Exceptional Rattanakosin Bronze standing Buddha with alms bowl, 19th Century, Thailand. Richly incised robes and base with beautiful gilding, some traces of age and patina wear around chin, neck and on back of neckline, but no breakage or repairs. Good condition, large/heavy specimen: H.100cm x W.35cm

INDIAN BRONZE FIGURE OF A JINA, 19TH CENTURY well cast as a standing woman wearing a single necklace and a loincloth, with inlaid eyes, all atop a small square base

A very good bronze figure of a hound by Piere-Jules Mene (1810-1877). The hound stands alert look over his shoulder at the viewer. The rectangular base is well-textured with rocks and branches, typical of Mene's style. The shape of the base suggests that the casting is from Mene's own foundry and dates to the 1840s. The dogs is nicely detailed. The figure is finished in a dark black/brown patina. The front left corner of the base is signed P. J. Mene...

Something of a mystery piece that has resided for some time in my inventory, a pastel on paper, 7 1/4" by 18 1/2" (13" by 22" in a simple protective frame), with old penciled title on reverse of thin card "Monomy Beach", and with modern inscription in red ballpoint: "I OWNED THIS WATERCOLOR BEFORE DAMAGED - IT WAS SIGNED LOWER RT. A. T. BRICHER (signed) Bob Venger 28 Feb '82". Nearby, written in blue ballpoint, is "BRICHER"...

President George Washington in Full Masonic Regalia Oil 29.5x23.5” by artist Robert Gordon Hardie 1854-1904. Letter from curator of the Masonic Lodge,and other provenance. Background Hardie, Robert Gordon was born on March 29, 1854 in Brattleboro, Vermont, United States. Education Studied drawing in schools of Cooper Institute, Academy of Design and Art Students’ League, New New York Studied at École des Beaux Arts, Paris, Major Robert Gordon and Frances (Hyde) H...

Nineteenth Century Nassau Bahamas “Straw Market” Oil 10x14” A watercolorist, who specialized in coastal scenes, George Henry Clements grew up on his family's plantation near Opelousas, Louisiana, and worked as a clerk for the New Orleans Cotton Exchange before turning to painting in 1880. He began his formal art training at the Union Art League in New York City. By 1881 he was in Paris. He spent a year at the Academie Julian and another at the Academie Colarossi...

PORTRAIT OF GEORGE WASHINGTON ATTRIBUTED TO THE CHAS. WILSON PEALE FAMILY, EARLY NINETEENTH CENTURY OIL ON CANVAS, measuring 72” x 50” in a fine period frame. Possibly the frame from the Stewart workshops...

A beautiful and romantic 19th Century original painting depicting an abandoned monastery amongst hills. Monogram JB and date 91 (1891) bottom right. Size: 30 x 45.5 cm unframed. This painting has now been framed without glass. Please see photo with frame. Thank you.

Jose Rico y Cejudo (Spanish, 1864-1939)

Classical Figure with a Lyre

Oil on Panel, signed and retaining a paper label on the reverse

Painting: 14.5" x 8.5"
Frame: 20.5" x 15"

Jose Rico y Cejudo was born n Seville, Spain on March 27, 1864. He was the student of M. Ussel and J. Garcia Ramos at the School of Fine Arts in Seville. Eduardo Cano also played a role in the education of Cejudo as Cejudo would often pay visits to the artist'a studio...

Watercolor and ink drawing of a stone house adjacent to a dirt road on which a horse is pulling a buggy, a split rail fence, trees and a cow completing this bucolic scene of times gone by, the art in an oval, vignette style, the painted area 5" by 6 1/2", 13 1/2" by 15" in modern framing, possibly signed at lower left but definitely dated there either 32 or 34. This is a very, very early drawing...

PAIR of oils on beveled edge thick wood pine panel, each 11 3/4" by 6 1/4" (and 1 7/8" wide silvery modern era frames), each signed at lower right in flowing script "MORA", not dated but likely circa 1880's to 1890's. There are a number of artists listed with this name but so far I can't definitively attribute these to one of them...

Oil on beveled heavy oak panel painting of a man and a woman talking through the iron bars of a large wall opening of a residence compound, providing a view into more greenery beyond, potted flowering plants and vines framing the central imagery, 14 1/4" by 8 1/2", unframed, signed in red at lower right "F. GOMEZ SOLANO" and dated there 1891. This is a charming little gem of a painting with fine detail and wonderful handling of the Mediterranean sunlight and shadow...

