A black and white photograph of one of the most famous of the French chateaux, the Chateau de Chenonceau on the River Cher in France's Loire Valley, the work signed at lower right margin in ink with what appears as "D. Esicaud/Tours". Tours is a city in the region. The piece measures 18" by 14" and 23 1/2" by 19 3/4" as framed. Condition is excellent. The castle dates to the early 1500's and is a major site on the tourist circuit of France.

A PAIR of paintings of figures dressed traditionally, the larger 12" by 9 1/2" (17 1/4" by 14 1/2" framed), the smaller 9 3/4" by 6 3/4" (15" by 11 3/4" framed), one signed in red and dated 1991, the other just dated 1990, but both have ink writing on a margin paper that shows as "Byklasang 1990" (or, By Klasang?). These appear to be of Thai, Laotian, or other Southeast Asian origin, possibly Burmese (Myanmar). I do not appear to be able to tie them to a known artist...

Large 30" by 48" painting on Masonite (36" by 54" nicely framed) signed at lower right "Sardi". There is a listed artist Jean Sardi (1947-) but his works do not seem to resemble this and the signature differs. This is a thinned paint on rough side of the Masonite. A previous similar work I handled, by this artist, had an original pre-zip code label from Karl Mann Associates in NYC, apparently a well known interior design firm for decades, a label from the firm considered a good provenance...

A late 20th century watercolor painting , 10 1/2" by 14 1/2" inside the mat, 14 1/2" by 18 1/2" in gold framing, the scene three figures in front of a walled house, the figures with loads carried on heads or in traditional pole baskets. There are two red chop marks at lower right. On the reverse is a rubber stamp of Suvida Frame, and Thai lettering. The poetic work is clean and highly decorative. Allow for reflections in a few images.

A really well painted antique small watercolor of yellow roses, 6 1/4" by 8 1/4" in strip frame, signed at right with what looked to be LCTiff----When I purchased this in San Francisco area in the 1980's or early 1990's I thought it possibly a turn of the century work by Louis Comfort Tiffany. Further research appears to establish that this is not the case. The signature does not resemble known Tiffany signatures and there is little to no record of still life works that resemble this...

Pencil on paper study of a man, signed at lower left with initials M.A.K., mid 19th century, by the noted Dutch landscapist and member of the important artistic Koekkoek family, MARINUS ADRIANUS KOEKKOEK (1807-1870). He was the son of Johannes Hermanus Koekkoek and brother of Barend Cornelis and Hermanus Koekkoek. This particular work was likely a sketch made by the artist as he worked out a particular artistic situation for a painting...

Original pencil on paper drawing of a Native American Indian warrior on horseback, 10" by 8" (14" by 12" framed), signed at lower left by listed Montana artist SANDY INGERSOLL (1908-1989). This is perhaps a workout sketch---almost a tracing paper illustration type of drawing---for a more finished drawing or, later, painting. Ingersoll was born near Helena, Montana and would have been in his teens when Charlie Russell died in 1926. Ingersoll lived in western Montana most of his life...

A nicely executed watercolor and gouache painting of Notre Dame Cathedral as seen from the east, the view captured on an atmospheric, cloudy gray day. The scene includes fishermen and other tiny figures at left. At lower right the artist signed rather illegibly; it could possibly read "Pierre" or "Renee", and after that it becomes more difficult to decipher, but "51 PARIS" is at the end (possibly "54")...

A watercolor painting of a small motor boat and the surrounding dock area complete with lobster traps, signed at lower right by artist WILLIAM J. GILLETT, where it is also dated 1950. The work on heavy watercolor paper measures 12 1/2" by 17 1/4" and is currently housed in an old frame and mat that should all be discarded (that measuring 21" by 25")...

A small contemporary watercolor of the dynamic waterfront harbor area of Vancouver, British Columbia, signed by artist Jo Wodz. The work, 3 3/8" by 3 3/8" (6 1/4" by 6 1/4" in modern frame) is by a contemporary Canadian artist, information on her painting style and subjects available on the internet. Condition is excellent. A fine way to remember Vancouver and its many charms.

A **PAIR** of watercolor on paper paintings of tropical South Florida landscapes, each 15 1/4" by 19 1/4" (one unframed, the other measuring 21 1/4" by 25 1/4"), both signed by Wisconsin-born artist RACHEL STEARNS (1895-1979). Stearns spent much of her life in Chicago where she received art education, some with Frederic Grant. Evidently she spent a lot of time in Florida, as a number of watercolor works featuring scenes from that state are known...

Ink drawing "Wooded Road", measuring 11" by 16", unframed, circa 1930's or 1940's, signed at lower right by listed American artist ISOLDE THERESE GILBERT (1907-1986). There are two labels, discovered when the piece was opened up (frame is low quality and worn). One red-bordered label gives the artist name, work's title, and size; another, of The City Library Association, Springfield (MA) Museum of Fine Arts, again provides title/artist name...

Original 1974 Marc Chagall (1887-1985) color lithograph on lustrous Japon Nacre paper, the title "King David" (1974)---Sorlier #721, the sheet 11 1/2" by 8 1/4", measuring 9 1/2" by 7 1/2" inside the present mat, and 16" by 13" simply framed. The print is not laid down, but is taped to the mat, at the corners, on the reverse side...

A mid 20th century watercolor on paper landscape painting of craggy classical mountains and gnarled pines, signed at center left with characters. The work measures 14" by 19" (24 1/2" by 30", no glass).

This is a wood engraving print titled "Les Visages", by the important French artist GEORGES ROUAULT (1871-1958). The print measures 7" by 8 3/4" inside the mat (13 3/4" by 15 1/2" as framed). I believe that this is from the edition published at a later date (circa 1960's) by the Collectors' Guild of New York; the print is dated in the plate 1927, and signed in the plate at lower right. The condition is very good with even very light toning of the paper...

A fine example of California plein air art by listed woman artist MARY MAISON (1886-1954), unframed, 16" by 20", signed at lower right. The work is painted directly on wood panel. Image is of a high mountain, like Mt...

Oil on canvas on board, 18" by 27", unframed, signed at lower left by artist OSWALD SCHLOMBS (1876-1926), and titled in pencil on reverse "Herbst" ("autumn", in German). The artist though listed is not well known, though obviously talented. This painting has scattered paint loss, showing as white areas in the photos, and apparently some chemical darkening of the pigment, as at very top the observer will note how the paint that had at one point been hidden by a frame is a lighter blue than the ...

A striking, complex drawing suggestive of three dimensionality, in rich teal blue and black, violet and gold, with strategic cut-outs revealing the white backing, 25" by 38' in the plastic enclosure box. The work does not appear to be signed but a fading label on backing gives the title as "Turquesa" ("Turquoise in Spanish) and the artist as JUNE SOBEL (1950-). Sobel was born in Queens, New York and grew up on Long Island. Saturday classes at the Art Students League in New York led to her ac...