Gouache on paper laid on board, 20" by 14 1/4", signed at top left and dated 1960 by the artist, RASIK DUGASHANKER RAVAL (1928-1980). This is a modernistic view of three Indian women, balancing pots on their heads, a goat grazing at lower left among their anklet draped feet. The artist's works have sold into five figures at Sotheby's auctions of contemporary and modern Indian art...

Wood engraving on paper, unframed and in a shrink wrap sleeve, 14" by 9 1/4" inside the present mat, signed in the print at lower left and titled at bottom "Approach of the British Pirate Alabama", by the famed American artist WINSLOW HOMER (1836-1910). The well-known image was published on April 25, 1863...

Color offset print, 19" by 14 1/8" inside the present mat (30" by 22 1/4" as presently found without glass in simple metal modern frame), pencil signed at lower right, with notation "E.A." (epreuve d'artiste) at lower left, and signed again and dated '88 in the print itself. The subject is an idealized man in motion, with dynamic planes and shapes superimposed upon and behind the figure, creating a most interesting, complex, modern composition...

This is an original hand-colored, mid 19th century lithograph print by the iconic American ornithologist and naturalist artist JOHN J. AUDUBON, from the nineteenth century (circa 1849) quadrupeds mammals series in the small octavo size. It is not a late restrike/reprint. Inside the present mat, dimensions are 6 1/4" by 9 1/4" (13" by 15 1/2" as framed). The title is "Carolina Shrew" and this is Plate number 75 in the long series...

Oil on board, 14 1/2" by 20 1/2" as framed, unsigned, the subject an extensive hilly landscape with distant structures. I believe the scene is more than likely American. The painting could use a cleaning as there is discolored varnish, causing the colors to appear more brown and less blue/white in the sky. There is some soiling at top mostly and a small 1/8" or less pressure mark at center in the sky. Overall this painting makes for a pleasant and decorative landscape...

Hand colored botanical print, 8 3/8" by 4 3/8" inside the mat (the actual print as trimmed just a bit larger), 16" by 11 3/4" as framed, the words "Pub. by Wm. Curtis St. Geo: Crescent Aug. 1. 1798. S. Edwards del. ESansom sculp" below and "No. 417" at upper right corner. This is a decorative work with fresh colors, in the tradition of 18th century botanical engravings and etchings, by a noted artist...

To be sold together as a PAIR, here are two ink and gouache drawings of clipper style ships known as barques, each measuring 12 1/2" by 17 3/8" (21 1/2" by 26 3/4" as framed). One is signed "John M. Gorrie" and the other is also signed by the artist and dated 1956. Surprisingly, I do not see a listing for this talented artist...

This print is by John Woodhouse Audubon, the younger son of the famed naturalist John James Audubon, and very much an active part of the family of talented artists documenting the botany and the animals native to North America. The work is one of the larger size original prints, plate number 139, titled "Large-Tailed Spermophile" (Latin name "Spermophilus macrourus, Bennett"). The subject is a male weasel-like North American small mammal in its natural habitat. The print is not a reproduction...

This is an etching on laid paper, the sheet 10 1/2" by 14", simply framed, pencil signed by listed American early 20th century artist HORACE DEVITT WELSH (1888-1942). The subject appears to be a coastal location in Maine, judging from the sails in the distance and the mountainous coast. Welsh was a student of William Merritt Chase, Thomas Anschutz, and Joseph Pennell...

Stipple engraving with hand coloring, titled "Ambrette d'hiver", with names of artists "Poiteau pinxt." at lower left and engraver "Bocourt sculpt." at lower right...

If you admire the work of Norman Rockwell, and millions do, as evidenced by spectacular auction records over $30 million, but you cannot quite afford that-----yet, would love to own something that Rockwell touched, then consider this beautiful print, (**ONE OF TWO SIMILAR PRINTS I HAVE CURRENTLY IN MY SHOP**), the title being "Springtime in Stockbridge", measuring 16 1/2" by 32". The original was painted for LOOK magazine and this poster was issued in 1971 by Cowles Communications, Inc. Rockwell...

