Etching titled at lower left within the plate line in pencil "Dans le Vieux Carre New Orleans", signed within the plate line at lower right by the listed English-born artist who worked in a number of geographical areas of the United States, LEON PESCHERET (1892-1971). States in which the artist worked include Louisiana, Virginia, Tennessee, South Carolina, Wisconsin (where he lived for quite some time), Illinois, and notably, Arizona and the Southwest...

A framed PAIR of identically framed color prints, each 11 1/2" by 15 1/4" as framed, the subjects of both the famous bookstalls by the Seine in Paris, Notre Dame cathedral in the distance. Each is pencil numbered at lower left out of editions of 5000, and signed at lower right in pencil, by the noted French 20th century impressionist painter CHARLES BLONDIN (1913-1991)...

Oil on canvas, 20" by 27 1/2" and 25" by 32 1/2" in gold frame, the subject a glass vase on a tabletop, the vase and surrounding area filled with various flowers including asters and roses of various colors, as well as unidentified blue flowers in background. The work is signed at lower right "G Cocco" (GIUSEPPE COCCO 1879-1963), a listed painter from Naples, Italy. Cocco's signature can occasionally be hard to decipher and as a result he is less known than he should be...

A handsome and striking metal wall sculpture created from stainless steel and a uniquely patinated copper inset central portion, 24" by 24" by 2" overall, from the ARC Series, by noted American gallery artist JEFFREY JON GLUCK. The patinated portion gives the impression of the complex natural surface of a granite countertop or other polished surface with porphyry inclusions...

By the hand of well listed California artist ARNOLD BRAY (1892-1972), a small unframed oil on canvasboard (16" by 12") titled on reverse in pencil "Show Girl", signed and dated at lower right 1948. Bray was born in Odessa, Russia and came to San Francisco with his family at age 10. He studied at the California School of Fine Arts and later taught there...

A decorative painting on a fragment of unstretched canvas, a slightly irregular shape, but almost square at 12 3/4" by 12", unsigned, in the famous drip and splatter/splash style of famed Abstract Expressionist Sam Francis (1923-1994). The work is housed temporarily in a protective-only simple black frame. The paint is likely acrylic. The work is a lot less expensive than a real Sam Francis.

Oil on canvas laid on board painting of the Grand Canyon, 17" by 21" (20" by 24" as framed), apparently unsigned, circa 1940's, possibly earlier, executed in a naive manner that borders on or crosses the line to folk art. I think the technique is intentionally naive and primitive, as opposed to just the less-refined work of an amateur artist. The frame (see close-up) adds to the folk art aspects. This is a fine addition to your Southwest or Southwest folk art collection.

An impressive original gouache painting of the iconic buttes and towers at the Monument Valley in the famous "Four Corners" region of the American Southwest, signed at lower right by the listed artist ARTHUR C. BEGAY (1932-2010). The work, 11 1/2" by 15 3/4" (17 1/2" by 22" nicely framed and matted) is a stunning example of Southwestern art. The artist has depicted the ageless ramparts as they stand under a high, wispy cloud at sunset...

A large oil mixed with sand painting on canvas, signed on reverse by artist "Durrant", titled there "Rombosity" and dated there 1965. This is an unusually large work by the noted English modernist artist ROY TURNER DURRANT (1925-1998), works of whom sell with some regularity in the United Kingdom. Paint is very thickly applied and is wrinkled in some areas. The work measures an impressive 46" by 33 1/4"...

A large felt tip marker drawing of a fetching nude woman pictured against a patterned background, 29" by 19 1/2" inside the linen liner, signed at lower right and dated there 1960 by the noted Romanian-born American film director, and talented artist, JEAN NEGULESCO (1900-1993). The line drawing (in the style for which Negulesco is known) has the feeling of Matisse...

A heavy bronze mid-century sculpture on a wood base, signed (incised) J. Soriano, measuring approximately 14" by 9" by 8" (bronze itself), the wood base about 10 1/2" high.  Note the fine lustrous brown patina. The signature is spurious, the work not by the famous Mexican artist sculptor Juan Soriano (so determined by correspondence from the representative/expert of his estate), but the anonymous work stands on its own merits, and it is likely to be of Mexican or South American origin...

A vintage circa 1930's oil on canvas still life of various kinds of flowers in a blue vase on a table top, signed at extreme lower right "N B Wise" or "M B Wise". There is a fragment of a gallery label on reverse and last letters indicated ".......ati", so I believe this might have Cincinnati, Ohio in its past. I do not see a listing for an artist by this name. The work measures 26" by 22" (29 1/2" by 25" in old appealing gold frame)...

An antique soft pencil drawing of a young woman, unsigned and unattributed, 9 3/4" by 7 1/2", likely dating to the very early 19th century at latest, and more likely, well into the 18th century. The drawing would probably be of French origin. The paper has been affixed long ago to a thin card. Condition is excellent. The number "17" in old hand appears at lower right corner. Simple strip frame is of inlaid wood and is attractive.

