Oil on canvas still life painting in a very minimal modernist style, with lots of white background giving the painting a very contemporary, airy feel, 18" by 24", in strip frame, signed in pencil somewhat illegibly at lower right. The signature appears to start with "Sarah" or "Sarai", the last name likely beginning with a "T". Painting is in fine condition overall though I note several small smudges at lower center...

A charming, whimsical, beautifully painted oil on canvas painting of a brown-robed man of the church in a spring forest setting minding a pig, while a vision of loveliness, a nude young female, appears at right. The work is unsigned but most certainly would have been painted by a listed artist, I would think around the year 1910. The piece is unframed and measures 21 1/2" by 18"...

An image of Mohatma Gandhi after the original 1965 now scarce, low-edition serigraph print by Shahn, , reproduced here on a magazine page, and signed and inscribed in faded ballpoint pen at lower left by the well-known American Social Realist artist, BEN SHAHN (1898-1969). The work was acquired in 2010 from the estate of a relative of Alice and Theodore Himelstein of Marina del Rey, California, along with several original prints signed by Shahn...

For the collector of Californiana, a scarce early 20th century hand-tinted photograph of the arches at old Mission San Juan Capistrano in Orange County, California, signed in the margin in pencil at lower right and titled at lower left margin "San Juan Capistrano" by noted, listed photographer JOHN M. GARRISON (1881-1964). The classic view of the arcaded breezeway at the beloved mission, still a tourist attraction today, is as California as can be...

Watercolor on paper painting of the Nile RIver in Egypt and the pyramids of Giza, including date palms, the distinctive local dhows and a camel completing the scene, signed at lower left with the initial "W" by listed artist DAVID VASSILIOU. Vassiliou's biography is not extensive but he was evidently a prolific painter at mid century, most works featuring Egypt, Greece and the Mediterranean region. He seems to have always signed with this capital "W" for some reason...

American still life oil on canvas, not signed on the front, "Waterbury" and "Montrose Gallery" on the reverse, housed in a LABELED authentic Newcomb-Macklin frame bearing what appear to be mostly handwritten framer's sizing numbers. The painting measures 24" by 20" on the stretchers, the frame 28" by 24" (the rabbet 24 1/4" by 20 1/4")...

A vintage (mid century) watercolor painting of a very old stone church in Central America or Mexico, signed at lower left "Gil". The work is very nicely painted by an obviously talented watercolorist. Note the tiny figures in the composition, and the bright spots of color contrasting with the creamy stone of this circa sixteenth or seventeenth century church. Most likely this would be in Guatemala or one of the nearby countries, or in southern Mexico...

An early oil on canvas painting, 10 1/4" by 8 1/2", unframed, unsigned, featuring a nocturne moonlight view of Mission Delores in San Francisco. At the time the landmark was a popular subject for artists. Manuel Valencia was apparently fond of painting it as it appears in a number of his works...

Italian 20th century watercolor of old church or cathedral, 16" by 13" (27" by 23" framed), signed at lower left "Brunacci" or "Brunalli" or similar. There is no listed artist by these names, but the artist was talented in the medium and created a satisfying work. Condition is excellent. Age would be circa mid twentieth century----perhaps a tourist souvenir piece.

An oil on canvas painting of an older priest or monk eavesdropping on the conversation of a pair of younger men of the cloth in a richly-appointed, classic interior (library or study), signed by artist at lower left "M. Klein Wylock". This detailed, finely painted work dates to the late 20th century, but the artist was clearly familiar with the similar works of the late 19th century by German, French and Italian artists working in the manner of Eduard von Grutzner (1846-1925)...

To be sold together, available for purchase are two of the familiar Alaska scenes after original paintings by famed Alaskan artist SYDNEY LAURENCE (1865-1940), originally offered through Griffin's store in Juneau, AK. Each measures 9" by 7" inside the original mats (and 19 1/2" by 15 3/4" as framed). Titles are "Prospector's Camp", and "Trapper's Cache". The prints are in excellent condition...

Large, early charcoal drawing of a nineteenth century house in a leafy landscape, signed at lower right corner by listed American artist HIRAM HAROLD GREEN (1865-1930). 25" by 18 1/2" inside the mat, 34 1/4" by 27" framed. Green was born in upstate New York and died in Buffalo. A painter, illustrator and etcher, he became known around the Buffalo area for his birds eye views of Niagara Falls...

By well listed French artist MAURICE ROMBERG DE VAUCORBEIL (1882-1943), this is a large original 1916 lithograph poster used for propaganda and recruitment. The poster (behind Plexiglas) measures 47 1/2" by 34" (53" by 40" very tastefully framed in dark wood). I have not opened this up to inspect as it is nicely sealed, but the previous owner spent $500 on framing in Beverly Hills, so I would imagine that the mounting and framing was done to professional standards, perhaps even with linen...