This is a pencil signed etching, 6 1/2" by 5" inside the overmat, (12 1/2" by 10 1/2" as framed), not titled, but depicting waterfront shacks and piers with a working boat in an industrial area, by noted San Francisco Bay area artist HERBERT IMRIE (1885-1976). Imrie, born in Napa and deceased in Marin County, was for many years associated with the Berkeley area. Exhibited in the 1939 Golden Gate exposition, he was president of the California Society of Etchers. Imrie is little known but was o...

Offered for the collector of Picasso's posters is an example of 1957's "Pates Blanche", created for Cannes' Galerie 57, printed by Devaye Imprimeur. Measuring 22 1/4" by 17 1/4", the poster is technically described as an offset lithograph. The blue areas look like a traditional lithograph process, while the image in gray within the circle has the tiny dots of traditional printing. The poster is scarce, with a total edition of only 500 printed, and that over 60 years ago. Examination out of ...

This is an unframed study in pencil by a noted figure in eastern American art, XANTHUS RUSSELL SMITH (1839-1929). The artist, at age 85, signed it with his distinctive "XS" monogram at lower left, and wrote "Painted in oil this size", and dated it Nov. 29- 1924. The sketchbook paper measures 6 5/8" by 9". It would be interesting to pair this with the oil version, in order to gain insight into the artist's artistic process. The work has survived in reasonable condition, with some light browni...

Ink on paper laid on board, 6 1/4" by 4 1/4" (the drawing itself), signed at lower right J.C.F.M. and signed again on reverse of the card "J.C.F. Murray '08" and titled "Volendam". I don't see a listing for this name, if I'm reading it correctly, but the drawing is obviously by a trained hand. Note the details of the wooden shoes on both figures, the traditional bonnet on the lady. Volendam is a small town north of Amsterdam and is known for its traditional dress and traditions. Condition is...

Watercolor on paper, unsigned, undated but likely dating from the period 1865 to 1885, 15 3/4" by 11 3/8" inside the mat, (27 1/2" by 22 1/2" as framed, but **frame is currently unaccounted for since photos were taken**), showing two young schoolgirls in the yard of a brick and wood shutters style mid nineteenth century home, such as would be found in Boston's Beacon Hill, or parts of New York City. There is a lot of skill in this drawing, and the artist was likely trained and probably could be...

Pastel on paper on board, of grapes and an apple on the ground, 11 7/8" by 9 3/4" and a simple narrow frame, unsigned, but very likely by noted mid 19th century American artist JOHN S. BOWER, known today primarily for his very distinctive studies of fruit in a landscape. See my shop for several other works by this artist, some of which are signed. A number of works by him have passed through the Skinner auction house in Boston over the years, placed in Americana and folk art sales. This is a...

For the collector of wildlife and sporting art, here is a large (19" by 33 1/2" inside the mat), offered UNFRAMED*** pencil signed print, by renowned wildlife artist DAVID SHEPHERD (1931-2017), the oils of whom have sold for over $100,000 at Sotheby's auctions. This print is not numbered as in a limited edition, though obviously the artist hand signed a limited number. The painting from which it was made is dated 1979 and is titled "Three Happy Jumbos". It is issued by Solomon and Whitehead U...

Pastel on paper, 19" by 25" (currently unframed), signed at bottom right by the noted American artist ELIOT CLARK (1883-1980). Images of the work have been examined by the recognized authority on Clark; he can provide me with a letter attesting to the authenticity of the piece. Clark was an artist who lived an extraordinarily long life; he was taught by John Twachtman, yet lived to see man walk on the moon. He was widely traveled, especially in the US, where he came to be known as one of the ...

