on silk paintings, each 9 1/2" by 11 3/4" (14 1/2" by 18 1/2" in gold framing), contemporary/late 20th century, featuring classic Asian landscapes of dramatic hills and tea houses and pines, making for a very decorative trio for your Asian-inspired interior. A few slight imperfections are present in the frames, but they are very minor. The drawings are in excellent condition.

THIRTEEN prints in total, varying in size, the largest (the set of ten) measuring 12 1/2" by 9 3/4", TWO initialed in pencil in the margins by the noted Ukrainian-born, French artist SONIA DELAUNAY (1885-1979). Ten of the prints are from the 1930 set of approximately 40 stencils "Compositions/Couleurs/Idees" published by Editions d'Art Charles Moreau. Two of those are initialed "S.D." in pencil by the artist at lower right...

Brooks Pettus (1918-2003) was a noted western American artist who passed away in Kennewick, Washington, leaving behind a large body of work in watercolor and oil that only recently appeared on the market. Pettus earned his Bachelor of Fine Arts at the University of New Mexico, and spent time in Albuquerque and Taos in the early 1940's. New Mexico's artistically inspiring landscape stimulated Pettus' aesthetic sense as it has for countless others...

A watercolor painting of unusual architecture (a white building with arch that looks almost Indian or Islamic) reflected on a wet pavement, two figures standing in center under that arch, 15" by 22 1/4", unframed (though it is matted, as found), signed at lower right by listed California artist ROBERT LANDRY (1921-1991). Landry was born in Washington, DC and studied art there and in Minneapolis. After serving in the Second World War, he was able to take advantage of the G.I. Bill...

Vintage oil on panel painting of the coastline at Santa Monica in Southern California, 7" by 9" framed, signed at lower right "K. Latour". Written on an old label on the reverse is "Scene looking right from Palisades at Santa Monica Calif./remember?". The painting likely dates to about the 1940's or early 1950's. Ready to hang on your small empty wall. The vintage frame has slight corner separation and wear at upper left.

An original circa 1870's photograph of a sculpture of a warrior, in the National Museum of Greece in Athens, the photograph by the famed "Fratelli (brothers) ALINARI" of Florence, Italy. The photo measures 9 1/2" by 7 1/2" inside the mat and 22 1/2" by 19" framed behind (scratched) Plexi. On the reverse is a hand written not giving the Alinari name and title "Stele du guerrier Aristion/Museee Nationale Athens, Greece"...

Oil on canvas painting, probably English late 19th century, unsigned, of a small body of water, two cottages and a man in a rowboat completing this traditional subject. The work measures 16" by 19 1/2" (24" by 28" in newish framing)...

Oil on Masonite painting of a high desert of the Southwest, 8" by 9 3/4", unframed, signed in red with initials at lower left. Probably dates to the 1960's or 1970's. Put an eight by ten inch frame on it and you will have a very nice little landscape for your wall.

Colored etching, 7 3/4" by 4 3/8" inside the mat, 13 1/4" by 9 3/4" framed, pencil signed at lower right margin, with "No. 18" notation, by the famous French artist, JEAN-FRANCOIS RAFFAELLI (1850-1924). This is a sympathetic depiction of a common woman of the lower class, gathering sticks on a chilly day for her cooking fire or hearth. Raffaelli found the common, the poor, the working class, and the underprivileged people of Paris and its industrial suburbs to be his favorite subjects. He stu...

A whimsical drawing of a young child-like chimpanzee seated in a parlor, evidently enjoying a cocktail, a tea kettle in the foreground suggesting that he is about to partake in other civilized human behavior. The drawing is unsigned. I researched a bit on the net to see if it might be by the artists who created Curious George, (Hans-Augusto Rey(Reyersbach) and Margret Rey), but the obvious lack of resemblance to that most famous cartoon ape indicates that this drawing is not of him. Neverthel...

