This antique early 19th-century Spanish Colonial Mexican Retablo features Our Lady Refuge of Sinners (Nuestra Senora de Refugio de Los Pecadores). It is finely hand-painted in oil on a tin panel. The painting depicts the Virgin Mary holding the Baby Jesus wrapped in a cloth. The Baby Jesus holds his mother's hand and sleeve for support. They both wear elaborate golden crowns and are surrounded by a golden halo. The Virgin Mary's dark blue cape is initialed with her ciphers...

“Breaking Cover” by Alkin, Colored Lithograph London 1841, measuring 8x11” ,frame size 17” 20" Henry Thomas Alkin (1785 – 1851) was an English painter and engraver during the 19th century, he was primarily known for his caricature work and illustrations depicting sporting objects and coaching scenes. He was a highly skilled etcher and watercolor painter.

A fine Old Master drawing in pencil and red chalk on laid paper, measuring 6" by 3 3/4" inside the mat (16 1/4" by 14 1/2" in modern day framing), unsigned, but with accompanying information, a circa 1970 typed label, proclaiming this to be "Lady with Jug", and by listed English late 18th century/early 19th century artist PRINCE HOARE II (1755-1834). There is also nearby an "18 Gns" price (18 Guineas). A self portrait by Hoare hammered at Sotheby's New York in 2015 for $16,000...

An antique soft pencil drawing of a young woman, unsigned and unattributed, 9 3/4" by 7 1/2", likely dating to the very early 19th century at latest, and more likely, well into the 18th century. The drawing would probably be of French origin. The paper has been affixed long ago to a thin card. Condition is excellent. The number "17" in old hand appears at lower right corner. Simple strip frame is of inlaid wood and is attractive.

A beautiful Regency era oil painting “Boy With His Dog” depicting a young sitter with his collie done in the English school style of Thomas Cosway (1742-1821), an English portrait painter of wealthy patrons. Possibly attributed to his pupil Andrew Plimer (1763-1837). Measuring 29x24 inches,frame size measuring 33”x28”. Work is unsigned

From the illustrated Volume “The Costumes Of Turkey” published by William Miller 1802 Hand colored engravings. The pair mounted in a beautiful matted frame measuring 20x28”. The works measuring 12x9” each

Miniature Bronze Buddhist Monk holding alms bowl, 19th Century, mounted on wooden base, size: H. 6cm x 2cm x 0.5cm

Very old small pencil drawing of a town scene, 3 1/2" by 3 5/8" (11 1/2" by 10" framed), unsigned, and the artist and origin unknown. It is simply an antique drawing. Someone thought enough of it to have a hand-drawn ornate mat on gray-blue paper. A church tower appears at center and a tree at left, and two tiny figures at lower right. There is a mysterious red circle stamped on the reverse; difficult to say if it may be a collector's stamp.

A watercolor on paper of a castle on the water with a boat and three women walking on the shingle in the foreground, a row boat on the water and the castle in the distance against the sky. John Varley (1778-1842) was an English watercolorist who painted a large quantity of small watercolors including other versions of Conway castle. There are numerous other watercolors that are attributed to him, but probably not by him...

A pencil sketch of Glendalough county Wicklow Ireland with a strong attribution to the British artist Edward Lear (1812-1888). Drawn with pencil on bluish heavy laid paper with ink, ink washes, touches of white gouche and faded washes of green. In 1835 Lear visited Ireland, one of his early trips as he turned from bird illustration to landscape. The party he traveled with visited Glendalough. During his life Lear saved his sketches and it was not until the 1920’s that they were available...

William Hogarth FRSA (/ˈhoʊɡɑːrθ/; 10 November 1697 – 26 October 1764) was an English painter, printmaker, pictorial satirist, social critic, and editorial cartoonist. His work ranges from realistic portraiture to comic strip-like series of pictures called "modern moral subjects",and he is perhaps best known for his series A Harlot's Progress, A Rake's Progress and Marriage A-la-Mode...

Color Lithograph “The Radcliffe Observatory” 1834 date by J. McKenzie 5x7 inches, framed 10x11”

A **PAIR** of ink on paper drawings with some pencil guidance visible under magnification, both signed at lower left margin "C. Weitbrecht inv.", one measuring approximately 4 1/4" by 13" (11 cm. by 32 cm), the other 4 1/4" by 11" (11 cm. by 28 cm). These are fine works by the early 19th century German artist CONRAD WEITBRECHT (1796-1836), **GUARANTEED to be original drawings**, and not prints or engravings or etchings of any kind...

A harness horse racing print, with fine hand coloring, after the painting by noted English artist WILLIAM J. SHAYER (1811-1892), engraved by James R. Markell (1814-1866), featuring a great horse in his day, Lord William. The horse is described in the title area as the property of Samuel Lawrence Esq...

A delicate and beautiful original BAROQUE DRAWING OF A PUTTO ANGEL WITH A HARP leaning against a tree and detailed stucco architectural décor on the left. By V. Schwind Moritz (1804-1874). Size framed under glass: 26 x 20.5 cm. Drawing in very good condition, frame shows signs of age. Available for sale, Price: US$ 750.-

"Madonna with Child" from the school of Ruben, oil on canvas, 10" x 6", Frame size 50" x 40"

Farnese Piazza by Francesco Diofevi. c. 1825. Oil on Canvas Panel. Sight Size 19 x 24", Frame Size 24 x 29". Venetian Scene.

A very old, very well executed detailed antique painting of currants, grapes, raspberries and plums on a platter, apparently unsigned, measuring 11" by 12 1/4" (17 1/2" by 19 1/2" in an older, attractive frame). The oil on canvas is laid down on Masonite. It is difficult to determine the exact age, but early 19th century or even earlier would not be unreasonable...