A colorful print "Share Chanukah with the Children of Israel", pencil signed at lower right margin and numbered 46/150 at lower left, by the eastern Europe-born, Jewish-American artist CHAIM GROSS (1904-1991). The work measures 22" square (23 1/4" square in metal frame with detail-dulling non-glare style glass). Gross was well known for his "direct carving" sculpture in wood and stone, and began experimenting with printmaking as far back as 1929...

A fine large Outsider artwork measuring 40 x 32“ mixed media From the Philadelphia Inquirer the following, The Lucien Crump Art Gallery and Education Center closed its doors for the final time Friday after 40 years of serving Philadelphia as the first to feature works by African-American artists. The gallery’s namesake, who had a long career as an artist and educator, passed away at age 71 in 2006...

An original drawing of early twentieth century biplane and car, 9" by 12" (17 1/2" by 20 1/2" framed), signed at lower right "Lantz". The work is most likely for an advertisement, for publication. The unusual name makes it tempting to link this to the famed Woody Woodpecker artist Walter Lantz (1899-1994)---and it was found in Southern California, where he worked at the Hollywood studios----but the signature is dissimilar and the work is not the cartoon art for which he is so well known...

Oil on wood panel landscape in the Netherlands, 13" by 10" (22" by 19" in old, likely original frame), signed at lower left corner by the listed American artist and illustrator EDWIN H. KIEFER (1860-1931). This antique painting features a classic windmill, and a woman classically dressed, carrying a basket, in the left foreground. The late 19th century work is very dirty; a cleaning would work wonders. There is a long vertical crack in the panel at upper left as shown...

A circa mid 1960's oil on canvas painting of a dark-haired young woman, 10 1/2" by 8 3/4" (18" by 16" in a gold frame that appears to me to be hand carved and leafed). The artist signed at upper left with what looks like "Roth". There is a Montmartre kitsch look but I cannot be sure of a Paris origin...

A finely limned painting, done in watercolor on natural wafer, and attributed to Francois Ferriere. The sitter is a woman dressed in a white gown with a ruffled collar and shown against a grayish blue background.

The frame is period and the painting is mounted so that the backing paper is under glass and visible on the reverse of the frame, displaying the following identification "Ann Moffat died 20th May 1805 aged 32 years"...

A beautiful framed Glicé painting by artist Berger Sanders measuring 21 x 25“

Oil on board floral still life, 9 1/2" by 7 1/4" (11 1/2" by 9 1/4" framed), signed at lower right by listed artist JANET EDNA GREENLEAF (some give birth date as 1936). Born in Indiana, the artist studied in the San Francisco Bay area and also lived for significant periods of time in Smithfield, Rhode Island. Her generally small paintings of vases with flowers, similar to this one, are often encountered especially in the Northeast...

Unsigned “The Temptress”, a Baltimore School Artist, 10x8” Please see catalog #913 for a painting by the same artist. The pair can be $1800.

This is a fine old drawing of an old-style wooden house with porch, an ancient old tree arching over the structure and two tiny figures at left. The drawing on paper, laid on a board, measures 14" by 9 1/2" inside the mat and 19" by 14 1/2" as framed. There does not appear to be a signature anywhere, but considering the quality of the imagery we must conclude that the artist was trained and listed. Found in Riverside, California, with Santa Barbara framer's sticker on the backing...

John Taylor Arms 1887-1953 American This is an artists proof etching by American artist John Taylor Arms. The title is Limoges, part of his French Church Series created and printed in 1932. This etching is hand signed in pencil with an image size of 10 1/16X13 5/8. This image is inscribed lower right: "Beautiful impression, pulled by D.S. and J.T.A." Inscribed also as artist proof number III. Printed on a J. Whatman watermarked laid type paper. A beautiful impression.