Oil on canvas landscape of steep red rock cliffs bordering a canyon in which a lone rider and his horse are to be seen at lower right, 20" by 24" (24" by 28" in white frame), signed at lower left by well listed Texas and New Mexico-associated artist (JOHN) GAITHA BROWNING (1912-1992). The painting is titled on the reverse canvas in pencil "Red Rocks Country"...

A very old, very well executed detailed antique painting of currants, grapes, raspberries and plums on a platter, apparently unsigned, measuring 11" by 12 1/4" (17 1/2" by 19 1/2" in an older, attractive frame). The oil on canvas is laid down on Masonite. It is difficult to determine the exact age, but early 19th century or even earlier would not be unreasonable...

An old watercolor of a street scene in Alsace (the portion of eastern France that borders Germany), featuring a well for water and a half timbered house wall, along with a pretty window with flowers in pots. The artist, AMELIE FOLEY-RISLER (1870-1947) signed at bottom left and the town is identified there as Niedermorschwihr, Alsace. The unframed watercolor, 14 3/4" by 11", is in excellent condition...

An accomplished watercolor of a spooky old Victorian house on a city block, signed at lower left by artist JOHN W. ATTERBURY and dated there 1944. The work measures 14" by 20" (24" by 29 1/2" in old stained oak wood frame). Titled in pencil "Yellow Windows" at lower center, the artist has created a work with very American qualities, and reminiscent of Edward Hopper's strangely empty and lonely structures, or perhaps those of Charles Burchfield. In this case some figures hurry by the venerable...

Signed charcoal drawing of a nude female seen in profile, arms over her head, an unreadable signature at lower right. The work measures 12" by 8 3/4" inside the mat and 20" by 16" simply framed. I opened the backing and other than a few numbers in pencil there is no other information. At some point there was a little moisture exposure at the bottom. This affected just the thin white card upon which the sheet of brownish paper was at some point laid, and not the drawing itself, although ther...

A fine soft pencil drawing of a young Asian man with white head cloth, inscribed at lower left "JAIRONG Boy from drawing by Graham Peck", and signed at lower right by well listed California artist JADE FON (WOO) 1911-1983. Graham Peck (1914-) was a Yale-educated, Derby, Connecticut illustrator and writer; he illustrated and wrote "Through China's Wall" in 1940. Fon has created a sensitive portrait of an individual which the "Jairong" word and Peck's biography suggests was from eastern Tibet/so...

By the highly underrated Japanese-born artist most closely associated with Minnesota, YAMADA BASKE (1869-1934), this is an early, ethereal 1904 watercolor landscape with tiny figures on a Japanese-style foot bridge, and nearby trees, in the spring, painted in a dreamy, reverie style with delicate light colors. Being so light and intentionally blanched in style, it is very difficult to photograph. The work measures 17 1/2" by 11 1/2" (24" by 17 1/2" framed). On the reverse in pencil it is titl...

A hand-painted oil on canvas of two ladies in elegant 19th century garb chatting in an intimate sun-dappled small garden, 16" by 12" (23" by 19 1/2" in dark red simulated wood frame), unsigned. The contemporary work is painted in the style of the grand French impressionist masters of the later 19th century, such as Renoir. This is a highly decorative work in excellent condition. There is a small area of loss on the frame at lower right; you can fill/color it in yourself, or find a new (easy, ...

Oil on canvas laid on a card, unstretched, signed at lower right corner "C Vianello". The subject is an older lady seated in a darkened interior, obviously deep in thought. The work measures 13" by 10 1/4". It is sorely in need of some restoration, as it was laid long ago on a card which is now bent and cracked. The surface though stable is dry, and there is soiling and no varnish present. A restorer could likely avoid the higher expense of totally removing the work from the card, by simply ...

Watercolor painting of a street and pedestrian promenade on Union Street, in Bath, England, signed by artist Tim Fish. The work is dated December 9,1998 and signed there. Measurements are 7 3/4" by 11 3/4" inside the mat (13" by 17" in simple wood frame). There is presently no glass, but the work is in excellent condition. A nicely executed work by an artist who obviously is familiar with watercolor technique.

A vintage watercolor by an unknown amateur artist, titled at bottom "Santa Barbara Mission", unframed, measuring 14 1/2" by 11 3/4". The work on old paper would appear to date to maybe the 1930's or early 1940's at latest---think the "Route 66" era of travel in the American West (though this site is not on or near Route 66). It was likely created by or for a tourist. Note the Native Americans at center in the reflecting pool or fountain. A classic piece of vintage Californiana that just need...

A good-sized example of the scarce work of Nagasaki, Japan-born artist JUNJI YAMASHITA (1940-), featuring Sacre Coeur church in Montmartre. The work is painted in a monochromatic palette of grayish brown, and a palette knife is used to spread around the paint. Note the skilled use of the palette knife in the lower right portion. Yamashita is known for his landscapes and still lifes, the most recent painted in a Post-Impressionist style. This is an early work, (it is signed at lower left "Jui...