This decorative, complex gouache drawing appears to be possibly a wallpaper design of the Art Deco period, or, it could just be a drawing in its own right. On the reverse is written the name "T.M. Abell". The eye-teasing geometric design seems to vibrate almost in the way that Op-Art of later decades vibrates and challenges the eye. Colors are greens, oranges and yellows, with white and black lightning-bolt type diagonal borders making for a most dramatic pattern. Googling the name written o...

An English antique line engraving by Taylor, published by Alexander Hogg in "The Antiquities of England and Wales", 1795, the subject given as "View of Lambeth Palace in Surrey". The print measures 7 1/4" by 9 1/4" (and 13 1/2" by 15 1/2" framed). The print looks decidedly antique, the paper with old crinkles, and it is simply laid against a pinkish board. It appears to have been possibly trimmed at bottom. The decorative print is hand colored. Frame is modern day yet complementary, and in g...

Nicely executed impressionist pastel drawing of coastal rocks and surf, 9" by 12" (14 1/2" by 17 1/2" framed), unsigned. This came from a collection of Northern California art, including pastel drawings by Carl Sammons, so I would at least entertain the possibility that he could have been the artist, but alas, this is truly unsigned. The work is on paper laid on a board. Condition is excellent with just a little contact with the old style non-glare glass, which should be replaced. The photos...

Original lithograph print, 7 1/4" by 10 3/8" inside the mat opening, the sheet 8 1/4" by 12 3/4", the title "Greeting Card for Aime Maeght", printed by Mourlot in the year 1960 in an unknown edition, on heavy Arches paper. The print is taped at top on the reverse. I note some abrasions: a diagonal scored pressure line at upper right, which extends into the mat, suggesting contact with something sharp; a comma-shaped abrasion in center to the left of the woman, only visible from an angle; a ti...

Hand colored stipple engraving botanical print, titled "LONICERA Alpigena", and "CHEVREFEUILLE Alpigene" in French (a type of honeysuckle), after the highly important Belgian-born botanical artist of the late years of the 18th century and early years of the 19th, PIERRE-JOSEPH REDOUTE (1759-1840). The original drawings from which the images derive were created sometime around 1810 and the prints were created not long thereafter. Redoute was renowned in his own time for his skills, patronized by ...

Gouache painting of a gingerbread, Victorian house in Georgetown, Colorado, 12 1/2" by 10", 20 3/4" by 16 1/4" framed. The painting is signed at lower left "M H Brown" and dated there 57 or 59, and the word "Georgetown" identifies the setting. A modern framer's sticker on the backing from Georgetown, Colorado confirms the locale. Georgetown is an historic town filled with examples of Victorian architecture from the boom days of the 19th century in that part of the country. This painting is ...

Found in Florida, a PAIR of watercolor on paper paintings, each signed "H. Crouse 50", one featuring a young dark-haired woman dancing animatedly in flamenco style dress, the other featuring a young man with sombrero and traditional shoulder cloth and sandals. The works measure 14 3/4" by 10 3/4" inside the existing mats, and 22" by 18" in thin gold strip framing. The subjects might be Mexican, or Central American, or Cuban. There are old framer's shop stamps on the backing, circa 1950's, fro...

Watercolor painting of yellow roses on their prickly stems, 11" by 7 3/4" (16 1/2" by 12 3/4" framed), unsigned, circa late 19th century or early 20th. There is an old framer's label on the reverse backing from Boston. Condition is good, mat should be replaced, as well as old-style acidic old sawn wood backing boards. The mat edges did leave browning to mark their presence but that would be hidden completely by a new mat.

Oil on canvas painting of a desert, late 20th century, 12" by 16" (19" by 23" framed), signed at lower left by California desert painter KENNETH WALFORD. This is a rather typical example of the work of this artist. I have handled a number of Walford's works. Most feature desert landscapes. Biographical information on the artist seems to be lacking at this time.

Oil on board, 21" by 31" (27" by 37" framed), unsigned, the view late autumn or early winter in high western mountains, snow already on the ground and peaks but brown leaves still holding on to a few trees. The work is really very nicely done and I believe it quite likely that the artist is listed, but unfortunately it is just not signed. The painting likely dates to about the 1950's or early 1960's at latest. Colors are harmonious, reflections are painted masterfully, and overall it's just a...