Federico Jiménez Fernandez (Spanish, 1841- ?)

Chickens and Rooster

Oil-on-Panel, signed lower right

Painting: 12.5" x 9.25"
Frame: 18.5" x 15.25"

Federico Jiménez Fernandez was born in Madrid in 1841 and trained at the School of Painting, Sculpture and Engraving of San Fernando where he studied with José Gonzalez Bande. He traveled to Paris to continue his studies, as did so many other artists of the time...

Japanese Woodblock Print Nineteenth Century , Geisha 17x21. We have a fine selection

Original oil painting on canvas by Catalan painter Modesto Texidor (aka Modest Teixidor; Spain, Barcelona, 1854-1928)...

Oil on canvas painting of a young woman accompanied by a knight in a secluded landscape including a wall at left, 15" by 10" (arched top), 21 1/2" by 16 1/2" in modern day dark tasteful framing, signed at lower left center "TFaed". This could be an image of "Highland Mary" Campbell, to whom Scottish poet Robert Burns had a romantic attachment in the 1780's. I am standing behind this as a work of Scottish genre and history painter THOMAS FAED (1826-1900), although auction specialists in Scotlan...

A rare and unique carved Elephant in Russian Jade from the Ming Dynasty measuring 5 x 8 3/4“. Spinach color Jade was the only Jade used until the Qing Dynasty’s. Please view lot number 1227 and 1228 for similar objects

China Trade painting - "Coastal Village Scene With Anchored Junk". Oil on canvas. Circa: late 19th C. Size: 17 3/4 inches x 23 1/2 inches. Unsigned. A painting from the China Trade school depicting modest homes along a coastal estuary, together with the local inhabitants and a 'junk' at anchor. Offered in a black and gold wood frame and retaining a Quester Gallery label, Stonington, CT. Professionally restored and relined on a new stretcher.

A hand colored lithograph of the interior of a dark house with a fire and a man lighting a candle with the title, “INTERIOR OF THE CHIEF’HOUSE AT THE KURDISH VILLAGE OF ESPINDAR.” In the lower left under the border is printed, “R.CLIVE, DEL.” and lower right DICKINSON AND CO LITH.” Image with border 7 ¼ inches (18 cm) tall and 10 inches (25.5 cm) wide. With title 8 ½ inches (21.5 cm) tall. Sheet 16 3/8 inches (41.5 cm) by 22 5/8 inches (56 cm).

Condition: Edges worn and broken ...

A Hand Colored Botanical Print Portraying Four Varieties of Watsonia. The Artist is the Victorian Jane Webb Loudon (1807-1858), and the Print is from the book “The Ladies Flower Garden of Ornamental Bulbous Plants” (plate 9), published in 1841 by Day and Haghe London, Lithographer to Queen Victoria. The print is triple matted and elegantly framed. Dimensions; 19.5" x 18". Excellent condition. See also item number 601990 (1542A).

Japanese Silk Painting- Shogun and Geisha. Framed Silk Painting. 14 x 40"

A very large poster in colors, 46 1/4" by 31 1/4" (50 3/4" by 35 3/4" in attractive, quality real gold leaf framing), the work "Ambassadeurs/Aristide Bruant", originally published in 1892, by the famed French Post-Impressionist artist HENRI DE TOULOUSE-LAUTREC (1864-1901). The original poster, which can bring tens of thousands of dollars at auctions of fine and important prints, is in two sheets and measures a whopping (roughly) 54 inches by about 36 inches. This is a 20th century version, bu...

A circa 1840s American Portrait in oil. Unsigned measuring 30x25”

This is a charcoal with white highlights fine original drawing of a male head on a plinth, the head appearing as would a Greek or Roman marble sculpture. The work, 16 1/4" by 12" (22" by 18" framed), is signed at bottom by the Austrian artist RUDOLF ZELENKA (1875-1938) and is dated nearby 1894. The drawing would likely be an academic study by the artist at age 19, while receiving art education. Note the fine modeling of the face and curls----a very finished drawing reflecting the skill of the...

Found in eastern Maine, a fine old still life pastel, the image including an orange, dark blue grapes, a walnut in the shell, and a metal vessel. At lower right are the words "GOOD SHEPHERD BAY VIEW" (???), but no signature. Circa 1900 date of execution judging from frame, which is dark stained walnut with gilt inner fillet. Size 9 1/4" by 12 3/4" (13" by 16 1/2" framed). Allow for a few reflections and some dust on the glass.

