PAIR of copper engravings by the early Flemish artist JOHANNES STRADANUS (also known as Johannes van der Straet), born 1523, died 1605. Each measures 8" by 10 1/2" (16" by 18" in identical silvery contemporary frames). One image is titled "Staphae, Sive Stapedes", the other "Ser Sive Sericus Vermis". These works date to about the year 1590 or 1591. They are numbered 8 and 9, part of Nova Reperta, a series of 20 images that illustrated important discoveries of the Renaissance...

Jacob Matham, European, 1571-1631, Engraving after Goltzius, "Saint Mary Magdalen Penitent", First state, image size: 10 1/8 x 7 3/8 inches, Fogg Museum provenance, J W Randall collection #1953

Moses and the Brazen Serpent c 1597 Francesco Villamena (Italian, 1566–1624), After Ferraù Fenzoni (Italian, 1562–1645 Italian). Fantastic Renaissance engraving, there are only 3 copys I could find one in the Metropolitan Museum, one on the Boston Museum of art and One in the Royal Collection Buckingham Palace. Good condition framed , size 20" by 15"

Engraving with German head line reading: Survey of silver pagan tableware and coins, so found in 1633 at Wettingen under the earth and excavated.
The treasure was hidden in the wake of the Alemannic incursions of the 3rd century AD.
Matthaeus Merian was commissioned to document the finds before they were melted down and distributed among the Swiss cantons of the time.
The large size plates were carefully decorated and inscribed...

Johannes Wierix, Flemish, 1549-1618, "The Crucifixion", "Pilate Washing His Hands". This is a rare 16th century engraving with an image printed on both sides of the sheet. One side has 'The Crucifixion' by Johannes Wierix, after Pieter van der Borcht, the other side has 'Pilate Washing His Hands' engraved by Pieter Huys after Pieter van der Borcht. Each image measures 4 1/2 x 2 7/8 inches, published c...

Three engravings, from a set (consecutively numbered in Roman numerals), but separate though loosely framed together, margins for the most part tightly trimmed, each measuring roughly 6 1/2" by 5 1/2". The scenes of the old towns are named in Latin, German, and French. Judging from the architecture, the towers and buildings are certainly from the northern part of Europe, most likely Germany. Artist is undetermined at this point. Some research could reveal that information...

Giovanni Battista Gaulli, Italian, 1639-1709, called Baccico or Baccicia. Italian Angels or Putti on Clouds plus a small portrait of a man is a charming example of Gaulli's work. It is 5" by 7 3/4" of pen and sepia brown ink on paper. Provenance is Leslie Hindman Auction, Collection of P Waite, English Collection until 1994, German Collection Basenge. Condition good upper life corner restored. Giovanni Battista Gaulliwas a painter of the Italian High Baroque verging onto that of the Rococo...

Jacques Callot, French, 1592-1635, Engraving, "Scenes From the New Testament", image size: 2 5/8 x 3 7/16 inches, 1635, inscribed: "Jesus adductam ad se mulierem adulteram absoluit."

A Dutch 17th century etching of a standing horse near a humble abode, 6 3/4" by 7 3/4" (14" by 15 1/2" in 20th century appropriate black frame), unsigned, and with no initials or other indication as to authorship. The work bears old pencil notations on the reverse side of the mat; there appear to be names of potential artists that were pondered by a previous observer in my position (including, it appears, question marks to himself)...

Engraving, by the noted AEGIDIUS SADELER (1570-1629), possibly titled "Cottage Partly Built on Piles", from set of six landscapes, after a painting by the noted Flanders Golden Age artist, ROELANT SAVERY (1576-1639). Savery was an important Old Master of the Netherlands, and his original paintings sell for large sums at auction. Sadeler was a talented engraver, in demand by various artists who wished to have their original works translated into graphics...