A large (19" by 23") watercolor painting of striking desert formations of the Southwest, with distinct modernist overtones, signed at lower right by listed artist MYRTLE MAE HOFFMAN CAMPBELL (1886-1978). The work depicts a dramatic landscape, perhaps in Utah, or Arizona, the geologic formations seemingly mimicking organic forms and Moderne and Art Deco shapes. The signs of man are scant; some shacks and a stack at upper left. Campbell was born in Columbus, Nebraska and died in Boulder, Colora...

An oil on canvas painting of garden flowers in a glass vase in an interior near a window, not signed on the front but on reverse stretcher is written in pencil "Rena Patterson" and a phone number with Southern California area code. This is a work of contemporary artist RENA PATTERSON, presently of Malibu, CA but previously a resident of many states from coast to coast. The artist has her own website, showing a number of her works, which include seascape, landscape, still life, and genre subjec...

Pastel drawing of a mountain landscape, 9 3/4" by 14 1/4" (17 1/2" by 21 1/2" as framed), signed at lower left corner with the name "I E Cutler". The scene is likely to be of Colorado as there is an old framer's sticker from Turner Art Gallery of Denver. Below that is what appears to be a date, in pencil, "2-19-31". Even though the frame is mid century, it appears that the old original backing paper with label was retained when the work was re-framed. I do not see a listing for this name but...

A rare circa 1930 oil by the noted Northern California woman artist GRACE ALLISON GRIFFITH (1885-1955), the subject a tawny field among rugged hills. The unframed oil on canvas board measures 12" by 15 3/4". The artist signed in red at lower right with her distinctive signature. Griffith was born in Sebastopol, California, near Santa Rosa, in idyllic Sonoma County farm and ranch country. Her father, a fruit rancher, was credited with introducing the Gravenstein apple variety to the area. He...

Oil on canvas painting of autumnal trees with a few houses in the composition at center, 12" by 16" (20 1/2" by 24 1/2" in newer frame), signed at lower right in red and dated 1933 or 1939 by Hungarian artist JANOS LASZLO ALDOR (1895-1944). As the images of the reverse labels show, the artist was apparently misidentified by previous owners, including the Brand Library in Glendale, California. Aldor painted landscapes of his native land, as well as often elegant portraits and nudes. At auction...

Scarce print, "Coal--Mahanoy City--The Main Street", so titled and pencil signed by the artist, Joseph Pennell, in the lower margin, with notation "Trial Proof" at lower left. This is a scene of a gritty small town in east-central Pennsylvania's anthracite coal belt, Mahanoy City, about 50 miles northwest of Reading. The total edition is said to have been 50 impressions. Pennell was actually born in Pennsylvania to Quaker parents, and he studied in the Pennsylvania Academy of the Fine Arts in...

This is an original ink wash on paper drawing, 12" by 17 1/2" (17 3/4" by 23" as framed shadow-box style behind Plexiglas), the image featuring a voluptuous nude woman and a bull that looks positively Chagall-like, signed at lower left corner by the highly important American twentieth century sculptor artist, REUBEN NAKIAN (1897-1986). The work, recently acquired from the dispersed estate of a prominent member of Los Angeles' Jewish community, bears a reverse label from the Landau/Alexander Gal...

This is an original etching, 11" by 16 1/2" (17" by 21" as framed), by American artist Kerr Eby (1889-1946). The title of the work is "Cattle Ford", and it was executed in 1945, in an edition of 100 apparently. Eby was born in Tokyo to Canadian missionaries but was in the United States by age 3. At 18 he went to New York City for art education, working for a lithographic firm to enhance his financial situation, gaining valuable experience that served him well later in life. Eby studied at th...

Original ink and watercolor drawing of historic houses in New Orleans, signed at right by artist Jean Johnson and dated there 1968, and titled at left "Cottage, Hoggle Place" or similar. The work is detailed and very nicely handled. I cannot locate information on the talented artist. Measurements are 10 1/2" by 14 1/2" (16 1/4" by 19 1/2" framed). The photos were taken through the old detail-dulling non-glare glass (which I suggest be discarded). Ask for sharper photos with the glass remove...