An unusual miniature portrait, done by firing enamel on glass. This combination of subject matter, style, medium, and technique is quite rare for this period and area. The sitter is a quite handsome man in a black coat with a white shirt, vest and tie. He is posed on a red chair in front of a drapery done in hues shading from red to orange. In the center left is a window view of hills, a river and two ships.

The frame is original, and bears the label of F.A. Wenderoth of Phila...

A very fine and handsome portrait of a Mughal Gentleman in oil on canvas measures 36x28 inches and frame size measures 42x35 inches

DESCRIPTION: A delightful portrait of a girl in a hat by Gabrielle Denton, a well known New Mexico folk art painter from Las Cruces, NM. In this simplistic but expressive study, a girl with soulful blue eyes stares directly at the viewer while wearing a large yellow hat with flower. Original gouache, artist signed lower right, well matted and framed in copper-umber hues. DIMENSIONS: Actual painting is 12 ¾” x 12 ¾”. Frame dimensions are 26" x 26."

A pair of late 18th or early 19th century portraits, one showing a well dressed gentleman seated at a secretary bookcase, the other of his wife, seated and holding a flower. Painted in oils on canvas, the detailing, especially in the man, is stunning. He is wearing a blue coat, an elaborately ruffled shirt, and a silk waistcoat. The edging and every button on the jacket and waistcoat are beautifully rendered in multiple colors...

This is an atmospheric fine little watercolor on paper painting of mountains and water such as might be found in the idyllic Lakes District of the northwestern part of England, or the famed Scottish Highlands, unsigned, late 19th century most likely, measuring 4 1/2" by 6 1/2" (14 1/2" by 17 1/2" in the present framing). The work is in very fine condition...

Gerald Leslie Brockhurst 1890-1978 English This is a fine original etching by British artist Gerald Brockhurst, The title is La Tresse, a portrait of his wife Anais done in 1926. This image is pencil signed and has an image size of 8 3/8X 6 7/8 inches. Cat. Fletcher 56. Nicely framed with archival materials.

Watercolor on paper, 4" by 10 3/4" (8 1/4" by 15" as framed), signed at lower left with what appears as "Stribens" or "Stirbens"......I do not see a listing for such a name...

A fine 1960s portrait of President John F Kennedy, in pastel by Robert Morey, friend of The president and Bobby Kennedy who designed the seal of the United States Marshal Service and a fine respected artist 17x14,26x22

William Lee Hankey, British, 1869-1952, "Evening," etching, image size 9 x 9 7/8 inches on 10 7/8 x 11 7/8 wove-type paper C 1919. Pencil signed. Artist blindstamp, plate initialed in the lower right.

Offset Lithograph by ALIZERA aka ALIZERA GOLKAR
The title: TWILIGHT
The size of Poster: 32" Long x 27" High
Signed by artist, ALIZERA on the lower left side on plate
Medium: Offset Gallery quality Lithograph on Heavy Paper.
Published by Art in Motion, Inc., Vancouver, B.C.
Printed in Canada.
The condition: Excellent, never been framed.
Please note upper left and right corner is showing
curley because I had to photograph in plastic folder.
Print is...

Oil on canvas winter landscape painting in an impressionist hand, a snow-covered road leading to a cluster of houses in the distance, 16" by 20", unframed, signed at lower right by listed American woman artist CHARLOTTE LIVINGSTON (1898-1991). The painting captures the quiet solitude in early winter after the first snow (a lot of autumn color remaining suggests the winter season is not all that far advanced). Livingston was born in New York and studied at the National Academy and the Art Stude...

Mario RUSSO Greek sculpture in landscape o/c 16x20” Mario Russo (1925-2000) was an Italian painter known for his unique style and innovative approach to art. Born in Naples, Italy, Russo received his formal art education at the Academy of Fine Arts in Naples, where he studied painting and sculpture. He quickly gained recognition for his bold use of color and dynamic compositions. Russo exhibited his works in galleries and museums around the world, including the Venice Biennale, the Gal...

