Double-page with woodcuts from popes, kings and famous people of the second half of the 10th century AD.
As part of the world’s sixth age, the chapter deals with the origins and formation of the German Empire.
The Nuremberg Chronicle was published in 1493 by Anton Koberger in an edition of 2000 copies.
Beautiful late Gothic style. The fold paper sheet covers the pages 178/179 and 181/182...

A group of three engravings probably by Johannas and Raphael Sadeler of Christian anchorites or hermits. The prints are after Maartin De Vos. These images were widely circulated in the early 17th century and printed and re-engraved by engravers other than the Sadelers. Interestingly of the three in this group two have no title, though they are trimmed right to the image and perhaps the title was removed...

An Italian Old Master red chalk drawing of a putto, 8 3/4" by 6", 12 3/4" by 11 1/4" nicely framed with inner gold fillet and quality frame from Munn in Los Angeles. The work is unsigned and unattributed. Likely early 18th century. There is some soiling at top left, right center and near the lower portion, two vertical folds and more light folds at upper left, and a small abrasion of paper, seen as white area, near nose area, all as seen in photos.

A large engraving of a mythological scene of Venus after her bath getting ready for a date with Adonis. The print was made by Etienne Baudet the French engraver who also worked in Rome. It is dated 1672. The print is after one of a series of 4 paintings by Francesco Albani that were commissioned by the Duke of Mantua in 1621. The painting that is the source of this print is now in the Louvre. Sight size 23 ¼ by 27 inches (59 by 68 cm), overall 28 ¼ by 32 ¼ inches (72 by 82 cm)...

c 1614 Engravings Portraits Prince of Orange and his wife Elenora. Dutch origin, one signed Ant. Sanderus (Ant. Sanderus Gandensis). Fine condition. Each approximately 5 x 7.5".

A fine watercolor on vellum painting of an aristocratic woman. The sitter, a blue-eyed blonde powder haired woman who is coquettishly toying with a long lock of her hair, is gloriously decked out in a very low cut white gown with a red shawl. The gown is partially held up by a long strand of diamond and gold jewelry with a matching bracelet on her left arm. Farther up that arm the sleeve of the gown is cinched by a diamond and pearl brooch. A pearl bracelet circles her right arm...

From our European Collection, a very good 17th century copper plate engraving, most likely English circa 1650-1700, depicting a Chinese official accompanied by his entourage, with subjects kowtowing in the foreground and a crowd of spectators to the rear.

Size and Condition: 7 inches by 5 1/4 inches, very well preserved with only slight creasing.

David Teniers the Younger (Dutch 1610-1690) copper plate engraving of men and perhaps a woman gathered around a table in a house with a rough floor, a bed alcove and some implements on shelves and hooks. The focus of the print is a man playing a violin while a standing man with drink in hand addresses him, perhaps singing, as is a seated man. Another man, behind the musician, reads and possibly sings from what looks like a broadside...

( Consignment). Renaissance Deposition after Annibale Carracci (1560-1609), Oil Painting 74 x 51. Carracci is an Italian painter who was influential in recovering the classicizing tradition of the High Renaissance from the affectations of Mannerism.The sons of a tailor, Annibale and his older brother Agostino were at first guided by their older cousin Lodovico, a painter who persuaded them to follow him in his profession...

Cornelius Visscher, Dutch, 1629-1658, "Het Gesprek (The Conversation)". This 17th century engraving by the Dutch artist, Cornelius Visscher, measures 9 7/8 x 8 1/2 inches, c.1655, on laid paper with partial collectors seal on back. "A.V. Oftade pinxit et excud., C. Visscher fecit aqua forti. and Ger. Valk Excudit" printed on bottom margin...

An example of the etching "Signorum Veterum Icones", published 1668, after the artist's own drawings and those of other artists of the time who studied the classical statuary of the ancient world, with initials of the artist, JAN DE BISSCHOP (1628-1671) (also known as JOHANNES ESCOPIUS). The work measures 10" by 5" inside the mat and 15 1/2" by 9 3/4" in pleasant contemporary gold frame in excellent condition...

Unusually large detailed engraving, 31 1/4" by 20 1/8", laid down on board, of Christ coming down off the Cross, this example engraved by Nicolaus Dorigny (1657-1776), and possibly after Daniel Ricciarelli (1509-1566), in turn after a painting by Raphael. The work is dated 1720 at lower left. There's a lot of text in Latin at bottom, and a close look reveals the names of the two above artists...