PAIR of old watercolor paintings of ceramic and metal objects on table tops in an interior, the first 21" by 28" framed, the second 19" by 24" framed, the larger work signed at lower right by European (French?) artist Joanny Rec. These are beautifully executed fine watercolors in excellent condition. I have found little information on the artist after an extensive online search. The name suggests a Belgian or French nationality, I would think, but I would not rule out another. The vases, pl...

An antique red chalk European drawing on laid paper, sheet 8 1/4" by 6 3/4" (15 3/4" by 12" in 20th century frame), unsigned, the subject an aristocratic woman formally dressed, with upswept hair of the period. One wonders if this might be Marie Antoinette herself, or someone else who might have been caught up in the 1789 storming of the Bastille and the infamous Reign of Terror. There is a watermark in the old paper. Taped at top edge only. The drawing could also be German, or Austrian, or ...

A color propaganda poster from the 1960's or 1970's Mao-Tse-Tung era, 19" by 29 1/2" inside the current matting, 28" by 41" in present simple black framing behind Plexi. The paper is of a less-finished type that may be akin to newsprint. Print has slight creases in places but overall is in good clean condition. There are very minor edge tears and skins in a few places where this was crudely taped in the past and small moisture stain as shown. There is type in Chinese characters near the bott...

An unframed circa late 1600's or early 1700's oil on wood panel painting of old ruins in a poetic Italianate landscape that includes a distant bridge over a river, more ruins, and several tiny foreground figures with their animals. The 9 3/4" by 12 5/8" oak panel shows great age; it is ever so slightly bowed. I do not see a signature although there may have been one at one time at lower left, where others have rubbed perhaps with saliva, to try to bring up a signature. The work carries with i...

A very decorative, fan-shaped painting on canvas of winged putti, in Old Master style, 27" by 45" as framed, bearing a signature at lower left center, appearing as "Maffei A.". The work likely dates to about 1970, and is likely the work of a quality workshop producing decorative pieces for visitors to Italy. The style is convincingly 18th century, the workmanship impressive. The frame has gold leaf on the decorative portions. The painting even has a craquelure pattern that makes it look genu...

A contemporary impressionist landscape of the hills of Texas in the spring when the famous bluebonnet bloom, signed at lower left by artist "Julienne". This is a work of a talented artist, the signature of whom might well be a take-off on the famous and important Texas bluebonnet artist Julian Onderdonk (1882-1922); conversely, the artist may just happen to be named "Julienne". The undulating landscape is quite green, and the bluebonnet in the foreground carpet the ground, so the season is lik...

An oil on canvas painting, 36 1/4" by 26", (44 1/2" by 34" framed), relined circa mid 20th century, no apparent signature present, nor attribution available. The weave of the canvas suggests a work pre-dating the 19th century. The painting is reminiscent of Italian Renaissance imagery and strongly suggestive of Italian origin.. I acquired the work at an estate sale held at the Los Angeles home of E! Entertainment, Comcast CEO, and most recently NBC Broadcasting Chairman, Ted Harbert. The piece ...

A landscape painting with feathery trees silhouetted against a luminous sky, a female figure walking at right with brown cow on the path which borders a creek, signed illegibly at lower right and dated there 1852. Someone invested some money in preserving the work, as it has been relined in recent times. The original stretcher was retained. The work is now stable. It is not perfectly flat however, there being some roll to the canvas especially at bottom. Hanging on the wall none of this is ...

Oil on canvasboard landscape of Southern California including distant oil derricks, 12" by 16", unframed, not signed on front but on back signed and with artist address at the time in Sunland, CA, a Los Angeles suburb. The forest of oil wells could be in a place like Signal Hill, or Long Beach, near Huntington Beach, or, any number of other points in Southern California or the southern Central Valley west of Bakersfield. This is a work by the talented wife of another talented artist, Roy Brook...

Large colored etching, posthumous printing, after the circa 1914 original print of the famous Austrian landmark on the Danube west of Vienna, the 18th century-built Melk Abbey (sometimes called Melk Monastery), signed in pencil at lower center by the son of the artist, Robert (the actual signature is preceded by "nl" which indicates Nachlass, or Studio, of the artist). The image is by the well-known painter and printmaker LUIGI KASIMIR (1881-1962). The 18" by 23" work (28" by 32 1/2" framed) i...

A Dutch 17th century etching of a standing horse near a humble abode, 6 3/4" by 7 3/4" (14" by 15 1/2" in 20th century appropriate black frame), unsigned, and with no initials or other indication as to authorship. The work bears old pencil notations on the reverse side of the mat; there appear to be names of potential artists that were pondered by a previous observer in my position (including, it appears, question marks to himself). The names appear to be "Karl des Jardin", "Dirk Stoop", "Pott...