Oil on canvas laid on old board of a country landscape with an apple tree at left and a split rail fence surrounding a clearing, 14" by 21 3/4" (18" by 26 1/4" as framed), apparently unsigned, but dated 1885 in the lower right corner. I feel the painting could be by a listed artist but the painting is not talking. The predominating greens and browns and the old gold frame make for a Hudson River style painting...

Pastel on paper of a rugged coast with crashing waves, 13 1/2" by 19 1/2", plus wood frame, signed at lower right by often-auctioned California artist CARL SAMMONS (1883-1968). Sammons is known among collectors for his impressionist landscapes, often of Northern California, but he also traveled to other parts of the state and throughout the Southwest. The artist was born in Nebraska and was in California by the year 1919, studying at the California School of Fine Arts...

William Lee Hankey, 1869-1952 British, "Sleeping Child", etching, image size 7 3/4X8 inches, pencil signed, artists blindstamp

Lovis Corinth, German, 1858-1925, "Munter Und Kind".A soft ground etching by German Expressionist artist Lovis Corinth, this image measures 12 1/2 x 9 3/8 inches, published in 1910 in an edition of 50 impressions, state I/III, cat: Schwarz-41, "LC" monogram in the upper left of the image, a faded signature below the image. Corinth began his career studying at the Academy of Fine Arts Munich and went on to study under Bouguereau at the Academie Julian in Paris...

Joseph Pennell, American, 1857-1926, "Hudson Avenue Foundations," etching, image size 8 13/16 x 11 7/8 inches, Wuerth 807, printed on Arches wove paper, plate signed "JPennell 1923" pencil signed "J Pennell" l.c., private plate, etched for the Brooklyn Edison Co.

Set of THREE Italian circa 1946 paintings on canvas, in decorative gold matching frames, unsigned, each 9" by 11 1/4" as framed, the subject familiar scenes of Venice, executed in the classical eighteenth century style of Canaletto or Guardi. These works were commonly produced for the tourist trade by talented artists. This set evidently dates to the immediate post-war period, as one bears a date stamp on reverse, 3 Ottobre 1946 and a "Made in Italy" circular sticker...

William Lee Hankey, 1869-1952 British, "Meditation", etching, image size 8 3/4X7 1/4 inches, pencil signed, artists blindstamp

Frank Benson, American, 1862-1951, "Flying Widgeon". A very fine sporting etching by Frank Benson, this image measures 9 3/4 x 14 3/4 inches, published in 1924, cat: Ordeman-231, pencil signed below the image, titled on the lower edge of the sheet. Benson was a very successful painter and a member of "The Ten" along with Childe Hassam and J. Alden Weir, before he began his sporting paintings and etchings for which he is most widely known...

Watercolor on paper, 10 1/2" by 16 1/2" image size, (20 1/2" by 26 1/2" in attractive silvery modern-day framing), signed at lower left "P. Sandby 1793". The peaceful rural scene includes two cows, a haystack and at least three structures among the feathery trees. From images sent to major auction house specialists in London, the opinion has come back that this is very likely a work by someone of the period who copied Sandby's style...

This is a very fine etching with drypoint by French artist Edgar Chahine (1874-1947) The title of this work is: "Mademoiselle Delvair de la Comedie Francaise,", it was created and printed in 1901, pencil signed lower left border. The image measures 18X11 1/2 inches. Printed on a medium weight wove type paper. This image appears in the Tabanelli catalog as image no. 73. It also appeared in the Holme's book, Modern Etching and Engraving, published 1902.

Charles F. Daubigny, French, 1817-1878, "Le Gue," Etching and drypoint, image size 9 7/8 x 13 3/8 inches, 1865, IV/V, Melot D.118, printed at bottom margin "Daubigny Sculp." l.l., "Sarazin imp. Paris" l.r. and titled "Le Gue" l.c., framed. This was Daubignys' third contribution to the "Societe des Aquafortistes", also exhibited at the Exposition Universelle", the world's fair of 1867.

A fine color etching, "Park Avenue", circa 1929, by the noted Austro-Hungarian etcher, painter, and printmaker Luigi Kasimir (1881-1962). The scarce vintage print is in apparent excellent condition (not examined out of frame). Measurements are 17 3/4" by 11 1/4" inside the mat, 26" by 19" framed. Kasimir is known today largely for his prints of street and city scenes in both Europe and America, rendered in fine detail, as color etchings, a process in which he was a pioneer...

An interesting painting of a rather ruddy-faced gent, in a dark jacket with a striped yellow waistcoat, holding a book at the bottom center. The reverse of the case has blue and yellow striped fabric and a lock of hair, all under beveled glass which has worn reverse painted gilding. The gilded metal case is 2" by 1 7/8".

Oil on canvas luminous landscape of a peaceful Highlands lake ("loch") in late afternoon, 20" by 30" (27" by 37" as framed), signed at lower right by prolific Scottish and English artist FRANK E. JAMIESON (1834-1899). Jamieson painted a lot of paintings, and they are widely dispersed, and though not all are masterpieces, they are very satisfying and easy to live with, and a lot less expensive than those of masters like Alfred DeBreanski...

A vintage Chinese bronze Buddhist Bodhisattva in a serene pose holding an object in his hands. He is incised with scrolls and good luck symbols, crowned and bejeweled, sitting atop a lotus encircled base. The large size makes an imposing presence and companion.

Condition is generally good though tarnish, patina losses, and small damage exists at the back of the sculpture where it meets the base from which the sculpture is separate...

NOT A PRINT, this is an original, hand-drawn sepia ink and watercolor on paper drawing, titled at lower center "Plumeria Tricolor". Further writing in a quaint nineteenth century hand reads "A tree 30 ft. high" and "Pint. Mono. (Montego Bay??) Jamaica x gardens of Peru x N.O. Apocyness"...

Joseph Pennell, American, 1857-1926, etching, "St. Paul's, New York",image size: 11 x 8 1/2 inches, 1915, cat. Wuerth-678, pencil signed lower right

William Walcot 1874-1943 British This is a fine drypoint etching by British artist William Walcot. This image of the Brooklyn Bridge was done in his series of 5 etchings of New York City published in 1923 as a portfolio. This etching is hand signed in pencil in the lower border. The image measures 8 1/4X9 3/4 inches. Nicely Framed with archival materials.