David Muirhead Bone, Scottish, 1876-1953, "The Jetty, Gorleston," Etching, drypoint, image size 6 3/4 x 10 7/8 inches, 1934, pencil signed and plate signed l.r. and l.l. "Muirhead Bone".

Lawrence Nelson Wilbur, American, 1897-1988, "Peck's Slip- N.Y.C." Etching, image size 6 3/4 x 8 5/8 inches, 1936, edition of 65 proofs, pencil signed and titled "Lawrence Nelson Wilbur" l.r. and "Peck's Slip-NYC" l.l., publishers blindstamp l.r.

Stephen Parrish, American, 1846-1938, "A Fishing Hamlet- Bay of Fundy, 1882," Etching, image size 5 1/4 x 8 1/8 inches, 1882, plate signed l.l. "S Parrish" and "68" l.r., pencil signed l.r. "Stephen Parrish". This etching was made by Parrish after his painting, "A Fishing Hamlet, Bay of Fundy--Evening, which was shown at the National Academy of Design in March 1882.

Alphonse Legros, French, 1837-1911, "Le Voyageur a l'Abri," Etching and aquatint, image size 9 3/8 x 6 1/4 inches, Bliss 83, pencil signed, l.r "A. Legros", laid watermark paper, collectors stamp.

Early and rarely encountered oversized Japanese limited edition sosaku hanga “kappa-ban” (stencil print) by Yoshitoshi Mori (1898-1992) depicting tradesmen. The print is pencil-signed “Yoshitoshi Mori” at the lower right, dated ’68, and numbered 28/60. The artist’s red seal is above the signature. The paper measures 26 1/2”V x 21 1/2”H. The print is in good overall condition. The portion of the paper edge that was previously covered by a mat is very sightly darker...

In the mid-1960s, Haku Maki was firmly launching his career as an important Japanese print maker. He did a series of prints of which a long and key series was the Alphabet A – Z. In turn, the Alphabet was the first series of what came to be many series of prints, all of which Maki called the Poem series. Prints in the Poem series continued to be produced until 1972. He produced all of the Alphabet in 1966 or part of it in that year and part in the next...

Q R T U V W X Y (*) Z Poem T is a distant Predecessor of image 10 Most if not all the prints in this series were sold through Red Lantern Gallery in Kyoto. missing J K L M N O - other than G and S. U is clearly a predecessor of Poem 59-55

Charles F. Daubigny, French, 1817-1878, "Le Gue," Etching and drypoint, image size 9 7/8 x 13 3/8 inches, 1865, IV/V, Melot D.118, printed at bottom margin "Daubigny Sculp." l.l., "Sarazin imp. Paris" l.r. and titled "Le Gue" l.c., framed. This was Daubignys' third contribution to the "Societe des Aquafortistes", also exhibited at the Exposition Universelle", the world's fair of 1867.

Wesley Elbridge Webber (American, 1841-1914) - White Mountains, New Hampshire landscape painting with pond. Oil on canvas. Late 19th century. Canvas size: 12 inches x 20 inches. Signed by artist in the lower left and on the reverse of the canvas. Condition: one small old repair to a puncture in the sky, with minor touch-ups. Offered in an antique silver leaf frame. Wesley Webber was a 19th century painter of landscapes and marine subjects in New England...

Luigi Kasimir, Austrian, 1881-1962, "Grinzing, Vienna," Etching and aquatint in colors, image size 17 1/2 x 22 1/2, cat: Lorenz-23, pencil signed by the artist, framed.

This wonderful print was a gift to Daniel Tretiak and me on the occasion of our wedding in June 1964.

Rare early original lithograph by Adolph Dehn (American, 1895-1968), circa 1930. Offered framed under glass. Pencil signed, dated, titled, and numbered 17/30. In very good condition (light paper toning, no foxing or other notable issues). Adolph Dehn was one of the most important American lithographers of the 20th century. (the white streaks on the photos are reflections on the glass.)

A French Poster that belonged to the actress Greer Garson. This was lent to the College of Santa Fe for exhibition when Garson appeared in the production of Madwoman of Chaillot. On the back Garson has written the information, shown in photo. Measures about 16 1/2" by 23 3/4", frame overall about 17 1/2" by 24 3/4". Appears to be attached to backing. Nice Art Nouveau Style and interesting provenance.

A Watercolor by the Listed Artist, Kathryne Hail Travis (1894-1972). Travis was a student of Randall Davey, George Bellows, and Kenyon Cox. Measures about 13 1/2" by 9 1/2" matt opening, overall frame about 21 1/8" by 17 1/8". Titled "Fall Aspens on Mon Jeau", Travis has written that "Pic is watercolor sketch in the field for large oil painting in Texas..." Nice example.

Giovanni Battista Gaulli, Italian, 1639-1709, called Baccico or Baccicia. Italian Angels or Putti on Clouds plus a small portrait of a man is a charming example of Gaulli's work. It is 5" by 7 3/4" of pen and sepia brown ink on paper. Provenance is Leslie Hindman Auction, Collection of P Waite, English Collection until 1994, German Collection Basenge. Condition good upper life corner restored. Giovanni Battista Gaulliwas a painter of the Italian High Baroque verging onto that of the Rococo...

In 1976 Haku Maki did his eight-volume San Mon Ban--a total of 96 different embossed images. These included many items Maki had just used, would use soon and used later. I first show images of two prints like those in San Mon Ban but slightly larger. Then two images of insects in San Mon Ban and then 4 images of insects long hidden in my archives--even to me. These might all be called Maki Lite...

A Classical Chinese landscape painting handpainted on silk using the literati style and venerating the Song Dynasty famous artist Ma Yuan's famous landscape painting of scholar visit friends in the mountain

The Portland Art Museum has very recently begun to put its holdings of prints of Haku Maki on its site. These cover a wide range of Maki art: from the very earliest days of his work until the 1980s. The listing is particularly exciting because it shows several very early prints I have never seen. These are shown in the first 3 images of this listing. At the beginning, Maki’s images were abstract, embossed and small editions...