Esther Anna Hunt (1875-1951) is known today in California art circles as a keen observer of the traditional culture as displayed in San Francisco's Chinatown. Her paintings and plaster bust models of young girls in traditional costume make regular appearances in auctions of California art. This work appears to have been created by one of Hunt's many early 20th century imitators. The watercolor is signed at lower right corner "A. Fowler" and is dated there April 1912. The work (9 1/2" by 5 1/2" ...

An impressionist painting on canvas, unframed, 16" by 20", signed by a contemporary artist "RG", the subject a covered bridge of the northeastern states. The work is in excellent condition, and the standard size means it should be easy and economical to find a suitable frame.

Oil on canvas painting, unsigned, featuring a cluster of green grapes and apples, a woven basket at upper left, 8 1/4" by 11 1/4", 13 1/2" by 16 1/2" in modern day quality reproduction frame, circa 1880's. The canvas stencil on reverse is of Reeves & Sons, 113 Cheapside, London (the well-known art supplies firm moved to that address in 1857 and remained there until 1890). When acquired this work had attached a modern handwritten note with "Lisa Statt Sterling/1800's". I do not see a liste...

Late 20th century oil on canvas including a central figure, bird, young women embracing, and flowers, unsigned, painted in the style of the renowned and world-famous French artist Marc Chagall. The work, unframed, measures 24" by 20". The creator was obviously familiar with the paintings and graphic work of Chagall. Very decorative alternative to having a Chagall print.

Found in Massachusetts, a mixed media (pastel, pencil and black ink) old drawing on paper of a clipper ship at sea, 7" by 9 1/2" (15" by 18 1/2" framed behind glass), signed at lower right corner with initials "A.L" or "A. G." or similar. The ship flies an unidentified flag at the stern. I feel this is likely European though it could possibly be of American origin. The antique 19th century frame has significant losses of gesso in two corners, smaller losses elsewhere as shown, and scratches ...

A beautifully executed work in pastel, 18" by 25 1/2", in a narrow metal poster-type frame behind glass with no mat, signed at upper left and dated there 1977 in Roman numerals (LXXVII)) by the noted well listed American artist SHELDON C. SCHONEBERG (1926-2013). At upper right, he titled the work "Grosvenor Park, London". The vigorously worked trees, sweep of the curved interaction of park and street, and small cars, flags and figures make for a handsome work. Schoneberg was born in Illinois ...

Fine pastel drawing of a seated young woman, on gray-blue paper, 18 1/2" by 12 1/2" (23 1/2" by 17 1/2" in mid century white frame), unsigned. The artist was clearly very skilled but unfortunately failed to sign the work. An elegant interior is suggested by the orange pottery vessel at far right. The young lady's clothing suggests that the work could be old----maybe early 20th century, despite appearing to be quite fresh. Once again, it is difficult to determine without a date or artist name...

An early 20th century watercolor painting of small structures on a coastline, likely Maine, but most certainly New England, signed at lower left corner by listed English-born, American artist SIDNEY THOMAS CALLOWHILL (1867-1939). Callowhill was born in Worcester, England and was in America by 1885. He worked at the Faience Manufacturing Company for a time, ultimately living for periods in Brooklyn, Baltimore and Boston. An artist, illustrator designer, he is best known today for his decoratin...

Contemporary watercolor painting of whitish or pinkish roses, executed in a soft-focus manner, signed at lower right by artist Jean Percival. I do not see a listing by this name but we're looking at a talented artist. The work measures 13 1/2" by 9 1/2" inside the double mat opening and 21" by 17 1/2" framed. Silvery frame exhibits light wear. There are reflections in some images.

Among several works I am offering by the artist, this is a set of EIGHT offset color prints after watercolor paintings **(ONLY FIVE ARE SHOWN IN THE PRIMARY IMAGE; EMAIL FOR IMAGES OF THE FINAL THREE)**, each hand signed in lower margin, and each titled, (each 10 1/2" by 13", unframed), by California master watercolor artist MILFORD ZORNES (1908-2008). Zornes is an icon in the world of California watercolor painting, which has come to be known as the "California Style". Born in Oklahoma, he arr...

A watercolor drawing of the famous (since 1862) Cafe du Monde in the old Vieux Carre (French Quarter) of New Orleans, Louisiana, signed at lower left by listed American artist PIERRE MENAGER (1894-1973). The work is dated there 1942. Menager was born in Nantes, France and traveled widely during his life within the southern and western United States, creating art wherever he went. He is best known for landscapes and seascapes of California and the Southwest. A member of the Painters and Sculp...

Color etching titled "La Mare" ("the pond"), featuring a whitewashed two story country house or inn by a dirt road next to a pond, signed in pencil below the image "de Croisset". There is a printed label on the backing stating that this is a limited edition. A search by this name does not reveal a listed artist; I suggest that this might be a pen name/pseudonym. The date is probably circa 1930's to about 1950 at the latest. This was framed but the frame is falling apart so will be shipped un...