Seventeenth Century Lithograph of Carol of Souther Bremen c.1630 Measuring 14x10”

Portrait of Abraham Bloemaert. On the background a landscape with buildings and a windmill. 58th plate of the series. Inscription on the bottom: 'ABRAHAMUS BLOEMAERT, / BATAV, PICT. / Pictor naturâ est, usus vix ille magistro: / Arte hic egregiis nec tamen inferior. / Pinxit Aves, Naves, Homines, Herbásque Ferásque, / Et laetos Flores FLORIDUS innumeros'. Etching and engraving, varg type paper with a mitre like watermark ; total:8.5 by 5"

A very fine possibly Dutch seventeenth century oil painting of the Madonna and child, measuring 27” x 20”, frame size 32” x 25”

A very early and rare miniature, enamel on copper, done circa 1690-1700 by Peter Boy the Elder (1651-1727). The sitter is Johann Wilheim II. He was Elector Palatine (1658–1716) of the Wittelsbach dynasty and was Duke of Neuburg (1690–1716), Duke of Jülich and Berg (1679–1716), and Duke of Upper Palatinate and Cham (1707–1714). From 1697 onwards Johann Wilhelm was also Count of Megen...

is is a detailed and enlarged photo of Isabella Brant, Peter Paul Rubens wife. The image is of a close up of Isabella which shows the detailed embroidery design symbol of a honeysuckle. This painting was done in 1609 as a wedding portrait of Rubens and his wife. The background is a honeysuckle bower. This symbol means family love, and it appears in over 17 Flemish Paintings by Rubens, Van Dyck and Jordanens. The black and white image on the right shows the design in black and white...

Antique Manuscript cover gifted to Baber, Founder of Indian Mughal Empire, The great grandson of Tamerlane, Babar, who on his mother's side was descended from the famous Genghiz Khan, came to India in 1526 at the request of an Indian governor who sought Babar's help in his fight against Ibrahim Lodi, the last head of the Delhi Sultanate. Babar defeated Lodi at Panipat, not far from Delhi, and so came to establish the Mughal Empire in India...

A beautiful English Seventeenth Century Etching “Townscape” Framed 12” x 17”

A charming miniature portrait by Susan Penelope Rosse, executed in gouache on gesso-washed vellum or card...

( Consignment). Renaissance Deposition after Annibale Carracci (1560-1609), Oil Painting 74 x 51. Carracci is an Italian painter who was influential in recovering the classicizing tradition of the High Renaissance from the affectations of Mannerism.The sons of a tailor, Annibale and his older brother Agostino were at first guided by their older cousin Lodovico, a painter who persuaded them to follow him in his profession. Annibale’s precocious talents developed in a tour of northern Italy ...

A very fine painting of Flemish or Dutch origin from the Seventeenth Century depicting the Crucifixion of Christ and The Blessed Mother and Mary Magdalena measuring 18” x 14”, unsigned and framed in a beautiful baroque gold leaf frame

Winter is one of the most recognized works of Bohemian engraver Wencesclaus Hollar (1607­–1677). It is the final image in a series of etchings portraying each of the four seasons as embodied by a female figure. In Winter, the woman is almost entirely covered by layers of furs and warm fabrics, staving off seasonal frigid temperatures. She protects her furs by lifting them off the ground, which also brazenly exposes her ankle, and points her toe, emphasizing the text lining the bottom of the p...

Original etching RICIULINA AND METZETIN by Jacques Callot printed in 1621 from the series BALLI DI SFESSANIA. Series depict one of the most delightful festivals of Commedia dell’Arte based on fertility dances held in the Tuscan village of Sfessania. Pairs of popular entertainers are framed against the scenes of a fairground. One print from the series of 24 etchings, Lieure catalog number 386, first state of two, on laid paper, cut to the plate. Paper size 72x93mm. Excellent design, beautiful c...

A wonderful Italian Baroque oil painting depicting Jesus and the Samaritan Woman. Painted circa 1670 in a beautiful 18th century gold leaf frame.

Powerfully carved with slightly smiling lips, broad nose, incised almond-shaped eyes, elongated earlobes and ridged eyebrows. His hairdress arranged into a cylindrical coiffure secured with a decorated tiara knocked in the back. A splendid large head of the Creator, Powerfully Carved with a great character. Estimate Value: $8 000 - $12 000 Measurements: Height - 35 cm (13 3/4 In), Width 24 cm (6 1/2 In) Provenance: A Private Collection , property of a Singaporian ...

