Charles F. Daubigny, French, 1817-1878, "Le Gue," Etching and drypoint, image size 9 7/8 x 13 3/8 inches, 1865, IV/V, Melot D.118, printed at bottom margin "Daubigny Sculp." l.l., "Sarazin imp. Paris" l.r. and titled "Le Gue" l.c., framed. This was Daubignys' third contribution to the "Societe des Aquafortistes", also exhibited at the Exposition Universelle", the world's fair of 1867.

NOT A PRINT, this is an original, hand-drawn sepia ink and watercolor on paper drawing, titled at lower center "Plumeria Tricolor". Further writing in a quaint nineteenth century hand reads "A tree 30 ft. high" and "Pint. Mono. (Montego Bay??) Jamaica x gardens of Peru x N.O. Apocyness"...

From the 1964 Derriere Le Miroir #149, one of five original lithographs that appeared in that issue, with original center crease and reverse text in English and French, "Red Yellow Blue", by the famous Color Field and Hard-Edge modern artist ELLSWORTH KELLY (1923-2015). This print published in November 1964 by Maeght Editeur is in superb original condition, the colors rich and not light-struck. Measurements are 15" by 21 1/2" (21" by 28" in its present silver metal framing)...

William Lee Hankey, 1869-1952 British, "Sleeping Child", etching, image size 7 3/4X8 inches, pencil signed, artists blindstamp

Fine early pencil drawing on wove paper, the subject a distant view of Windsor Castle and the Thames River (favorite subject of so many, many artists), signed at lower right "James M. Hart" and dated there 1855. This is a rather early work of JAMES MACDOUGAL HART (1828-1901) of later Hudson River School fame. Hart's major large scale landscape paintings have reached into six figures at auction, and sales in the tens of thousands are not unusual...

A fine color etching, "Park Avenue", circa 1929, by the noted Austro-Hungarian etcher, painter, and printmaker Luigi Kasimir (1881-1962). The scarce vintage print is in apparent excellent condition (not examined out of frame). Measurements are 17 3/4" by 11 1/4" inside the mat, 26" by 19" framed. Kasimir is known today largely for his prints of street and city scenes in both Europe and America, rendered in fine detail, as color etchings, a process in which he was a pioneer...

Max Libermann, 1847-1935, German, "Simson und Delila," etching and dry point, image size 8 1/2 x 11 1/8 inches, 1906, cat. Schiefler- 55, pencil signed.

From our African Collection: A Zande figure, circa 1960. From Northeastern Democratic Republic of the Congo, 16" h. Zande, also called Azande, also spelled Asande, a people of Central Africa who speak a language of the Adamawa-Ubangi branch of the Niger-Congo language family. Extending across the Nile-Congo drainage divide, they live partly in South Sudan, partly in the Democratic Republic of the Congo, and partly in the Central African Republic...

Joseph Pennell, American, 1857-1926, etching, "St. Paul's, New York",image size: 11 x 8 1/2 inches, 1915, cat. Wuerth-678, pencil signed lower right

William Walcot 1874-1943 British This is a fine drypoint etching by British artist William Walcot. This image of the Brooklyn Bridge was done in his series of 5 etchings of New York City published in 1923 as a portfolio. This etching is hand signed in pencil in the lower border. The image measures 8 1/4X9 3/4 inches. Nicely Framed with archival materials.

Edmund Blampied 1886-1966 British This is an original etching by British artist Edmund Blampied. The title is: "The Vraic Season (No 1)" , it was created and printed in 1936 in an edition of 125 for the American College Society of Print Collectors. The image measures 12X14 1/4 inches. Very fine condition, hand signed in ink. Vraic is seaweed that was harvested on the Channel Islands and used for potato fields. The usual method was gathering it up with horse drawn carts...

Sevilla, Framed Print, 12 x 7", Frame Size 21 x 15.5"

Albert Huie 1920-2010 Jamaican This is a fine woodcut print by Jamaican artist Albert Huie. This image is hand signed in pencil and titled: Seaside. The image measures 9X6 1/2 inches. Albert Huie (1920-2010) was a seminal figure in the formation and development of a national Jamaican artistic identity, overcoming the hurdles of a colonial-based system of race and class distinctions to become the first native-born Jamaican artist to attain international renown and respect...

Oil on canvas painting of a marketplace in a Sumatran landscape, unframed, 15 3/4" by 21 1/2", signed at lower right by Indonesian impressionist artist MUSLIM SALEH (1927-). This signature was difficult to decipher but a little research on the net established the identity of the artist. He was born in West Sumatra and learned from Japanese painters during the World War II occupation years. Subsequently he participated in the Indonesian Revolution...

Oil on canvas painting of the modern day Shanghai waterfront, 28" by 32" (34" by 38" framed), signed at lower right by artist HUANG JIE and dated there 2002. This contemporary work shows the old classic buildings and the new distinctive tower and bridge in the distance, all painted in a meticulous and impressive highly impressionistic pointillist technique. I have looked for information on the talented artist but to date cannot pinpoint the artist...

Original impressionist oil painting on board attributed to Charles Rosen (American, 1878-1950). This painting measures 14" by 18", 19" by 23" in its period frame...

MEDIA: Chinese oil painting TITLE: Grandma¡¯s Sewing Machine SIZE: 19½ inches x 24 inches ARTIST: Lu Yun

Large oil on canvas, 52 1/2" by 37", unframed, the name "SERGEI BORISOV" on the canvas overlap, the subject a scene of Cold War era Russia. There is much going on in the image, which is an idealized urban, industrial landscape. The Russian is difficult to translate (I have been helped by a friend who reads Russian), even to a Russian speaker/reader, but the gist of what is being said is that the proletariat and workers must prevail all together to work for the Communist ideal. Also, it could ...