Arthur Heintzelman, American, 1891-1965, Etching, "Vigneron", 1933, 2nd state,1 of 2 impressions,image size: 12x9 5/8 inches, Published edition 110, Bpl 186, pencil signed,

Etching in medium brown ink on very delicate tissue-like Japan paper, the subject identified at lower left margin as "Robert Louis Stevenson House", pencil signed at lower right by the important Caifornia plein air artist MARY DeNEALE MORGAN (1868-1948). The subject is a circa 1830's adobe from the Mexican era, which sheltered many visitors to Monterey over the decades, including, in 1879, the writer Robert Louis Stevenson. Today the structure is part of Monterey State Historic Park...

[1854-1941] Landcape With Village Beyond Oil on canvas 21 ¼” x 25 ½” unframed Born in Paris, France in December 1854 to French-Italian parents, with the name Eugene Galiany. He later changed it as a tribute to his teacher Charles Laloue whom he studied with in 1877. During the early part of his career as an artist Galien-Laloue took on several pseudonyms because of an exclusive contract with a major gallery. These pseudonyms included L. Dupuy, J. Lievin, Lenoir and E...

Etching on paper, 8" by 7 3/4" inside the mat (16 1/4" by 13 1/2" as framed), the subject an antiques shop in an urban setting, pencil signed at lower right by the well listed and accomplished American artist EARL HORTER (1881-1940). I believe the title of this might well be "Ye Olde Curiosity Shoppe"...

AMERICAN MASTER ARTIST NORMAN MACLEISH 1890-1975 “MAINE COAST” 1932 oil on canvas , measuring 30” x 36”, in its original 1930s frameNorman MacLeish was born on August 29, 1890, in Glencoe Illinois, to wealthy parents and became a painter and graphic artist. He studied at the Art Institute of Chicago and with Pierre Vignal in Paris...

"Moulin Seine-et-Marne" oil on canvas 16 x 27 3/4in. Frame: 23 1/4 x 35 1/4in. A student of his father, Paul Lecomte, Sr.,(1842-1920), the young man developed his ability in concert with a large extended family of noted artists. He studied at the Beaux-Arts in Paris with Cormon. Paul Emile Lecomte excelled in portraying the natural settings of France’s bio-diversity...

Gerald Leslie Brockhurst 1890-1978 English This is a fine portrait study by British artist Gerald Brockhurst. The subject is James McBey the well known British etcher. This etching was created and printed in 1931 in an edition of 111. This pencil signed impression measures an image size of 10 1/2X7 1/2 inches. This etching was Illustrated in Fine Prints of the Year, 1931. Cat. Fletcher 69.

The work is in gouache on paper on board, 10 1/2" by 13", signed at lower left, the subject a split rail fence in a brushy late autumn subdued landscape, This has a frame, of sorts, but it is old and cheap and falling apart. The art has some condition problems, most notably at lower right, where I think moisture exposure has sort of erased the image in that corner. Properly framed, this little work by a listed woman artist who painted a number of western Virginia landscapes will live on...

German Artist Richard GESSMAN “Harbor of Hamburg”Oil Measuring 24 x 32“, frame size 29 x 37“ oil on canvas

An impressionist street scene of Koge, Denmark (a market town about 25 miles southwest of Copenhagen), signed at lower right "A Krogh Petersen", and titled below that "Kirkistrad (Church Street) Koge". The unframed 17 7/8" by 20" painting on canvas is sold in as-is condition. There is a ragged puncture at upper left in the tree, and nearly all parts are present except for an area smaller than a pencil eraser. Have this patched and the painting lightly cleaned...

"Winter Landscape with Grazing Cows" by Ernest Fiene. 1939. Framed Print. 18 x 17".

For the den or man cave of the fly fisherman, here is a rustic painting on plywood panel of a trout leaping to catch what appears to be a large yellow moth or butterfly flitting just above the water's surface. The painting is actually titled "Butterfly" at bottom center. At right corner is the name of the artist, W. L. Mohl or Mahl, and "White Pine Pk. 1939". There is a "White Pine Peak" in both Utah and Nevada. This was found in Fresno, in central California...

A rare opportunity to acquire a work by the important California artist AUGUST GAY (1890-1948): an etching on delicate thin tissue-like paper, apparently unsigned, the sheet 5 7/8" by 8 1/8" (9 3/4" by 10 3/4" in black strip frame). The subject is the historic old Stevenson House in old Monterey, a favorite subject of many artists...

Albert Abramovitz, Latvian/American, 1879-1963, "Worker's Head". Albert Abramovitz $595.00 1879-1963, Latvian/American Worker's Head This is a beautiful, intimate portrait of a Depression-era worker by Albert Abramovitz. Linocut, image size 7 x 4 1/2 inches, c. 1930s, pencil signed and titled. Abramovitz was known for his dramatic images with sharp social commentary, many portraying the hardships of daily life for working class people in both America and Russia...