The Iconic Khmer Horse Headed Divinity Figure, Standing with both arms broken, His head with almond-shaped eyes, stylized ears, wearing a conical-shaped headdress finely decorated and secured with a floral patterns decorated tiara. Wearing a short sampot secured with a belt, a double fish-tail falling in front. Estimate value: $12 000 = $15 000 Measurements: Height - 105 cm (41 In) , Width 33 cm (13 In) The piece is in Good condition (Please see Pictures O...

The divinity, finely carved kneeling in Praying posture. Wearing a long Sampot secured by a decorated belt. Bare upper body with broad shoulders. Her face with brad lips, meditative expression, elongated earlobes. Her Hairdress with an image of Buddha Amitabha. Measurements: Height - 40 cm (16 In) Estimate Value: $6000 - $7500 Don't hesitate to send your offer, we always do our best to offer the most attractive pieces for the best price. Don't h...

The Splendid Buddha Sakhyamuni figure, standing on a stylized lotus throne. With both hands raised in vitarkamudra and dressed with a long diaphanous sanghati. His face with deep serene expression, downcast eyes, arched eyebrows, elongated earlobes. His hair arranged in tight curls over the ushnisha. Height 100cm (34 1/2 In) Don't hesitate to send your offer, we always do our best to offer the most attractive pieces for the best price. SATISFACTION GUARANTEE - We have been offering SE As...

The textile with multicolored threads in Red, Blue, etc. possibly from Peru in great condition

Mexican Nayarit culture Classical Period painted terra cotta pregnant or nursing mother. Measuring 11” tall, 9” wide, amd 7” deep The provenance Dr Camara Peon. 1940-2015 The important part of the nursing mother is that he excavated it from a burial mound on the family’s property in the 1920s, which accounts for the flawless condition

Japanese Buddha Imperial Court Of Kyoto circa Eleventh to Fourteenth Century height:30 inches inch comes from one of the earliest collections of Japanese artifacts in America more information coming….

Domenico Ghirlandaio, Italian, 1449-1494, Florence. Oil on panel in sepia tones. He lived when the Italian Renaissance was gathering speed and producing an astonishing succession of painters of genius. "Now that I have begun to get into the spirit of this art, I wish they would give me the walls of Florence to paint the whole circuit with stories." This is said to be Ghirlandaio's reaction to painting.popes, princes and members of the newly flourishing class of merchants. Banks gave him plenty ...

Gandhara Kingdom stucco head of Buddha mounted, 3/4th Century, condition: good, left ear damaged and a few inconsequential nicks, common considering the age of this fine sculpture, size" H. 12cm x W. 8cm x D. 11cm. The idealized style is reminiscent of Greek Hellenistic sculpture which strongly influenced the Buddhist imagery of Central Asia and in particular of Gandharan artists.

(Consignment). An important and rare portrait in terracotta of an attractive Etruscan woman from the 5th century BC Rome, Italy. She is wearing a crown polos which is covered by a veil that drapes along the sides and behind her head. She also wears a necklace of many Amphora-shaped pendants, and her hair is dressed into curls and ringlets. Life-size portrait from a votive figure from Ancient Rome, when the Greeks ruled the world, and the early Romans adopted Greek art and culture. Etruscan T...

A very rare Han Dynasty Chinese Terra Cotta Guanyin sculpture measuring 16” in height. The sculpture with traces of polychrome. Dressed in fine clothes, it was made as an object of worship and most likely had a bouquet in her left hand, as a symbol of marriage. An incredible rare piece for the advanced collector.

This note discusses Haku Maki's Poem 70–14. Poem from the Manyoshu, and the sources of the kanji he used to create the print. The note was written in August 2019 by Robert Craft.

Fine Stucco head of Buddha mounted on base, Gandhara Kingdom, 3rd/4th Century AD.,size: H.15cm x W. 8cm x D. 8cm.