James Pollard (British 1792-1867)

The London to Oxford Coaches at Mile Marker 24

Oil-on-canvas, signed lower right

Painting: 17” x 32”
Frame: 23 ½” x 38 1/4”

Pollard was an engraver and sporting artist noted for his coaching, fox hunting and equine scenes. As the son of Robert Pollard, a painter, engraver and publisher, James was encouraged to become a painter of horses. He was also tutored by his father’s friend, the engraver Th...

Ramsay Richard Reinagle,1775-1862, British, Returning Home, a shepherd ad his flock, watercolor on paper, signed and dated 1807, L.L. image size 20X27 inches, period gilt frame

Beach Scene Watercolor Signed N.Gordon 10x14” circa 1920s Beautiful work framed

This is an appealing little sketch, oil on board of a landscape with a line of trees, a tawny field, a few structures and an extensive view beyond, unsigned, circa 1940's or 1950's. It is obviously by a talented artist who failed to sign his or her name. Perhaps it is a study for a more finished painting to come. Measuring 12" by 16", it should be easy to find a (common, "standard size") suitable frame. Condition is good save for a stubbed, worn corner at upper extreme right, as shown.

Ephreme Kouakou Painting 50x40 inches

PORTRAIT OF EDWARD KING, IN MANNER OF GILBERT STUART (Anglo-American, 1755 - 1828) JOHN EDWARD KING Born in Virginia in 1757, King fought in the Revolutionary War, serving in the 3rd Virginia Regiment. In 1780, he moved to present-day Bracken County, Kentucky. While in the Bluegrass State, his military service continued. King fought under Col. Isaac Shelby at the Battle of Kings Mountain, North Carolina, on October 7, 1780. After the Revolution, King moved to present-day Cumberland County...

A contemporary watercolor painting of a flowering shrub, unsigned, 12" by 18" (20" by 26" in attractive gold frame in good condition), possibly of east coast origin as the framer's sticker is from Boston. This reminds somewhat of mountain laurel, the state flower of Connecticut, but that is pure speculation (mountain laurel is usually more white though there are pink and dark pink varieties). In any event, botanical questions aside, this watercolor is nicely executed and in excellent condition...

Stephen Parrish, American, 1846-1938, "On the Annisquam, 1880," Etching, image size 5 x 8 7/8 inches, 1880, Schneider #39, plate signed l.l. "S. Parrish" and "39" l.r.

Oil on canvas, 16 1/2" by 28 1/2" (20" by 32" framed), the scene a Mediterranean California style courtyard garden complete with fountain pond, palms and other vegetation, signed at lower left by the artist, one Daisy Dean Lucas, and dated there 1938. A google search shows an interesting tidbit concerning a woman by that name in Kern County, California, estranged from her apparently wealthy husband and attempting to sue him in the year 1937. Other than this I do not see a lot of information on...

Lucien Lévy-Dhurmer Collotype hand signed limited edition 1917 Les mères pendant la guerre sight 9.5" by 13.5" with original matt board

TIGER

Wood. Late 20th century, Korea. approx. H 14 x 39 x 8 cm (5.51 x 15.35 x 3.14in).


selected by Pottari




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A very fine photograph by renowned Italian artist Olivo Barbieri (born 1954 in Carpi, Emilia-Romagna) of the Grand Canal of Venice, Italy done in 2002, measuring 40” x 80” (100 cm x 200cm) framed in a beautiful silver frame that measures 48” x 88” He is recognized for his innovative technique creating miniature still photography [1] from actual landscapes by simulating shallow depth of field via the use of tilt-shift lens photography. Barbieri's technique simulates the shallow depth ...

Watercolor on heavy paper of trees leaning over a lake, a swooping bird and small boat with primitive figures in the right lower portion, 12" by 21 1/2", signed at lower left "J. H. Dore" or "T. H. Dore". This is a late 19th century work with a primitive and folky touch. The green mat is too wide. Reframe this charming work with a smaller mat for optimum presentation.