Etching of a Chicago landmark, the Museum of Science and Industry, signed in the plate at lower left and dated there 1931 by the listed English-born artist who worked in a number of geographical areas of the United States, LEON PESCHERET (1892-1971). States in which the artist worked include Virginia, Tennessee, South Carolina, Wisconsin (where he lived for quite some time), Illinois, and notably, Arizona and the Southwest. This is a fine etching by a talented graphic artist who was especially...

This is a scarce, even rare work in watercolor, pencil and, I believe, gouache, 17 5/8" by 11 1/4" (24 1/2" by 18 3/4" as framed) signed at lower right and dated there 1937 by painter and sculptor Angelina Beloff (1884-1969). The scene is inscribed "Jalapa"---corresponding to the colonial highlands city in southeastern Mexico on the main road between Mexico City and the coastal city of Vera Cruz. Beloff was a talented Russian-born artist, her oils selling today at Sotheby's Latin American Art ...

A well-executed old watercolor (and a little gouache) painting of roses, glass vases and a Chinese blue-white plate, circa 1930, signed by artist ADELAIDE STRIGNER. Strangely, despite the quality of the work, I have not located a name of a listed known artist that would correspond. The piece measures 11 1/2" by 20" inside the mat and 21 3/4" by 30 1/2" in its period frame, which has some chip losses especially at right. There is an inconsequential old cut in the paper at upper right field. M...

Monochromatic landscape on masonite, 20" by 16" and 4" wide frame/liner, with wagon and sod or adobe structures, signed at lower right "G. NIBLETT". This is a work by noted western American artist GARY NIBLETT (1943-), listed in Samuels' book "Contemporary Western Artists". Niblett has been a member of the prestigious Cowboy Artists of America since 1976. His works have sold into the tens of thousands at major auctions of western art. This is likely a relatively earlier work, before he signe...

Oil on canvas, unframed, 20" by 26", signed at lower right in red "R. MacDonald" and signed/titled/dated on reverse "R. MacDonald/Heat Wave/July 10 1937". The subject appears to be a young man, possibly African-American, holding a hose on a young child at right, a wooden house hidden partially by a huge tree in the background. The artist has painted a very American work, (and possibly southern, as well), squarely in the 1930's style. I have searched the databases and cannot seem to tie this t...

A nicely painted and peaceful 1920s-30s watercolour of a winter scene with a deer. This 5-1/2" x 3-5/8" sight size picture is in the original gilt embossed wood 11 x 9" frame with a gold mat. It is unsigned but looks like our other painting by L. Livingston (our stock number 5727), and it is in excellent original condition with no chips, cracks, fading, tears, staining, foxing, losses, damage or repairs. All items are thoroughly and conservatively graded and all condition issues are noted; a...

George Elbert Burr 1859-1939 American This is a fine original etching by American artist George Elbert Burr. The title is Evening, a very atmospheric impression, both pencil signed and titled. The image measures 12X10 inches. Printed on a medium weight buff toned laid paper. Very rich and fine inking on this image. It appears in the Burr catalog as image number 124.

Original white line woodcut (aka Provincetown woodblock or woodcut) by Virginia Bill (USA, 1865-1960), circa 1930. In excellent condition. Archivally matted and framed. This work is signed by the artist lower right and is titled lower left "Portuguese Jewish Cemetery 11th Street N.Y." This is a view of an ancient Sephardic cemetery in New York, or rather of what was left of it after most of it was destroyed by road construction. A great work by an elusive proponent of the white line technique...

A charming drawing of a village square and church, in graphite, a little wash, and perhaps chalk, on mellow, soft laid paper, 10 1/2" by 8 1/2" (17 1/4" by 13 1/2" in inexpensive modern framing), signed at lower right by the French artist and illustrator RENE ROUSSEL (1885-1962). The artist though undeniably talented, has unfortunately and unjustly become obscure, little known to today's collectors. It took an internet search to find his birth and death dates and assemble a biography of sorts....

A printed Marriage Blessing, with adjacent watercolor painting of flowers at left and a waterfall with bridge (resembles Multnomah Falls, Oregon) at right. The print (the lettering is NOT hand drawn/painted, it is printed) reads "The God of Abraham, the God of Isaac, and the God of Jacob be with you, and Himself fulfil this blessing in you: that you may see your children's children even to the third and fourth generations, and thereafter possess life everlasting without end: our Lord Jesus Chr...

By the Liege, Belgium-born artist ARMAND HENRION (1875-1958), a fine color etching in oval shape, of two clowns in full makeup, pencil signed and numbered 19/500. The artist is known today for his wonderfully expressive depictions of the clown, as well as mime reactions. Most of the works are actually self portraits. The depictions in these portraits reveals an affinity for humanity rarely captured in portraiture. He worked generally in oil but also created a number of prints similar to thi...