This is a fine pastel of a pair of dogs---Labradors possibly---(I welcome input from dog lovers)--one named at bottom "Lozi", the other, "Pamuzi", the drawing signed at lower left with what appears as "Janaa Olsen" or "Janaa Owen" or similar, and dated there 1988. It appears to be a portrait commissioned by an owner who was obviously very attached to these particular canines, who appear at this time to have been in the prime of their lives. On the reverse is a label from The Coln Gallery in En...

(See two other works by the artist in my shop)**Nicely executed watercolor painting of traditional Japanese scene in the autumn season, measuring 12 1/4" by 8 3/4", unframed, signed at lower left by the talented listed Japanese artist FUKUTARO TERAUCHI (1891-). Terauchi was born December 9,1891. In 1910 he entered the private school Kiyoteru Kuroda, and later became a member of the Hakuda Association. His name is often misread as Tanauchi or Tarauchi, and his body of work is confused with that ...

A pair of fine lithograph prints on Arches paper, from an edition of 300 examples, signed in the plate, printed in 1966 in Paris by Andre Sauret for Mourlot Freres. The prints are from a set of twelve images that were used as illustrations in the book "Stempeniou" by Cholen Aleikhem. The major Jewish-Ukrainian artist, EMANUEL MANE-KATZ (1894-1962) began working on the project in Geneva in 1958, at which time he created the gouaches on which the prints were later based. He completed the work i...

For those seeking an early California painting featuring the Golden Gate, consider this circa 1900 (possibly as early as 1880's?) unsigned work on gray artist's board, 18" by 24" (22 1/2" by 28" as framed), the subject the Golden Gate looking north from approximately the Land's End area, Civil War-era Fort Point in the middle distance, and Mt. Tamalpais in the far distance in Marin County, a steam powered boat and a three masted ship in the channel. The world famous Golden Gate Bridge now spans...

This is an antique photograph of earlier days on Charlotte Street, in the very historic town of Saint Augustine, Florida (which dates to 1565). For a long time I suspected this was Saint Augustine but recently I saw another example of this photograph, and in the margin it was titled "Charlotte Street, Saint Augustine". Charlotte Street is a block in from the ocean front road, in the old center of the town. Today it is squarely in the tourist zone, with T-shirt shops, fudge purveyors, and inti...

Pencil on paper drawing, 6 1/4" by 15", unframed, signed at lower right and dated there 1991, by the noted contemporary sculptor, ceramicist, designer and painter PETER SHIRE (1947-). This complex modern drawing is imaginative, three dimensional, and whimsical, and could only have been created by a true artist. Shire was becoming known on the art scene with his now famous teapot sculptures in the early 1980's, attracting the attention of Memphis figure Ettore Sottsass. He was invited to Italy, t...

Watercolor and white gouache highlights on paper drawing of a Mexican campesino on horseback with rifle in hand, 25 1/2" by 19 1/2" and modern framing 1 5/8" wide on a side, signed at lower right and dated there in Roman numerals 1930 ("XXX"), by important Mexican twentieth century artist FEDERICO CANTU (1908-1989). This is a work of an artist who had been relatively obscure until relatively recently, due to a variety of reasons, including a lack of self-promotion, but in 1934 he exhibited with ...

Original Currier and Ives lithograph print "The Straw-Yard, Winter", 12 3/4" by 15 1/2" inside the overmat, 20" by 22 1/2" as framed, the subject quite desirable: a white horse, a dark brown horse in the center, surrounded by a veritable menagerie of a winter barnyard in the country, including contented pigs eating their turnips at left, ducks and pigeons pecking away underneath and around the horses, and a pigeon even perched on a snowy fence post, face to face with the white horse, as other h...