A **PAIR** of oil on canvas laid on board paintings of New Orleans scenes, each 16" by 7" (and 19" by 10" identically framed), each signed "Mansfield". The works are by listed artist GEORGE DRUMMOND MANSFIELD (who also sometimes signed "Drummond"). The works are often in vertical format like these, and sold in pairs. One of the present works features the famous St. Louis cathedral with Andrew Jackson statue, the other the famous Brulatour Courtyard (I think). The works date to probably about ...

Old mountain and canyon landscape with foreground water and fog in the trees, 22 1/2" by 12 3/4" framed, unsigned, painted on old gray art board. The work likely dates to about the first quarter of the 20th century or possibly last years of the 19th. The vertical format would complement a narrow small wall. Old gold frame has some chip losses especially at corners. The whitish clouds in the sky might exhibit some definite paint wear; but to the degree that this almost blends into the clouds,...

Three engravings, from a set (consecutively numbered in Roman numerals), but separate though loosely framed together, margins for the most part tightly trimmed, each measuring roughly 6 1/2" by 5 1/2". The scenes of the old towns are named in Latin, German, and French. Judging from the architecture, the towers and buildings are certainly from the northern part of Europe, most likely Germany. Artist is undetermined at this point. Some research could reveal that information. The prints are lo...

After the Salvador Dali 1959 painting "Virgen de Guadalupe", this is a circa 1982 pencil signed lithograph print measuring 28" by 16 3/4" inside the mat (36" by 25" as framed). The piece is pencil signed at lower right and numbered 132/300 at lower left. This particular print is widely considered a late, unauthorized edition so is offered strictly as manner of or after the great Dali's work, the signature not by Dali, who died in 1989 and was not signing in the years before his death. It is ...

Tinted color appearance photograph of West Gate, Garden of the Gods, Colorado, by the noted William Henry Jackson (April 4, 1843 – June 30, 1942), an American painter, Civil War veteran, geological survey photographer and explorer, famous for his images of the American West. The work measures 4 1/4" by 7 1/4" (11 1/4" by 14 1/4" framed). I am not a specialist in photographica of the American West, but from research this appears to be what is called a "photochrom" of a black and white image or...

An original gouache on illustration board drawing of a native American dancer performing the "eagle dance" of the Southwest, measuring 8" by 6 1/2" (12 1/2" by 11" in wood frame), signed at lower right by artist H. Kunkle and dated '79. Definitely an original gouache drawing, not a serigraph or reproduction of any kind. See close-up images. I have not been able to locate information on an artist by this name. The work is loose in the frame, needs to be nailed in again. Double mat is very cl...

Oil on canvas laid on board painting of a man and two female companions, relaxing in a sun dappled forest in summer, the gentleman playing a guitar, the women in feminine dress with bonnets and hats. The work, (24" by 30", and mid 20th century frame 4" on a side), has for years defied my efforts to identify the artist, as the signature at lower right is very difficult indeed. It appears to begin with a "B", and I have tried combinations such as "Brettschneider" to no avail. My best guess as t...

A circa 1880 American painting on canvas of a white clapboard house on a farm or rural land, the structure surrounded by bare trees, white fences and outbuildings, a sitting dog strategically placed at center staring directly at the viewer. The work measures 18" by 22" and 22" by 25" framed. It is in very original condition, so original that we might be looking at a heavily soiled surface that would brighten dramatically with a professional cleaning, though there is no doubt that the color pal...

Old watercolor painting of yellow daffodils in a green vase, 13 3/4" by 13" (19 1/2" by 19" in old, likely original frame), signed at lower right "KAY". There are a number of last names of listed artist by that name, but it would be difficult to point to any particular one as our painter. The work likely dates to about 1930 give or take about ten years. The color scheme and framing, not to mention the pottery vase, really give a feeling of Arts and Crafts. Would work well in a Mission style ...