Augustus ROESELER “Die Treijagd” lithograph 30x22”. Circa 1900 The Artist was a known Print Artist and Lithograph from Germany in the nineteenth Century Germany and Austria

A hand colored lithograph of the interior of a Damascus house showing a cistern below a very high ceiled room surrounded by arches and a relatively small doorway to the outside on the opposite side of the point of view. Men in both robes and trousers fez and keffiyeh in various attitudes occupy the foreground and a servant (?) enters near the outside door.

The lithograph surrounded by a thin line with the printed information: “R CLIVE DELT.” (lower left). “DAMASCUS” (center) and “...

An engraving from the Description de l’Egypte, one of the masterpieces of French printing and the birth of a new field: Egyptology. A gigantic survey of Egypt at the time of Bonaparte’s conquests in 1798 and 1799, the work is divided into 13 volumes of engravings making up 892 plates, of which 72 colored, as well as presenting the splendors of the Egypt of the Pharaohs in 9 volumes. The other volumes discuss natural history and present a fascinating portrait of Coptic and Islamic Egypt as it...

A group of THREE 19th century English botanical prints, two framed identically in gold with closed corners, the third framed in a different gold frame with beading. The matching pair measure 19 1/2" by 17 1/2" in the frames; the final piece slightly smaller at 19" by 16". The print in that latter piece, by artist Fitch, has horizontal creases, one sharp; the year "1846" is written in pencil at bottom edge. The identically framed pair also sport matching green French mats, adding to the qualit...

A Hand Colored Lithograph by Nathaniel Currier, circa 1850. Titled "Lord Byron and Marianna". Dimensions 12" wide x 16.5" high. Period frame.

"Lord Cornwallis” attributed to Sir Joshua Reynolds. Sitter supposed to be Lord Cornwallis at the time of the French and Indian wars. Oil on Canvas. 30" x 24". Frame Size 38" x 32" Sir Joshua Reynolds PRA FRS FRSA (16 July 1723 – 23 February 1792) was an English painter, specialising in portraits. John Russell said he was one of the major European painters of the 18th century.[1] He promoted the "Grand Style" in painting which depended on idealization of the imperfect. He was a founder and ...

Oil on wood panel landscape in the Netherlands, 13" by 10" (22" by 19" in old, likely original frame), signed at lower left corner by the listed American artist and illustrator EDWIN H. KIEFER (1860-1931). This antique painting features a classic windmill, and a woman classically dressed, carrying a basket, in the left foreground. The late 19th century work is very dirty; a cleaning would work wonders. There is a long vertical crack in the panel at upper left as shown. Kiefer was born in Por...

This is an original hand-colored, 19th century lithograph print by the iconic American ornithologist and naturalist artist JOHN J. AUDUBON (1785-1851), from the nineteenth century series in the small octavo size. Inside the present mat, dimensions are 9 1/4" by 6" inside the innermost mat (16 1/2" by 13" as framed). The title is "Cliff Swallow" and this is Plate number 47 in a long series of bird prints in the small octavo size. I have not examined this out of the frame but condition appears to...

Oil on canvas laid on masonite, 14" by 11" and 3 1/2" wide frame, signed at lower right "C. DE VRIES". This is a pleasing work showing a young woman of central or alpine regions of Europe, holding in her hand a typical felt hat of the area, a window at rear letting in natural light that beautifully illuminates the subject. I have researched this name and find one listing that appears to correspond to the signature, one Belgian artist CAMILLE DE VRIES (1854-after 1924). Nevertheless, the work...

Oil on canvas painting, unsigned, featuring a cluster of green grapes and apples, a woven basket at upper left, 8 1/4" by 11 1/4", 13 1/2" by 16 1/2" in modern day quality reproduction frame, circa 1880's. The canvas stencil on reverse is of Reeves & Sons, 113 Cheapside, London (the well-known art supplies firm moved to that address in 1857 and remained there until 1890). When acquired this work had attached a modern handwritten note with "Lisa Statt Sterling/1800's". I do not see a liste...

Lithograph with hand coloring from the Imperial folio quadrupeds series circa 1846, plate number 119, depicting the species Myodes hudsonius (the Hudson's Bay lemming), by the important American naturalist artist and lithographer JOHN JAMES AUDUBON (1785-1851). Audubon was assisted by his son John Woodhouse Audubon, and the printing was by J. T. Bowen of Philadelphia. The creator of this print hardly needs introduction, seeing as that he is considered one of the foremost naturalist illustrators ...