Vintage poster "Presence des Maitres", 1967, published by the Swiss gallery Galerie Beyeler to publicize their exhibition of works by the likes of Chagall, Klee, Giacometti, Cezanne, Monet, Dufy, Rouault, Mondrian, Picasso, Braque and Bonnard. The unframed piece measures 33" by 20" in simple black frame (NO GLASS). The poster shows definite evidence of age, with blotchy old brownish discolorations/staining and some light abrasions at lower right...

Watercolor painting circa early 20th century, featuring a child wearing traditional Chinese garments, probably a scene from early San Francisco or Los Angeles Chinatown, in the manner of other works of the period by various artists such as Esther Hunt. This example, 9" by 6" in an early frame, is unsigned. The colors are bright and not faded.

An etching of the famous chapel at Stanford University in Palo Alto, CA, titled at lower left margin "The Chapel" and pencil signed at lower right by well listed California artist GEORGE DEMONT OTIS (1879-1962). Measurements are 7" by 10" inside the present mat (12" by 15" in wood frame). The artist was born in Memphis, Tennessee and was raised in the Midwest after being orphaned...

A painting of the California desert, painted in impressionist style, oil on canvasboard, 14" by 18", unframed, titled on reverse in old hand, "Palm Desert Cal. Smoke Trees". The artist was born in Illinois, working in St. Louis before moving to Southern California in 1918. He studied at Scripps College in Claremont east of Los Angeles. Wheeler started painting rather late in life, at 50, according to a label with biography affixed to the reverse side...

Oil on canvas laid on board landscape painting of a small structure by the bay or sea, several figures milling around, 12" by 16", unframed, signed at lower right corner by listed early California artist BENJAMIN RABORG (1871-1918). Raborg was born in Missouri but came to be known around the turn of the century in San Francisco for his painting ability. The nephew of early California artist A.D.M...

An old oil on gray board painting of a stone bridge over the Seine River in central Paris, in high autumn. The work measures 9" by 12" (11 3/4" by 14 3/4" in attractive maybe 1930's frame). The signature at lower left appears to be "E Turner", the "E" placed on top of the "T". If I am reading this correctly, there does not appear to be a listed artist that would correspond. In any event, the work is excellent, and by a trained hand.

Important 1930s Abstract By French Artist Veriez “spray of Flowers” A piece done at the height of the depression measuring 29x34”

American Artist A.Brown “Riverfront” Landscape Oil 18x27”…the work was done circa 1920s and has a beautiful gold leaf frame original to the piece

Ben Horowitz known for his abstract work and series of figurative painting done of acrobats in the 1980s. Trained as an artist at Maryland University and exhibited through out the 1990s.

A very attractive 18x24” Oil on panel framed painting done circa 1900

A nicely worked pastel drawing of cypress trees in a swamp landscape, Spanish Moss hanging down gracefully, the work signed at lower right "Sr. M. Lucy", 8" by 6" as framed, circa 1950. This is a difficult subject to draw well but the artist accomplished the chore with skill. Condition is excellent. I do not see an obvious listed artist with whom to link this. Framing is simple, work will need to be re-matted/sealed as it is currently loose under the glass.

Miniature oil on canvas laid on board painting of an ancient stone church in Mexico with a market under umbrellas completing the scene, 6 1/4" by 6 1/4" as framed, signed on the reverse paper and inscribed there "Market Day in Old Mexico by A. J. Merrill of Taos N.M. March 1970". Condition is excellent. Merrill was born in St. Louis but spent his early life in Montreal, Canada, graduating from McGill University in 1911 and taking art classes with A.J...

A PAIR of color prints, from 1982, "Flower at Giverny #1" numbered 83/120,and "Flower at Giverny #2", numbered 89/120, both pencil signed at lower right margin, by the famous Native American contemporary artist FRITZ SCHOLDER (1937-2005). Scholder was arguably the best known and influential Native American artist of the second half of the twentieth century...

An example of the 1984 print "San Francisco--The Flying Cloud Arriving in Port after her Record Breaking Passage from New York in 1857", pencil signed by the artist, JOHN STOBART (1929-) at lower right, and numbered 328/750 also at lower right margin. Stobart's original oil paintings of sailing ships of the so-called "Golden Age of Sail" have hammered at auctions to nearly $100,000, with many examples bringing five figures. He is today a very highly regarded artist of marine subjects...

Sir Richard Steele (bap. 12 March 1672 – 1 September 1729) was an Irish writer, playwright, and politician, remembered as co-founder, with his friend Joseph Addison, of the magazine The Spectator. Steele became a Whig Member of Parliament in 1713, for Stockbridge.[3] He was soon expelled for issuing a pamphlet in favor of the Hanoverian succession...

Alexander Pope (21 May 1688 – 30 May 1744) was an English poet and satirist of the Augustan period and one of its greatest artistic exponents.[1] Considered the foremost English poet of the early 18th century and a master of the heroic couplet, he is best known for satirical and discursive poetry, including The Rape of the Lock, The Dunciad, and An Essay on Criticism, and for his translation of Homer...

Sir Isaac Newton PRS (25 December 1642 – 20 March 1726/27[a]) was an English mathematician, physicist, astronomer, theologian, and author (described in his time as a "natural philosopher") who is widely recognised as one of the greatest mathematicians, physicists, and most influential scientists of all time. He was a key figure in the philosophical revolution known as the Enlightenment...

Joseph Addison (1 May 1672 – 17 June 1719) was an English essayist, poet, playwright and politician. He was the eldest son of The Reverend Lancelot Addison. His name is usually remembered alongside that of his long-standing friend Richard Steele, with whom he founded The Spectator magazine. His simple prose style marked the end of the mannerisms and conventional classical images of the 17th century. This work is part of a series all dated London 1748, measuring 15x9”