Color print, 8 1/4 by 12" inside the mat, 14 1/2" by 18" as framed, (no glass), the subject the famous booksellers by the Seine in Paris, Notre Dame cathedral in the distance, numbered at lower left 166 out of editions of 500, and signed at lower right in pencil, by the noted French 20th century impressionist painter CHARLES BLONDIN (1913-1991). Blondin was active in Paris in the post war years, painting and creating very popular editions of prints which he numbered and hand signed. This print...

A 19th century European pencil drawing of a classical male figure seated on a drape, holding a staff and a round object, signed with initials at lower right with what appears as "MLB". There is no other hint as to the identity of the artist. The paper has no watermarks. Measurements are 9 1/2" by 7" inside the mat, 14 7/8" by 11 1/4" in inexpensive modern frame behind non glare glass.

Really well executed watercolor of a classic American town's streets and buildings, as seen from a bird's eye view on a gray, snowy winter day, 14" by 11 1/2" inside the present mat, unframed, signed at lower left by artist Warren Blackwell, and dated there 1948. It is surprising that there seems to be no information available on the artist, as his handling of the medium is so skilled and advanced. The scene is very American, and reminiscent of the American Scene art of the 1930's and early 19...

A peaceful scene---slow moving creek in a landscape, bordered by trees in what appears to be early autumn, signed at lower left center by Massachusetts listed artist JOHN J. FRANCIS (1862-1933). The work is competently painted by an artist who seems to have specialized in the watercolor medium. His works are often encountered in New England. Auction records seem to be hopeless entangled with another American artist with the same name, born in 1889 and died 1939. That Francis was more of an i...

Late 19th or early 20th century American watercolor of several small sailing craft off a dock, signed at lower right with what appears as "L. Hart" or similar. (There might be a "18" below the signature---possibly as in 1918, but it is difficult to make out with any certainty). The work measures 9 3/4" by 8" (14 3/4" by 13" framed). Let's call the artist a talented amateur who created a pleasant scene. Condition is good. Gilded oak framing has light wear but is complementary to the art. Al...

By the hand of the noted Polish-born Jewish artist who spent most of his life in California, BERNARD BARUCH ZAKHEIM (1896-1985) is this very early (1929) watercolor study "Mural Design for Monterey Calif". We see an image of a number of figures evidently hard at work in a landscape (possibly harvesting). The watercolor, 11 1/2" by 12" and 14" by 15 1/2" framed, dates to less than a decade after the artist arrived in California. Zakheim was born in Poland, and studied art in Danzig, Warsaw, ...

For collectors of early Floridiana, here is a prize---a circa 1930 hand colored photograph of a lazy slough with a clump of distant palms, titled in lower right margin "Miami River, Fla.", and at left margin in pencil is "Harris". This work, measuring 3" by 7" (the photo portion alone), and the entire piece 7" by 10 3/4" in most interesting old original frame, is by the noted photographer best known for his early images of Saint Augustine, W. J. HARRIS. The area depicted is today very close to...

Oil on wood panel still life painting of ceramic vessels, plate, kettle, and candlestick, all arranged on a tabletop, apparently unsigned, but on the reverse of the panel is a "Royal Exhibition" 1930 label, and there is a James Bourlet shipping label as well. The work measures 20" by 24" (27 1/2" by 31 1/2" framed). This beautifully impressionistic work is likely by a listed artist but I am stymied by the lack of a signature. Perhaps more research will turn up the identity of the talented art...

A small gem of a watercolor painting, the subject a traditional house in a landscape with trees, signed at lower right "F Diday fecit", ("fecit" Latin for "did it" or "made it"), circa mid 19th century. The work on laid paper measures 3 1/4" by 5 1/8" inside the beautifully hand drawn lines mat. Presently this is unframed. The drawing is NOT laid down--just hinged to a thin board at top edge, though there is old tape/tape residue on reverse in corners, those corner areas appearing as slightly...

An impressive bit of Americana---a large lithograph portrait in oval form, the print created by Peter S. Duval Co. of Philadelphia circa 1856, after a bust portrait by the noted American artist Rembrandt Peale (1778-1860). The Duval operation was highly regarded in its day for the quality of the prints produced. This print is very impressively framed, enhancing its decorative appeal, with a gilt design painted within the wood; the naturalistic design, of cattails and reeds, is reminiscent of p...

A beautifully painted work, 10 1/4" by 14 1/4" inside the mat, unframed, apparently by a Massachusetts artist by the name of Edith Currier Walker. This was purchased in Newburyport, Massachusetts, in a shrink wrap sleeve, with a handwritten label that stated this was by an Edith Currier Walker. The work is not signed on the front but on the reverse is some writing that looks like "E v. C Wa.....". There is a listed artist by this name from Oregon and California, but a google search shows that...