A large poster, 38" by 28" inside the mat window and 49 1/2" by 39" in silvery, attractive, quality frame, signed discretely at upper left center by listed Italian artist MARIO BORGONI (1869-1950). Printed by Richter & Co. of Napoli, the subject is a handsome young man, sword in hand, partially draped in the green, white and red of the Italian flag. The poster, "Prestito Nazionale", was created to drum up patriotic feeling to help fund, through bonds, the war activities in 1916...

Woodcut entitled ‘Vates Sibyllinae’, showing three naked prophetesses next to a tree...

A very fine Dutch Old Master work in oil after Rembrandt, one of the greatest painters of all time. This work titled Ahasuerus & Hamas, The Feast of Esther., and is a 17th century work framed measuring 37” x 34” oil on canvas

Exquisite and very rare 15/16th Century AVA Disciple from Burma, holding an alms bowl, very gentle, calm and serene expression. Patina reveals some pigment remnants, sandstone of redish-brown-terracotta color. Very good condition, Size: H. 90cm x W. 25cm x D. 20cm excluding Museum quality stand, weight: about 55 kilos (120 lbs.)

A 17th century Wenceslas Hollar "Trinitarianus" hand coloured engraving in frame. This finely detailed etching has a sight size of 10-3/8 x 6" with a plate size of 10-1/8 x 5-5/8". It is marked "Trinitarianus 831 W. Hollar fecit" and it is plate 831. It is on laid fibrous paper and it was from the series/portfolio "The Antiquities of Warwickshire Illustrated" printed in London, England 1656 (Hollar (1607-1677) was from Prague, Bohemia. It could be from the second state used in Dugdale's Mona...

Italian lithograph titled TABULA VII showing an ancient mythology scene on fine laid paper with a strong impression

2nd Ed. wood cut page #108 printed by Schoensperger. size page 9" by 13.5" mat 14" by 19.5" good condition see images. The work celebrates the exploits and heroic feats of the Emperor Maximilian I in overcoming the difficulties he faced on his journey to seek the hand in marriage of Queen Ernreich (Mary of Burgundy) in 1478.The fraktur type used in the Theuerdank was based on letter forms from a manuscript writing book compiled between about 1507 and 1517 by Leonhard Wagner, possibly for prese...

An antique 18th-century European oil painting, "Still Life," is an exquisite work of art crafted on heavy, hand-woven canvas. The canvas depicts a beautiful arrangement of flowers in a stone vase and a variety of fruits laid on a table with a marble top.

The painting showcases the flowers and fruits with great precision, and the intricate detailing is a testament to the artist's skill. The flowers and fruits are vividly depicted against a dark backdrop, which helps to accentuate their nat...

Johannes Wierix, Flemish, 1549-1618, "The Betrayal of Christ, Agony in the Garden". This is a rare early engraving by Johannes Wierix after Pieter van der Borcht, printed with an image on both sides of the sheet. Each image measures 4 1/2 x 2 7/ 8 inches, 1583, a good impression on a very early laid type paper, published by 16th century book printer and publisher Christophe Plantin. One side of the sheet shows the 'Betrayal of Christ', the other 'Agony in the Garden'.

Etienne Picart, French, 1632-1721, engraving, "The virgin, St. John and the Christ Child", image sizE: 15 x 18 3/4 inches, LeBl 5 and 4, Provenance: J.W. Randall collection #2490, Picart was a student of Francois de Poilly and is also know as "Le Romain"

Original 1618 etching by Jacques Callot LE GRAND ROCHER (The Great Rock) from his series “Paysages Graves pour Jean de Medicis”, Lieure catalog number 276, second state of two. Powerful design, excellent clean print. Framed and glazed, not examined outside of frame. Print size 109 x 243 mm (9 9/16 x 4 1/4 inches), frame size 10.5 x 18 inches.

A Dutch 17th century etching of a standing horse near a humble abode, 6 3/4" by 7 3/4" (14" by 15 1/2" in 20th century appropriate black frame), unsigned, and with no initials or other indication as to authorship. The work bears old pencil notations on the reverse side of the mat; there appear to be names of potential artists that were pondered by a previous observer in my position (including, it appears, question marks to himself). The names appear to be "Karl des Jardin", "Dirk Stoop", "Pott...

Portrait of Abraham Bloemaert. On the background a landscape with buildings and a windmill. 58th plate of the series. Inscription on the bottom: 'ABRAHAMUS BLOEMAERT, / BATAV, PICT. / Pictor naturâ est, usus vix ille magistro: / Arte hic egregiis nec tamen inferior. / Pinxit Aves, Naves, Homines, Herbásque Ferásque, / Et laetos Flores FLORIDUS innumeros'. Etching and engraving, varg type paper with a mitre like watermark ; total:8.5 by 5"

We are delighted to present to you this remarkable pair of candlesticks in the shape of Athenian women, real jewels inspired by the drawings of the illustrious artist Jean-Charles Delafosse. These 18th century candlesticks harmoniously combine functionality and aesthetics, offering a unique experience. Each candle holder, in addition to being a magnificent candle holder, is also a refined perfume burner. The combination of these two functions makes them versatile and elegant pieces, bringing a ...

