An early pencil drawing of a charming country house (barn/hayloft?) with thatched roof, a group of figures conversing outside. A pair of mules, a split rail fence, and plane tree complete the scene. The work is unsigned. Measurements are 8 1/2" by 11 1/2" inside the mat. Someone decided to re-use a modern mat that had evidently been used on a print, as there are numbers on it as if from an edition...

A nicely worked oil on canvas, 21" by 29" plus almost 1" wide old frame, the subject an extensive continental European landscape with figures on shore and in a small boat, a dog, wading and resting cows, trees and classic buildings, signed at lower right by artist "O. Kirkman" and dated there 1858. The more one studies this the more detail one sees. This antique painting will need restoration and it is well worth the effort to bring it back to displayable condition...

A scarce botanical mezzotint engraving of the plant species "Caryophyllus gramineus humilis" (carnation), plate No. 330, from Phytanthoza Iconographia, 1737-1745, considered the first important botanical work to use color engraving prints. The work is known for the accuracy and beauty of the prints, which can now bring impressive sums at Sotheby's and Christie's auctions in London...

This is a decorative, hand colored print, possibly dating to 1784, issued as a plate in "New and Complete British Traveller", titled at bottom "View of Hackney in Middlesex". Presently the print itself measures 6" by 6 3/4" (10 3/4" by 12 3/4" in simple black wood frame). I see from online research that this example seems to have been cut down, with all decorative border areas, and the name of the publisher, Alex Hogg, at the Kings Arms, No. 6 Paternoster Row, trimmed away...

A vintage, old, pastel on paper drawing of old steep-roofed houses in a mountain landscape, 10 1/2" by 15 1/2" (14 1/2" by 19" as framed, no glass), signed at lower right corner with initials that appear as "SHC.". The work probably dates to the 1920's or 1930's, judging from the style, and framing materials. The old paper has browned heavily and one can see a ghost image of the drawing on the reverse side...

Original lithograph in colors, on smooth wove paper, "Stars" (French version was known as "Etoiles"), 1938, after a gouache by the well-known important Russian modern artist WASSILY KANDINSKY (1866-1944). This print, signed at lower left in the stone with Kandinsky's "K" monogram, was published by Teriade, Paris, for publication in the French avant-garde magazine Verve. The edition, printed by Mourlot, consisted of approximately 2000 or 2500 impressions...

A striking, complex drawing suggestive of three dimensionality, in rich teal blue and black, violet and gold, with strategic cut-outs revealing the white backing, 25" by 38' in the plastic enclosure box. The work does not appear to be signed but a fading label on backing gives the title as "Turquesa" ("Turquoise in Spanish) and the artist as JUNE SOBEL (1950-). Sobel was born in Queens, New York and grew up on Long Island...

Oil on canvas on board, 18" by 27", unframed, signed at lower left by artist OSWALD SCHLOMBS (1876-1926), and titled in pencil on reverse "Herbst" ("autumn", in German). The artist though listed is not well known, though obviously talented...

A fine example of California plein air art by listed woman artist MARY MAISON (1886-1954), unframed, 16" by 20", signed at lower right. The work is painted directly on wood panel. Image is of a high mountain, like Mt. San Jacinto or Mt. San Gorgonio near Palm Springs, seen in early spring when snow remains on the summits as the desert blooms far below. The former Mary Cox was born in Bethlehem, PA and studied art in Paris and Philadelphia...

This is a wood engraving print titled "Les Visages", by the important French artist GEORGES ROUAULT (1871-1958). The print measures 7" by 8 3/4" inside the mat (13 3/4" by 15 1/2" as framed). I believe that this is from the edition published at a later date (circa 1960's) by the Collectors' Guild of New York; the print is dated in the plate 1927, and signed in the plate at lower right. The condition is very good with even very light toning of the paper...

A mid 20th century watercolor on paper landscape painting of craggy classical mountains and gnarled pines, signed at center left with characters. The work measures 14" by 19" (24 1/2" by 30", no glass).

Original 1974 Marc Chagall (1887-1985) color lithograph on lustrous Japon Nacre paper, the title "King David" (1974)---Sorlier #721, the sheet 11 1/2" by 8 1/4", measuring 9 1/2" by 7 1/2" inside the present mat, and 16" by 13" simply framed. The print is not laid down, but is taped to the mat, at the corners, on the reverse side...

Ink drawing "Wooded Road", measuring 11" by 16", unframed, circa 1930's or 1940's, signed at lower right by listed American artist ISOLDE THERESE GILBERT (1907-1986). There are two labels, discovered when the piece was opened up (frame is low quality and worn). One red-bordered label gives the artist name, work's title, and size; another, of The City Library Association, Springfield (MA) Museum of Fine Arts, again provides title/artist name. Gilbert was born in New York City and died in Danbu...

A **PAIR** of watercolor on paper paintings of tropical South Florida landscapes, each 15 1/4" by 19 1/4" (one unframed, the other measuring 21 1/4" by 25 1/4"), both signed by Wisconsin-born artist RACHEL STEARNS (1895-1979). Stearns spent much of her life in Chicago where she received art education, some with Frederic Grant. Evidently she spent a lot of time in Florida, as a number of watercolor works featuring scenes from that state are known. These watercolors are vintage perhaps 1940's a...

A small contemporary watercolor of the dynamic waterfront harbor area of Vancouver, British Columbia, signed by artist Jo Wodz. The work, 3 3/8" by 3 3/8" (6 1/4" by 6 1/4" in modern frame) is by a contemporary Canadian artist, information on her painting style and subjects available on the internet. Condition is excellent. A fine way to remember Vancouver and its many charms.

A watercolor painting of a small motor boat and the surrounding dock area complete with lobster traps, signed at lower right by artist WILLIAM J. GILLETT, where it is also dated 1950. The work on heavy watercolor paper measures 12 1/2" by 17 1/4" and is currently housed in an old frame and mat that should all be discarded (that measuring 21" by 25"). The piece was stored in an attic with no glass so the paper is evenly showing evidence of soiling, and it does not lay flat due to some buckling ...

A nicely executed watercolor and gouache painting of Notre Dame Cathedral as seen from the east, the view captured on an atmospheric, cloudy gray day. The scene includes fishermen and other tiny figures at left. At lower right the artist signed rather illegibly; it could possibly read "Pierre" or "Renee", and after that it becomes more difficult to decipher, but "51 PARIS" is at the end (possibly "54"). So we have a view of the famous cathedral created just a handful of years after the end of...

Original pencil on paper drawing of a Native American Indian warrior on horseback, 10" by 8" (14" by 12" framed), signed at lower left by listed Montana artist SANDY INGERSOLL (1908-1989). This is perhaps a workout sketch---almost a tracing paper illustration type of drawing---for a more finished drawing or, later, painting. Ingersoll was born near Helena, Montana and would have been in his teens when Charlie Russell died in 1926. Ingersoll lived in western Montana most of his life. A hardco...