TWO pen and ink drawings, identical size and frames, 9 7/8" by 7 5/8", one titled "Down the Gulch" and the other "Slave Quarters, Glen Haven, Colo.", each signed "A.C." and one dated 1936. I don't know who "A.C." might be/have been, but, if you collect Colorado art, you might like this pair of drawings of a mountain road and a mountain cabin. You might wish to reframe them. If anyone knows who the artist is, please do let me know.

Circa 1940's oil on canvas floral still life painting, 24" by 30", signed at lower right Helen Hayes. This is a competently painted work that has seen some neglect. Sold in as-is condition, since the bottom roughly five inches, as shown in the photos, has significant pinpoint losses. Each is small but the overall effect is almost as if someone dipped the painting in water, leaving a "bathtub ring". Study the photos carefully. Could be restored or if you are a restorer and can do it yoursel...

A watercolor painting of outbuildings and scrubby trees, 10" by 15 3/4" (20" by 25" framed), titled at lower right "Near Filkins/March 1934" and signed at lower left by listed English artist ANTHONY LOUSADA. There appears to be little information on the artist, though some works have sold at auction in England. Some of his paintings seem to show a distinct modernist approach. The watercolor is in good condition, there is a hand-drawn style mat, and there seems to have been in the past some co...

Oil on canvas still life of flowers in a glass vase, painted in an impressionist hand, 24" by 20" (unframed), signed at lower right corner by artist "L. C. King" and dated there 1939. These flowers could be dahlias. The artist does not appear to be listed but he/she was talented. Frame in perhaps a dark silvery frame for best effect, to pick up on the silvery gray light. Extreme bottom edge has some abrasion from framing, leading to paint loss. There is a small puncture at far right in the ...

Pastel on paper drawing of a blonde, very Nordic-looking woman, 17 1/2" by 13 1/2" (25 1/2" by 21 1/2" as framed), signed at lower left Ruth Sammons. I cannot find any information on the artist but she was surely talented. The drawing is very strong and in excellent, fresh condition, and it is very nicely framed with a burl wood type frame and quality matting. The only "Sammons" that comes to mind as a listed artist is Carl Sammons, the California plein air landscapist; I speculate, and it is...

Oil on small wood panel that appears to be an old cigar box lid, 8 1/2" by 4 1/2", (10 3/4" by 6 3/4" as framed), signed at lower right "Lily Vosburgh", the subject a church steeple in France, impressionistically rendered trees largely obscuring it. Affixed to the reverse is a typed 20th century label which reads "A small church in the south of France as painted by Lily Vosburgh in the 1930's", and below that "JB" AND "$22.50". The printed label side of the cigar box lid forms the reverse side...

An historically interesting and significant oil painting of an intimate scene in Los Angeles' small, historical Chinatown, circa 1930's, 30" by 24", the frame 37" by 31", signed at lower left by listed Southern California artist BERTHA TOWNSEND COLER (1865-1948) and titled on stretcher "Home sweet home in old Chinatown". A label on the frame shows the original $150 price and the artist's 2021 Holly Drive, Los Angeles, address at the time. Coler was born in Ohio and studied with Robert Henri an...

A nicely painted oil on canvas of flowers in a vase, 20" by 16" (22" by 18" in original frame), signed at lower right by Canadian-born, California impressionist artist GEORGIA P(ERKINS) FOSTER (1881-1965). On the reverse is the original label of the Oakland Art Gallery, giving the artist's name and address in Berkeley, and the title, "Marigolds". The impressionist technique is skilled and pleasing, and the work is in good condition, though a cleaning would be complementary. Foster came to Cal...

A fine aquatint print circa 1930's, the subject one of the famous canals of old Bruges, Belgium, pencil signed at lower right margin by French artist FREDERIC LOUIS LEVE (1877-1968), and numbered in pencil 86 at lower left margin, where there is a blind stamp in the paper. Leve was a painter in oil and watercolor but is most widely known for his skill in aquatint, a form of etching which lends itself to creating prints that look very much like watercolor. The color and detail in this example i...

Original ink on paper drawing of four ducks in flight over a swamp or marsh, circa 1930's, signed at lower right with initials "P.Z.", which appears to correspond with inscription on backing "Painted or sketched by Paul Zeeze". At top on backing, is written "James Zeeze". Online research suggests the name may be found in Minnesota, which would make sense with duck habitat. Measures 10" by 6 1/4" inside the mat and 14 3/4" by 10 3/4" in black strip frame.

Very subtle and elegant oil on canvas, 24 1/2" by 30" (27 1/2" by 33 1/2" as framed) signed at lower right by listed Midwest artist MARY C. PETERSON and dated "31", showing an Asian inspired still life scene in monochromatic minimalist tones of beige, gray and tan. The artist added just a spot of color at lower left where two iris are in full flower. This is a particularly easy to live with painting---I enjoyed it on my wall for quite some time. It bears an old label on the reverse: "THE ART...