Departing from 874 AD, the German text develops the context of the 5th Council of Constantinople, held 879/880 AD – an initiative of Pope Johannes VIII to appease the Byzantines and obtain their aid against the Saracen threat in Italy.
The hand-colored woodcut of the council shows the pope and a large group of clergy under the blessing of the Holy Spirit, who is depicted as a dove.
On the right, woodcuts of contemporary popes Johannes VIII, Martinus II, Hadrianus III and Stephanu...

Hieronymus Wierix, Flemish, 1553-1619, "Moses and the Israelites Beside the Red Sea", "Moses Leading the Israelites out of Egypt". A rare early engraving by Hieronymus Wierix after Pieter van der Borcht, printed with an image on both sides of the sheet. Each image measures 4 1/2 x 2 7/ 8 inches, 1583, a good impression on a very early laid type paper, published by 16th century book printer and publisher Christophe Plantin. Both images are scenes from Exodus; one side is titled 'Moses and the Isr...

Gerard Audran, European, 1640-1703, "The Triumph of David". This early triptych by Gerard Audran of "The Triumph of David" is taken from the ceiling of the Sacchetti Palace in Rome. The image sizes are 21 1/4 x 13 3/4 inches with a sheet size of 21 3/4 x 16 1/4 inches, 23 3/4 x 12 3/8 inches with a sheet size of 24 3/4 x 16 1/4 inches and 21 3/8 x 13 5/8 inches with a sheet size of 22 x 16 1/4 inches, all on early laid paper. Created in 1668, after Charles LeBrun. The middle plate contains a par...

17th Century Map of Asia In Full Color 20x22 inches , in Latin script most likely Dutch.

Very RARE Engraving of Charles V, Holy Roman Emperor. Bust length portrait facing left, wearing armor and the badge of the Order of the Golden Fleece. The portrait sits within an oval frame bearing the Latin inscription 'IMP. CAES. CAROLVS V. AVG.' The frame has been set into an alcove featuring fluted Doric columns, an eagle, swags of fruit and allegorical female figures, such as those of Germany and Africa at the bottom of the plate. In the background are battle and pastoral scenes. The plate ...

An original 17th century etching, "God Appears to Moses in the Burning Bush", plate 30 from the well-known series of 52 published in 1615 in Rome by Giovanni Giacomo Rossi, the artist being ORAZIO BORGIANNI (1578-1616). These works are after the frescoes by Raphael on the second floor of the Apostolic Church in the Vatican. Borgianni, a Baroque painter who adopted the style of Caravaggio after settling in Rome in 1604, turned to etching in the final years of his short life. The work is signed in...

Nicolas Mignard, French, 1606-1668, "Odysseus and Hermes Before Circe". Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 10 1/4 x 17 3/4, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.

Two antique prints circa 17th century, matted together, one featuring profiles of a man's head (6 1/2" by 9 1/2"), the other a study of a bare foot and a foot in a sandal (6 1/2" by 4 1/2"), the head profiles, originally drawn by Annibale Carracci (1560-1609) for his "Livre de Portraiture", subsequently transferred into engravings, likely by Jan Van Haelbeck (fl. 1600-1630) and published in Paris in 1667 by Francois de Poilly. Carracci's name is at lower left, and de Poilly at lower right. The ...

Old master painting, the subject soldiers in an extensive landscape battle scene, some mounted, 16" by 24 3/4", unframed, on old canvas, relined long ago, not signed, but on the stretcher is written in old hand "Borgognone". JACQUES COURTOIS, 1621-1676, was well known for his skill painting battle scenes. As a result of his fame, centuries later, it is tempting apparently to attribute all unsigned battle paintings to his hand, or his studio, or circle. A large number of auction houses in Euro...

A very fine engraving by the 17th Century artist Hollar measuring 5”. 7” and framed size is 11” x 15”……. Winter is one of the most recognized works of Bohemian engraver Wencesclaus Hollar (1607­–1677). It is the final image in a series of etchings portraying each of the four seasons as embodied by a female figure. In Winter, the woman is almost entirely covered by layers of furs and warm fabrics, staving off seasonal frigid temperatures. She protects her furs by lifting them off ...